
Cult classic 90s comedy shaped a generation finally streaming on Netflix
A timeless classic that culturally influenced and mirrored an entire generation of audiences has arrived on Netflix.
What would subsequently inspire countless Halloween outfits, endless quotations and a lasting place in pop culture history initially began as a television pilot in 1993.
"Twentieth Century Fox said they wanted a show about teenagers - but not the nerds. They wanted it to be about the cool kids," revealed writer and director Amy Heckerling in a DVD-exclusive special feature.
Heckerling, who had studied Jane Austen's Emma during her university years, chose to craft a contemporary take on the character. "I started to think, 'What's the larger context for that kind of a 'nothing can go wrong, always looks through rose-coloured glasses' kind of girl? So I tried to take all the things that were in this sort of pretty 1800s world and see what that would be like if it was in Beverly Hills."
This gave birth to Clueless - the 1995 teen comedy featuring Cher Horowitz, a well-off, fashionable and perpetually upbeat secondary school pupil in Beverly Hills, who embarks on helping others whilst managing friendships, romances and her own personal development, reports the Express.
Together with her best mate Dionne (both named after famous singers), Cher chooses to give new transfer pupil Tai a makeover and steer her through the school's social pecking order - only to discover herself experiencing a transformation of her own.
Almost 30 years later, the film's appeal remains intact. One viewer said: "Alicia Silverstone is pure gold".
One viewer added: "It might be 30 years old now, but it still stands the test of time. An enjoyable movie that doesn't feel old and is as relevant now as it was then."
Another hailed it as "by far the best movie ever made about rich teenagers. It's so funny you'll watch it over and over again. This movie is a solid classic for life."
For many who grew up with it, Clueless is more than just a comedy. "As a kid of the 90s, I always enjoy watching it. The fashion, the dialogues... it's a feelgood film. It's a shame (teen) films are not like that anymore," another fan expressed.
Smart, stylish and endlessly quotable, Clueless is seen by many as the ultimate teen movie of its era - and as one reviewer put it: "If you haven't seen this film, then you're missing out on what it felt like to be a teenager in the 90s. A+."
Clueless is now available to stream on Netflix, Amazon Prime Video, Apple TV, Disney+ and more.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Record
4 minutes ago
- Daily Record
Netflix fans say 'they should have stopped' at season one despite show dominating number one spot
Jenna Ortega stars in the leading role of Wednesday - however not everyone has been left impressed as the second series landed on the streaming giant. Netflix viewers have been left unimpressed with the second series of a popular show, despite it currently sitting at number one on the streaming platform's official charts. Wednesday, starring Jenna Ortega, has returned to front the gothic comedy-drama for a second run. Despite it receiving raving reviews first time around, it appears both critics and viewers feel it should have wrapped up after one series. Although it ranks top most-watched on Netflix currently, with a high score on Rotten Tomatoes at 83 per cent, reviews are mixed. The official synopsis for the show reads: "While attending Nevermore Academy, Wednesday Addams attempts to master her emerging psychic ability, thwart a killing spree and solve the mystery that embroiled her parents 25 years ago." Many of the negative critiques all say the same thing. "They should have stopped after season 1. Remember when they tried to make a Napoleon Dynamite cartoon? That cartoon was better than this," one viewer said. Someone else added: " Great cast, however, incredibly boring and cliche. They just rehash the same ideas and plots from last season and don't accomplish anything new." It has been labelled as "disappointing" by some. "I'm really disappointed with this season. The show has lost its edge predictable plotlines and weak writing have replaced the suspense and creativity that made it great. I won't be finishing Season 2," wrote one viewer. Another even described it as "unwatchable" as they said: "I loved season 1. Season 2 is really, really bad. It is nearly unwatchable. The writing is lazy to the point of absurdity." "What happened?," questioned another. "Everything that made the first season great is gone. Everything that was witty, clever, dark or edgy about Season 1 has been flensed away." Another viewer noted: "I found the choice of music and Wednesday's wardrobe in Season 2 occasionally felt out of place compared to Season 1. I also sensed a shift in Jenna Ortega's portrayal — Wednesday seems notably different in tone." "A bit disappointed with the first part of season 2. Especially in the first 2 episodes I was extremely bored. Wednesday's dialogues seemed to me so superficial and without any depth, like her lines have been produced from an AI tool..," someone else said. Another viewer chimed: "Season 1 was good. Season 2 is as if they needed to come out with something." However, not everyone had the same opinion, with some fans of the show already looking forward to a highly-anticipated third series. One viewer wrote: "Season 2 is so freaking amazing and ICONIC!!! Super excited even more for the rest of the season!!!," as another added: Someone else said: "Huge improvement on Season 1, much more aligned with the Addams Family universe with plenty of references to previous Addams films and series." One critic voiced: "Jenna Ortega again delivers a spellbinding performance as Nevermore Academy's Sherlock Holmes."


Daily Mirror
7 minutes ago
- Daily Mirror
Inside Catherine Zeta Jones' Hollywood marriage to Wall Street icon Michael Douglas
Catherine Zeta Jones returned to Netflix's Wednesday for season two as the morbid teenager's mum. Morticia Addams has a fiery marriage to Gomez Addams on Wednesday, leading many Netflix subscribers to think about her real-life romance with acting legend Michael Douglas. Jenna Ortega is back as the unforgettably dark Wednesday Addams for season two of Wednesday which dropped on Netflix last week. As Wednesday returns to Nevermore Academy, her mum Morticia Addams (Catherine Zeta Jones) has a mission of her own as she heads up the school's upcoming charity gala. When she isn't fundraising or looking out for her troublesome daughter, Morticia is spending quality time with her husband Gomez Addams (Luis Guzman). As fans now wait for Wednesday season two, part two, to come out, here's everything there is to know about actress Zeta Jones' real-life marriage to Michael Douglas. Catherine Zeta Jones and Michael Douglas' relationship timeline Meeting Douglas first met with Zeta Jones, who is 25 years his junior, at the 1998 Deauville Film Festival where she was promoting The Mask of Zorro and he, A Perfect Murder. In 2016 on The Jonathan Ross Show, he shared that he asked his publicist to arrange a meeting between the two of them that evening. He commented: "I met her in the bar and was a total gentleman.' Douglas recalled telling her: "You know, I'm going to be the father of your children." Engagement The Basic Instinct star popped the question during a New Year 's Eve trip to Aspen, Colorado in 1999. First child Rumours had been circling that Zeta Jones was pregnant which was eventually confirmed by Douglas. He told People: "We obviously were hoping to hang onto this information a little longer than expected but, yep, Catherine's expecting, and both of us couldn't be happier.' It was then on August 8 that they welcomed their first child Dylan Douglas with the actor's publicist stating: 'They're ecstatic.' Wedding A few months later and the stars tied the knot at a stunning ceremony at the Plaza Hotel in New York in November, 2000. Zeta Jones wore a David Emanuel dress and a plethora of famous faces were in attendance like Whoopi Goldberg, Anthony Hopkins, Brad Pitt and Tom Hanks. Second child The Wednesday star didn't find out she was pregnant with her second child until towards the end of filming Intolerable Cruelty. She shared: "The day after, I went to my doctor. I came home and told Michael. He let out a whoop. 'I never wanted Dylan to be an only child. Because of my amazing relationship with my siblings, I couldn't see him being the Little Lord Dylan on his own." The couple welcomed their daughter Carys Zeta Douglas on Easter Sunday in 2003. Cancer ordeal In September 2010, Douglas was diagnosed with throat cancer and was undergoing radiation and chemotherapy to treat a tumour at the base of his tongue. Zeta Jones commented: "The hardest part is seeing his fatigue, because Michael is never tired. If there's anything Michael has, it's strength." Thankfully, in January 2011, he revealed on Today that he got the all-clear: "I feel good, relieved. The tumor is gone. But, you know, I have to check out on a monthly basis now to maintain." Following his final cancer treatment, the celebrity couple took their children on a trip to Walt Disney World in Florida for Thanksgiving. Douglas said: "There's a much deeper feeling. And I've talked to other cancer survivors about this, that — that happens, that you just really, really appreciate what's important in life." Break-up Much to Hollywood's shock, Douglas and Zeta Jones did separate in August 2013, with a source telling People that the stress of his cancer battle and her struggles with bipolar II disorder had taken its toll. However, later that year, Douglas positively updated People: "We're working things out, talking, and we'll see how she goes." This wasn't the end of their marriage with the famous couple reuniting once again and proving happier than ever. Opening up on The Ellen DeGeneres Show two years later, Douglas said: "It can't be a one-way street. But I'm crazy about her. And yeah, I think every couple has their difficult times. 'The only problem is, as you well know, we're all in the public eye, and it tends to get a little more exposed than most. We're back stronger than ever." Loved-up Twenty-five years after getting married, Douglas and Zeta-Jones have remained one of the most stable couples in the world of entertainment. And going from her Valentine's Day post last year, romance is still very much part of their lives. Sharing a cute black and white photo of them, she penned: "Happy Valentines Day to my love Michael. Sealed with a kiss.' In a separate post, Douglas wrote: "Happy Valentine's Day to my darling Catherine! Love you always and forever."


The Guardian
an hour ago
- The Guardian
‘Oh God no, Dad!' The makers of TV's most terrifying monsters reveal their repulsive secrets
When special effects artist Aaron Sims first read the script for Stranger Things, he was struck by how vague the description was for the show's centrepiece monster. 'It basically said, 'The Demogorgon is a tall, lanky creature that eats children,'' recalls Sims. 'I'm thinking, 'OK, that's scary – but what does that actually look like?'' What happened when he posed this question to the series creators Matt and Ross Duffer? 'They said, 'We have no idea – come up with something.'' For Sims, who has worked on films such as The Incredible Hulk, Rise of the Planet of the Apes and X-Men, this was a relief. 'When there's already a fanbase, there is a lot of scrutiny and expectation. The fans either love it or hate it – and there's nothing you can do. Working on The Incredible Hulk, for example, took years. So when it's a new creature, a lot of people get excited.' This near-blank canvas led Sims to an unlikely source of inspiration: the snapping mouth of a turtle. 'When a turtle opens its jaws,' he says, 'it looks like it has rows of teeth – but they're actually fibres that draw food inward.' He combined this with a Venus flytrap and the result was that uniquely terrifying head that blooms open like a flower, revealing concentric rings of teeth, then clamps down on its prey, usually a screaming child. The Duffer brothers wanted only one modification: no face. Fans of Stranger Things, which returns later this year, will find plenty to fear in Alien: Earth, which launches this week. Series creator Noah Hawley has promised a terrifying expansion of the film franchise's already frightening monsters, introducing new creatures that will rival – and even surpass – the iconic, swoop-skulled, chest-bothering, teeth-within-teeth xenomorphs. 'I think we're giving them a run for their money, certainly,' Hawley has said. Alien: Earth, which is a prequel to the first 1979 film, leans heavily into unsettling body horror, too, with new creatures such as the T Ocellus, a jellyfish-like parasite that dislodges the eyes of other organisms in order to seize control of them from within. These newcomers will ensure the series isn't just recycling established monsters, but introducing fresh causes of terror and revulsion. Like Sims on Stranger Things, prosthetic makeup designer Barrie Gower leaned heavily on nature when he was creating his monstrous designs for The Infected, the term given to humans who get the brain infection in postapocalyptic zombie horror The Last of Us. Fungus became an integral part of the creative process, with Gower and his team buying so many bags of 'grow your own mushroom kits' for the studio to photograph and 3D print that they soon had 15 species on their hands. 'Fungus,' says Gower, 'is just such an interesting and beautiful kind of growth. There's so much to play with.' Gower effectively had a 'superpower' for creating monsters out of mushrooms: he hates them, despising everything from their smell to their texture. 'It became quite easy to come up with designs that repulsed me,' he says. Along with his mushroom aversion, Gower also has trypophobia, an intense discomfort triggered by the sight of clusters of small holes or bumps. 'It gives you goosebumps,' he says. However, rather than avoiding the formations that make his skin crawl, he employed them for maximum grotesqueness in his designs for how The Infected look, finding the perfect guinea pig in his daughter Lottie, who shares his trypophobia. 'If she's like, 'Oh God no dad, I don't like the look', I know we've succeeded.' The White Walkers, those furrow-faced ice demons in Game of Thrones, required an entirely different approach. Costume designer Michele Clapton envisioned them wearing dark armour that looked salvaged and repurposed, resulting in an austere, unwieldy look. 'It was so, so brutal to make,' Clapton says. 'The cutting and the bending of the metal was incredibly labour intensive. The armorists just loathed it because they really cut themselves. It's almost like a huge cheese grater.' The final pieces of armour proved so hazardous that the team actually had to create much safer leather duplicates for fight sequences, meticulously painted to mimic metal. Protecting all the prosthetics also proved difficult, given the sharp edges. Another major challenge, ironically, was keeping the White Walkers warm while filming in near freezing temperatures. 'We had hot-water bottles we could place inside the costumes,' says Clapton. 'But as there were so many prosthetics, you had to be really careful, because they could easily tear.' In fact, keeping performers comfortable in elaborate costumes and prosthetics is a major headache for monster creators. Gower encountered this with the Bloater – the hulking, spore-spewing, elaborately ridged behemoth in The Last of Us. 'We built this big suit that, in terms of size, was like wearing a sofa,' he says. 'It was made out of a very soft foam latex material. It's like a huge sponge, but split into six sections and zipped on to the performer.' There was one very predictable consequence: 'You just got really hot.' The inside of the costume could become so sweltering that, between shots, the team had to unzip the back and fan down Adam Basil, who portrayed the Bloater, sometimes even putting him in a pop-up tent complete with an air-conditioning unit on full blast to cool him down. According to Gower, the huge weight, restricted movement and the need for agility combined to make the Bloater costume ultimately unworkable. The team ended up enlisting the help of Wētā FX in New Zealand, who took detailed scans of all the Bloater's textures and created a digital version. Such mega-budget productions give creators the luxury of experimentation, with digital backup plans should their monster imaginings go awry. But on shows such as Doctor Who, it's a different story – as special effects artist Neill Gorton discovered. On the BBC's cult show, he encountered something every bit as scary as the Time Lord's weekly foes: a very limited budget. 'It was a comedown in one way,' he says, 'coming from working in Hollywood. I had a production design friend who introduced me to Doctor Who. When I asked what it was like, he said, 'It's fun – but they just don't have money.' I thought, 'Well, what the hell, I just want to work on it.' And sometimes it can actually be more fun, because you've got to be more creative.' Take the Weeping Angels, those statue-like alien humanoids that are able to send their victims back in time with a simple touch, gorging on the 'time energy' this releases. Producers had initially envisioned using numerous statues, believing that costumed performers painted as statues would resemble street performers too closely. But there was a problem. 'The sheer number of statues required would have been impossible given the timeframe,' says Gorton. 'You would need a different statue for every pose. That would have been a minimum of 30 statues.' Forced to find an alternative, he suggested a design that was part prosthetic, part costume, part body paint. 'The producers thought it was ridiculous. But we literally had no choice!' he says. Gorton would paint the actors, attach fabric, then 'glue it all together and hope for the best'. At that point, he realised how little time he and the team had left to bring the idea to life – just two weeks, compared to the five they would normally have to prepare for an episode. Sadly, this realisation came too late: Gorton had already talked everyone into his idea. The result? 'A total scramble!' They discovered that the masks used to create the Weeping Angels' haunting blank stare left the performers unable to see. Fortunately, this wasn't a huge issue, since the creatures had to remain perfectly still – a feat the team achieved by having the actors sit on a bicycle seat attached to a hidden pole. 'On a bigger budget,' says Gorton, 'you would never go down that road. But given no choice, we just had to be smart and quick about it.' Of course, it isn't just the pressure of budgets and time that lead to human-being-based effects. The Duffer brothers were adamant from the start: the Demogorgon would be portrayed by a performer in a suit. This presented probably the biggest conundrum when it came to designing the creature. 'Its legs are unusually long,' says Sims. 'It has kind of an extra joint. That makes it very challenging for an actor – to be put into stilts and have to run around and jump. The question was, 'How do I keep the design the Duffer brothers love – but make it work for a person in a suit?'' Whatever the challenges and the solutions, Sims finds there is always one benefit of working with flesh-and-blood performers: they ground any design in reality. 'It's important to find things in nature the human eye can identify with,' he says. 'If you take a human thing that's scary, then you add all those things to it, that makes it even more scary.' Asked how he makes monsters such as The Infected so deeply disturbing, Gower makes a similar point: taking everyday things like mushrooms and making them seriously creepy is a guaranteed win. 'Using realistic source material is the key,' he says. 'Keeping things familiar is always going to make them more terrifying. It just gives you goosebumps.' Alien: Earth is on Disney+ from 13 August