![[Graphic News] ‘Parasite' tops NYT's 100 best movies of 21st century](/_next/image?url=https%3A%2F%2Fwimg.heraldcorp.com%2Fnews%2Fcms%2F2025%2F07%2F23%2Fnews-p.v1.20250723.3b351133929d4110b02e3efcb1350132_T1.gif&w=3840&q=100)
[Graphic News] ‘Parasite' tops NYT's 100 best movies of 21st century
The Times praised 'Parasite' as 'delightful yet twisted, unsettling and shocking,' noting that it 'tells the story of the haves and have-nots and offers a fierce critique of neo-liberalism.'
Two other Korean films also made the list: 'Oldboy' (2005) by Park Chan-wook ranked 43rd, while Bong's earlier film 'Memories of Murder' (2005) placed 99th. Korean Canadian director Celine Song's 2023 film 'Past Lives' was also included at No. 86.
don@heraldcorp.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
5 hours ago
- Korea Herald
WePlay x Estherbunny Present the Limited-Time Summer "Fashion Show"
SEOUL, South Korea, July 29, 2025 /PRNewswire/ -- WePlay, a leading global social entertainment platform, is thrilled to announce a limited-time summer collaboration with the immensely popular character Estherbunny, adored by Gen Z worldwide, for the Korean market. Centered around the concept of a "Summer Fashion Show," this special crossover event will run for seven days, from August 1 to August 7, offering WePlay Korea users an immersive experience brimming with summer vibes and adorable charm. Created by artist Esther Kim, Estherbunny has garnered a massive global fanbase with her unique aesthetic. Her status as a representative IP of new-generation global culture was reaffirmed in 2025 when she received the NEW FACE Award at Japan's JAPAN Character Award. Her design draws inspiration from her own multicultural upbringing – her large ears and characteristically tilted large eye not only form a distinctive look but also symbolize a gentle posture of always listening to others, radiating warm yet independent energy. During this limited-time collaboration, players will encounter the cute and confident Estherbunny across various WePlay content. Unlock limited-edition in-game items featuring Estherbunny's unique summer style, and participate in events to earn special rewards. These exclusive items incorporate Estherbunny's signature elements – her large ears, prominent eye, and rounded, soft cotton candy-like form – blending quirky balance with captivating contours. Players will be able to enjoy their games while experiencing the distinctive design charm of Estherbunny. The WePlay team stated: "We are thrilled to partner with Estherbunny for this special summer collaboration. The WePlay × Esther Bunny crossover isn't just a sweet visual feast—it's a fusion of personality, fashion, and social interaction. Estherbunny's unique charm and influence among Gen Z audiences align perfectly with WePlay's commitment to delivering diverse, high-quality entertainment. We believe this 'Summer Fashion Show' collaboration will create unforgettable summer joy for our players." About WePlay WePlay is the next-generation global social entertainment platform under Singapore-based company WeJoy. It is a comprehensive application integrating multiple games and entertainment functions. With the mission to " Bring joy and friends to young people around the world" and the vision to " Bring people together through games, lead the trend of global online social entertainment," WePlay is dedicated to co-creating a new era of gaming and social interaction filled with possibilities and innovative vitality with its players.


Korea Herald
8 hours ago
- Korea Herald
EBS documentary events scheduled for late summer
Public broadcaster to hold K-Docs Festival and EIDF 2025 in August South Korea's public broadcaster EBS on Tuesday announced the return of its annual documentary-centered events that are open to the public. K-Docs Festival, which seeks to champion emerging Korean documentary filmmakers and introduce new local titles to a wider audience, is set to run from Aug. 20 to Aug. 22. Now in its fourth year, the event has adopted the title 'festival' for the first time, signaling a broader push to engage industry professionals and everyday viewers alike. 'This is our third year running the event. For Korean independent documentaries these days, it typically takes over three years on average to complete production and secure a theatrical release,' Hyung Gun, director of K-Docs, said during Tuesday's press conference. With some of the K-Docs award-winning projects now completed and being released, the festival is holding screenings so that the films can reach audiences, he explained. This year's edition will be anchored by core programs centering around the documentary screenings and domestic investor pitch sessions. Three selected K-Docs projects — "On the Wings of a Butterfly," "Horoomon" and "Whales And" — will be screened at venues in Myeong-dong, central Seoul, during the three-day festival. "On the Wings of a Butterfly" and "Horoomon" will be screened with English subtitles, but no subtitles will be available for "Whales And." Each film screening will be followed by a 40-minute Q&A session with the filmmakers and audience. Running in tandem is the domestic investor presentation, also held across Seoul. The pitch session retains its four established categories — K-Pitch Prime, K-Pitch Fresh, EBS Commissioning Pitch and Hi-Docs Pitch — with a combined support pool of 770 million won ($553,000). A total of 27 selected projects will receive production funding and prize money. Standout projects will also be given a shot at international exposure, with overseas pitching opportunities slated for November at the International Documentary Film Festival Amsterdam, the world's largest nonfiction film fest. During the same press conference, EBS also unveiled details of the 22nd EBS International Documentary Festival, South Korea's longest-running documentary showcase. This year's edition will run Aug. 25 to Aug. 31 across venues in Goyang, Gyeonggi Province, and Seoul, featuring 62 documentaries from 35 countries. At the event, Kim Kwang-ho, executive committee chair of EIDF, outlined the overarching vision for this year's event. 'We curated the program with more experimental and multi-layered works, reflecting on how documentaries can capture the spirit of the times and offer new perspectives on society.' This year's lineup is organized by production region — Global, Asia and Korea — rather than by subject, a move designed to highlight the diversity and evolution of documentary filmmaking worldwide. According to EBS, EIDF 2025 is anchored in the central theme of 'Expanding the Boundaries of Documentary.' The broadcaster stressed the festival's newly launched category for documentaries titled 'Creative Documentary," which will spotlight innovative hybrid works that blend documentary with AI, animation and musicals. Ten documentaries from the official selection will be judged during the festival, with the top prize carrying a 10 million won cash award.


Korea Herald
11 hours ago
- Korea Herald
Culture Minister nominee eyes 'W300tr K-culture market'
Tech and media expert Chae Hwi-young emphasizes use of AI Chae Hwi-young, who would be the first private sector expert to lead the Ministry of Culture, Sports and Tourism if appointed, said Tuesday that he hopes to grow the market for Korean culture to 300 trillion won ($215.4 billion). The 61-year-old tech platform expert highlighted the Korean content industry's growing economic impact, citing K-pop, K-dramas, games, webtoons and publishing. Together, these markets generated 154 trillion won in revenue and $13.3 billion in exports in 2023, growing at an annual rate of 5-6 percent. 'These are now core national industries,' he said during his confirmation hearing at the National Assembly on Tuesday morning. 'While I take great pride in the accomplishments of Korean culture, I also believe we must reflect deeply on whether we're truly maximizing this unprecedented opportunity. We need to consider how to further strengthen the foundation of our cultural power. Being nominated at such a critical juncture fills me with a deep sense of responsibility,' he said. As for how he plans to achieve these goals, Chae emphasized the role of artificial intelligence, drawing on his personal experience navigating the profound shift from the analog 20th century to the AI-driven era of today. 'Now, generative AI is becoming a part of daily life, signaling yet another transformation. We must approach every cultural field -- arts, sports and tourism included -- with a new perspective fit for this evolving era,' he said. 'We will establish an innovation strategy for AI content creation, production and distribution and support the development of AI training datasets that incorporate Korean history and culture," he added. After working as a journalist at Yonhap News Agency and YTN, he joined Yahoo Korea. In 2002, he became CEO of NHN, leading the growth of the search portal Naver. In 2016, he founded Triple, a hyper-personalized travel platform. After Triple's merger with Interpark in 2022, he served as CEO, and in late 2024, led the launch of Nol Universe through a merger with Yanolja Platform. In the tourism sector, Chae pledged to draw 30 million international visitors to Korea by creating compelling content and modernizing the industry. As part of that effort, he emphasized improving convenience throughout the travel experience -- from arrival to departure -- while pushing innovation in travel services. 'We will build an innovative tourism ecosystem by supporting the digital and AI transformation of tourism businesses and streamlining outdated regulations,' he said. In addition to these pledges, Chae outlined a broader cultural vision that includes strengthening the foundation of Korea's cultural and artistic infrastructure, making access to culture, sports and travel a basic right in everyday life and enhancing investment in professional sports to reflect Korea's global standing. gypark@