WWE touts record-shattering performance of AAA Triplemania 33
As they are wont to do even when they're not in 'wrestling war' mode, WWE sent out a press release the Monday after the show making much of Triplemania's impressive performance on several key business metrics.
There's a word for that… it somehow escapes me right now. Extol? Acclaim?
Gosh, I was way off. Daniel Bryan Danielson must be ashamed of me. Here's the presser, presented by Tout:
Triplemania XXXIII shatters records for viewership, gate, merchandise and social engagement
August 18, 2025 – TripleManía XXXIII, Mexican lucha libre promotion AAA's largest annual event, became the most-viewed and highest-grossing TripleManía in event history.
Streamed globally on WWE and AAA's YouTube channels in Spanish and English, the broadcast has been watched by more than 4.3 million viewers in the first 24 hours and hit a peak live concurrent audience of 614,000.
With a crowd of 19,691 at the Arena CDMX in Mexico City this past Saturday, TripleManía marked the highest attendance for any Mexican lucha libre show this year and set AAA's all-time gate record. Additionally, the event broke records for the highest-ever merchandise sales in AAA history.
On X, #Triplemania was the No.1 trending topic in the United States and Mexico on Saturday, and a record 208 million views were generated across official AAA and WWE social platforms.
The record-breaking event was highlighted by El Hijo del Vikingo defeating Dragon Lee, Dominik Mysterio and El Grande Americano to retain the AAA Mega Championship, Pagano & Psycho Clown defeating Angel & Berto to win the AAA Tag Team Championship, El Hijo de Dr. Wagner Jr. defeating El Mesias to win the Latin American Championship, and more.
WWE has acquired leading Mexican lucha libre promotion AAA in partnership with Mexico-based sports and entertainment holding company, Fillip.
Now go forth and Tout about it, if you so choose.
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'[Touring] is wonderful because I get to be with the fans, but it is like boot camp for me,' she explains. 'I've worked really hard in my life, and I think, 'Did I really work that hard to work this hard?' ' In the last few years, she's been busy creating songs for an upcoming Broadway musical titled BASURA (Spanish for 'garbage') along with her daughter. Based on the 2015 award-winning documentary Landfill Harmonic, it will narrate the journey of Paraguay's Recycled Orchestra, a group of young artists who turn scrap material into musical instruments. So when Emilio presented her with the idea for the song 'Raíces' a couple of years ago, Gloria, who usually writes or co-writes her own music, got excited. 'Emilio didn't even realize [this year] was my 50th [career anniversary],' says Gloria, who wanted to do something special to celebrate. 'I told him, 'Babe, I can't change my mindset for this, but I would like, if I do an album again, for it to be tropical, for it to be in Spanish.' He says, 'Do you trust me?' I go, 'Who else am I going to trust [other] than you?' ' Released May 30 on Sony Music Latin, Raíces contains 13 tracks mostly co-written by Emilio. Salsa, bolero and tropical rhythms resonate in songs ranging from the title track and 'La Vecina (No Sé Na')' to romantic tunes such as 'Tan Iguales y Tan Diferentes,' 'Te Juro,' 'Agua Dulce' and 'Tú y Yo.' 'He wrote his own love songs for me to sing to him!' Gloria jokes. Among the songs she penned is the sweet 'Mi Niño Bello (Para Sasha),' dedicated to her grandson, with an English version titled 'My Beautiful Boy (For Sasha).' Another track on the album, 'Cuando el Tiempo Nos Castiga' (co-written by Emilio and Gian Marco and originally recorded by Jon Secada in 2001), also has a new English version courtesy of Gloria titled 'How Will You Be Remembered.' Gloria sat with Billboard for a trip down memory lane leading straight to the future. Going back to your beginnings, what do you remember about your start in the music business? You've said in the past that you were shy. It's not that I was shy, because one-on-one I was perfectly fine and I could handle any situation. I was an observer. But what I don't like is to be the center of attention; that's just not my nature. So to join the band, it was for fun. I never thought, 'Oh, I'm going to be famous,' or 'I'm going to do these crazy things.' No. And there was a really nice guy in that band… He was, but I saw him as a man. He was only four-and-a-half years older than me, but he was very responsible, and he took care of his parents. He worked during the day, he studied at night, he had side jobs, he had businesses. I saw him as 'Oh, Mr. Estefan,' you know, the boss … I didn't start dating him until a year after. He had an older girlfriend, let me tell you. She was 36, he was 22. And I didn't think he would be interested in me. I had zero experience, never went out anywhere because I took care of my dad [who had multiple sclerosis]. Joining the band was a freeing experience, and marrying him was an even more freeing experience. I didn't think I'd get married the day after I turned 21. I had no doubt that I wanted to be with him the rest of my life. We've made a very unique partnership, and a lot of the things we've accomplished [are] because we're together. When did you realize that you had really made it in music? When 'Conga' crossed charts in Billboard, I thought, 'OK, they're getting it, they're understanding what we have believed all along could happen.' And look, that song is now going to the Grammy Hall of Fame [after] 40 years. Which three songs do you consider to be the most important in your career and why? 'Conga,' clearly. Probably 'Mi Tierra.' And 'Con Los Años Que Me Quedan,' [which] became a love song and a wedding song and it's the first song that Emilio and I wrote together way back in the day. But there are so many more! OK, tell me two more. If we're going to be real, 'Dr. Beat,' which actually broke through, but I didn't write that one. 'Anything for You,' my very first No. 1. And 'Coming Out of the Dark,' which was a big thank-you to everyone that sent prayers my way after the accident. That song poured out of me in 10 minutes. [In March 1990, Gloria was in a tour bus accident that resulted in a broken back and temporary paralysis. She underwent surgery and a lengthy recovery.] I remember the first time you sang it live, at the American Music Awards. Oh, gosh, it was insane. I wanted to kill Emilio because Dick Clark had called Emilio in September [1990], so I was still at a point where I couldn't move by myself anywhere. And Emilio actually came to me to tell me that Dick Clark wanted me to perform the following January. I was inside this body that didn't feel familiar. I was relearning everything: how to walk, how to wash my face and not be in pain. The last thing that I'm going to think about is getting on a stage. I want to be able to walk and get a glass of water by myself. I want to not put my family through what I went through [with my father] if I could help it. He was nuts. I said, 'Babe, I can't.' And then he told Dick Clark, 'I can't convince her; you're going have to.' And Dick Clark got on a plane and flew to Miami to talk me into [the performance]. Did that help you with the recovery in any way? It did. Emilio, as usual, was right. My first outing three months after the accident was to the studio, because I felt so bad for him that he hadn't left my side. He said, 'I have this piece of paper that I wrote this thing on the day you had the accident, in the helicopter. I found it today in my pant pocket.' It was all washed. He hands it to me. I look at it and I go, 'Why is it in English?' (Laughs.) And it said: 'Coming out of the dark.' He said, 'I would love for you to come to the studio. Jon Secada is going to meet me there.' And I went, for him. And when I heard the one melody line of (Sings.) 'coming out of the dark' that Jon sang, it was like, Oh, my God. And it all poured through me. That's what I was going to perform at the American Music Awards. Having that goal really helped me to focus and not just deambular [wander]. Even though every day I was focused on getting better, it gave me a date to shoot for. Is there anything you miss doing or wish you could do without being recognized? Nothing stops me from doing anything I want. I was talking to my grandson about that the other day, because he and I would get in a car and go to an escape room and inevitably someone would ask for a picture. He knows I'm always going to stop. He always says, 'I'll take the picture.' He's very kind about it. My kids lived a different experience, because that part of it — when you are at the top, you literally can't go anywhere because it becomes impossible. It creates a scene, people go crazy, you divert from the kids. Even though I told them, 'If we're in public, I'm never going to say no to an autograph, because we have a moment to either make them happy or possibly traumatized from approaching anyone.' They understood, but it was harder for them. That's why I love this moment when, yes, we have a beautiful career and I still get the love, people ask me for hugs, but it's not the craziness of that moment when you're new, fresh; the fame is huge. As one of the most stable and beloved couples in Latin music, how do you and Emilio keep the spark alive? Oh, my gosh. He makes me laugh every day. And if he goes on a trip, I'll go to brush my teeth and there's a little note: 'Babe, I'm going to miss you.' He draws a little thing, him with the guitar or something. He's just very sweet and thoughtful. He would buy me stuff all year-round, to the point where I tell him, 'Babe, please, I don't need any more jewelry,' but he's happy doing that. Me mima, he spoils me in so many ways. And I try to do the same for him. We're excited, we love being with each other, we miss each other. We don't sleep the same when we're apart. It just becomes deeper, and there's a lot of respect and admiration. Is there anything you still would like to achieve professionally? This was always my go-to answer, and it's getting a little more difficult to envision it, but if it were to happen within the next few years, to sing in a free Cuba. Somehow that dream, every time we feel a piece of it — like what happened July 11 [of 2021 with the anti-government demonstrations] and we thought, 'Oh, maybe this is it, maybe this is the moment' — it dissipates under the crushing weight of that dictatorship. Celia [Cruz] had that dream, too, and it wasn't in the cards. As the closing song on , 'How Will You Be Remembered,' goes, how do you wish to be remembered? I actually wrote a song answering that exact question years ago, and the title is 'Remember Me With Love.' That's all I hope. That when people think about me, either because of my music or the way I represented the culture or family life, they remember me with love, there's a smile on their face and they play the music a lot. A version of this story appears in the Aug. 16, 2025, issue of Billboard. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword