Five For Your Radar: 28 Years Later, Neil Young, Live at the Marquee
General release, Friday, June 20
Over 20 years on since the release of 28 Days Later, which made a star of Cillian Murphy and, ahem, revived the zombie genre for the new century, Danny Boyle returns with a sequel, 28 Years Later, and a terrifying new "auteur horror" story. Aaron Taylor-Johnson, Ralph Fiennes, and Jodie Comer star.
Street theatre: Les Girafes: An Animal Operetta
St Patrick's Street, Cork, 2pm, 9pm, Sunday, June 22
Les Girafes parade through Cork on Sunday.
Seven towering red giraffes gracefully parade through Cork's city centre, led by an operatic diva, as Cork Midsummer comes to a close after 10 days of memorable events. French street theatre company Compagnie OFF will be accompanied by a troupe of bumbling keepers, musicians, and performers savannah for this free event.
Concert: Neil Young and Van Morrison
Malahide Castle, Dublin, Thursday, June 26
Both men are 79, and while they may outlast us all, there is a sense that we don't know how long more they'll be touring. The Canadian-American rocker returns to Ireland with a band that includes Willie Nelson's son Micah, and fans will be happy to hear that recent setlists have included such classics as Sugar Mountain and Heart of Gold. Van the man has been a mixed bag in the live arena in recent years, but can still conjure up moments of magic.
Streaming: The Bear
Disney+, Wednesday, June 25
After a divisive — some would say tedious, others would say slow — third season, The Bear returns for its fourth season. Jeremy Allen White, most recently seen as The Boss in the trailer for Springsteen: Deliver Me From Nowhere, reprises his role as anger-managing chef Carmy, while Ayo Edebiri and Ebon Moss-Bachrach also return to the kitchen/melting pot. As usual, all 10 episodes of the season drop at once on Wednesday.
Concert: Picture This
Live at the Marquee, Wednesday-Thursday, June 25-26
Fans at a previous gig at Live at The Marquee in Cork. Picture: Larry Cummins
Picture This kick off a month of shows Live at the Marquee in Cork. Ten years on from the release of Take My Hand and having released fourth studio album Parked Car in 2024, Picture This return for two sold-out shows to kick off the Marquee shows.
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Irish Examiner
2 days ago
- Irish Examiner
Naked Gun, Superman, Freakier Friday: Why are we so drawn to reruns, remakes, and sequels?
IN a global era where we are being ruled by psychopaths and led by donkeys, where nobody can afford anything anymore and our distrust of each other is being weaponised against us for unscrupulous political gain, where a formerly utopian internet is being replaced by the creeping dystopia of AI, all of which is playing out against the ominous thrum of climate crisis, it's no wonder we're becoming nostalgia ostriches. There's only so much news cycle a central nervous system can take. Yay then for burying our heads in the warm, fuzzy distraction of nostalgia. Allowing it to blanket us in feelings of comfort and safety, shepherd us towards softer, more innocent times where all we had to contend with was George W Bush, lad mag sexism, and old-fashioned racism and homophobia. Where genocide was not being livestreamed daily on our phones, incels and the manosphere were not yet born, and a personality-disordered white supremacist was not in charge in the White House. It's too much. So we're collectively self-soothing by immersing ourselves in reruns, remakes, reissues, sequels, and prequels. Lovely easy familiarity. Freakier Friday. Freakier Friday is in cinemas this weekend, starring Jamie Lee Curtis and Lindsay Lohan — a sequel to the 2003 movie, also starring Jamie Lee Curtis and Lindsay Lohan, because continuity is calming. The new Jurassic movie, Rebirth, isn't just another slice of familiar creature-feature, but is embedded with nods to classics like Jaws and Alien. (It's terrific, by the way.) 28 Days Later, starring Cillian Murphy Danny Boyle's latest, 28 Years Later, his sequel to 2002's 28 Days Later, is itself a comment on nostalgia and Brexit-like isolationism–signalled via props like images of a young queen Elizabeth, and the story being set on a barricaded island — but with zombies. If marauding flesh-eaters are not your bag, there's always the current remake of The Naked Gun, or Superman, the 14th Superman movie since 1948. Maybe we secretly think that if we keep making films about him, he'll come and save us. Sarah Jessica Parker, star of Sex and the City On TikTok, small screen #noughties nostalgia is up 36% from last year — Sex and The City (1999-2004) has 108,000 videos, Gossip Girl (2007 – 2012) has 1.2 million, and Gilmore Girls (2000-2007) has one million. Skins, Kin, Code of Silence and The Vampire Diaries are being rediscovered by TikTok, just as older viewers traditionally migrate towards comfort telly like Only Fools and Horses, Blackadder, AbFab, Golden Girls. Small screen nostalgia has been with us as long as there have been televisions in our sitting rooms: in the 1970s, amid a schedule of The Muppet Show and M*A*S*H*, was a Sunday evening item called The Good Old Days. It emulated Victorian variety shows, with the audience dressed accordingly — a sort of prototype Britain's Got Talent, but with bonnets. A classic example of nostalgia as false memory syndrome, given how the Victorian era was all about starving urchins and sexual repression. MAD FERRIT Music loves nostalgia too. Gen X lads of the Loaded era — now middle-aged men inhabiting dadbods — have been mad for the Oasis reunion, the singalong heroes of their beery youth speaking more to them than, say, Bob Vylan. Meanwhile, 84-year-old Bob Dylan is going on tour again despite now sounding like a cat caught in barbed wire, and the Rolling Stones are talking about a 2026 tour. The eternal, unchanging Neil Young headlined Glastonbury in June. Tik Tok has allowed Gen Z to discover older artists from Kate Bush to Connie Francis. Nostalgia extends to all aspects of life as we choose bright colours, nursery foods, and familiar tunes in our quest for comfort. Unthreatening analogue tech. We are adapting old things to be newer things, rather than jarring ourselves with innovation — we call this 'nowstalgia', defined by Consumer Additions as 'the trend where brands breathe new life into the past. It's not about re-launching old products as they were; it's about creating something that feels nostalgic yet relevant to today's consumer.' Nothing is too trivial for nowstalgia. Think When Sally Met Hellmann's — the current mayonnaise advert rebooting the famous Harry Met Sally café scene: 'I'll have what she's having.'. Meg Ryan and Billy Crystal reunited to re-create the iconic When Harry Met Sally scene. Or the McDonalds 'side mission' advert featuring the retro digital style of the infant internet — because the internet is now old enough to be nostalgified. Graydon Carter's post- Vanity Fair online magazine, Air Mail, is elegantly styled to resemble those vintage red and blue foldable airmail letters. And Gen Z, frazzled from being online since birth, are fetishising 90s analogue tech in a search for authenticity and to escape digital brain-fry. Flip phones, Polaroid cameras, tape decks, vinyl, from an era where 'screen time' meant moderate doses of MTV or Nintendo. Nintendo DS: an icon of the post-Y2K tech aesthetic now worshipped by Gen Z Gen X fondly remember 90s rave culture as an era where nobody was curating their feed every second of their waking existence, or uploading content, or tagging anyone — we were just sweaty on the dancefloor or the beach or field, saucer-eyed and in the moment. The Nokia C300 - emblematic of a different tech era. This was a moment which lasted a decade, and is now looked back upon with the same pangs of nostalgia as old hippies look back on the Sixties — not just by those of us who were there, but by our tech-addled kids. The 90s were an analogue sweet spot before the fun-sapping self-consciousness of digital life set in. Back then, nobody was blocking your view at a gig with their phone, or standing in front of the DJ booth filming instead of dancing. Away from raves, the Beckhams recently celebrated their 25th wedding anniversary in the same purple outfits they wore in 1999, when they were at the height of their powers and plastered all over OK! magazine. They're a nostalgia brand now, representing memories of (relative) prosperity and certainty. The Royal Family exists purely thanks to British nostalgia, a cultural comfort blanket existing solely to embody a sense of exceptionalism; hence the rage at Prince Harry when he dared rip a hole in it. Fashion has always been notoriously nostalgic, given how there are only so many variations on how to dress the human form; fashion repeats itself in endless cycles, reselling us the 80s, the 90s, the Noughties, zhuzhed a bit differently. Dior is sending those J'adore Dior T-shirts down its runway again, last seen in 2001 when Galliano was at the helm; Alexander McQueen's skull scarf from the mid-2000s has also made a comeback, as has Chloe's Paddington bag. High street fashion — for people who don't want to spend a grand on a T-shirt — is having a playful Y2K neon moment, with lots of metallic and pleather, reminiscent of two dominant 90s themes — bright baggy rave clothes and the sci-fi feel of the oncoming Millennium. Which all sounds lovely. Harmless and comforting, right? Not always, though. RETROMANIA Nostalgia can be harnessed for malign purposes — it's not always a merry trip down memory lane. Nostalgia is what fuelled the MAGA movement and Brexit with such unexpected success, harnessing a false harking back to an imaginary golden era that never was, while inflaming a sense of grievance in voters about the present. It worked. Retrospective idealisation and euphoric recall of a fictional past are the building blocks of fascism, along with weaponised othering; populist grifters urge us to remember when things were great before all the [insert scapegoat] came along and ruined it. This strain of nostalgia — conservative and sentimental — is what got Trump and Brexit over the line. Historian Robert Saunders, referred to the mindset of the Brexit Leave vote as 'a psychological disorder: a pathology to be diagnosed, rather than an argument with which to engage'. So what is it exactly, nostalgia? An emotion? A behaviour? A reflex? A 2020 US study published in Frontiers in Psychology describes nostalgia as 'a sentimental longing for the past [and] a common, universal and highly social emotional experience. Nostalgic reverie is centred around the self, important social connections, and personally meaningful life events'. Yet the study suggests, somewhat counterintuitively, that nostalgia can also involve the future: 'By definition, nostalgia is a past-focused affective experience. A growing body of evidence, however, documents the future-oriented nature of nostalgia. Specifically, people can reference their nostalgic past to remind themselves what it felt like to be young and loved, which in turn promotes future-oriented behaviour, such as physically caring for oneself, connecting with others, and pursuing goals.' It wasn't always so well-regarded. Once upon a time, nostalgia was thought of as an illness. First coined in 1688 by a Swiss doctor, Johannes Hofer, it comes from the Greek nostos (homecoming) and algos (pain), and was considered a pathology that could cause sleep disturbance, lethargy, and depression. Apparently, it could even kill you. Medical historian Agnes Arnold-Forster, in her book Nostalgia: A History Of A Dangerous Emotion, writes how 'Sufferers also experienced physical symptoms — heart palpitations, open sores, and confusion. For some, the illness proved fatal — its victims refused food and slowly starved to death.' She describes how a Parisian man facing eviction during the 1830s took to his bed and starved himself to death at the prospect of losing his beloved home. Official cause of death? Nostalgia. Even when, during the 20th century, the medical world stopped regarding nostalgia as a physical condition, it transformed instead into a psychological one, a kind of hybrid of neurosis and reality-avoidance, something that required treatment by psychoanalysis. 'It wasn't until the 1970s that these views softened,' writes Dr Arnold-Forster. 'Today, psychologists believe nostalgia is a near-universal, fundamentally positive emotion — a powerful psychological resource that provides people with a variety of benefits. 'It can boost self-esteem, increase meaning in life, foster a sense of social connectedness, encourage people to seek help and support for their problems, improve mental health and attenuate loneliness, boredom, stress or anxiety. Nostalgia is even now used as an intervention to maintain and improve memory among older adults, enrich psychological health and ameliorate depression.' Nostalgia is used in the treatment of dementia in the form of reminiscence therapy — it can bring comfort to patients whose short-term cognitive function is compromised, but who can remember the olden days when their memory is stimulated by catalysts from their youth. Music is especially effective, as are photographs. Even if you're a hard-nosed nostalgia sceptic, associating it with cultural laziness, with clinging to safe ground, looking backwards instead of forwards, prioritising sensations of comfort over the scary thrill of new stuff, sometimes nostalgia can ambush you most unexpectedly, triggering a cascade of memory sensations you didn't even know your brain was storing. I experienced this recently at the small, fascinating Museum of Brands in London's Notting Hill — the billboard outside had promised '10,000 memories', which seemed unlikely yet turned out to be barely an exaggeration. A tidal wave of sensory nostalgia all but knocked me off my feet. Sweets from the 1970s and 1980s — thousands of them, displayed in glass cases. Weekend, Iced Caramels, Black Magic — all genuinely horrible confectionery I'd forgotten ever existed — created a feeling of pure delight as I peered at all the familiar but long-gone items of my childhood. Toys and comics I'd forgotten, yet remembered with crystal clarity when I saw them again fifty years on. I was not alone. The small museum was filled with audible 'ooohs' and 'aaaahs' as people recognised stuff from their own childhoods. We were sloshing about in nostalgia, bathing in it, as it cocooned us, warm and comforting as amniotic fluid. The outside world suddenly seemed very far away.
The Irish Sun
3 days ago
- The Irish Sun
Hit horror series based on best selling books is cancelled after two seasons
A HIT horror series based on a bestselling book franchise has been AXED after just two seasons. The chilling show had built up a cult following thanks to its eerie twists and terrifying cliffhangers, but streaming bosses have pulled the plug despite its loyal fanbase. 3 Goosebumps is not returning for a third season at Disney+ Credit: Alamy 3 It brought R.L. Stine's iconic spooky stories to a whole new generation Credit: Alamy The rebooted Goosebumps series, which starred Friends legend David Schwimmer, had brought R.L. Stine's iconic spooky stories to a whole new generation. But despite strong reviews and a wave of nostalgia-fuelled buzz, Disney+ and Hulu have decided not to move forward with a third season. The series originally debuted on Disney+ in October 2023 and quickly gained momentum. Across its two-season run, Goosebumps racked up an impressive 75 million hours viewed in the U.S. alone, with an additional 43 million hours across 16 international markets. Each season of Goosebumps was packed with spooky nods to R.L. Stine's iconic books – from cursed masks to creepy dummies. Series one followed five teens uncovering a chilling mystery linked to a classmate who died decades earlier. Season two saw twin siblings stumble on terrifying secrets after moving in with their newly single dad — and things quickly took a freaky turn. The hit book series, published by Scholastic, is one of the best-selling of all time, with over 400 million copies sold and editions in 32 languages. There are now more than 200 Goosebumps books – and it's no stranger to the screen either. It was first turned into a 90s TV classic and later spawned two Hollywood films in 2015 and 2018. Goosebumps - Official trailer Meanwhile, Disney is making some huge changes to its streamed TV offering with a new brand coming to the UK for the first time. Hulu will be the new name for Star, the destination for non-Disney grown-up movies and major TV series like The Bear and The Secret Lives of Mormon Wives. The Hulu brand has been around for years across the pond in the US. Disney has been running Hulu and Disney+ as two separate apps over there, but they're set to be merged next year. HOW TO GET DISNEY+ FREE You can currently get Disney+ free for up to a year if you buy an Uber One subscription. Uber One is the ride-hailing app's paid perk which unlocks discounts for travel and takeaways. It costs £49.99 for a year. And at the moment they're throwing in access to Disney+ Standard for a year on top, which usually costs £89.80 alone. Image credit: Alamy This will mean the end of Hulu as a standalone streaming app. However, the brand will live on within Disney as a section, much like it will in the UK when it replaces Star. US viewers will still be able to pay for separate Hulu and Disney+ subscriptions as they do currently. "Today, we're announcing a major step in enhancing our streaming offering by fully integrating Hulu into Disney Plus,' Disney CEO Bob Iger and CFO Hugh Johnston said during the company's quarterly earnings call. "This will deliver a powerful entertainment package — combining top-tier brands and franchises, general entertainment, family programming, news, and industry-leading live sports — all within a single app." Hulu is expected to replace Star outside of the US in the autumn. This will mean the six content channels available to watch on Disney+ in the UK will be: Disney Pixar Marvel Star Wars National Geographic Hulu
The Irish Sun
3 days ago
- The Irish Sun
Disney bringing major TV service to all Brits in huge shake-up – but admits an iconic app will shut down after 17 YEARS
Find out how to get Disney+ for FREE below TAKING THE MICKEY Disney bringing major TV service to all Brits in huge shake-up – but admits an iconic app will shut down after 17 YEARS DISNEY is making some huge changes to its streamed TV offering with a new brand coming to the UK for the first time. And the entertainment giant is also planning to axe one of its apps amid the shake-up. Advertisement 2 Hulu is coming to the UK Credit: Getty 2 The Star brand will disappear as a result of the shake-up Credit: Getty Hulu will be the new name for Star, the destination for non-Disney grown up movies and major TV series like The Bear and The Secret Lives of Mormon Wives. The Hulu brand has been around for years across the pond in the US. Disney has been running Hulu and Disney+ as two separate apps over there but they're set to be merged next year. This will mean the end of Hulu as a standalone streaming app. Advertisement However, the brand will live on within Disney as a section, much like it will in the UK when it replaces Star. US viewers will still be able to pay for separate Hulu and Disney+ subscriptions as they do currently. "Today, we're announcing a major step in enhancing our streaming offering by fully integrating Hulu into Disney Plus,' Disney CEO Bob Iger and CFO Hugh Johnston said during the company's quarterly earnings call. "This will deliver a powerful entertainment package — combining top-tier brands and franchises, general entertainment, family programming, news, and industry-leading live sports — all within a single app." Advertisement Hulu is expected to replace Star outside of the US in the autumn. This will mean the six content channels available to watch on Disney+ in the UK will be: Disney Pixar Marvel Star Wars National Geographic Hulu But that's not the only big news Disney had today, as the firm also revealed it will show LALIGA matches in the UK and Ireland from next week. Customers can catch Saturday night LALIGA action live on Disney+ as part of their existing subscription. Advertisement Meanwhile, Premier Sports will air all other matches, with more than 340 per season. The secrets of Lindsay Lohan's youthful face revealed as she wows at Freakier Friday premiere in London
