Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner
In 2015, Viola Davis won the Best Drama Actress Emmy for How to Get Away with Murder, becoming the category's first Black winner. That left one acting category that had yet to produce a Black champ: Best Drama Supporting Actor. Ten years later, that remains the case — even the short form acting categories, which were created in 2016 and consolidated into one in 2024, have awarded Black performers — but that could finally change in September with Severance star Tramell Tillman.
Tillman is currently in third place in Gold Derby's Best Drama Supporting Actor odds, trailing Walton Goggins (The White Lotus) and Severance costar John Turturro. Tillman is the only Black performer in the top seven. Jason Isaacs (The White Lotus), Jack Lowden (Slow Horses), Sam Rockwell (The White Lotus), and Patrick Schwarzenegger (The White Lotus) round out the predicted field.
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Tillman was not nominated for the first season in 2022, not surprising for an unknown actor on a new show. Severance received 14 nominations for Season 1 and the Best Drama Series frontrunner is expected to expand this year. If Tillman makes the cut amid a possible deluge by White Lotus dudes, a win — and a historic one at that — is certainly not out of the question. The Apple TV+ drama was bigger than ever in Season 2, and Tramell got to shine even brighter as his Lumon stooge Seth Milchick faced a crisis of confidence, leading to his instantly viral line, "Devour feculence." Oh, and there was the whole Choreography and Merriment marching band dance. It also doesn't hurt that the actor has brought his unique line deliveries to Mission: Impossible — The Final Reckoning.
SEE The ultimate oral history of Severance Season 2
It's not surprising Turturro is ahead of Tillman in the odds. He's a bigger name and a past winner who was nominated for Season 1 and had meaty material early in Season 2 before a diminished presence in the back half. Tillman had a consistent presence and arc throughout the season, ending with a bang with the aforementioned dance sequence (Turturro was MIA in the finale). And voters have shown through the years that when they're paying attention to a show — and there's no reason to think they're not paying attention to Severance — the underdog can topple the "obvious" frontrunner or bigger name (see: Jodie Comer beating her heavily predicted Killing Eve co-star Sandra Oh). Of course, Goggins is the frontrunner, not Turturro. And taking down The White Lotus, an acting branch fave, will be tougher.
Formally established in 1970, Best Drama Supporting Actor has seen 13 Black actors receive 23 nominations over the years. 2021 was the last year with a Black nominee — and there were a record three: Giancarlo Esposito (The Mandalorian), O-T Fagbenle (The Handmaid's Tale), and Michael K. Williams (Lovecraft Country), who died shortly after voting ended. They lost to Tobias Menzies (The Crown). There have been POC nominees since then, however, with Squid Game stars Park Hae-soo and O Yeong-su in 2022, The White Lotus' Will Sharpe, who is half-Japanese, in 2023, and Shōgun duo Tadanobu Asano and Takehiro Hira in 2024.
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Creating Costumes For Teen True Love In Netflix's 'Forever'
Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) star in "Forever" on Netflix. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Tanja Caldwell designed the wonderful costumes for Mara Block Ali's Netflix series, Forever. But before that, it feels important to mention the source material on which the series is based. The novel, which has almost the same name, was first published in 1975, by beloved American author Judy Bloom. (Are You There God? It's Me, Margaret was also by Blume.) Forever-the-book won the Margaret A. Edwards Award in 1996, for its 'significant and lasting contribution to young adult literature,' and in 2019 was included in the BBC's list of the 100 Most Inspiring Novels. But regardless of its many commendations, the novel, intended for older teenagers, remains one of the 100 Most Frequently Challenged Books according to the American Library Association, 50 years after its original date of publication. Why? Because the book discusses sex and acknowledges that teenagers might be competent to both engage in the act and be able to deal with whatever consequences might arise afterwards. The reason the book resonated with teens in the 1970s and the 1990s is the same reason that the series resonates with viewers right now; it is a story that respects the voices of its young characters. In her adaptation, Ali made a point of conveying that respect, and of never looking down on her characters simply because they are young. Tiffany (Paigion Walker), Christian (Xavier Mills), Brittany (Adriyan Rae), and Shelly Clark (Xosha Roquemore) . Cr. Elizabeth Morris/Netflix © 2024. Elizabeth Morris/Netflix 'That was very important to Mara,' Caldwell told me, 'it was very important to Regina, who directed the first episode and was one of the executive producers, and all the directors that came on. Everyone, with Mara's lead, was about making it real and genuine to the time and to the people, the adults and especially the young people who are our main characters in this series. It was important to show that growth throughout. I think it's important to show young people in the diversity that they have, even at a young age. I think that gets them interested in their own storytelling, when we tell them in a way that's real and genuine to them.' [Caldwell, I need to tell you, was an assistant costume designer on Black Panther and Black Panther: Wakanda Forever, working under the incomparable Ruth Carter. It is so cool, I had to make sure you knew this.] Forever takes place in 2018 and 2019, a time which, post-Covid, feels almost technicolor in its innocence. These are also years that many members of Gen Z, the generation immediately following us millennials, spent in high school. Seven or eight years later those kids are all adults. Caldwell understood this, and she worked very hard to make her costumes Los Angeles in exactly those two years. Her research was incredibly extensive and the costumes reflect this fact, they are better for her diligent attentions but they never pull from the action occurring in a scene. Justin Edwards (Michael Cooper Jr.), Keisha Clark (Lovie Simone), Chloe (Ali Gallo), Aunt Katherine (Polly Draper) , Uncle Michael (Tim Bohn), and Jeanine (Sherri Saum) at the beach in episode five. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'There are significant fashion differences between 2018-2019 and today,' Caldwell said, 'but there are also a lot of similarities. It was really important to make some distinguishing wardrobe options and choices, but we also were able to still play with more modern fashion, which helped us out a lot. The process for me really is discovery and research, about these different characters from the script, but also what young culture was in LA at that time.' Wardrobe on any production is a blend of apparel purchased, rented, tailored, remade, made from scratch. This show was no different, but needing clothing that was from a specific window of time, less than a decade old, meant the costume designer spent a lot of time in Los Angeles vintage stores. 'It was fun to dabble in vintage things, archive things, rare sneakers, rare t-shirts, things of that nature,' she told me when I asked about this. 'It was really fun to dig. When I was a teenager, I really loved vintage, I loved shopping for vintage. I think what I loved more than anything was the hunt, when you were able to find something really beautiful, really amazing, or more than one piece, and it was in great condition, or if it was a designer piece and in your size, so you just so happen to be able to fit it in.' Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) begin to bond in "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Figuring out who each character is, what they would wear and why, is something worked out between more than one person. The script might be specific about clothing, the showrunner and/or director will have thoughts, the production designer and the scenes they stage will impact how costumes read. Actor spend a lot of time figuring out who they are portraying, and for some performers that involves collaborating with the costume designer. It's a lot to think about and remember. 'Part of what I love about costume design is the research,' Caldwell said to me with a smile, deflecting my praise with precision. 'The discovery, who these characters are and how we see them through a lens of fashion, what will be distinguishing about their characters. One thing I talked about with Mara was creating somewhat of a uniform for Justin. Not that he was wearing the exact same thing, but if you look, you'll see most of the time he has a certain uniformity to what he's wearing.' 'He's always in Dickies,' the designer continued, 'different colors, some may be shorter or longer or more narrow or a little more aged. But he's always in Dickies, some form of a t-shirt, whether it's a plain shirt or it's a band shirt or something with a subliminal message on it. Then he's got a flannel shirt or some type of second layer, which I think is really indicative of Los Angeles culture. Layering is a big thing out here, just with the change of the weather.' Justin Edwards (Michael Cooper Jr.) in an awesome Dr. Dre tee from Episode 1 of "Forever." Credit: Hilary Bronwyn Gayle/Netflix © 2024 Hilary Bronwyn Gayle, SMPSP/Netflix When she was reading the script, the costume designer told me, she could feel the influence on Justin's character from his parents. She thought this might be something that would peek into his wardrobe, a tiny bit. 'His mother, especially,' Caldwell said. 'Whether he wants it or not, her influence, her hand on him is extremely close and heavy. I thought, if she's buying his clothes and she's watching him that closely, she's make sure he does his homework, she's got a tutor for him. She stays in touch with everything that he has going on. She's going to have some hands on his clothes. He's not going to have ripped distressed jeans with a lot of holes, w he's always going to look clean and put together, but still having his thumbprint on it some way, somehow.' 'With Karen Pittman's character, Justin's mother, having to be so strict because she loves him so much, maybe even a little bit to her fault, maybe a little bit overbearing. I think she still wants her son to show up in the world a certain way, that's how my parents were. You have some freedom to express yourself. But there are certain things in fashion, certain trends that you're allowed to do at this age and others you're not allowed to do, that's not the type of image you want to present yourself at this age or under my roof. These are the standards. I feel like that was more or less the way Justin's mother influences his style. His dad, I think he's the good cop. He doesn't say a lot, but when he speaks to his son, he always says something really profound and you just get it and there are some similarities in even the way that they dress. Even in the sweatshirts and hoodies, dad usually is very well put together, but he has this laid back feel. He's never super buttoned up or stuffy, but he doesn't look drabby or disheveled either. I think that's part of him being a chef and also an artist. I think that's why he may understand his son a little bit better.' Justin Edwards (Michael Cooper Jr.) and Darius (Niles Fitch) in personalized variation of their school uniforms. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix As my regular readers will know, I am fascinated by uniforms, by the many, many ways there are to make or source garments en masse. I do love the challenge of military uniforms, but the sort worn to private schools offer similar challenges. 'We bought a ton of uniforms in the beginning,' Caldwell told me, 'because we knew we were going to need a multitude of them for background. We got a multitude of sizes. But before we even did that, we locked down with production, Mara especially, what the colors of the school are. Because there's a whole lot of work that goes into just clearing the name of a school and the colors that you use.' This is what I mentioned a little earlier, how no decision can be made independently of others. Telling stories on film is, by the nature of the medium, a collaborative art form. 'Once we decide what the colors are and what the name of the school is,' Caldwell told me, 'then we go out and we purchase from a uniform store. Then we go out and buy things for the main characters, just to add a little zhuzh to their particular uniform. But in this case, we tried to keep it really true to what it really is in LA. And a lot of private schools give you certain guidelines, on certain days you can wear this, and on certain days you can't. We were modeling their school off of a school that Mara and her nieces or nephews had actually gone to in Los Angeles. We tried to keep to what those standards and rules were. They all had their own little something because I think that's important.' Keisha Clark (Lovie Simone) in her school's uniform. Courtesy of Netflix Our main characters, Justin Edwards and Keisha Clark, don't attend the same high school, though they both do go to schools in LA. 'So, different colors and also two different standards of what the procedures are for those uniforms,' Caldwell reminded me. 'We did that research, and then we came about it organically. We tried on a bunch of different versions, the vest with the skirt, the vest with the plain skirt versus the plaid skirt. Her school didn't have a blazer. His school did, but didn't feel right for him but it felt great for Darius.' I asked the designer what she was concerned about most for Forever, what part of her job seemed to be most vitally attached to the arc the characters follow. 'For me, it was about trying not to draw so far outside the lines. I wanted to still be real and honest. And I love that the kids can wear their own sneakers, we definitely played that up with both of them. We definitely went in on the shoes. I think that was important, I think It's important to see representations of ourselves at every stage of life. If art is to imitate life, and vice versa, we have to show all those different stages, and we need to show it in the rawest, realest way. I think that sometimes we can be persuaded or influenced to show things in a way that we think we know it to be, not what it really is. So it is all about discovery and asking questions and observing people.' While I watched the series I kept noticing small things, like the way that the sportswear the teens wear after school at practice is carefully curated to the character who wears it. 'That's the thing about costume design,' Caldwell told me when I asked her about this,'just about everything is intentional, whether the viewer is aware of it or not.' How did this work practically? I was very curious, because things never happen on screen by accident, and when I see consistency across time, like I saw over and over in this series, I know it is because a person made certain that it did. The designer told me how she used color to subtly nod to the character wearing each costume. Tammy (Emyri Crutchfield) and Keisha Clark (Lovie Simone) in Episode 1 of "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'For Tammy,' Caldwell explained, 'we put more in these darker muted colors, but they were still rich. We kept Keisha in the bright fluorescents, just because she's the star not only of the show, but she's also the star of the team. She's really pushing herself to get on a university track team and get that scholarship so she can attend. So I wanted her to stand out, even amongst her peers, when she was running. Even when she was with Christian at the Nike camp, I wanted her to seem bright. When she's at the Canyon, which worked really well because it was dawn, she's in a fluorescent orange, two-piece sports bra and matching shorts. When she's first running against Tammy and wins, she's in a fluorescent yellow Nike bra top and Nike shorts.' I asked Caldwell if she would tell me about something she was really proud of, something she figured out or made happen for Forever. There are so many more solutions than we are conditioned to see, and costume design is excellent proof that I am correct. A dozen costume designers presented with the same challenge would come back with a dozen different ways of making it happen. So, while working on this Netflix series, Caldwell generously told me this story, 'This was a really crazy story and something you don't see as much. We were doing interstitials, towards episode eight, Instagram shots that you see really quick that helps us pass time. There is a shirt that we actually made, one that we found, that was vintage,' the designer told me. 'We had to get it made because we needed multiples of it. And later we ended up revisiting it in a scene with Keisha and with Justin. ' 'In those shots,' Caldwell explained, 'Mara was putting them at a Little Uzi Vert concert. We went and found the Little Uzi Vert tour t-shirts from 2018, 2019, saw what those shirts looked like, and we really tried to get them. We only found one or maybe two. Scouring the world, you know, Etsy and vintage shops online and here in LA. The one thing about vintage is that when you're not looking for it, that's when you find it. If you look for something, you never find it. A few of them we had to recreate because we didn't have enough to place on all four actors. Costume designer Tanja Caldwell. Courtesy of Tanja Caldwell 'What's great about our process is in the beginning of prep, we were able to just start collecting a lot of beautiful vintage things. LA still has quite a few really great vintage stores that still collect, an assortment of really great tees in great condition. That was something from the research, in 2018, 2019, what did band tees look like? What concerts were going on? What artists were big then that teenagers were listening to?' Would she be willing to share any names of the places she likes to shop for vintage. 'I'm not a gatekeeper,' the designer said to me with a laugh. 'I like to share information because I like to get their information back. 'We found some really good t-shirts at American Rag on Melrose,' she continued. 'They're always really helpful and were really great, especially with Justin's band tees. They have a great assortment of vintage; skater, hip hop, old vintage Ralph Lauren… It was a really one-stop shop that we could go to. There's a really great shop, Virgo, that I love personally. It's in downtown LA and the owner is this really special young woman who started it. I go there to shop and I love their stuff.' When the last episode of Forever came to a close, I desperately wanted to warn the characters that Covid-19 was coming. That is how real these characters and story feel; the suspension of disbelief is as seamless as the costumes Tanja Caldwell designed for the series. 'I'm just really fortunate that I was able to be a part of it,' said the designer. All episodes of season one of Forever are available to stream on Netflix.
Yahoo
8 hours ago
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Juneteenth celebration set for June 14
TUPELO — Every year, residents and officials alike gather at Gum Tree Park to celebrate the day the last slaves were notified of their emancipation following the American Civil War. Tupelo will host its annual Juneteenth Tupelo Freedom Celebration June 14 at 4 p.m. at Gum Tree Park, with a separate celebration set from 5:30 to 7 p.m. on June 19, the official day of the federal holiday. Both are free to attend. 'We are very excited. Each year gets better. Each year… more people become aware of not just the festival but also the history,' organizer Jennifer Lawrence said. 'We come from a people that persevered. They went through a lot of oppression but we are here. We are still growing and evolving and we are making strides.' Juneteenth, a portmanteau of June and 19th, marks the annual celebration of the day Union soldiers traveled to Texas to announced that all enslaved Black people in the state were now free, officially ending slavery in the United States. In 2021, former President Joe Biden signed a law naming the day a federal holiday. The Saturday, June 14, festivities will include music performances, multiple speakers, a barbecue cook-off, a kids zone, a dance contest and giveaways. As part of the event, four graduating Black high school seniors or college students each will receive a $300 Conway Goree Scholarship. There will be a mini motorbike raffle as well. Before the June 19 celebration at the park, Lawrence said there will be a march from Gum Tree Museum on main street up to the monument by the old courthouse. Musical performances include Rapper J, Unique JS, Geno Jones' FOCUS, KP & Favor, Genesis United of Starkville, Mighty Gospel Warriors, Lawrence McKenzie, Changed of Amory, Tay Cheesy Brand the Line Dance Queen, J. Green & The Smack Band, The Crossroads Band, EJ Soul, Music Doll TB and more. Before the event proper begins, there will be a parade that starts 3 p.m., starting at the C.C. Augustus Center on North Green Street. Organizers request those attending bring lawn chairs. On June 20, the second annual 'Freedom Face Up' basketball tournament will take place at the Tupelo Police Athletic League, 204 Douglas Street. For more information, contact, Bridgett 'Miss Bam' Shelly at (662) 871-7590 or Lawrence at (662) 816-8403. Lawrence said vendors are still welcome to apply.
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The 2025 Tony Awards: How to watch, streaming details, nominees, performers, and presenters
Broadway's biggest night is back — and it's sure to be packed with star power, dazzling performances, and fierce competition. The 2025 Tony Awards, celebrating the best of live theater, is a can't-miss event for theater lovers. Whether you're tuning in live or streaming online, here's everything you need to know about 78th Tony Awards. The 78th annual Tony Awards are held on June 8, beginning at 8 p.m. ET/5 p.m. PT. More from GoldDerby 'Forever' star Lovie Simone on traveling back to a 'nostalgic' time for Netflix's teenage romance show Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner Kristen Kish dishes on Season 22 of 'Top Chef,' Emmys, and the show's global impact: 'It's all driven by the fans' The Tony Awards will stream live on Paramount+ with Showtime and broadcast on television via CBS. The ceremony will also be available on Paramount+ (for non Showtime subscribers) the following day. To watch the Tonys live, sign up for the Paramount+ with Showtime plan (information can be found here) or search your local listings for the CBS affiliate in your area. Tony, Emmy, and Grammy Award winner Cynthia Erivo will host the 78th Tonys from Radio City Music Hall in New York City. 'I am so proud and excited to take on this glorious honor,' Erivo shared in a CBS press release. 'I am looking forward to ushering the theatre community at large through a night that celebrates the wonderful performances we have witnessed throughout the year. I hope I can rise to the occasion.' The three-time Oscar nominee and Wicked star won the Best Lead Actress in a Musical Tony in 2016 for The Color Purple. SEE Tony Talk: Our final winner predictions in all 26 categories, including competitive Best Actress in a Musical and Best Play Revival Yes. Prior to the main telecast, Tony Awards: Act One will stream on Pluto TV, hosted by Darren Criss and Renée Elise Goldsberry, at 6:40 p.m. ET/3:40 PT. Several of this year's Tony Awards will be presented throughout Act One ahead of the main ceremony. As always, the Tony Awards will showcase performances from some of the most celebrated shows of the last Broadway season. Buena Vista Social Club Dead Outlaw Death Becomes Her Floyd Collins Gypsy Maybe Happy Ending Operation Mincemeat: A New Musical Pirates! The Penzance Musical Sunset Blvd. Just in Time Real Women Have Curves Hamilton reunion Broadway Inspirational Voices See the full list of 2025 Tony Awards presenters below. Sara Bareilles Danielle Brooks Kristin Chenoweth Bryan Cranston Auli'i Cravalho Charli D'Amelio Ariana DeBose Jesse Eisenberg Tom Felton Renée Elise Goldsberry Katie Holmes Julianne Hough LaTanya Richardson Jackson Samuel L. Jackson Allison Janney Rachel Bay Jones Adam Lambert Lea Michele Lin-Manuel Miranda Kelli O'Hara Sarah Paulson Carrie Preston Keanu Reeves Lea Salonga Jean Smart Ben Stiller Aaron Tveit Michelle Williams Oprah Winfrey Alex Winter SEE Ready for her close-up: Nicole Scherzinger takes the lead in Tony odds for Best Actress in a Musical Buena Vista Social Club, Death Becomes Her, and Maybe Happy Ending topped this year's Tony Awards nominations with 10 bids each. Close behind with seven apiece are Dead Outlaw, John Proctor Is the Villain, Sunset Boulevard, and The Hills of California. Buena Vista Social Club, Dead Outlaw, Death Becomes Her, Maybe Happy Ending, and Operation Mincemeat: A New Musical are up for Best Musical. English,The Hills of California, John Proctor Is the Villain, Oh, Mary!, and Purpose are the Best Play nominees. See the full list of nominees below. BEST MUSICAL Buena Vista Social Club Dead Outlaw Death Becomes Her Maybe Happy Ending Operation Mincemeat: A New Musical BEST MUSICAL REVIVAL Floyd Collins Gypsy Pirates! The Penzance Musical Sunset Boulevard BEST ACTRESS IN A MUSICAL Megan Hilty, Death Becomes Her Audra McDonald, Gypsy Jasmine Amy Rogers, Boop! The Musical Nicole Scherzinger, Sunset Boulevard Jennifer Simard, Death Becomes Her BEST ACTOR IN A MUSICAL Darren Criss, Maybe Happy Ending Andrew Durand, Dead Outlaw Tom Francis, Sunset Boulevard Jonathan Groff, Just in Time James Monroe Iglehart, A Wonderful World: The Louis Armstrong Musical Jeremy Jordan, Floyd Collins BEST FEATURED ACTRESS IN A MUSICAL Natalie Venetia Belcon, Buena Vista Social Club Julia Knitel, Dead Outlaw Gracie Lawrence, Just in Time Justina Machado, Real Women Have Curves: The Musical Joy Woods, Gypsy BEST FEATURED ACTOR IN A MUSICAL Brooks Ashmanskas, Smash Jeb Brown, Dead Outlaw Danny Burstein, Gypsy Jak Malone, Operation Mincemeat: A New Musical Taylor Trensch, Floyd Collins BEST DIRECTOR OF A MUSICAL Saheem Ali, Buena Vista Social Club Michael Arden, Maybe Happy Ending David Cromer, Dead Outlaw Christopher Gattelli, Death Becomes Her Jamie Lloyd, Sunset Boulevard BEST ORIGINAL SCORE Dead Outlaw, Music & Lyrics: David Yazbek and Erik Della Penna Death Becomes Her, Music & Lyrics: Julia Mattison and Noel Carey Maybe Happy Ending, Music: Will Aronson; Lyrics: Will Aronson and Hue Park Operation Mincemeat: A New Musical, Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts Real Women Have Curves: The Musical, Music & Lyrics: Joy Huerta and Benjamin Velez BEST BOOK OF A MUSICAL Marco Ramirez, Buena Vista Social Club Itamar Moses, Dead Outlaw Marco Pennette, Death Becomes Her Will Aronson and Hue Park, Maybe Happy Ending David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat: A New Musical BEST CHOREOGRAPHY Joshua Bergasse, Smash Camille A. Brown, Gypsy Christopher Gattelli, Death Becomes Her Jerry Mitchell, Boop! The Musical Patricia Delgado and Justin Peck, Buena Vista Social Club BEST ORCHESTRATIONS Andrew Resnick and Michael Thurber, Just in Time Will Aronson, Maybe Happy Ending Bruce Coughlin, Floyd Collins Marco Paguia, Buena Vista Social Club David Cullen and Andrew Lloyd Webber, Sunset Boulevard BEST COSTUME DESIGN OF A MUSICAL Dede Ayite, Buena Vista Social Club Gregg Barnes, Boop! The Musical Clint Ramos, Maybe Happy Ending Paul Tazewell, Death Becomes Her Catherine Zuber, Just in Time BEST LIGHTING DESIGN OF A MUSICAL Jack Knowles, Sunset Boulevard Tyler Micoleau, Buena Vista Social Club Scott Zielinski and Ruey Horng Sun, Floyd Collins Ben Stanton, Maybe Happy Ending Justin Townsend, Death Becomes Her BEST SCENIC DESIGN OF A MUSICAL Rachel Hauck, Swept Away Dane Laffrey and George Reeve, Maybe Happy Ending Arnulfo Maldonado, Buena Vista Social Club Derek McLane, Death Becomes Her Derek McLane, Just in Time BEST SOUND DESIGN OF A MUSICAL Jonathan Deans, Buena Vista Social Club Adam Fisher, Sunset Boulevard Peter Hylenski, Just in Time Peter Hylenski, Maybe Happy Ending Dan Moses Schreier, Floyd Collins SEE 'Every beat is meticulously crafted': 6 'Purpose' Tony nominees offer an oral history of the Pulitzer Prize-winning drama BEST PLAY English The Hills of California John Proctor Is the Villain Oh, Mary! Purpose BEST PLAY REVIVAL Eureka Day Romeo + Juliet Thornton Wilder's Our Town Yellow Face BEST ACTRESS IN A PLAY Laura Donnelly, The Hills of California Mia Farrow, The Roommate LaTanya Richardson Jackson, Purpose Sadie Sink, John Proctor Is the Villain Sarah Snook, The Picture of Dorian Gray BEST ACTOR IN A PLAY George Clooney, Good Night, and Good Luck Cole Escola, Oh, Mary! Jon Michael Hill, Purpose Daniel Dae Kim, Yellow Face Harry Lennix, Purpose Louise McCartney, Stranger Things: The First Shadow BEST FEATURED ACTRESS IN A PLAY Tala Ashe, English Jessica Hecht, Eureka Day Marjan Neshat, English Fina Strazza, John Proctor Is the Villain Kara Young, Purpose BEST FEATURED ACTOR IN A PLAY Glenn Davis, Purpose Gabriel Ebert, John Proctor Is the Villain Francis Jue, Yellow Face Bob Odenkirk, Glengarry Glen Ross Conrad Ricamora, Oh, Mary! BEST DIRECTOR OF A PLAY Knud Adams, English Sam Mendes, The Hills of California Sam Pinkleton, Oh, Mary! Danya Taymor, John Proctor Is the Villain Kip Williams, The Picture of Dorian Gray BEST COSTUME DESIGN OF A PLAY Brenda Abbandandolo, Good Night, and Good Luck Marg Horwell, The Picture of Dorian Gray Rob Howell, The Hills of California Holly Pierson, Oh, Mary! Brigitte Reiffenstuel, Stranger Things: The First Shadow BEST LIGHTING DESIGN OF A PLAY Jack Knowles, Sunset Boulevard Tyler Micoleau, Buena Vista Social Club Scott Zielinski and Ruey Horng Sun, Floyd Collins Ben Stanton, Maybe Happy Ending Justin Townsend, Death Becomes Her BEST SCENIC DESIGN OF A PLAY Marsha Ginsberg, English Rob Howell, The Hills of California Marg Horwell and David Bergman, The Picture of Dorian Gray Miriam Buether and 59, Stranger Things: The First Shadow Scott Pask, Good Night, and Good Luck BEST SOUND DESIGN OF A PLAY Paul Arditti, Stranger Things: The First Shadow Palmer Hefferan, John Proctor Is the Villain Daniel Kluger, Good Night, and Good Luck Nick Powell, The Hills of California Clemence Williams, The Picture of Dorian Gray For those who want an advantage over the competition in their annual Tonys pool, check out the final Gold Derby winner odds in all categories. Make your own predictions and join the competition at Gold Derby. Best of GoldDerby 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Who Needs a Tony to Reach EGOT? Sadie Sink on her character's 'emotional rage' in 'John Proctor Is the Villain' and her reaction to 'Stranger Things: The First Shadow' Click here to read the full article.
