
Vikrant Massey's 12th Fail Wins Best Film At National Film Awards: Where To Watch
The 71st National Film Awards were announced with 12th Fail winning Best Feature Film and Vikrant Massey receiving Best Actor.
The winners of the 71st National Film Awards for the year 2023 were officially announced on August 1. Among the most celebrated films was 12th Fail, which received the prestigious Best Feature Film award. The movie also earned Vikrant Massey the Best Actor award, which he shared with Shah Rukh Khan, who was honoured for his performance in Jawan. This marks a significant milestone for Khan, as it is his first National Award in a career spanning over three decades.
12th Fail is a Hindi-language biographical drama inspired by the real-life journey of Manoj Kumar Sharma, who rose from poverty to become an officer in the Indian Police Service (IPS). The film has been written, directed and produced by Vidhu Vinod Chopra and it captures the struggles and determination of a young man facing societal and financial hurdles to pursue his dream of serving the nation. The film stars Vikrant Massey as Manoj Kumar Sharma, while Medha Shankr plays the role of his wife, Shraddha Joshi Sharma. Other key performances include Anant Joshi, Anshumaan Pushkar and Priyanshu Chatterjee, who bring depth to the story with their strong supporting roles.
Where to watch 12th Fail
For those who haven't yet experienced the powerful journey of Manoj Kumar Sharma, 12th Fail is now available for streaming on Hotstar. The film has resonated deeply with audiences for its inspiring message and relatable portrayal of hardship, making it one of the most talked-about films of the year.
Plot Summary of 12th Fail
Set in a small village in the Chambal region, the story revolves around Manoj Kumar Sharma, a teenager preparing for his 12th-grade exams with the hope of landing a peon's job. In his village, cheating during exams is a widespread practice. However, when a principled police officer, DSP Dushyant Singh, cracks down on cheating, Manoj fails to clear the exams.
Following his failure, Manoj joins his brother Kamlesh in driving a passenger vehicle to earn a living. During their journey, the brothers come into conflict with goons linked to a local politician. They are saved once again by DSP Dushyant Singh, whose honesty and courage deeply influence Manoj. Inspired by Singh, Manoj dreams of becoming a police officer like him.
He manages to clear his exams the following year and initially aspires to become a DSP. His ambition grows as he sets his sights on the UPSC Civil Services Examination, one of the toughest competitive exams in the country. The film captures his relentless pursuit, academic struggles, and emotional battles, painting a realistic picture of what it takes to rise from nothing and make it big.
The musical composition for the 12th Fail adds a rich emotional layer to the storytelling. Shantanu Moitra composed the film's music, while lyrics were penned by Swanand Kirkire and Raftaar.
Other Major Winners at the National Awards
Alongside 12th Fail, several other films and artists were honoured at the 71st National Film Awards. Rani Mukerji was recognised as Best Actress for her outstanding performance in Mrs Chatterjee Vs Norway, a film that portrays a mother's legal battle against a foreign government to reclaim her children.
Vicky Kaushal's Sam Bahadur won in multiple categories, including Best Makeup, Best Costume Design and Best Feature Film Promoting National, Social and Environmental Values.
In the field of choreography, Vaibhavi Merchant took home the Best Choreography award for her work in Karan Johar's vibrant family drama Rocky Aur Rani Kii Prem Kahaani.
Other notable mentions include Adah Sharma's The Kerala Story, Sanya Malhotra's Kathal, Teja Sajja's Hanu-Man, and Ranbir Kapoor's Animal, all of which received acclaim in various categories.
First Published:
August 02, 2025, 10:32 IST
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
34 minutes ago
- India Today
From the India Today archives (1988)
(NOTE: This article was originally published in the India Today issue dated July 31, 1988)He is not handsome by conventional standards. He is short, dark and can easily be ignored in a crowd. But for all that, he is the undisputed superstar of the South, a man whose name spells box-office magic, the Midas of the eight long years, Rajinikanth has occupied the number one slot in south Indian films. Now, 115 films and almost as many hits later, he has reached a stage where he can choose his roles and, more significantly, restrict himself to four Tamil films a year. The remaining time is spent in Bombay acting in Hindi the late M.G. Ramachandran could compete with that phenomenal box-office record. But Rajinikanth is also the hero from the South—which has traditionally produced leading ladies for the Hindi screen—who has survived in the competitive world of Bombay films. Next month, Rajinikanth's first English movie, Bloodstone, in which he plays a taxi-driver, will hit the screen in 1,500 theatres all over the US. Shot mainly in Bangalore, the action packed entertainer has been co-produced by Amritraj Productions and the NRI Metro Film Corporation, owned by Dr Murali Manohar, a film film is about an American couple on a visit to India who get involved with a gang of smugglers. Rajinikanth, a local taxi-driver, comes to their aid. Made at a cost of one million dollars (Rs 1.30 crore) the film will be distributed worldwide by Columbia film fits in perfectly with the superstar's designs for the future. "I have reached a dead-end as far as Tamil films are concerned. Through Hindi movies, I have got a national image. What I want today is worldwide recognition," says Rajinikanth. In any event, by 1990, he plans to take a break from Tamil films and start directing his own even his most ardent fans believe that Rajinikanth's real talent lies in Tamil films which have made him what he is today. He is the only Tamil hero whose films are sold even before shooting starts. He is reported to get Rs 25 lakh per film, the highest paid to any hero in the Manithan (human being) released last Diwali is a box-office success, while his latest Guru Shishiya (master-pupil) is drawing packed houses. Says G. Venkateswarao, producer, distributor and president of the South Indian Film Chamber of Commerce: "He is a goldmine for producers and distributors."No wonder producers form an endless queue outside his door. The average cost of making a Rajinikanth film in Tamil is around Rs 70 lakh. But the film is sold by the producer to the distributor for over Rs 1 crore. A super-successful Rajinikanth film can do business for over Rs 2 crore. Some producers are even buying and dubbing some of his earlier, run-of-the-mill Hindi films into Tamil. Last week, yet another Hindi film of his, Asli Naqli, was dubbed into Tamil as Njane Valabhan. What then is the secret of the success of a man who rose from an ordinary bus conductor to be a megastar? In one word, charisma, Rajinikanth has a screen presence which is awe inspiring. In the Tamil context, his exaggerated swagger and his trademark gimmicks like tossing a cigarette in the air and catching it in his lips have made him a household Mani, an auto-driver who has seen Guru Shishya four times: "Rajani saar is my hero. All his films may look alike but his style is terrific." In Tamil Nadu, millions of children not only imitate the 'Rajani style' but also make him out to be a superman. Says AVM's Saravanan, the biggest producer in the South: "There is no need of a story in his films. There should be a chance for him to do comedy, drama and action. His screen presence and powerful delivery make him a bearer cheque of a crore rupees for producers."advertisementBut Rajinikanth the man is even more appealing to his fans than the star. There has always been a reckless and defiant quality about him that provided, during his early years of stardom, unending grist for the gossip mill. His personal life was embellished by widely-publicised drinking bouts and public brawls. His favourite targets were film journalists who wrote about his "eccentric" lifestyle. In at least one case, he tried to kill a journalist by driving a car straight at him. There were also stories of how he wrecked a five-star hotel's restaurant in in 1981, he had a nervous breakdown and had to be hospitalised. After that he cut down his film assignments, the next year quietly married Latha, a local college girl, and settled down. Recalls the star: "I could not cope with the pressures of stardom. A few years earlier I was making Rs 320 as a conductor and suddenly I was getting Rs 5 lakh per movie. The fame, money and overwork pushed me to a breaking point."Then followed his spiritual phase from 1986 onwards when he became a devotee of Raghavendra Swami (the Madhwa saint). He even acted in the movie Raghavendra, where he almost made the saint a cult figure. He also became an admirer of the Hare Krishna (ISKON) group, and talked about wanting to take up sanyas. His marriage according to film magazines, was then on the rocks, due to his involvement with all this only added to the mystique. Says Sujatha, a Madras housewife: "It's his personal life that makes him interesting. Everybody has a soft corner for him, mainly due to his background." The common man can identify with Rajinikanth's rags to riches story—one reason why his films do well in Rajinikanth does not have a Tamil background. He was born Shivaji Rao Gaekwad, a Maharashtrian, and spent his childhood at Basvangudi, a lower middle class suburb in Bangalore. His mother died when he was eight. His father and brother never cared for him and he took to the streets. He studied up to the pre-university stage. Poverty forced him to do all manner of odd jobs—he even worked as a coolie in 1973 he landed a job as a bus conductor with the Karnataka State Road Transport Corporation. Three years later, bit by the acting bug, he hopped on a train to Madras where he joined a film acting course run by the South Indian Film Chamber. It was here that director K. Balachandar spotted changed his name from Sivaji Rao to Rajinikanth and gave him a break in Apoorva Raagangal (strange melodies) in a villain's role. His next film was Moondru Mudichu (three knots) where he was again a villain, but with innovative mannerisms. Says Balachandar: "Rajani was the first actor I met who insisted that he be taken as a villain. He was a unique villain, with specialised mannerisms that went down well with the masses."But it was Bharati Raaja's 16 Vayadhinile (16 years of age)—released in 1977—which earned him super stardom. The movie also catapulted into fame its hero Kamalahasan and heroine Sridevi. It was as an anti-hero that "the Rajani style" created waves at the box-office. But stardom also meant switching roles from villain to hero, which he did successfully in Dharmayudham, a major next big role was in K. Balaji's Billa, a Tamil remake of Amitabh Bachchan's Don that saw him overtaking Kamalahasan as the number one star in the South. Says Bharati Raaja: "Kamalahasan is a great artiste, but Rajinikanth is the hero of the masses. Since 16 Vayadhinile, I have made many award winning movies which bombed in the box-office. To cover my losses I am forced to make a Rajani film."But the tragedy is that the megastar is in reality lonely and aloof. A mellowed man, he is wary of the press. He does not have any close friends and even on the sets, keeps to himself. Apart from shooting assignments, he rarely moves out of his simply-furnished three-bed roomed house at Poes Garden, a posh locality in Rajinikanth: "I am a simple man. I don't believe that just because you are a star you should have imported things." He drives himself to work in a 1980 model Premier Padmini. He had built himself a huge house at Velacheri, a suburb of Madras, but only stayed there a week before shifting back to Poes Latha, his plump and homely wife: "He is a changed man, a spiritual person in quest of the truth. He is almost like a son to me, and I am a mother figure for him." Latha says the press has exaggerated the stories regarding their differences. The Rajinikanths have two daughters—Aiswarya, six, and Soundarya, three. Says Rajani: "We hardly socialise and generally keep to ourselves." He describes himself as a man in pursuit of spiritual solace who reads many books on philosophy. He has invested the bulk of his earnings in real estate and is constructing a Rs 1 crore marriage hall in co-stars have only admiration for him. Says Radha, a popular Tamil heroine: "He is not only a great box-office draw but also a fine person." Adds producer Saravanan: "He is very disciplined on the sets and a producer's dream."Rajinikanth today will not touch a movie which will go against his image on the screen. He has also been criticised for taking minor roles in Hindi films. But the superstar is unfazed. "I cannot do more than four Tamil films a year otherwise I will be overexposed. Hindi films give me a national audience...I am an alcoholic but at the same time a workaholic."With the kind of hysteria he generates, it is inevitable that the star would be avidly sought after by every political party in the state. But he has made it clear that politics is not his cup of tea. "I hate the prevailing political climate. I will never be identified with any political party." Having achieved stardom at home—at last count, there were 8,000 Rajinikanth fan clubs in Tamil Nadu—he is now seeking international recognition. Apart from Bloodstone, Rajinikanth is to star in a thriller to be shot in Australia by Mani Retnam, the director of Nayakan, that won Kamalahasan the best actor he is convinced that he should quit while he is ahead. Says he: "By 1990, I want to quit. The thrill of being a star is fading out." Rajinikanth, however, has a reputation of being moody and unpredictable. Something that hundreds of producers are banking on, determined as they are to ensure that the goose does not stop laying its golden to India Today Magazine- EndsMust Watch


News18
43 minutes ago
- News18
Shah Rukh Khan Thanks Allu Arjun, Mohanlal, Atlee For Their Wishes After National Award Win
Shah Rukh Khan, who won his first-ever National Film Award for Jawan, warmly responded to congratulatory messages from Atlee, Mohanlal, Allu Arjun, AR Rahman and Juhi Chawla. Shah Rukh Khan recently won his first-ever National Film Award, marking a major milestone in his 33-year acting career. He won Best Actor in a Leading Role for his remarkable performance in Atlee's Jawan. Soon after the winners' announcement, social media was flooded with heartfelt wishes celebrating King Khan's win. Celebrities such as Allu Arjun, AR Rahman, Mohanlal, Juhi Chawla, Kamal Haasan, and many others congratulated SRK. Now, Shah Rukh Khan has responded to the messages, warmly reciprocating the love he received from the industry. On Sunday, Shah Rukh Khan reacted to Pushpa 2 star Allu Arjun's congratulatory message for him on X (formerly Twitter). He wote, 'Thanks @alluarjun garu for your kind words. Your strength, grace and fire (not flower… ha ha) continue to inspire. Love u!!" Allu Arjun had congratulated him by writing, 'Heartiest congratulations to @iamsrk garu on winning the prestigious National Film Award for Best Actor for #Jawan. A well-deserved honour after 33 glorious years in cinema. An another achievement to your endless list sir." Thanks @alluarjun garu for your kind words. Your strength, grace and fire (not flower… ha ha) continue to inspire. Love u!! — Shah Rukh Khan (@iamsrk) August 3, 2025 Meanwhile, SRK also thanked Mohanlal for his message, and expressed his wish to meet the Malayalam superstar. 'Thank you @Mohanlal sir… let's take an evening off and meet up. Big hugs," he wrote. Thank you @Mohanlal sir… let's take an evening off and meet up. Big hugs. — Shah Rukh Khan (@iamsrk) August 3, 2025 Kamal Haasan, who shared screen space with Shah Rukh Khan in the 2000 film Hey Ram, wrote that Shah Rukh's National Film Award was 'long overdue.' In response, SRK wrote, 'Means a lot coming from you @ikamalhaasan sir. You have been a true inspiration… thank you for the years of cinema, art and vision… and the next ones to come! Love u always." Meanwhile, King Khan also responded to Jawan director Atlee's emotional note celebrating his win, and wrote, 'MAAASSS MAAASSS MAASSS…. Thank you for your vision. Only you could do this… In the next song, we will do more steps. Love u…" Means a lot coming from you @ikamalhaasan sir. You have been a true inspiration… thank you for the years of cinema, art and vision… and the next ones to come! Love u always. — Shah Rukh Khan (@iamsrk) August 3, 2025 MAAASSS MAAASSS MAASSS….Thank you for your vision. Only you could do this… In the next song, we will do more steps. Love u… — Shah Rukh Khan (@iamsrk) August 3, 2025 Music maestro AR Rahman called Shah Rukh Khan a 'legend', to which he responded with, 'Thank u maestro!!! You are legend multiplied… love always!!" SRK's close friend Viveck Vaswani wrote, 'Congratulations @iamsrk on the National Award! Very late but very very deserving!" Shah Rukh's humble and witty reply to him read, 'Thank u for the wishes. All started with you. Raju finally ban gaya gentleman." Shah Rukh Khan also responded to his friend and actress Juhi Chawla's congratulatory message. 'Thank u @iam_juhi … I've learned from the best. you have been an integral part of my journey. Big hugs!!" he wrote. Meanwhile, reacting to Riteish Deshmukh's message, SRK wrote, 'Thank u my friend @Riteishd… will always try to entertain everyone through my films the way you do too. Sending you and Genelia big hugs." The winners of the 71st National Film Awards were announced on Friday. Vikrant Massey and Shah Rukh Khan were awarded Best Actor for their critically acclaimed performances in '12th Fail' and 'Jawan', respectively. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


The Hindu
an hour ago
- The Hindu
Registration in progress for RIFFK in Kozhikode
Delegate registration is in progress for the Regional International Film Festival of Kerala (RIFFK), to be held in Kozhikode from August 8 to 11. The festival, organised by the Kerala State Chalachitra Academy, was last held in Kozhikode seven years ago. Screenings will take place at the Kairali, Sree, and Coronation theatres in the city. The festival will feature 58 films offering a cross-section of contemporary world cinema, with five shows scheduled per day. Most of these films were screened at the 28th IFFK held in Thiruvananthapuram. The Seed of the Sacred Fig by Mohammed Rasoulof will be the inaugural film. Highlighted films include Malu (Brazil), which won the Golden Peacock award; Me, Mariam, the Children and 26 Others (Iran) by Farshad Hashemi, the director who received the Silver Peacock award; and Feminichi Fathima (Malayalam), directed by Fazil Mohammed, which won the Audience Jury Award at IFFK. In addition to Malu, films in the International Competition category are: Underground Orange (Chile), Appuram (India), The Hyperboreans (Chile), Rhythm of Dammam (Konkani), Memories of a Burning Body (Costa Rica), Linda (Argentina), Human/Animal (Spain), Elbow (Turkey), East of Noon (Egypt), Body (India), and An Oscillating Shadow (Chile). Films in the World Cinema category include: My Favourite Cake (France), In the Land of Brothers (France), Shahid (Germany), Black Dog (China), La Cocina (Mexico), Toxic (Lithuania), The Teacher (Palestine), Marco, the Invented Truth (Spain), Universal Language (Canada), The New Year That Never Came (Romania), Queer (Italy), I'm Still Here (Brazil), and I Am Nevenka (Spain). In the Indian Cinema Now category, the selections are: Humans in the Loop (Hindi), Second Chance (Hindi/Himachal), Angammal (Tamil), Aajoor (Baijika), Baghjan (Assamese), In the Name of Fire (Magahi), and Sheep Barn (Hindi). The Malayalam Cinema Today section will feature: Mayunnu Mari Varayunnu Nishwasangalil, Kamadevan Nakshatram Kandu, Girl Friends, Victoria, Watusi Zombie, Kiss Wagon, Pattth, Sangharsha Ghatana, Mukha Kannadi, Velicham Thedi, and A Pan Indian Story. Village Rockstar by Rima Das (Assamese) and Riptide (Malayalam) by Afrad V.K. will be screened in the Kaleidoscope category, while Sima's Song (Afghanistan), Holy Cow (France), and Desert of Namibia (Japan) are part of the Female Gaze section. The Festival Favourites include The Girl with the Needle, Misericordia (Portugal), The Witness (Austria), The Room Next Door (Spain), and Meeting with Pol Pot (Cambodia). The Shyam Benegal film Ankur: The Seedling will be screened as a tribute to actor Shabana Azmi. Delegate registration for RIFFK began on July 28. Registration can be done online at while spot registration is available at the Sree theatre.