I created my own funeral photo montage — so I know I'll be remembered at my hottest
What was meant to be a low-key night of snacks and laughs took an unexpectedly emotional turn for two best friends.
Instead of their usual catch-up routine, Alexis arrived at Jasmine's home with a laptop and a surprise: a fully edited 24-minute funeral montage of herself, complete with dramatic music, touching tributes, and heartfelt messages.
'I made my funeral montage,' Alexis told People she said as she casually as she connected her computer to the TV. Jasmine was in shock.
'Girl, get this out of my house!' she said.
The moment, captured in a now-viral TikTok video, resonated with thousands online.
'Having a morbid best friend who works in funeral and cemetery services is not for the weak,' Jasmine captioned the video.
Alexis has spent over six years working in the funeral industry, and for her, confronting mortality isn't unusual. She says her Mexican-American background, which embraces death as a natural part of life, influenced her perspective.
'I've always been a little morbid and creepy,' she admits with a laugh.
The idea for the montage stemmed from recent personal events. A motorcycle accident involving Jasmine's cousin left the family scrambling due to a lack of legal or end-of-life plans.
'He's a young man, so he had no will, he had no nothing,' Alexis said. 'That was one of the questions I was asking: does he have anything like a power of attorney? Who's making the decisions here?'
Fortunately, he survived, but the incident made her realize how important it was to plan ahead and inspired her to take control of her own legacy.
Alexis didn't stop at just the video. She's written her will, assigned power of attorney and even designated who will inherit her favorite Star Wars t-shirts.
'I'm really particular, and I don't trust anybody to do things the way that I want to do it,' she said. 'If this happens to me, you make sure I'm right. Don't have me looking all crazy with two different-shaped eyebrows. I got to have my nails done. I want a specific color of flowers.'
Though Jasmine initially reacted with humor and disbelief, the montage soon had both women in tears.
'By pre-planning and getting your affairs in order and even doing stuff like this, you're unburdening your family from having to do this,' Alexis explained. 'I've been in this situation where I've had to put this together at the time of somebody's passing, and you're just miserable.'
Going viral caught them by surprise. Jasmine originally shared it privately on Instagram, thinking it was just another funny moment between friends. But viewers were captivated by the blend of dark humor and genuine love between the two women.
'It just so happened to go viral,' Jasmine said. 'At the time, I wasn't thinking about that. But I was like, let me show all the people that follow me what this dummy's up to today. Because it's always something with her.'
Some commenters expressed concern that Alexis was 'manifesting' her death, but both women dismiss that. 'Planning your funeral is no different from writing a will,' Jasmine said. 'It's not about expecting the worst. It's about being prepared.'
For Alexis, laughter is a key part of her approach to life and death. 'I just want everyone to be miserable without me,' she joked. But she also wants them to smile and laugh, too.
Her perspective has influenced Jasmine as well.
'I used to be super afraid of death. Like, don't even talk about it,' Jasmine admitted. 'But being friends with her, going through my own medical traumas and things, I've learned to cope with it through comedy, laughing, and accepting it. We all know we're going to pay taxes, and we're all going to die. None of us know when.'
Their friendship, built on honesty, laughter and shared experience, has helped both women embrace difficult conversations and find joy in the unexpected.
'Nothing in life is ever that serious,' Alexis said. 'Even death.'

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San Francisco Chronicle
8 minutes ago
- San Francisco Chronicle
What to Stream: HAIM, 'The Gilded Age,' Benson Boone, astronaut Sally Ride and digital dinosaurs
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Her intimate perspective on Ride, along with archival footage and interviews with family and colleagues, captures a fuller backstory to an American icon who rose despite pervasive sexism. — 'The Ballad of Wallis Island' (streaming on Peacock) was a standout in the first half of 2025, but easy to miss. A funny and tender charmer set on the coast of Wales, it's not a movie screaming for your attention. It stars Tim Key as an isolated widower who uses some of his lottery winnings to hire his favorite band, a folk duo named McGwyer Mortimer (Tom Basden, Carey Mulligan) to play by his rural home. In her review, AP Film Writer Lindsey Bahr wrote that the film feels 'like a much-needed balm. Modest in scope and made with the lightest of touch, not unlike the lovely folk songs that populate its soundtrack, it's also deceptively powerful: A gentle ode to moving on, in quirky packaging.' — Netflix tends to bury older films in its algorithms but the streamer is hosting a good batch of Alfred Hitchcock movies. This month, it added 'Vertigo,' 'Rear Window,' 'The Man Who Knew Too Much,' 'Frenzy,' 'The Plot' and 'The Birds' to its collection, along with the already-streaming 'Psycho.' These are movies often available elsewhere, and there are many other great Hitchcock films. But a solid sampler pack on Netflix could help bring Hitch to some new audiences, and there's never a bad time to see 'Vertigo' for the first time. New music to stream from June 16-22 — 'Beautiful Things' singer Benson Boone will release his sophomore album, 'American Heart,' on Friday, June 20. Expect big pop-rock filtered through a kind of post-Harry Styles mimicry, and 1970s worship. For fans of Queen, ELO, and gymnastic pop stars with a penchant for doing backflips on stage. — The Los Angeles sister trio HAIM have returned with 'I Quit,' 15 tracks of danceable breakup bangers perfect for your summertime sadness. It's soft rock-pop for the Miu Miu crowd and a sonic cure for seasonal depression. — The Brooklyn-based R&B/soul singer-songwriter Yaya Bey will release a new album on Friday, June 20, 'do it afraid.' It's a big of a detour for the ever-evolving talent: 'Merlot and Grigio' features Bajan dancehall artist Father Philis, the dance-y 'Dream Girl' has echoes of Prince and 'Raisins' is a bit jazzy. There's a lot to love here. — For the indie crowd, the New York-based Hotline TNT have been a fan favorite for their shoegaze-y power pop that appeals to both classic rockers and those emo pop-punkers who miss the Vans' Warped Tour. On Friday, June 20, the group, led by Will Anderson, will release 'Raspberry Moon' via Jack White's Third Man Records. Across the release, they build on their guitar melodicism. — AP Music Writer Maria Sherman New series to stream from June 16-22 — In 1999 a series called 'Walking with Dinosaurs' premiered in the UK and captivated audiences. Narrated by Kenneth Branagh, it was inspired by 'Jurassic Park' and at the time was the most expensive documentary per-minute ever made. Special effects like CGI and animatronics helped bring the dinosaurs to life. Twenty-five years later, a reimagined 'Walking with Dinosaurs' debuts on PBS in conjunction with the BBC using the latest technology to make the dinosaurs seem even more lifelike. The six-episode series is now narrated by actor Bertie Carvel. It will be available to stream on PBS platforms and its app beginning Monday. — It's a great week for period pieces. First, Apple TV+'s Gilded Age, girl power series, 'The Buccaneers,' returns Wednesday for its second season. 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You'll need to fight malware with your Identity Disc or run from it on your Light Cycle as you try to escape a malevolent entity called Conn. Developer Bithell Games' previous release, Tron: Identity, was a tightly focused mystery, and Catalyst looks to expand upon its stylish metaverse. Boot up Tuesday on PlayStation 5, Xbox X/S, Switch and PC.


Boston Globe
13 minutes ago
- Boston Globe
Amid immigration raids and a military parade, a reenactment at Bunker Hill aims to recall the values a young nation fought for
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Gizmodo
14 minutes ago
- Gizmodo
The Real-World Places Behind ‘Andor' Season 2's Architectural Marvels
Andor, the live-action Star Wars prequel series created by Tony Gilroy and starring Diego Luna, concluded its second and final season last month. Spanning the years prior to the events of Rogue One: A Star Wars Story, the series has garnered massive praise from Star Wars fans and critics alike for its deft storytelling, stirring lead performances, and majestic setpieces. This is especially true in the show's second season, which sees the former thief-turned-rebel-fighter on the run for his life while working as an agent saboteur and covert operative for Luthen Rael (Stellan Skarsgård), a spymaster laying the groundwork for what will eventually become the rebel alliance first glimpsed in the original Star Wars. From the wafting wheat fields of Mina-Rau and the cosmopolitan grandeur of the Ghorman Plaza, to the sprawling ecumenopolis of Coruscant, every location feels as lived-in as it is visually breathtaking. Coruscant, in particular, takes on renewed resonance in Andor season two. First glimpsed on-screen in a scene added to the 1997 re-release of Star Wars: Episode VI – Return of the Jedi, the capital of the Galactic Republic and later Empire appears much as it did in the prequel trilogy—a bricolage of glittering skyscrapers, Brutalist support columns, and endless lanes of hovercrafts tracing the sky like ley lines of iridescent silver—albeit rendered with a more practical heft and tactile depth than in any incarnation seen before. Andor's take on Coruscant took inspiration from many real-life architectural sights, specifically the City of Arts and Sciences in Valencia, Spain. 'In the middle of season one [of Andor], I sort of identified certain architectural styles that would work for Coruscant like Santiago Calatrava and Zaha Hadid,' Andor production designer Luke Hull told io9. 'I did a big location scouting trip before we went into production for season two, just to buildings I always found interesting and had good shape language for Star Wars. That took me to Paris, to Barcelona and Madrid, and even Portugal, and we looked at Valencia as well. So it was kind of a little bit of a weird European road trip, some of which was kind of a good reference, and some of which was like, 'Wow, I wish we could film here,' but we're not sure what [Andor season two] was yet. And then some of it was like, 'Okay, this really has the bones of something 'Upper Coruscant' about it,' which is what I thought Valencia had.' Designed by Santiago Calatrava and Félix Candela, the futuristic 350,000-square-meter educational and cultural complex was built along the dry bed of the old Turia River, which was drained and diverted following a flood which devastated the nearby city in 1957. The project broke ground in 1991, with the first building, the Hemesferic—Spain's largest cinema and planetarium—opening in 1998. The complex was expanded over the next decade, with the most recent building, the Agora Plaza, completed in 2009. 'With this location in Valencia, you could just walk around in every corner of it, [and it] looked like Coruscant,' ILM visual effect supervisor Mohen Leon said in an interview for 'We ended up shooting so much and it perfectly meshed into our whole approach of trying to ground everything in locations, and then just enhance and augment them. So this location specifically really felt very upscale and formal in a way that you could believe that this could be government offices.' Fans of Andor will recognize the Prince Felipe Science Museum, a large building buffeted by large skeletal rib-like columns, as one of the centerpieces of the plaza adjourning the Imperial Senate Building, particularly for its appearance in season two's ninth episode, where Cassian Andor is tasked with rescuing Senator Mon Mothma from being arrested by the ISB. The Senate plaza wasn't the only location based on the City of Arts and Science, however, as two more locations—Davo Sculdun's palatial skyscraper seen in episode six and the final meeting place of Luthen Rael and his ISB mole Lonni Jung—were based on the Queen Sofia Palace of the Arts and the adjourning Montolivet Bridge, respectively. 'We knew we were going to only use up to a certain point on the plaza for the Senate anyway,' Hull told io9. 'Because we were going to put the Senate offices, basically, where the building was that we ultimately used for Davo Sculdun's building, we replaced that with the Senate offices. So then we were like, well, this building is up for grabs.' Hull added, 'I just really loved this idea that you could treat the bit at the front [of the Queen Sofia Palace of the Arts] as a sort of landing pad. You really feel all of Coruscant around you as you kind of bring the limo down. It's very glamorous and Bond-esque to kind of arrive that way and then also be able to see the partygoers through the glass from outside. It's kind of rare that you get this opportunity. I love filming on location anyway, but I've always fought very hard to try and film on location because I do think it gives us scope that CGI can't give. CGI can give scale, but it can't give scope all the time.' The same fastidious level of attention was also given to the costume designs of the people within the Senate. Michael Wilkinson, the costume designer for Andor, worked hand in hand with Hull to craft clothing for the senators and staff that felt grounded with complexity and reality. '[Coruscant] is a really good example, because you have so many different types of people at the Senate, and the audience has to very quickly understand who's who and who's doing what,' Wilkinson told io9. 'So we have senators at the very top of the pyramid; they're from all different corners of the galaxy and represent lots of different cultures. So we had to sort of try and express that through their clothing. Then you have the people that sort of work at the Senate; the more bureaucratic people, the senator's aides, the people who help run the Senate, so they have a very different type of costume as well, nothing quite as grand as the senators, a little bit more like the Star Wars equivalent of an everyday corporate look. Then we had Senate security, so they needed a uniform, and then we also had the journalists and the people from the outside world that have come to report about the things that are happening at the Senate.' Andor isn't the only sci-fi series to feature Valencia's City of Arts and Sciences. The campus has been indelibly embedded within the visual lexicon of modern science fiction, with appearances in such shows as Westworld as the exterior of DELOS headquarters and in the 2017 episode 'Smile' of Doctor Who. It also appeared on the big screen Brad Bird's 2015 sci-fi drama Tomorrowland. When asked why he thinks why the City of Arts and Sciences exerts such a powerful influence on the collective imagination of artists and directors alike, Hull was quick to credit the scope and diversity of Calatrava's vision for the complex's structure. 'It's just so innately science fiction, and there's the scale of it,' Hull said. 'The scale is monumental. It's a very coherent, encapsulated vision. There's a lot to play with. It's not just one building, and it's so rare to find that. For our purposes, I really felt it just embodied some of Star Wars' visual language. I mean, everything Calatrava designs looks like it's from the future, so it's sort of inherently going to attract that sort of type of filmmaking and in order to tell those types of stories.'While writing this piece, I learned that a group of Spanish Star Wars fans met up at the City of Arts and Sciences to celebrate May the Fourth in 2005, mere days before the theatrical premiere of Star Wars: Episode III — Revenge of the Sith and nearly 20 years before the campus itself would appear in Andor. Knowing that, it feels like nothing short of an act of the Force to see Calatrava's masterpiece finally make its appearance in a galaxy far, far away.