All You Need To Know About Ishan Kishan And Aditi Hundia's Rumoured Relationship
View this post on Instagram
A post shared by Ishan Kishan (@ishankishan23)
Aditi Hundia, who shot to fame after winning the coveted Miss Diva title in 2018, was first linked to the cricket icon in 2019, as per a report by Zee News. She attended the IPL final between the Mumbai Indians and the Chennai Super Kings in Hyderabad, cheering for the former MI player. As per reports, she quickly earned the title of the 'mystery MI fangirl,' which soon led to the relationship speculations.
View this post on Instagram
A post shared by Aditi Hundia (@aditihundia)
Back in 2022, Ishan Kishan landed a staggering Rs 15.25 crore bid from the Mumbai Indians on Day 1 of the IPL 2022 Mega Auction. This extraordinary feat made the cricketer the second most expensive Indian player in the auction history, only trailing behind Yuvraj Singh.
Soon after the momentous win, Ishan Kishan dropped a video on Instagram expressing his gratitude to the Mumbai Indians for having faith in him. Congratulatory messages overflowed in his comments section. But one comment that caught the eye of Sherlock fans was that of Aditi Hundia. She wrote, 'Proud and how.'
Ishan Kishan and Aditi Hundia's subtle social media exchanges through likes and comments fuelled the dating rumours. A year ago, one Reddit post shared a screenshot where Ishan was seen calling Aditi 'beautiful' in the comments to one of her Instagram reels.
Cricketer Ishan Kishan comments on his rumoured girlfriend, Aditi Hundia's picture on Instagram and calls her beautiful. Slowly bringing the undisclosed relationship to light and making it public. ????????❤️????????
by u/Illustrious-One-7058 in BollyBlindsNGossip
In mid-2025, Aditi Hundia briefly disappeared from social media, reported Zee News. Additionally, she and Ishan Kishan both removed each other from their Instagram follow lists. But this was short-lived as the duo once again started following each other's handles in July.
As of now, these are only rumours because neither Ishan Kishan nor Aditi Hundai has confirmed their equation.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India.com
15 minutes ago
- India.com
Educational qualifications of Ajay Devgn's family? The actor has studied till..., Kajol is a dropout, Nysa Devgan pursued…, Yug Devgan studies in…
Bollywood's popular actor Ajay Devgn is famous not only for his stunts but also for his pranks on the sets of films. He keeps doing one prank after another with his directors and co-stars. Ajay Devgn was associated with Bollywood films at a young age. Today, we will know how qualified Ajay Devgn, Kajol, Nysa Devgan, and Yug Devgan are. Know educational qualifications of Ajay Devgn Singham actor, Ajay Devgn, studied at Silver Beach High School in Mumbai. After passing the 12th, he got a graduation degree from Mithibai College in Mumbai. Ajay Devgn made his debut in the industry only after completing his studies. However, it is not known in which stream he studied. View this post on Instagram A post shared by Ajay Devgn (@ajaydevgn) Know Kajol's educational qualification You will be surprised to know that Kajol herself is a school dropout. Yes, Kajol has not even completed her schooling. Born on 5 August 1974 in Mumbai. Kajol's mother Tanuja, is an actress, while her father, Shomu Mukherjee, was a film director and producer. Kajol studied in St. Joseph Convent School, Panchgani. Apart from her studies, she also used to teach dance. Kajol started acting while she was still in school. Kajol made her acting debut at the age of 17 in the 1992 romantic drama Bekhudi. After starting work on Bekhudi at the age of 16, Kajol wanted to return to schooling. But Kajol left school to pursue a career in films. View this post on Instagram A post shared by Kajol Devgan (@kajol) Kajol didn't even complete her 10th and 12th grades. After dropping out of school, Kajol never completed her school education. Kajol never went to college. She does not have a degree. However, later Kajol admitted on many occasions that she regretted the decision of not completing her studies. How qualified is Ajay Devgn's daughter, Nysa Devgan Talking about Nysa Devgan's educational qualification, she is focusing on completing her studies. She has done her schooling from India's prestigious Dhirubhai Ambani International School, Mumbai. Many star kids have studied here and are currently studying as well. She went to Singapore for high school studies and took admission in the United World College of South East Asia. View this post on Instagram A post shared by Nysa Devgan (@nysadevganx) According to reports, she is currently pursuing a degree in International Hospitality from Glion Institute of Higher Education, Switzerland. According to the website, the fee of this institute is around Rs 1.5 crore Where is Ajay Devgn's son Yug Devgn studying? According to media reports, Ajay Devgn's son Yug Devgan studies at Dhirubhai Ambani International School. However, not much information about Yug is available in the public domain. But according to some media reports, Yug is a student in the 9th or 10th. Dhirubhai Ambani International is a famous school in Mumbai. View this post on Instagram A post shared by Ajay Devgn (@ajaydevgn) If we talk about Yug's school fees, Dhirubhai Ambani's fees is Rs 1400 per month, which amounts to Rs 70,000 per year. Reportedly, an amount of Rs 5,000 is also charged as an admission fee. On the other hand, the report also states that the fees for IGCSE students are Rs 49,000 per month, which amounts to Rs 5,90,000 per year.
The Wire
15 minutes ago
- The Wire
The Theatre of Ratan Thiyam: Profound Beauty on the Modern Stage
I remember Ratan Thiyam, almost always dressed in black, performing an elaborate curtain call along with his actors at the end of his show. Together they would all go down on their knees and touch their foreheads to the stageboards so as to thank the audience for coming to the performance. The grace of this gesture in some sense encoded the essence of Ratan's theatre work – its formal rigour and its elegance as it walked the fine line between performance and secular ritual for, and of, the modern stage. One the most celebrated theatre makers of India, Ratan Thiyam, who passed on July 23, 2025, in Imphal at the age of 77, was in command of many roles at one and the same time throughout his life. He was a theatre director of brilliance, but was also a writer and a poet, a theatre teacher, a guru, a distinguished organiser and a leader – heading institutions like the National School of Drama as its Director (1987–88) and as its Chairperson (2013–17), while creatively shaping the artistic style of the renowned Chorus Repertory Company that has performed across India and the world to great acclaim for more than four decades. However, let me begin this tribute to Ratan by taking a step sideways. It is said that there is a philosophical connection between landscape artists, horticulturalists and theatre makers. All of them understand the effects of a slant of light, the depth of shadow, grades of colour, chiaroscuro, and the inter-relationships, by placement, between nature, humans and objects. I had the occasion several years ago to visit the Chorus Repertory Company, located at the edges of Imphal city, and I vividly remember the nearly three-acre site: the neatly trimmed hedges, the small pond, the clusters of trees with blossoming vines wrapped around their trunks, the flower beds, the vegetable patch, and the gravelly pathways connecting one part to another. The vegetables harvested from the fields fed everyone who lived on site including Ratan. He lovingly introduced the garden, the water body and the plants, many of which he had planted himself. Also read: Ratan Thiyam, the Risks He Took and the Future of Indian Theatre Working the land was a part of the daily routine set up several decades before the connections between agricultural activity and theatre practice had come into focus, as they have done now. Apart from this there was, and still is, another routine in place – of practising movement, breath, vocalisation, song and music derived from the vocabularies of Manipuri dance traditions, martial arts and ritual practices. This training happened in a cluster of buildings set amidst the landscape, that included an exhibition space, a rehearsal space, and a blackbox theatre equipped with light and sound systems. Away from the noise of the city, the Chorus Repertory as imagined by Ratan functions as a sort of ashram, where skill is transferred to the shishya – student – on a daily and continual basis, a mode of transmission different from the segmented time-tables of 'modern' theatre training institutes. But back to the theatre maker and the horticulturalist, and their understanding of atmosphere – which is objective and subjective, material and non-material, at the same time; something that you can breathe in and recognise it to be joy or peace or melancholy for instance, but not know what it is that you have drawn into your lungs. Ratan's use of light and shadow in theatre is unparalleled. He was able to create degrees of darkness on the stage – experienced as sometimes dense and sometimes diffuse with a precision that requires an exact understanding of the properties of lighting apparatus. At one moment the lights dimmed so low that you might see nothing but the glint of sequins on the potloi (the structured skirt worn by Manipuri dancers) as a group of performers glide across the stage; at another moment you might see a slash of light illuminate fingers wrists and upper arms flickering against the cyclorama – leaves, insects or distress signals from a drowning chorus? From the dark upstage you might see a tall, white fabric umbrella, held firmly by an actor, float downstage, to form a halo ─ marking a passage to the heavens? The tumultuous clang and flash of hand-held gongs deafen and blind the spectators as the chakravyuh gains the velocity of a tornado in a circle of red beams. And who can forget the often-cited image of an elephant materialising on stage as if in a dream, in his memorable production of Agyeya's Uttarapriyadarshi! These are stage effects that cause the heart to pound. Almost nobody understood the magic of the image in theatre better than Ratan Thiyam. And almost nobody used the proscenium arch theatre, also known as the picture-frame stage, better than him. The picture-frame stage, brought to India by the British to house their theatricals, has given rise to much debate. The proscenium, as we know, is the architectural frame that edges the opening of the stage. The major experiential convention it produces is a play of dark and light; the stage being illumined while the audience is in darkness is as much an emotional experience as it is material. What effect does such architectural framing have on traditional forms and their grammars? How does it change our viewing habits and our expectations? Ratan Thiyam's work, performed primarily in the proscenium, disturbs assumptions and generates a contradiction. Even when he remodelled traditional grammars, and reshaped gestures drawn from Manipuri martial arts and dance forms so as to align them with the enclosing edges of the frame, Ratan produced performances that have often been understood as, or even become synonymous with, Indian theatre. A description that we must inflect, gloss and interrogate by keeping his remodelling, his refashioning of form stance and music in mind. Ratan Thiyam's luminous stage work exceeds description; what stays in our memory is his love for the craft of theatre, and the beauty it can produce. It reminds us that meaning-making in theatre is not by word alone but by all the elements that make up the performance – from minutiae such as glinting sequins and flying tassels on costume, to the voluminosity of shadowed tableaus and grand battles choreographed to thunderous percussion that judder the very foundations of the auditorium. Our homage to Ratan Thiyam: the person who ignited the spell of material fiction that is theatre; the one whose aesthetic and pedagogical imagination enhanced the discourse of modern Indian theatre.
NDTV
15 minutes ago
- NDTV
Inside Shilpa Shetty's Yoga Session In Udaipur
Shilpa Shetty is a fitness enthusiast, and her love for yoga is no secret. Whether it is a quick home workout or a full yoga flow, she makes sure to keep fitness a part of her daily routine. Her Instagram is filled with wellness tips, yoga videos and motivational posts that inspire fans to stay active and mindful. On Monday, the actress shared a new video where she is seen performing yoga on stage while guiding a live audience in Udaipur, Rajasthan. Dressed in comfy workout gear, Shilpa led the session with ease and energy. She performed a series of asanas, including Suryanamaskar (Sun Salutation), Chakki Chalanasana (grinding pose), Bhujangasana (cobra stretch) and Badhakonasana (butterfly pose). Each move was done with grace and focus. The video was a mix of calm vibes and solid stretches - just what you would expect from Shilpa. In her caption, Shilpa Shetty wrote, "Make yoga a practice everyday. Wrapped up a beautiful session in Udaipur. Benefits: Regular practice of Yoga (including Pranayama and Asanas) offers a wide range of benefits for both body and mind. It helps improve flexibility, strength, balance, and posture. It also reduces stress and anxiety, promoting better mental well-being." View this post on Instagram A post shared by Shilpa Shetty Kundra (@theshilpashetty) If Shilpa Shetty's yoga video gave you that little push to roll out your mat, Here are five yoga asanas you can try adding to your routine 1. Suryanamaskar (Sun Salutation) This is a full-body stretch that wakes you up and gets the blood flowing. It is a mix of forward bends, backbends and planks. Great for warming up and improving flexibility. 2. Bhujangasana (Cobra Pose) Lie on your stomach and lift your chest using your hands. It gives your spine a nice stretch and helps open up the chest. Also, a good one for posture. 3. Baddha Konasana (Butterfly Pose) Sit down, bring your feet together and flap your knees like wings. It loosens up the hips and inner thighs. Chill pose for when you want to wind down. 4. Trikonasana (Triangle Pose) Stretch one arm down to your foot and the other up to the sky. This one helps with balance and works your sides and legs. It is simple but effective. 5. Chakki Chalanasana (Grinding Pose) Sit with your legs stretched out, hold your hands together and move in big circles like you are churning something. It works your core and helps with digestion. Plus, it is fun. Disclaimer: This content including advice provides generic information only. It is in no way a substitute for a qualified medical opinion. Always consult a specialist or your own doctor for more information. NDTV does not claim responsibility for this information.
