
Lottery for $10 Hamilton seats at Place-des-Arts in Montreal sure to draw the Hamilsquad
Alexander Hamilton is on the U.S. $10 bill, so it feels appropriate that a digital lottery will award dozens of winners tickets for shows at Place des Arts for just $10.
The games begin in conjunction with the show's first Montreal performance Aug. 19, and 40 tickets will be available for each performance.
'The game-changing musical tells the story of American Founding Father Alexander Hamilton in two parts,' The Gazette's Bill Brownstein wrote when the show was announced last year. 'Based on the Ron Chernow biography Alexander Hamilton, the play's music, lyrics and book were created by Lin-Manuel Miranda, also the original star of the piece. Hamilton premièred at New York City's Public Theatre nearly 10 years ago before conquering stages everywhere else.'
View this post on Instagram
A post shared by Tyler Fauntleroy (@earthwindandtyler_)
The tale is told through hip-hop, jazz, R&B and Broadway music. It has garnered a loyal following of Hamilfans, also sometimes called Hamilfam, Hamilsquad or ... fans of Hamilton.
It was won 11 Tony Awards, a Grammy and the Pulitzer Prize for Drama, among other honours.
The North American production by creator Lin-Manuel Miranda is directed by Thomas Kail and choreographed by Andy Blankenbuehler. Tyler Fauntleroy is Alexander Hamilton; Jimmie 'J.J.' Jeter is Aaron Burr.
At a glance
Hamilton runs Aug. 19-Sept. 7 at Salle Wilfrid-Pelletier in Place-des-Arts, 175 Ste-Catherine St. W. If you don't win the lottery, tickets from $63 to $278 can be purchased via placedesarts.com.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CBC
29 minutes ago
- CBC
Hamilton the musical arrives in Ottawa
The acclaimed Broadway musical Hamilton arrives in Ottawa. CBC's Sandra Abma speaks with actress Lauren Mariasoosay, who lived in Ottawa as a child and plays Eliza.


CBC
29 minutes ago
- CBC
Black families in Hamilton, Burlington and Milton find summer 'magic' in cookout, camp out weekend
Kelso Conservation Area was transformed into a vibrant celebration of Black culture, connection, and community on July 26, as Halton Black Voices (HBV) hosted its annual Community Healing Cookout and Black Campout. More than 100 families from across Halton Region and Hamilton arrived with tents, blankets, lawn chairs, and open hearts for a weekend of laughter, music, and shared experience. What started as a grassroots initiative during the pandemic to offer safe, affirming spaces for Black people living in Halton has grown into a beloved summer tradition. This year's event featured meals that filled the air with the rich aromas of Caribbean and African cuisine. Attendees spent the day soaking up the sun, exploring scenic trails, and playing dominoes late into the night. Despite a bit of rain, families remained enthusiastic, embracing the experience and looking forward to camping, connecting, and simply being in community. For many, it was more than just a camp out. "I love being around my Black people," said Hamilton's Lascelles Stewart. "It feels nice that we are the majority here, not the minority." His wife, Malene Stewart, first discovered HBV during the pandemic through their virtual book club. That experience grew into a lasting connection. "Last year was our family's first time camping in a tent," she shared. "The kids made instant friendships. My son Jonah met a group of boys once, and all year, he talked about missing them. That's how deep the connection runs." This year, the Stewarts returned with two of their four sons — Noah, 19 and Jonah, eight. She said she was "looking forward to the drumming, the music, the dancing, and just walking around in nature. It's fun to sleep in a tent — even though I don't like bugs," she laughed. 'They've created something meaningful' The accessibility of the event emerged as one of its most impactful features. "If this wasn't a Black-led, community-rooted event, we probably never would've gone camping," said Lascelles. "Camping never really felt like it was meant for us. But HBV changed that. With the cost of living so high, they've created something meaningful that doesn't come with a financial burden." Shaunice Dorsey, from Hamilton, agreed. "This is our second year camping with HBV, but our first as a whole family," she said. "For a lot of Black families, there's a history of not camping. Seeing other Black people here — it's healing. The energy is different. It's special." Dorsey's mother joined the camp out for the first time at the age of 68. "Every year they try to get me to camp," she said with a laugh. "But it's just one night — I'll survive one night." For Dorsey, the most valuable part of the experience was simple. "Honestly, my favourite part is just resetting. Unplugging. And feeling safe." Hamilton non-profit marks 5 years of support for Black-owned businesses, hopes to make bigger impact Dozens of bursaries, scholarships handed out at 2025 John C. Holland Awards celebrating Black youth Adejsiola Atiba, a local leader and a candidate for the current byelection in Milton's Ward 1, also joined in the celebration. "Banking is my profession, but community is my passion," she said. "Coming to the cookout is an opportunity to connect — with culture, with neighbours, and with purpose." The infectious energy of DJ Icon, HBV's official DJ, kept spirits high throughout the day as his vibrant mix of Afro-Caribbean, hip-hop, and soul echoed across the park, drawing curious onlookers and longtime campers alike. Families who had never heard of HBV, but were camping at Kelso for the weekend, found themselves dancing, sharing meals, and joining the celebration. Many said they'll return next year. The day was filled with a variety of activities, from arts and crafts with May Touma to a lively performance by Sasha and The Dope Band, drumming circles, and guided hikes. Families enjoyed the water park at Kelso Conservation free of cost, and friends bonded over campfire s'mores. On the morning of July 27 campers slowly began packing up tents and coolers, but the impact of the weekend lingered. "Growing up in a predominantly white community, I never had this," said Malene Stewart. "This sense of inclusion, of support, of belonging. I wish I had this when I was younger. It's magic being out in nature, together." Founded in 2020, HBV was built on the foundation of dismantling systemic racism and amplifying Black voices. Through events like the cookout and camp out, the organization continues to foster joy, healing, and community strength across generations. Chizoba Obidigbo-Egbo, a board member from Burlington, summed it up best as she sat beside her family beneath the trees: "This is what legacy looks like." Being Black in Canada You can read more stories here.


Winnipeg Free Press
a day ago
- Winnipeg Free Press
Thunderous approval for pop star Tate McRae at Canada Life Centre
Even if you think you've never heard of Tate McRae, you've definitely heard Tate McRae. The 22-year-old Calgary-born pop star is having a supernova moment. Her 2023 single Greedy continues to have a chokehold on pop radio. She is one of the Top 50 most-listened-to artists in the world on Spotify. She has had 21 (!) songs chart on the Billboard Top 100. People might know her better — or at least first — as a dancer. McRae also has the distinction of being the first Canadian finalist on the American reality series So You Think You Can Dance. She started posting songs to YouTube in 2019 and the rest, as they say, is history. Now, McRae's out on her three-continent Miss Possessive Tour — in support of her third album, this year's So Close To What — which brought her to Canada Life Centre on Saturday night. Starting with plenty of pyro and smoke right out of the gate, McRae let the anticipation build before taking the stage in a teeny white outfit for a slinky, sexy performance of Miss Possessive, flanked by a crew of impressive dancers. For an arena pop show, the stage set up was surprisingly spartan: a large T-shaped catwalk with a circular B stage, backed by three giant screens that had a few video interstitials but mostly showed what was going on onstage (her videographers were absolutely excellent). This allowed McRae to be the focus — her face, her voice, her choreography. And her hairography, of course; McRae's honey-coloured mane is a main character, and she loves an expertly-timed hair flip. McRae draws a lot of comparisons to Britney Spears, perhaps because she's a pop star who can actually dance and perhaps because, like Spears, McRae's also big into the breathy baby voice, or so-called cursive singing — a term that describes a vocal style in which certain vowels are elongated while the consonants are clipped. (It gets its name because it sounds like cursive writing.) Both qualities were on full display on Saturday night, though her vocals had far more power behind them live than their recorded counterparts might suggest, especially on Siren Sounds, for which she commanded the stage. The show mostly felt like a relentlessly paced, 95-minute Y2K-era music video: a lot of crawling around the stage on all-fours, plenty of head snaps, a full-on stripper pole for the R&B-inflected Uh Oh. But she offered glimpses of her other sides as an artist, too, taking the mic on the B-stage in a black gown for performances of Greenlight and a soaring Nostalgia before sitting down at a keyboard for a little medley that threw back to her YouTube days. A note here on the crowd: I don't think even the Winnipeg Whiteout games got this loud. CHRIS PIZZELLO / THE ASSOCIATED PRESS FILES Tate McRae's vocals had far more power behind them live than their recorded counterparts. CHRIS PIZZELLO / THE ASSOCIATED PRESS FILES Tate McRae's vocals had far more power behind them live than their recorded counterparts. The energy ramped back up before the show ended with a bang: an explosive rendition of Just Keep Watching, followed by the definitely Britney-indebted Sports Car (which featured a waterfall of sparks) and, of course, Greedy. A lot of culture critics (especially Elder Millennial ones) have spent the past couple of years dedicating a lot of pixels and podcast air to parsing the 'why' of McRae's fame. For my part, I think it simply comes down to the idea that not everything is for everyone, and that's fine. She's part of a rich tradition of generic pop music that people like because they can dance and sing along to it. Don't overthink it. Swedish pop star Zara Larsson opened the show with a set stepped in clubby early-aughts dance pop — right down to a cover of Britney Spears' Gimme More that gives the original a run for its money. But as a vocalist, Larsson evokes Christina Aguilera more than Britney. She's got a big, acrobatic voice, which was given a workout on the 2015 banger Lush Life and this year's Midnight Sun, the title track from her forthcoming fifth studio album, due out in September. The latter is a sweet ode to Sweden's long summer days, but it's also yet more proof that the Swedes sure know how to write a pop song. Larsson closed with her titanic 2017 hit Symphony, which had big headliner energy. Wednesdays What's next in arts, life and pop culture. Jen ZorattiColumnist Jen Zoratti is a columnist and feature writer working in the Arts & Life department, as well as the author of the weekly newsletter NEXT. A National Newspaper Award finalist for arts and entertainment writing, Jen is a graduate of the Creative Communications program at RRC Polytech and was a music writer before joining the Free Press in 2013. Read more about Jen. Every piece of reporting Jen produces is reviewed by an editing team before it is posted online or published in print – part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.