logo
Schools celebrate Punjab's culture

Schools celebrate Punjab's culture

Express Tribune14-04-2025

Punjab Culture Day was celebrated with great enthusiasm in schools and colleges across the Rawalpindi district on Sunday. Many schools presented vibrant scenes of rural life, recreating the essence of Punjab's rural villages and mansions.
Students and teachers embraced the day by wearing traditional rural attire. Teachers were dressed in colourful dhotis, long kurtas, and turbans, while also bringing along the cultural specialty of Punjab— the hukkah. They lit the hukkah in schools and smoked it gracefully, with some even carrying pipes. Traditional Punjabi delicacies such as green (saag), cornbread, and cold sweet lassi were also served, as teachers sat on mats to enjoy the food together, accompanied by round pillows and colourful village-style beds.
Students wore traditional shalwar kameez, kurtas, and khussas, with some tying small turbans on their heads or wearing caps. Female students and teachers adorned colourful braids and traditional attire. Traditional games such as stappo, getian, pithu garam, bandar qila, gulli danda, volleyball, and kok lakh chapaki were enjoyed by the students.
Quiz shows, speech competitions, and tableau performances were also part of the day's festivities. Prizes were awarded to outstanding participants. Teachers and school heads delivered lectures on Punjabi culture, and the entire event was conducted in Punjabi.
Amanullah, Head of the District Education Authority, emphasised the importance of preserving Punjabi culture, noting that it is essential to promote the use of the mother tongue in homes and public spaces.
Presidents of the Educators Association, Akhyan Gul and Basharat Raja, expressed their joy over the success of the day, reflecting on the memories of the past fifty years. A student, Kamil Hassan, shared his excitement about wearing a turban for the first time and playing traditional games, urging the government to promote such games once again in schools.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Yasir Hussain is not opposed to raising a dozen kids
Yasir Hussain is not opposed to raising a dozen kids

Express Tribune

time3 days ago

  • Express Tribune

Yasir Hussain is not opposed to raising a dozen kids

During an interview with Tabish Hashmi, Yasir Hussain had a thing or two to say about large families, starting with his own experience of being raised with 11 older siblings. The actor, who recently returned to theatre, began by joking about his father's army of 12 children: "If my father worked in theatre, the audience would be our own." Confirming that he's the youngest of the 12 siblings, Yasir refuted the common belief that he would have double the amount of nephews and nieces, quipping that not everyone is as ambitious as his father was. Despite the wisecracks, the Badshah Begum actor doesn't see a problem with a large household. "There are no issues. I, myself, am fond of children. And I've spent a great childhood with my siblings, even though we lived in a one-bathroom home," he revealed. Yasir jested that in such an environment, one's natural cycles adjust on their own, adding that the body times itself according to whose turn it is to relieve themselves. He believes that even in current times, it is possible to raise as many as 12 kids if families wish to brave that step. "They can definitely do it. I've seen people who've done it very well," he noted. The Karachi Se Lahore actor added that having many children doesn't impede each child's upbringing. "It's important to take out time for your kids," he said. "Even if you have two kids, you do make time for them, don't you? It's necessary to do that." Although he's not opposed to the idea of fathering an abundance of children, Yasir has only one son - Kabir - with wife Iqra Aziz. From Yasir championing time and attention to Iqra discouraging abuse, it is clear that Kabir is being raised in a loving environment and one that prioritises tradition. In a March interview, the couple shared that they prefer to teach their son Urdu first and foremost, keeping all other languages secondary. "Once an actor pointed out to me that Kabir speaks in Urdu, so I mentioned that that's the language we speak at home. So they said, 'Teach him English. Don't make this mistake. He will learn Urdu at some point eventually,'" Yasir recalled. "Urdu is more important; I've seen a lot of people who can't speak it properly. It's important to build that habit, then your child may learn English or Punjabi or any other language later on," he added.

Pindi's cinema era fades into history
Pindi's cinema era fades into history

Express Tribune

time4 days ago

  • Express Tribune

Pindi's cinema era fades into history

Rose Cinema, once a bustling hub of film and community life in Rawalpindi, stands in stark contrast to its present-day ruins. The left image captures its vibrant heyday; the right reveals the silent aftermath. PHOTOS: EXPRESS With the recent demolition of the iconic Rose Cinema, established in 1926 during the British era, Rawalpindi has witnessed the symbolic end of a vibrant chapter in its cultural and cinematic history. Once a hallmark of the city's thriving film scene from the 1960s to the early 2000s, the destruction of this nearly century-old cinema marks the final blow to the city's once-flourishing film industry. Located in the heart of the city near Raja Bazaar, Rose Cinema was built on land donated by a wealthy Hindu philanthropist, Bhimas Ram. Adjacent to the District Headquarters Hospital, the cinema was conceived with a clear purpose: to provide accessible entertainment to labourers and workers from the surrounding 30 wholesale markets and trade centres after a hard day's work. It succeeded for over four decades, particularly as a hub for Punjabi films, drawing large crowds of working-class moviegoers. It was not just a place of entertainment but a cultural landmark, often enjoying "sold-out weeks" with massive queues for tickets. At its peak, Rawalpindi boasted 24 cinema houses. These included notable names such as Naz, Shabistan, Gulistan, Kahkashan, Shaheen, PAF, Moti Mahal, Rialto, and Sangeet along the Faizabad-Marrir Chowk route. In the inner city, cinemas like Nadir, Khursheed, Rose, Nishat, Imperial, Taj Mahal, and Novelty thrived, while Saddar was home to Ciros, Odeon, Plaza, and Capital. In other areas, there were Tasveer Mahal in Lalkurti, and Rex, Garrison, and Qasim Cinema near the Qasim Airbase in Dhamial. For decades, these cinemas offered more than just films. They supported a parallel economy, offering part-time jobs to thousands. After their day jobs, people would run food stalls, manage ticket counters, or work security. Cinema projectionists held full-time positions, and skilled artists hand-painted film posters and signboards—an art that has now vanished. In parallel, Rawalpindi's Liaquat Hall, a grand auditorium in Liaquat Bagh, served as the epicentre of theatrical performances. Securing a slot there was considered a guaranteed success for any stage production. Iconic performers like Moin Akhtar, Qavi Khan, Masood Akhtar, Roohi Bano, Agha Talish, Umer Sharif, and Ismail Tara brought the stage to life, often drawing family audiences in large numbers. Women made up the majority of attendees during the golden years of family-oriented stage dramas. However, as the years went by, things began to unravel. Crass humour and vulgar dialogues alienated families, who once formed the backbone of the theatre audience. The advent of VCRs, the flood of international dramas, social media, and a decline in film quality gradually pushed cinemas and stage plays into obscurity. Once a thriving industry with long booking queues for new film releases and stage shows, Rawalpindi now finds itself devoid of any meaningful cinema culture. Of the original 24 cinemas, nine have been converted into commercial plazas, four into wedding halls, seven are permanently closed, and four have been demolished—awaiting new construction. The art of painting movie billboards, once a proud tradition, has also disappeared. Today, only a few cinemas remain, occasionally hosting stage plays, most of which fade quickly due to lack of quality and interest. With the fall of Rose Cinema, Rawalpindi's cinematic legacy has, in many ways, reached its final scene.

No, Hasan Raheem has not tied the knot just yet
No, Hasan Raheem has not tied the knot just yet

Express Tribune

time25-05-2025

  • Express Tribune

No, Hasan Raheem has not tied the knot just yet

We knew it: the groom fit, the cryptic caption, the refusal to let anyone repost the pic, it had music video shenanigans written all over it. And now, in the most Hasan Raheem fashion possible, he's come clean: "I'm still single," he posted on Instagram. Hearts mended. Playlists queued. Back in April, the Joona heartthrob sent fans into a collective meltdown with an Instagram post showing him suited up like a groom, seated next to a woman in bridal wear. "Kept it lowkey, it was a big day," Raheem wrote in the caption. Naturally, Gen-Z went into emotional cardiac arrest, because had Pakistan's crush really gone and soft-launched a wedding? It turns out that the shoot was just a teaser for MEMORIES, the first track from his upcoming album DKP. The song dropped on Friday, and so did our jaws. A groovy Punjabi-English crossover featuring the powerhouse Peechay Hutt royalty Justin Bibis, MEMORIES marks Raheem's first foray into Punjabi vocals. It's moody yet groovy, like crying in the middle of the dance floor while still serving looks. Shehryar Khan's production gives it that slick, urban beat we've come to expect from Raheem's genre-bending, bedroom-pop style. And the video is pure, iconic chaos. Set at a wedding, Raheem (playing groom) is confronted mid-celebration by the ghosts of his ex-girlfriends. What follows is a dramatic, slow-mo showdown that quickly escalates into a stiletto-flinging brawl. The women unite against their shared heartbreak, and Raheem gets the on-screen thrashing of a lifetime. Blood, glitter, bruised egos — it's heartbreak with an RSVP. There's even a blink-and-you'll-miss-it moment where someone hurls a cake. It's cinematic mischief at its finest. Online reactions were predictably unhinged. "I knew this was a prank," yelled one fan. "Bro, you played with my heart," wept another. Actor Osman Khalid Butt took a jab at Raheem's trademark messy hair, commenting, "I knew the news couldn't be real when I saw your unwashed hair." Anoushey Ashraf simply declared, "Good job!" Long before the wedding-day chaos of MEMORIES, Raheem was winning hearts with his tender, unplugged performances. Back in February, he shared a stripped-down version of Obvious on Instagram, enchanting fans with his warm, soulful vocals and intimate lyricism. With DKP on the horizon, it's safe to say Raheem's just getting started.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store