See the most dramatic beauty looks in The Buccaneers Season 2
Right off the bat, Season 2 picks up right where the first season left us off: Nan's wedding day. Nan (Kristine Froseth) has chosen to walk down the aisle and marry the Duke of Tintagel, Theo (Guy Remmers), despite knowing that her heart really belongs to Guy (Matthew Broome)—but she'll do it all over again if it means saving her sister Jinny (Imogen Waterhouse). The first episode alone is chockfull of dramatic revelations, from Theo's mother, the Dowager Duchess's involvement to truth bombs surrounding the identity of Nell, played by hotly-anticipated newcomer Leighton Meester. To enact these moments to full effect, a theatrical array of hair and make-up looks command the screen; each one carefully conceived to perfection by hair and make-up designer Jenny Rhodes Mclean, be it to signal a fresh season for a character or send a powerful message out into the world. Out of the first episode's breathtaking beauty looks, we simply must discuss Nan's pièce de résistance : where she paints the town red with a crimson train, bold buns, and a final smear of scarlet on her lips.
As Conchita says it best, it's a look that's 'changing the conversation'—and we can only expect more from Nan and the rest of the show's radiant cast as the show builds in anticipation. Peruse the most striking beauty looks from The Buccaneers Season 2 so far. Courtesy of Apple TV+
1 / 7 The mask of a blushing bride
Tiara adorned, Nan is crowned the Duchess of Tintagel. Despite the reality of the situation, Nan carries on with poise. Luminous skin, cheeks flushed in pink and a wispy updo that keeps her wits about her—the latter a stark contrast to when she freely wore her hair down throughout most of the first season. Courtesy of Apple TV+
2 / 7 The black swan
If there's one character with a growth arc on the way, it's Aubri Ibrag's Lizzy. Compared to the beachy, nonchalant waves she wears in Season 1, Lizzy is a picture of womanly elegance—as if the girl in the first season has been shed. With hair swept back, glowing skin and a glittering black tiara in tow, she wears her trauma and secrets with newfound sophistication; embracing them, instead of rejecting her shame. Courtesy of Apple TV+
3 / 7 Spiral attraction
This moment feels all the more poignant, as Nan sends her mother, Patti St. George, off on her first day as the new duchess. With eyes of adoration, she looks at her mother, who wears her striking auburn hair in a head of cascading spiral curls. Courtesy of Apple TV+
4 / 7 Feathered honour
The second season also welcomes the progression of its most prominent queer relationship between Mabel Elmsworth (Josie Totah) and Honoria Marable (Mia Threapleton). Whilst they may have left their days of girlhood behind them, the former continues to reject the traditional updo and wears her curls neat but swept up in a more contemporary fashion—accented with a black feathered hairpiece for the sake of an occasion. Courtesy of Apple TV+
5 / 7 The higher we go
Alisha Boe's Conchita too, must evolve amid trying times for her and her husband, Lord Richard Marable. To keep up appearances, she sculpts her mane upwards, whilst her lips are painted with a sheen of plum. Courtesy of Apple TV+
6 / 7 Hatted poise
Newcomer Leighton Meester is introduced as Nell, Patti's long-estranged sister. And she's an absolute gem on screen—long, fluttering lashes, a softly-pinked pout and matted curls kept underneath a jewel-toned hat. Courtesy of Apple TV+
7 / 7 Paint the town red
She's the Duchess—and she's not letting anyone write the narrative for her. To make the headlines and steer the conversation away from the real whereabouts of her sister, Nan decides to step out in a regal scarlet gown and dramatic space buns worn low—whilst her royal tiara is crushed and worn in reverse. But it's the divine match of her scarlet lip that takes the cake (courtesy of Mac Cosmetics, according to Mclean) and births Nan anew.
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Vogue Singapore
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- Vogue Singapore
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CNA
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Vogue Singapore
02-07-2025
- Vogue Singapore
Guy Remmers unleashes it all for The Buccaneers Season 2
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'He has lived in a society and a family which has suppressed their feelings but in that moment, he allows himself to just feel.' Plenty of things to unpack for our brooding Duke then. With more juicy regency drama on its way to us this season, Remmers speaks to Vogue Singapore about Theo's big moment, dancing on set, and his most adored character arcs of The Buccaneers Season 2. Season 2 starts with married life for Theo and Nan. Would you say he's blissfully unaware at the start? Tell us more about his state of mind at the start of the season. Yeah I think there's a bit of that. You know, in the last couple episodes of Season 1, he finds out the feelings and relationship that Nan and Guy have. On the morning of the wedding, he gives Nan an ultimatum, because he knows something's up. So all those feelings haven't gone, that they're definitely still there, but she's shown up. So he's trying to bury them, but they're not completely gone. But I think on that wedding day, he needs to try and trust that. So he's blissfully unaware of some stuff, but he definitely has a little seed of something that doesn't feel, you know, completely amazing. That doubt grows even in the first episode with little things that he finds. So yeah, I think he's in denial a little bit. Nan and Theo's wedding day. Courtesy of Apple TV+ We can sense a turning point coming for Theo this season. Tell us more about how you prepared for this moment. I shot this moment first actually, this turning point. So that was a bit of a challenge—mentally starting at the turning point. I had to really think about how someone would deal with their whole life flipping upside down. I thought of it in animalistic terms; you know when we're children, or an animal is kind of cornered or frightened, they kind of go into fight or flight mode. That was the mentality I applied to how Theo carries himself at that point. It's this really lovely moment where he's already gotten all of his anger and rage out. He just starts to feel. He has lived in a society and a family which has suppressed their feelings but in that moment when he does that dance, he allows himself to just feel with no barriers nor blockages. It's the first time in his life where he's just unleashed. He's free, completely free. Those are the two things I played with: how you are when you've been wronged, and the aftermath of that. The sense of 'I deserve to live'. So I did a couple of rehearsals with our amazing choreographer, Sam, and we just blocked the skeleton of where I was going to go so the camera would know where I was going to go. But we didn't really rehearse any dance moves. But I'm kind of lucky, I love to dance. I just had to imagine that nobody else was there. I had to dance as Theo though, so I had to think about how people danced in that time. I couldn't do something specific, like dabbing or anything contemporary. Luckily, I was allowed to dance to my own music choices. What songs did you pick? The first song was Jamiroquai's 'You Give Me Something'. They're like one of my favourite bands of all time and their music just makes me want to dance. And then the second song was 'Town Called Malice' by The I watched Billy Elliot as a kid—the version with Julie Walters—there's a sequence where Billy Elliot kind of just starts dancing and kicking stuff and running down the street and tap dancing. I felt like that was kind of Theo in that moment. He was just like, kicking down stuff and and moving madly. So those were the two songs that I chose—they were the keys really. Me and Theo were unleashed simultaneously. What is something you've learnt about Theo along the way? I would say that throughout your life, you are met with challenges and obstacles but also beautiful circumstances, and happiness and joy. Despite those two things—that are always kind of running alongside each other, and we know it's also unleashed at some point for Theo— his core, his soul, never changes. You know, he's an empathetic person and that never changes. Despite things that happen in your life, you still have that soul that is a result of your family, and your friends and your upbringing. I believe that that happens with Theo, you know, despite everything that happens in Season 2. At the end, he's still an empathetic, kind person. This show focuses on many other types of love, apart from just romance. What are some of your personal favourite relationships that develop on-screen? Cool, yeah. In this season, it would definitely be the one between Theo's mum, the Dowager and Reid Robinson. They have a lovely, lovely relationship, which I loved watching develop on screen. That was a big one. That was my favourite. I also love Theo and Guy's friendship, and I loved doing those scenes in Season 1 with Matt. We didn't have loads in Season 2, but when we did, they felt really special. I also love Guy and Paloma. I love their dynamic. I think it's a fresh dynamic that we haven't seen yet in The Buccaneers . So, yeah, those are the two that I really enjoyed watching and seeing grow. Paloma, Jinny and Guy in Season 2 of 'The Buccaneers'. Courtesy of Apple TV+ Everyone's obviously very excited about Leighton being added to the cast—do you get to interact or work with her much? Yeah no, I don't have a lot of scenes with her, but I did get to meet her a few times. And she's so lovely. So lovely, so kind, and she was such a beautiful energy to be added to the cast. It felt like she had always been there, you know? We were all very excited that she was joining and then when we all met her, we were just like, wow, she's so lush. So like I said, I didn't have loads of scenes of her, but it's been really cool to watch and see her in the world. Leighton Meester is Season 2's newest cast addition. Courtesy of Apple TV+ Theo loves his art and painting. What sort of films and art do you think the Duke of Tintagel would love in today's world? Oh, what film would Theo love? I think he would love Pride and Prejudice . I think he'd love Matthew Macfadyen's Mr. Darcy. Art is a good one. Well he's a lover of nature and forests and greenery. Maybe in his unleashed era, he would love an expressionist artist like Joan Miró, because it's all very expressionistic and colourful. You've got an eye for fashion too. Any wardrobe you really wanted to keep? Yeah, definitely. There's a scene in Episode 1 where I'm coming back from a walk, and I hang my coat up. We called it my riding coat; it's this long wax trench, riding coat. I love that and I really wanted that. But there's so many of the costumes. The tailoring is so amazing and quite different to the tailoring that we wear today, especially with the cravats and the trimmings. I think it's the only time I've ever worn like a full tuxedo, you know? So, I really wanted to keep the tuxedo too. So out of the world of The Buccaneers , where can we see Guy Remmers next? I've always wanted to play a detective. I love detective dramas. Like Benedict Cumberbatch's Sherlock Holmes, Matthew Mcconaughey's Rust Cohle in True Detective , Carey Mulligan played a great detective too in Collateral . I've also always wanted to be in a Martin McDonaugh movie—I think his characters are so colourful and full of life. Oh I'm a big fan of racquet sports as well, I played a lot of tennis when I was younger. So when I watched Challengers , I thought I would love to do a movie like that too. I would love to wrestle my way into this racquet sport thing that's happening at the moment. What else? Hmm, maybe something in space. So the Duke's going to space? The Duke's going to space. Watch Season 2 of The Buccaneers on Apple TV+ now.
