logo
Arbitrator finds NFL encouraged teams to cut veteran guarantees: reports

Arbitrator finds NFL encouraged teams to cut veteran guarantees: reports

News.com.au6 hours ago

An arbitrator ruling on a collusion grievance between the NFL and its players union found the league encouraged all teams to reduce contract guarantees for veteran players in March 2022, according to multiple reports on Tuesday.
Podcaster Pablo Torre and Mike Florio of ProFootballTalk.com unveiled the 61-page ruling from January 14, 2025, and said the NFL and NFL Players Association had kept the outcome private.
"There is little question that the NFL management council, with the blessing of the commissioner, encouraged the 32 NFL clubs to reduce guarantees in veterans' contracts at the March 2022 annual owners' meeting," arbitrator Christopher Droney wrote.
That meeting was only days after the Cleveland Browns had given quarterback Deshaun Watson a five-year deal worth $230 million -- all of it guaranteed.
Droney, however, found in favor of the league in his ruling, saying evidence introduced at a 2024 hearing on the matter did not prove by a "clear preponderance" of evidence that teams acted on the NFL management council's encouragement.
NFL quarterbacks Russell Wilson, Lamar Jackson, and Kyler Murray signed huge contract extensions after Watson but none were fully guaranteed deals.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Brad Pitt's effortless charm and charisma saves F1 from totally corny and ridiculous
Brad Pitt's effortless charm and charisma saves F1 from totally corny and ridiculous

News.com.au

time2 hours ago

  • News.com.au

Brad Pitt's effortless charm and charisma saves F1 from totally corny and ridiculous

With a high-octane sports movie, the return of a horror classic and a quality Beatles-adjacent doco, moviegoers are spoiled for choice this week. F1 (M) Director: Joseph Kosinski (Top Gun: Maverick) Starring: Brad Pitt, Damson Idris, Kerry Condon, Javier Bardem. **** Plenty of vroom for a perfect Pitt stop If F1 lands a podium finish in the 2025 box-office race, then it will be all due to Brad Pitt. The veteran actor is the real reason this adrenalised motor sports flick continues to engage, excite and entertain the viewer from start to finish. Pitt's effortless charm and considerable presence keeps F1's gears shifting impressively without losing any significant revs. With anyone else at the wheel, the movie would often be running on fumes. Safe in the knowledge Pitt's sure hands won't be leaving the wheel, F1's tech-savvy filmmaking team are free to focus on capturing a tarmac-tearing trackside authenticity never before seen on the big screen. It does not matter whether you're a Formula One newbie who might have been recently detoured into this world by the hit streaming series Drive to Survive. Or the type of Grand Prix tragic who knows the Drivers Championship standings from top to bottom. All that truly counts is feeling those rushes, whooshes, swerves and swoops that push a Formula One car to its absolute limit. In terms of pure audiovisual authenticity, F1 (which was partially shot at several actual Grand Prix events) nails the brief with a killer combo of daring and precision. If F1's storyline doesn't exactly keep it real, well, it is worth remembering this is a Hollywood movie, and not a warts-and-all doco. The 'as-if' factor remains high from the start, particularly when it comes to Pitt's role as the mercurial driving ace Sonny Hayes. This fella hasn't driven in a Grand Prix for 30 years when he gets the surprise call-up to join the severely failing APX team. Without a single Championship point to their name, APX need to string a few results together fast, or they will be kicked out of Formula One by season's end. Despite Sonny's finesse-free driving style and a highly unconventional understanding of racing rules, he does bring an X-factor to his struggling team that just might buy them a few more laps of the Grand Prix circuit. In doing so, Sonny will be butting heads with APX's number one driver, the young and impulsive Joshua (Damson Idris), busting the chops of embattled team leader Ruben (Javier Bardem), and breaking down the romantic resistance of the outfit's Chief Engineer Kate (Kerry Condon). Yes, it is all a bit corny and totally ridiculous at times. However, when it comes to feeding an audience's collective need for speed, F1 zooms past the chequered flag with fast and furious panache. F1 is in cinemas June 26. 28 YEARS LATER (MA15+) General release. Released in 2002, 28 Days Later was the first great horror movie of this century. From those iconic early scenes of Cillian Murphy wandering about an eerily empty London through to repeated sightings of fleet-footed zombies sprinting to their next meal, 28 Days was all chiller, no filler. 2007's 28 Months kept the infectious misery coming, albeit a little less memorably. Now, courtesy of the Later franchise's founders, director Danny Boyle and writer Alex Garland, the brilliantly bleak sequel 28 Years issues an icky date on what has become of the poor old United Kingdom. Spoiler alert: it remains no fit place for a human to live. While the rest of the world has purged the infamous vicious 'rage virus', the British mainland remains sectioned off from the rest of the planet. And for good reason: the mutant beings roaming the nation have not just multiplied in number. They now vary wildly in terms of species, appetite and physical prowess. All of this and more must be learned the hard way by Spike (Alfie Williams), a wide-eyed 12-year-old living in a 'safe community' off the Scottish coast with an ill mother (Jodie Comer) and demanding father (Aaron Taylor-Johnson). The time has come for young Spike to be trained in the multi-tasking ways of a hunter-gather-warrior who can journey regularly to zombie country to procure supplies for his people. Intended as a reboot of the franchise that will spawn a new instalment as soon as 2026, 28 Years packs a palpable punch that will leave a new generation of viewers truly reeling. ONE TO ONE: JOHN & YOKO (M) Selected cinemas. The next Beatles-themed documentary to come along after Peter Jackson's acclaimed and exhaustive Get Back project was always going to have its work cut out getting noticed. Remarkably, One to One justifies its existence with ease, tracking the unforeseen route taken by John Lennon to establish a new life after The Beatles. With access to a deep archive of phone recordings, home movies and photos, this classy doco places the viewer right beside Lennon and his artist wife Yoko Ono as they put down roots in a not-so-welcoming New York City of the early 1970s. The couple's fusing of political activism, experimental lifestyle choices and abrasive music releases made them a lightning rod for controversy and scorn. In fact, such is the intensity of the negativity, it finally becomes clear why Lennon retreated from the public eye shortly thereafter. A major bonus for lifelong fans of the man is plenty of footage from Lennon's 1972 One to One show at Madison Square Garden, the last time in his career he would play a full concert.

‘Genius Act' sets stage for crypto growth
‘Genius Act' sets stage for crypto growth

The Australian

time3 hours ago

  • The Australian

‘Genius Act' sets stage for crypto growth

US Senate passes Genius Act, setting US federal guardrails for stablecoins DigitalX says the bill reduces regulatory uncertainty and boosts investor confidence Stablecoin growth and global institutional interest expected to accelerate Special Report: In a major win for the crypto industry, the US Senate has passed the Genius Act – the first federal law to regulate stablecoins. The move is being widely hailed as a turning point for digital assets, and DigitalX (ASX:DCC) believes it will help bring crypto firmly into the global financial mainstream. 'This is a landmark moment for the cryptocurrency industry,' said Alex Nagorskii, portfolio manager at DigitalX. 'We see it as a crucial step towards the mainstream adoption of digital assets.' The bill, which now moves to the House of Representatives, establishes clear rules for stablecoin issuers. It mandates a one-to-one reserve ratio, meaning each dollar of stablecoin must be backed by a dollar in reserve. Additionally, it requires compliance with anti-money laundering laws and other banking regulations. 'This legislative clarity significantly reduces the regulatory uncertainty that has long impacted the decentralised finance sector,' Nagorskii said. Regulation builds confidence The stablecoin market is already valued at over $240 billion. With companies like Visa, Mastercard, Amazon and Walmart investigating its potential, the Genius Act is anticipated to boost the sector's growth. 'The act signals the US government's intent to support crypto and promote the US dollar's dominance in the digital space,' Nagorskii said. Importantly, the bill provides a compliance framework that large institutions can rely on – a key factor that could attract significant investments from corporate treasuries, asset managers and superannuation funds that have, until now, remained inactive. 'This is the kind of progress that fosters innovation and attracts investment,' Nagorskii added. DigitalX well positioned As governments set clearer rules, DigitalX believes its early positioning in regulated digital finance provides it with a strategic advantage. The company manages Australia's first ASX-listed spot Bitcoin ETF (ASX: BTXX), operates a growing staking treasury, and is expanding its infrastructure footprint through key partnerships. 'As regulation catches up with innovation, the barriers that have kept large capital pools on the sidelines begin to fall,' said Nagorskii. 'The future of digital assets is no longer theoretical. It is unfolding now. The passage of the Genius Act confirms that crypto is moving into the global financial mainstream,' he said. This article does not constitute financial product advice. You should consider obtaining independent advice before making any financial decisions.

World champion's wardrobe malfunction is stuff of nightmares
World champion's wardrobe malfunction is stuff of nightmares

News.com.au

time4 hours ago

  • News.com.au

World champion's wardrobe malfunction is stuff of nightmares

WARNING: Explicit imagery Chris Robinson has suffered an 'equipment failure' as he left it all out there on his way to win the 400m hurdles at the Golden Spike meet on Wednesday morning. TV broadcasters were left desperately trying to apologise to millions of viewers around the world as the American runner's penis slipped outside his shorts and went for a jog around the Metsky Stadium track. Aussie gun Gout Gout attracted plenty of attention with his victory in the 200m event at the Ostrava meet in the Czech Republic, but Robinson's wardrobe malfunction is beginning to cause quite a stir. Robinson's baton went rogue when the 4x400m world champion still had another 250m to run and he was seen desperately trying to conceal his thunder as he made his way down the back straight. You can watch Robinson win the race in the video player above. It got worse from there as Robinson made several more attempts to fix the problem while keeping stride and even beginning to run up alongside his competitors. His attempts were sadly unsuccessful even as he made his final lunge for the finish line after knocking over the two final hurdles. After knocking over the final hurdle, Robinson tucked his torso into a ball and performed an acrobatic rolling somersault over the finish line, winning the race with a season's best time of 48.05 seconds. The 24-year-old was left lying on the track smiling to himself after finishing just one tenth of a second off his personal best. Imagine what he could have achieved if his junk was more wind resistant? The TV commentators of the global broadcast feed could see the funny side of the incident with former English athlete Tim Hutchings unable to help himself. To compound Robinson's nightmare, unwitting TV producers then proceeded to show a second, front-on camera angle on his messy final 50m where his boys were seen roaming free in the open air. 'He hit that ninth hurdle hard. He was having an equipment failure there. I think that is probably the politest way to put it,' Hutchings said. 'That's a brilliant run by the American to be constantly adjusting certain parts of his equipment and possibly his anatomy down the home straight there around that top bend there. 'Goodness me. That's a very relieved Chris Robinson. 'It's nearly a personal best with those constant adjustments going on. With that manhandling going on with his left hand manhandling. 'But boy he just stayed in front, dipping at the line.' Hutchings continued giggling to himself as his co-commentator gave an apology for the explicit video clips being shown, explaining there was not enough time to stop the close-up replay footage from being censored. 'There hasn't been time to censor them, but well done to Chris Robinson for battling a problem that does emerge occasionally,' Hutchings said. 'Perhaps in a race every two or three years you see scenes like this from men and women with parts of their equipment failing,' he said. 'It can make it very, very awkward, but that was a stunning effort to stay out in front with all that going on.' Elsewhere inside the stadium, Swedish freak Armand Duplantis' pole was also causing quite a commotion. Duplantis cleared 6.13m before failing to get over 6.29 metres for what would have been a new world record nine days after setting his latest one at 6.28m. The 25-year-old double Olympic champion was in a league of his own once again as second-placed Emmanouil Karalis of Greece did not even get close to clearing 6.02m. 'I feel pretty good about it. I can't complain too much. Overall I feel like I jumped really well,' Duplantis said. Back on the track, Gout Gout, who had run 200m in a wind-assisted 19.84 seconds in April, stormed to a convincing win in a new Australian record in his first race in Europe. 'I don't feel any pressure. Because as soon as I step out on that track, it's just me by myself and what I've got to do — my favourite thing, and that's to run,' Gout said. 'So, I just go out there and run and nothing stops me from doing that.' Reigning Olympic champion Grant Holloway lost to US compatriot Dylan Beard in the 110m hurdles for the second time in four days. Holloway only finished fifth at the Diamond League in Paris last Friday as Beard took the second spot. In Ostrava, Beard edged a slowing Holloway on the finish line with both clocking 13.13 seconds. 'This is not the way I execute the race,' Holloway said before admitting 'the time is all right'. South Africa's Prudence Sekgodiso won the women's 800m in 1:57.16, the second fastest time this season. In the 400m, Femke Bol, a triple medallist from the Paris Olympics last year, only took the third spot in her first start in the event this season, after focusing on 400m hurdles. Salwa Eid Naser of Bahrain won in 49.15 seconds with Bol clocking 49.98sec. Eighteen-year-old Kenyan Phanuel Kipkosgei Koech won the men's 1500 metres in 3:29.05, trailing his time in Paris last week by just over a second. Thelma Davies of Liberia topped the women's 100m in an impressive national record of 10.91 seconds. Nigeria's Tobi Amusan won the women's 110m hurdles in 12.45 seconds. Serbia's Adriana Vilagos upset reigning Olympic and Diamond League champion Haruka Kitaguchi to win the women's javelin with 64.87m, topping the Japanese by 99 centimetres.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store