logo
Marvel and DC Announce Unprecedented Crossover Comic ‘DEADPOOL/BATMAN'

Marvel and DC Announce Unprecedented Crossover Comic ‘DEADPOOL/BATMAN'

Hypebeast28-05-2025

Summary
MarvelandDCare set to unite their iconic characters in a groundbreaking crossover this fall withDEADPOOL/BATMAN. This collaboration is realized in the form of a one-shot comic issue following Wade Wilson AKADeadpool, as he accepts a mercenary contract in Gotham City, inevitably leading to a clash with the World's Greatest Detective. The comic will be written by Zeb Wells, known for his extensive work onSpider-Mancomics and as a co-writer for Marvel Studios' upcomingDeadpool & Wolverinefilm. Meanwhile, art will be provided by Greg Capullo, the celebrated illustrator known for his influential work on bothBatmanandX-Mentitles.
This crossover marks the first of two collaborations between Marvel and DC in over two decades. Produced by Marvel,DEADPOOL/BATMAN#1 is scheduled for release on September 17, 2025, followed by DC'sBATMAN/DEADPOOL#1 in November 2025. The dual releases allow each publisher to explore their character dynamics through distinct lenses, promising a clash of titans that fans have long speculated about.
In an official statement, Wells expressed his excitement, saying, 'After writing Amazing Spider-Man (2022) for 60 issues, I told Marvel I needed a break. Marvel told me I could do that or I could write a comic starring Deadpool and Batman with the best Batman artist of our generation. I no longer needed a break.' He added that pairing Deadpool with Batman introduces a new level of tension, joking that 'we've found someone who has even less time for Deadpool's antics than Wolverine.' However, with a city-wide threat from the Joker looming, the two will be forced into an uneasy alliance, with Deadpool inevitably pushing boundaries.
Greg Capullo echoed Wells' enthusiasm, calling the crossover a potential career highlight. 'Am I dreaming? This crossover is likely to be the high point of my career… and, I've had a great career,' Capullo remarked, citing his long history with both Deadpool (from X-FORCE) and Batman (from over 10 years at DC). With Capullo's main cover already revealed, anticipation continues to build as fans look forward to seeing how these two distinct characters collide whenDEADPOOL/BATMAN#1 launches on September 17.
Marvel's Merc with a Mouth meets DC's Dark Knight this September in 'Marvel/DC: Deadpool/Batman' #1, the first of two crossovers between Marvel and DC more than twenty years in the making!
Read more:https://t.co/ibSLKJlXihpic.twitter.com/SvPCY57t86
— Marvel Comics (@MarvelComicsHQ)May 27, 2025

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Dakota Johnson Opens Up About Who's To Blame For Marvel's ‘Madame Web' Failure
Dakota Johnson Opens Up About Who's To Blame For Marvel's ‘Madame Web' Failure

Yahoo

timean hour ago

  • Yahoo

Dakota Johnson Opens Up About Who's To Blame For Marvel's ‘Madame Web' Failure

Dakota Johnson has no regrets about 'Madame Web,' despite the 2024 Marvel superhero film being deemed a critical and commercial flop. In an interview with The Los Angeles Times this week, Johnson said the film's failure 'wasn't my fault' and was, instead, due to 'a lot of creative decisions' made by 'people who don't have a creative bone in their body.' 'It's really hard to make art that way. Or to make something entertaining that way,' she explained. 'And I think unfortunately with 'Madame Web,' it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time.' Directed by S.J. Clarkson, 'Madame Web' stars Johnson as Cassandra Webb, a paramedic whose brush with death awakens dormant psychic powers. In addition to Johnson, the film features an all-star supporting cast, which includes Emma Roberts, Adam Scott and Sydney Sweeney. Reviews for 'Madame Web' were largely negative, with The Hollywood Reporter calling it 'an airless and stilted endeavor driven by a mechanical screenplay.' The film reportedly cost about $80 million to produce but raked in a measly $25.8 million in its opening week, making it the lowest box office opening in the history of Sony's 'Spider-Man' franchise. Johnson, who returns to the big screen in the romantic comedy 'The Materialists,' has previously hinted at her frustrations with 'Madame Web.' 'Unfortunately, I'm not surprised that this has gone down the way it has,' she told Bustle in March of last year, shortly after the film was released. 'I had never done anything like it before. I probably will never do anything like it again because I don't make sense in that world. And I know that now.' 'But sometimes in this industry, you sign on to something, and it's one thing and then as you're making it, it becomes a completely different thing, and you're like, Wait, what?' she added at the time. 'But it was a real learning experience, and of course it's not nice to be a part of something that's ripped to shreds, but I can't say that I don't understand.' Johnson offered a more pragmatic take on the situation in her Los Angeles Times chat, telling the outlet: 'There's no part of me that's like, 'Oh, I'll never do that again' to anything. I've done even tiny movies that didn't do well. Who cares?' Fortunately for Johnson, early buzz on 'The Materialists' ― which also stars Chris Evans and Pedro Pascal ― has been positive. Critics who have screened the movie thus far have called it 'a brutally realistic and beautiful examination of love,' while praising Johnson as 'a perfect imperfect protagonist.' Lea Michele Debunks Rumor She Can't Read Once Again, This Time On Camera Dakota Johnson Says She Pulled Disgusting Prank — And Polygraph Confirms It Vanessa Bryant Channels Rihanna To Address Pregnancy Rumors Like A Boss

Minnie Hauk lands the Betfred Oaks at Epsom
Minnie Hauk lands the Betfred Oaks at Epsom

Yahoo

time2 hours ago

  • Yahoo

Minnie Hauk lands the Betfred Oaks at Epsom

Minnie Hauk (9-2) won a thrilling battle with stable-mate Whirl (15-2) to give Aidan O'Brien an 11th victory in the Betfred Oaks at Epsom on Friday afternoon. Minnie Hauk – an impressive winner of the Listed Cheshire Oaks at last month's Boodles Chester May Festival – just got the better of her stable-mate in a thrilling battle to the line, scoring by a neck under stable jockey Ryan Moore with Godolphin's 1,000 Guineas heroine and 11-10 favourite Desert Flower four lengths back in third. Moore had the choice of O'Brien's three challengers in the Fillies' Classic – with Lingfield Oaks Trial winner Giselle, who eventually came home fifth, also entered. But he passed over her and the Musidora Stakes winner Whirl for the improving daughter of Frankel, Minnie Hauk, who had won for a second time in three career starts on the Roodee last month. Advertisement Under Moore, Minnie Hauk was sat a couple of lengths off the pace set by Whirl and Wayne Lordan. When Whirl kicked for home after the turn around Tattenham Corner, Moore moved Minnie Hauk closer to challenge. The two Ballydoyle fillies quickly went clear of their rivals and in a protracted battle all the way up the home straight, both gave their all but it was just Minnie Hauk who prevailed by a neck. READ MORE: Horse Power: The Lion In Winter to roar back with victory in the Betfred Derby at Epsom READ MORE: Jan Brueghel crowned a winner in the Coronation Cup at Epsom O'Brien is now closing on 19th century trainer Robert Robson's 13 victories in the Epsom Classic as Minnie Hauk followed the likes of his former Oaks scorers including Alexandrova, Minding, Love, Snowfall and his most recent victor Tuesday (2022) into the winner's enclosure. Having won a 30th Group One at the Derby Festival with Jan Brueghel's success in the Coronation Cup earlier in the day, Moore and O'Brien were again the men for the big occasion. Advertisement O'Brien said: 'I'm delighted with her; she's very classy and Ryan gave her a beautiful ride. He loved her the last day (at Chester) and then again today, so she's very exciting. She's obviously learning - she went to Chester and learnt a lot and was still green, and she was always improving from mid-race. What you love about her is that she's a great traveller; she has a lot of class. Ryan felt he was going very easily today on her and usually what that means is that she will be able to step up a couple of grades into even higher-class races. It's lovely for the lads and for everyone to have another filly like that. 'Colin [Keane] was delighted with his filly (Giselle, fifth); he said she's a bit of a baby and a bit weak, so she will improve. Whirl (second) ran a great race; she stays and obviously has a lot of class too. We were going to go forward if no one else wanted to. Ryan was going to go forward, and so was Wayne. Obviously Colin didn't want to go forward; his filly was too keen and we all knew that; he was going to try to get her to relax and see what would happen. I don't think it was too fast a pace. I'm delighted with the way it all went. 'Those Wootton Bassetts (Whirl's sire) – obviously they have speed but they also stay. Obviously she got a mile and a quarter at York by staying and we thought there was a chance she would get the mile and a half, but we weren't sure. Ryan said that he would have been happier going a bit faster in the first half of race, and usually the sign of a very classy filly, so that means she'll be very comfortable standing up against the older horses when the time comes. We'll see. I'm delighted for everyone. It's a big team and everyone plays their part – I'm just the observer, really, and it's the lads who, every year, keep these pedigrees going and make sure we have these horses to be able to work with.' Moore, who was wining a fifth Oaks, said: "She began well and travelled strong early and I just wanted to make sure I was in a position to do what I wanted when I wanted. She just travelled a bit too strong and fell asleep on me then after I asked her to relax. The filly in front is a good filly and kept building the whole way and I just had to ask my filly to go to her and she quickened up very smartly and got there easily. Whirl came back and my filly found a little bit more. I think she'll improve for the experience and as far as three-year-old fillies go she's very good. Advertisement "She'll be (going for the) Irish Oaks/Nassau Stakes, that sort of thing, and we'll go from there. She's a lightly-raced filly and should improve." Moore added: "I rode some exceptional fillies in this race, Love and Minding spring to mind and Snow Fairy as well. She's got a way to go, but she's open to any amount of improvement." Lordan, who rode runner-up Whirl, said: 'I've gone a nice gallop as we felt that she would stay. She was loving it out the front; she kept extending well. Ryan went a good half-length off me. I think both fillies were just coming to the end of their tether and having a bit of a roll around, but I felt we had been well held at the line. I couldn't fault my filly – she ran a stormer. She's a lovely filly and she tries hard. She's very straightforward, very uncomplicated and she shows you everything she has.' Charlie Appleby, trainer of the third-placed Desert Flower, said: 'It just looked like she got a bit unbalanced coming down the hill and hit a bit of a flat spot just at the point you don't want to, but take nothing away from the first two as they just kept galloping. We all think she got it [the trip] and personally I'd like to see her in something like the Yorkshire Oaks, on a nice galloping track. We'll give her a break now. Will just thought she'd be more comfortable on a sounder surface than she got today. She won on slow ground in the Fillies' Mile, but slow ground on a track like this might have been a consideration. Back on a more conventional track will hopefully be more her gig.' Advertisement Keane, who was on board fifth-placed Giselle, said: 'She ran okay. She was a little bit in my hands in the first half then settled as we went on. She feels like a filly who lengthens and gallops rather than quickens, but it was a nice run.' Jockey Jim Crowley said of seventh-placed Elwateen: 'She was disappointing. We were beaten turning in so we can't blame the trip. I had a lovely run round but it just didn't happen.' The David O'Meara-trained Mirsky (6-1) won the Trustatrader Handicap, under Oisin Murphy, by a comfortable length-and-a-quarter from Alpha Circus (8-1) with the winner's stable-mate Julia Augusta (40-1) a further three-quarters-of-a-length back third and Ebt's Guard (9-2) another neck adrift in fourth. The ex-French winner backed up a recent win at Thirsk and could now head to Royal Ascot for the Royal Hunt Cup. Trainer O'Meara said: 'He ran well a few times last year without winning, but we always felt he had something like this in him. It maybe took us a while to get the hang of him, but he's won his last two now, which is great. The Hunt Cup would be a possibility now. Julia Augusta ran well in third. She'd run well here last year in the Diomed but hadn't run before this season. Bopedro just found it a bit sharp here but was staying on in fifth, so they all ran well.' Winning rider Murphy added: 'That was good placing by David, who really fancied him today. I've ridden plenty of nice winners for him here and it was nice of him to put me up again.'

Dakota Johnson says ‘Madame Web' tanking wasn't her fault: ‘Who cares?'
Dakota Johnson says ‘Madame Web' tanking wasn't her fault: ‘Who cares?'

San Francisco Chronicle​

time4 hours ago

  • San Francisco Chronicle​

Dakota Johnson says ‘Madame Web' tanking wasn't her fault: ‘Who cares?'

Dakota Johnson has freed herself from the ' Madame Web ' debacle. The actress says the tanking of the 2024 superhero movie she starred in 'wasn't my fault,' and put the blame on the decision-makers at Sony Pictures. 'There's this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don't have a creative bone in their body,' Johnson told the Los Angeles Times in an interview published Wednesday, June 4. 'It's really hard to make art that way. Or to make something entertaining that way. And I think unfortunately with 'Madame Web,' it started out as something and turned into something else. And I was just sort of along for the ride at that point.' ' Madame Web,' released in February 2024, starred Johnson as the Marvel Comics title character, an offshoot of Sony's ' Spider-Man ' series. The movie cost $100 million to make, and took in just about that in the global box-office; typically a movie needs to gross about three times its budget to break even theatrically. The movie also got terrible reviews — it currently holds a dismal 11% positive rating on aggregate — and sparked some intense social media reactions. 'But that happens,' Johnson said. 'Bigger-budget movies fail all the time. I don't have a Band-Aid over it. There's no part of me that's like, 'Oh, I'll never do that again' to anything. I've done even tiny movies that didn't do well. Who cares?' But that's not the only news Johnson has made this week. Reports say her eight-year relationship with Coldplay frontman Chris Martin has ended; she had a near wardrobe malfunction on 'The Tonight Show Starring Jimmy Fallon' and, in perhaps the weirdest moment, confessed she once sent a gallon of gorilla poop to a friend's ex-boyfriend. The latter confession came on Vanity Fair magazine's famous lie detector test, posted Thursday, June 5. 'Yes, I did do that,' Johnson admitted. 'It's been quite a while, it's been some years. … I'm not a monster.' Johnson, 35, who was raised in San Francisco while her father, actor Don Johnson, was filming the TV series ' Nash Bridges ' in the city, is currently starring in 'Materialists.' The rom-com co-starring Chris Evans and Pedro Pascal and directed by Celine Song (' Past Lives ') opens in San Francisco theaters on Friday, June 13.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store