
How NYC turned ‘The Rocky Horror Picture Show' into the greatest cult classic of all time
'The Rocky Horror Picture Show' has been doing the 'Time Warp' now for 50 filthy years.
The cult-classic film, a bawdy musical comedy that has its way with sci-fi, scares and sex, premiered in London on Aug. 14, 1975.
But the reason multiple generations are still yelling 'Dammit Janet!' today is thanks to New York City and a still-operational downtown movie theater.
5 'The Rocky Horror Picture Show' turns 50 on Aug. 14.
Those mad midnight showings all over the world, in which super-fans arrive clad in fishnets, shout back at Brad, Janet and Dr. Frank-N-Furter, and perform in front of the screen, began at the Waverly Theater in Greenwich Village — what is now the IFC Center.
Far from a sure thing, the 12 a.m. tickets were a last-ditch effort by 20th Century Fox to pump some life into a project they had little faith in.
'Rocky Horror' could have faded into obscurity or been shelved altogether. Instead, it became one of the best-selling movie musicals of all time — grossing $115 million off a $1 million budget.
'Rocky Horror' started out as a hit 1973 London stage musical at the Royal Court Theatre, written by Richard O'Brien and directed by Jim Sharman. Tim Curry and O'Brien both played the roles they'd make immortal on film, Frank-N-Furter and Riff Raff, respectively.
Producer Lou Adler brought the show to Los Angeles for a successful 10-month run at the Roxy.
5 The movie's first midnight screenings were at the Waverly Theater in Greenwich Village.
Courtesy of Stephen Sclafani¿ via Cinema Treasures
Its Broadway production, though, was a big flop — closing after just 45 performances at the Belasco Theatre.
The movie, made for $1 million, debuted just four months later.
'Picture Show' packed 'em in when it played one theater in LA, but bombed when it expanded to eight cities. Fox was flummoxed.
The movie was supposed to open in New York on Halloween, but the studio scuttled that plan. And then Tim Deegan, the innovative Fox ad man, came up with his after-dark idea.
Midnight screenings weren't anything new. Actually, they were quite popular. But the time slot was held for repeats of cult classics ('Harold and Maude') and indies, not Fox musicals.
5 The midnight craze took over all around the world — including Canada.
Toronto Star via Getty Images
Deegan admitted to The Post at the time that there was 'no pressure within the company to release this picture.'
So he gave it a shot, living up to the musical's mantra: Don't dream it, be it.
'Rocky Horror' opened at the Waverly on April Fool's Day, 1976. It sold like gangbusters.
'It's the first time a major studio has ever opened a film here on such a small and eccentric scale,' wrote Post movie critic Frank Rich that July.
It took until Labor Day weekend for Louis Farese to become the person to holler out during the movie.
'Buy an umbrella, you cheap b—h,' he screamed at Susan Sarandon's Janet.
The audience participation was born.
5 Today the Waverly is the IFC Center.
The movie's director and co-writer, Sharman, first experienced a rowdy 'Rocky Horror' screening in New York in 1978, while he was visiting from Australia.
'I rolled up to the Waverly at midnight and bought a ticket, like any punter,' Sharman told The Post.
'The ritual was well established by then and the interplay between the movie, the audience, the cosplay and the party seemed fun. I was relieved that the movie had found its audience.
'A surreal homage to late-night movies was already on its way to becoming an ultimate late-night movie.'
Brad and Janet have been stuck in Dr. Frank's castle a long time now. 'The Rocky Horror Picture Show' relocated to the 8th Street Theater in 1979, and then to the Village East on Second Avenue in 1996. It still plays every first and third Saturday there.
5 Richard O'Brien, left, wrote and co-starred in the movie.
©20thCentFox/courtesy Everett
Sharman says his subversive musical and movie was never meant to walk — or, rather, jump to the left — on the traditional path.
'The show began in abandoned cinemas and rock clubs,' Sharman said. 'It only faltered once, when it went mainstream, on Broadway. And the movie didn't catch fire in mainstream release either. But it did in late night. Why?'
'A mainstream version would have had celebrity rock stars and a big budget. We honored 'Rocky Horror Picture Show's B-movie premise. We confused A-and-B-movie tropes. We shot it fast and loose on low budgets, with tight schedules, in chilly studios, with iconic visuals. And we kept faith with a virtually unknown but brilliant, sexy cast that a cult audience could embrace and make their own,' he explained.
'I feel that's at least part of the reason why 'The Rocky Horror Picture Show' is celebrating its 50th Anniversary.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Boston Globe
3 hours ago
- Boston Globe
The docuseries ‘Built in Birmingham: Brady & the Blues' isn't bad, except the Tom Brady parts
Well, here's the basic timeline. Appreciated every extraordinary thing he did on the field during his 20 years with the Patriots … recognized he was getting weird on us with stuff like the Alex Guerrero connection, offensively overpriced TB12 gear, and the no-mushroom policy, but hey, his unprecedented late-career excellence made for a heck of a case on his behalf … cringed when the formerly down-to-earth young QB who used to chug beers faster than his linemen started pushing crypto and running with the oligarch class… watched almost every broadcast of his rookie season as Fox's lead NFL analyst last fall, eventually concluding that the reason he didn't show much personality is that it might not be there to show … But the tipping point that brought on the aforementioned realization was Brady's behavior in his version of a current trend among the rich, famous, and presumably bored — buying an English soccer team, and making a documentary about it in which the star is the rescuing hero. Advertisement 'Built in Birmingham: Brady & the Blues' is a five-episode docuseries that debuted at the end of July on Amazon Prime. It's about a Champions League soccer team (the second tier in English soccer, below the Premier League) that Brady and his private equity pal Tom Wagner recognize as an undervalued asset (always heart-warming when vultures find their food) and purchase, with Brady taking on minority ownership but with full boss duties. Advertisement 'Built in Birmingham' is not bad at all. The city (gritty, industrial, and full of amusingly blunt fans that will remind you of specific Ted Lasso side characters), players (the third episode, featuring star player Jay Stansfield's back story, is the best in the series), and the team (whose history roughly resembles the Red Sox' from 1919-2003) are compelling. The problem is it's far less interesting when Brady is around. He speaks to the players in bromides and banalities — 'We practice like it's the Super Bowl' — about his time with the Patriots (and Bucs), which he seems to presume these futbol players know from A to Z and XXXVI to LV. He punctuates his Cliff Notes Tony Robbins proclamations with a specific expletive so often that it's a wonder it hasn't slipped through on a Fox broadcast. Related : When he is involved, Brady — who describes his role as 'being there in a visionary role' — only seems authentic when he's belittling something or angry. He joins his friends in talking condescendingly about the city and the team as they're on he way to see the Blues' aged facilities for the first time. Before a game against Wrexham — famously owned by actors Ryan Reynolds and Rob McElhenney — Brady tells the camera, 'Let's go get a [expletive] win against Wrexham ... Ryan Reynolds, Mackilrey, whatever your [expletive] name is.' Advertisement When Wagner informs Brady that putting together a swag bag for visiting legend David Beckham would be considered a faux pas — Beckham never played for the team — Brady gets a look on his face that suggests Joey Galloway just ran the wrong route again. He tells Wagner through a scowl that Beckham should be gifted something anyway. He likes to talk about how he was an underdog, but he comes across as someone who can no longer remember what that was like, or what he was like. The most off-putting scene occurred in the opening episode when Brady, Wagner, and his team strategized in the back of an SUV before popping into a local pub to meet some fans for a quick public-relations opportunity and a few more Lasso vibes. 'We have to feel this one out, boys,'' Brady says. 'This is not my thing.' He's told it will only be 15 minutes. He asks if he'll be signing autographs. The pop-in is designed to make him look like a man of the people. He's friendly enough once he's in the pub, but we know how he really feels. His people these days aren't the ones chugging beers. I was hoping while watching the series that Brady might have a revelation by the fifth episode, ditch the processed corporate speak, abandon the arrogant expectation that whatever he says carries weight because of what he accomplished in the NFL, and show some authentic emotion, like he did after winning those first few Super Bowls. I was hoping any success he found in Birmingham would remind him of his best times with the Patriots, and thereby bring out genuine emotions. Related : Advertisement Instead, that happened with, of all people, Wagner, the calculating investor, who by the end is fully invested in the people on this team. I won't spoil the circumstances, because this show is worth watching, despite the Brady frustrations. In the fifth episode, Wagner makes a truly stirring and heartfelt speech, and as I was watching it, I couldn't help but think, 'Man, when the private-equity guy can summon more passion than Tom Brady, that's awfully damning.' Hmmm. Maybe Fox should give Wagner a shot as its lead NFL analyst. Tom Brady comes back to Gillette Stadium for the unveiling of this statue before the New England Patriots preseason game versus the Washington Commanders. Chad Finn can be reached at


USA Today
6 hours ago
- USA Today
Troy Aikman reacts to Lamar Jackson dropping trademark challenge over the use of No. 8
Earlier this week, Lamar Jackson finally put an end to a narrative that had long since become tedious. Well, almost, as it appears there is one more story to be covered on this topic. A couple of days ago, we learned that Jackson withdrew his lawsuit that challenged the number eight trademark, which belongs to Dallas Cowboys legend Troy Aikman. Jackson made the withdrawal in a legal manner known as "with prejudice," and that means he can never file this lawsuit again. So this means the not-so-great eight debate, which started a little over a year ago when Jackson filed the suit, is now over. Aikman won this battle, and after officially doing so, finally broke his public silence on the topic. The legendary Super Bowl-winning quarterback and FOX broadcaster took to Instagram, where he shared a screenshot of an article about Jackson's withdrawal on Instagram's Stories. The Pro Football Hall of Famer included a short comment on his IG story: "From day one, this lawsuit had no merit, a fact underscored by its with-prejudice withdrawal." It is doubtful that Lamar will respond to Aikman's comment. It is also very doubtful that we see the Ravens QB comment on his decision to withdraw the lawsuit/challenge. In other words, I think we can put this story to bed now.


Fox News
10 hours ago
- Fox News
Evening Edition: Get Help To Organize Your Family Calendar
Family schedules seem to get busier and busier with constant appointments, whether for business or pleasure, for both adults and their children. When those activity calendars get too packed it quickly becomes a second job to schedule and organize the events. A new app for single adults and overwhelmed parents makes getting to that meeting or that soccer field on time a simple ordeal. Fox's Tonya J. Powers speaks with Zoya Lehrer, founder and CEO of the app 'Orgo', a time management tool, who shares her inspiration for creating the app to help busy families better organize their time. For more information on the app, go to: Click Here To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit