logo
‘I was being a sassy Karen': Florence Pugh's skyscraper stunt positions her as the new Tom Cruise

‘I was being a sassy Karen': Florence Pugh's skyscraper stunt positions her as the new Tom Cruise

The Guardian17-04-2025

If you ever needed definitive proof that Marvel has lost pace with the zeitgeist, just look at the panicky marketing of Thunderbolts*. The film opens in a couple of weeks and, according to the trade press, is tracking to open soft.
Had this been six or seven years ago, then fans would be clamouring to see Thunderbolts* simply because it was the latest instalment of the grand MCU soap opera. After all, it's a film that stars several side characters from older Marvel films and TV shows, and there was a time when audiences would go bananas for this sort of thing. But as the last few MCU films have shown, that approach doesn't really work any more.
For a while Marvel attempted to trade on the intrigue of the asterisk, but that fell down because the people who cared guessed what it meant and the people who didn't couldn't care less. Then came the weird trailer last month where the movie tried to rebrand itself as an A24 film, declaring itself to be 'absolute cinema' because it hired the production designer from Hereditary and the editor of Minari (and, in Julia Louis-Dreyfus, the star of You Hurt My Feelings). And while there was a lot of novelty about this – when was the last time a Marvel film made a big deal about the pedigree of the people who made it? – it didn't do a lot to shift the needle.
But now, finally, it looks as if Marvel has cracked it. The final flurry of pre-release marketing about Thunderbolts* doesn't make a big deal about the superheroes or the mythology or the cinematography or anything like that. No, this time it's being much smarter. This time it's unveiling Florence Pugh as the new Tom Cruise.
Thunderbolts* contains a big setpiece stunt in which Florence Pugh jumps off the 2,722ft Merdeka 118 in Kuala Lumpur, the second tallest skyscraper on Earth. Now it has been revealed that not only did Pugh perform the stunt herself, but she also pleaded with the Marvel brass to do it.
'As we got closer and closer to shooting, they said they don't think it's going to happen because it's a crazy insurance ordeal,' Pugh told Variety. 'I was like what the fuck? Of course we are! We have to do that.' Referring to herself as a 'sassy Karen' for refusing to let the issue drop, she then described the moment they relented. 'They're like, 'OK, if you want to fall off the second tallest building, we'll figure it out for you.''
These claims are backed up by a film that was posted to YouTube five days ago, in which we see Pugh jump off the aforementioned building. In truth, as far as the footage shows, it's less of a jump and more of a dangle – she appears to step off the roof and descend a small distance before she's winched back up – but nevertheless it looks absolutely terrifying.
It's a very Mission: Impossiblish formula. You'll remember that the entire selling point of 2023's Dead Reckoning: Part One was the sight of Tom Cruise riding a motorbike off the side of a mountain. Indeed, by the time the film came out we'd already seen the stunt in its various forms hundreds of times.
Of course, it turns out sharing your biggest stunt ahead of time is not always completely wise. Box office grosses for Dead Reckoning were lower than expected because we'd been given the exciting bit for free several years before it was released. This year's instalment, The Final Reckoning, is doing a better job of hinting at the big stunt – Tom Cruise flapping about on the underside of a corkscrewing biplane – without revealing the whole thing.
Time will tell whether Thunderbolts* should have been less generous with the stunt footage. But for now that doesn't really matter. What matters is that Florence Pugh wants to do her own stunts, and she's fearless about it. If there's a Thunderbolts* 2, maybe she'll do a helmets-off motorbike chase, or a one-take skydive. Maybe she'll beat Cruise and literally shoot into space. Maybe she'll even start sending cakes to people for Christmas. Either way, this might be the start of an amazing action career.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Twix advert banned after complaints it promoted dangerous driving
Twix advert banned after complaints it promoted dangerous driving

Wales Online

time3 hours ago

  • Wales Online

Twix advert banned after complaints it promoted dangerous driving

Twix advert banned after complaints it promoted dangerous driving The advert shows a man in a car embarking on a high-speed chase with a pursuer, before swerving off the road and tumbling down a hill Twix TV advert banned after complaints it encouraged dangerous driving (Image: Twix/YouTube ) A TV advert for the popular chocolate bar, Twix, has been banned following objections that it promotes reckless driving. The advert, titled Two is More Than One, showcases a 70s-inspired car chase featuring a long-haired man in a caramel-coloured vehicle navigating through a rugged terrain with winding roads. After noticing another driver tailing him via his rear view mirror, he accelerates before yanking the handbrake, veering off to the right side of the road and rolling sideways through a metal barrier. Despite the dramatic tumble down the hill, the driver remains unfazed as the car comes to a halt, landing on an identical vehicle at the bottom of the hill. The two cars are depicted stacked roof-to-roof, with the same man seemingly occupying both vehicles. For the latest TV and showbiz gossip sign up to our newsletter The Twix bar from the top driver falls through the sunroof into the hands of the driver below, and they both shift the gear stick on the ground level car and drive off. Two cars end up roof to roof, and drive away together. (Image: Twix/YouTube ) The Advertising Standards Agency (ASA) received five complaints alleging that the advert was irresponsible and encouraged dangerous driving, reports the Express. Article continues below Mars-Wrigley, the confectionery giant that owns Twix, defended the advert by stating it "was set in a separate world that was absurd, fantastical and removed from reality," and they ensured that the acts depicted in the sequence "would be impossible to recreate", according to Sky News. The firm, which also owns brands such as Maltesers and M&Ms, stated that the cars "were shot driving at lawful speeds and any emulation would only reflect the legal and safe driving presented". Mars-Wrigley also pointed out that the advert embodied the playful and absurd humour that the Twix brand is renowned for. Clearcast, the non-profit organisation that approves adverts before they are broadcast in the UK, informed the watchdog that the style of the video made it clear to viewers that the actions depicted were not intended to be replicated, and said the ad did not suggest "safe driving was boring," according to BBC News. However, despite acknowledging that the video featured "some clearly fantastical elements," the watchdog decided to uphold the complaints, stating in its ruling that the ads "must not appear again in their current form". "We considered the road was clearly realistic," the ASA stated. "The scenes were depicted as a chase with the emphasis on speed. In addition, the first man was then shown putting the handbrake on and the car swerved off the road leaving visible skid marks. "We considered the emphasis on a chase, and the speed inherent to that, and the driving manoeuvres featured would be dangerous and irresponsible if emulated in real life on a public highway." In its ruling, the ASA instructed Mars-Wrigley "not to condone or encourage irresponsible driving that was likely to breach the legal requirements of the Highway Code in their ads." A spokesperson for Mars Wrigley UK stated: "We always take pride in maintaining high standards across all our communications and every advert we produce is submitted for approval through the appropriate review channels. Article continues below "In our view, this particular advert adopts a fantastical tone that is neither realistic nor intended to be imitated. "Nonetheless, we take our responsibility as an advertiser seriously and never intended to cause any offence or concern, so we are reviewing the ruling carefully in order to work collaboratively towards a resolution."

All The Amazing Filming Locations In 'The Survivors', Netflix's New Thriller
All The Amazing Filming Locations In 'The Survivors', Netflix's New Thriller

Graziadaily

time3 hours ago

  • Graziadaily

All The Amazing Filming Locations In 'The Survivors', Netflix's New Thriller

There's nothing like a tense murder mystery to keep us glued to our screens, and Netflix's new crime series, The Survivors, has filled the gap in our TV schedules. If you haven't heard of The Survivors, the Australian drama flicks between the past and the present to tell the story of a coastal town, Evelyn Bay, that has been rocked with tragic deaths. The show is based on a bestselling novel by Jane Harper, and follows the story of Kieran Elliot, played by Charlie Vickers, as he returns to his hometown 15 years after losing his brother at sea in a storm. But on arriving back, he is met with another tragedy - a girl's body discovered on the beach. But alongside its twisty-turny storyline, something else has struck viewers: the gorgeous filming location. Think golden beaches, mysterious caves and rocky cliffs. Yerin Ha, who stars in the show, recently shared an Instagram post featuring some of the beautiful filming locations. As Ha's Instagram post suggests, the show was mostly filmed in Tasmania, but the production used several different locations to bring the action to life. Evelyn Bay is an entirely fictional town, which meant the crew has to get creative about where they filmed the series. Speaking with Tudum, Tony Ayres, the creator of The Survivors, said 'Evelyn Bay doesn't actually exist. Jane [Harper] made it up out of a number of different place.' The town of Evelyn Bay is bought to life through locations around Hobart, which is the capital city of Tasmania. Hobart has an urban landscape with a small population that strikes the right balance between nature and city, which the crew thought was perfect for the story. The Survivors. Cr. Courtesy of Netflix © 2025 ©Netflix Ayres told Tudum: 'Big emotions play out in this big landscape. That's why Tasmania works so well.' The eerie, remote locations, menacing cliffs and underpopulated areas work to represent the dangers the characters face, and adds to the sense of mystery that shrouds the town. According to Netflix's' Tudum, filming also took place at Eaglehawk Neck. Eaglehawk Neck is a small village which is about a 77km drive from Hobart, and hosts an impressive rocky shoreline. The Survivors. Cr. Courtesy of Netflix © 2025 ©Netflix Tony Ayres said that Eaglehawk Neck has 'such a gothic landscape. It's cliffs and sea caves and this pounding ocean. It really is so spectacular.' In another interview with Variety, Ayres explained why Eagle Hawk was the perfect place to film the show. 'It became very clear once we found Eagle Hawk Neck and the spectacular landscapes that the locations were going to be crucial to not just the tone of the show, but the themes of the show,' he told the outlet, adding that the landscape became integral to the story. 'We peppered the series all the way through with images from this sort of sense of foreboding that you have when you're standing on those cliff tops and seeing the caves and the ocean, the ferocity of the ocean, all of those things felt absolutely that they became emblematic of the storm, but also they felt metaphoric for the themes of the series,' he said. Alongside Eagle Hawk, some of the beach scenes were done at Freycinet Peninsula, which is part of Freycinet National Park and a place of great natural beauty. The area consists of dramatic mountain ranges and rocky cliffs which are integral to the show's atmosphere. One of these locations is Great Oyster Bay, which has breathtaking views of Schouten Island and the Hazards mountain range. Along with Tasmania, filming for The Survivors also took place in Docklands Studios in Melbourne. This location was mostly used for the interior shots, which allowed the crew to have more control over their environments. The studio is kitted out with six stages including two with waterproof pits, making it an ideal location for recreating the shows at-sea scenes. Alice Hall is the Staff Writer at Grazia UK. She was previously a Junior Features Writer for The Daily Telegraph. At Grazia, she writes news and features about pop culture, dating, health, politics and interiors.

Love Island star Harry Cooksley had a hair transplant at just 24 years old as his transformation is revealed
Love Island star Harry Cooksley had a hair transplant at just 24 years old as his transformation is revealed

Scottish Sun

time4 hours ago

  • Scottish Sun

Love Island star Harry Cooksley had a hair transplant at just 24 years old as his transformation is revealed

LOVE Island star Harry Cooksley had a hair transplant at just 24-years-old and shared the journey to his transformation. Semi-professional footballer Harry, who is now 30, made his Love Island debut when the show returned on Monday night. 4 Harry is one of this year's Love Island stars Credit: Shutterstock 4 He jetted to Turkey at 24 to have a hair transplant Credit: YouTube 4 He described it as 'a perfect experience' Credit: YouTube While he's now got a full head of hair, that wasn't always the case for the Guildford lad - who jetted to Turkey to have the procedure. Appearing in a YouTube video posted by the clinic he visited in Istanbul, Harry explained the process and showed off the before and after results. He said: 'It was a perfect experience for something that I really wanted to have done and I'm very glad that I found EstePera.' The Love Island villa was left reeling last night when the first person was dumped just days into the series. During the first recoupling, Shakira Khan picked Harry - meaning Sophie Lee was left single and immediately sent packing. Shakira, 22, had to choose between Harry, Blu Chegini and Conor Phillips. And fans later insisted Shakira only went with Harry so that Helena Ford - who is in a couple with Conor, 25 - wouldn't be axed. One fan wrote on social media: 'Shakira well wanted to pick Conor but didn't wanna send Helena home and for that I kinda respect it. 'But also she'd suit Conor well better.' Another viewer added: 'No way she picked Harry for any reason other than she wanted the other women to stay… I simply don't believe it.' First person dumped from Love Island revealed And someone else said: 'I feel like she chose based on the girls, not the guys.' 4 Harry found himself caught up in the first dumping of the series when Sophie was axed Credit: Shutterstock Have YOU got a story or an amazing picture or video? Email exclusive@ and you could even get PAID

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store