logo
Iconic hotel loved by major celebs to finally reopen after 15 years with new £170million revamp

Iconic hotel loved by major celebs to finally reopen after 15 years with new £170million revamp

Scottish Sun16-06-2025
And two other UK hotels undergoing multi-million renovations
ROOM FOR MORE Iconic hotel loved by major celebs to finally reopen after 15 years with new £170million revamp
Click to share on X/Twitter (Opens in new window)
Click to share on Facebook (Opens in new window)
AN iconic hotel on the European seaside is set to reopen after 15 years.
Grand Hôtel des Bains in Venice first opened in 1900, with 180 rooms for the "seaside elite".
Sign up for Scottish Sun
newsletter
Sign up
4
Grand Hôtel des Bains opened more than 100 years ago
Credit: RDE.IT
4
However it closed back in 2010
Credit: RDE.IT
4
The beachfront is also being revamped
Credit: Alamy
Built on the Lido of Venice, it was forced to close back in 2010, with previous plans to turn it into luxury apartments.
However, a new €200million (£170million) investment hopes to reopen the hotel.
The project is being backed by Italian developer and COIMA and Abu Dhabi's Eagle Hills, behind a number of resorts in the Middle East and Africa.
Not only will the hotel be restored, but the nearby parks and beachfront will be renovated as well.
Mohamed Alabbar, Chairman and founder of Eagle Hills, said: "This is more than a restoration – it is a revival of European legacy through modern excellence.
"Venice has always been a bridge between worlds, and we are proud to be part of its future, bringing our experience in luxury hospitality to one of the most symbolic hotels on the continent."
One of the first famous guests to visit was Thomas Mann, who was inspired to write Death in Venice while there.
The hotel was then even used to shoot the film in 1971.
It also hosted the International Film Festival in 1932, with guests such as Liz Taylor and Robert de Niro attending as well as Audrey Hepburn and Marlon Brando.
Roma producer David Linde said it was the "place to be seen, to do your thing" in the film industry.
New European Sleeper Train Route Goes Through 15 Destinations
He also said it was a "significantly more intimate and concentrated version of Cannes".
Along with nearly 200 rooms, there was also a solarium and a private underground tunnel that went straight to the beach.
Another hotel undergoing a huge renovation is The Grand Brighton.
The £16million revamp of the hotel is set to be complete this year, after celebrating its 160th anniversary last year.
There is also the Roslin Hotel, undergoing a £10million revamp.
Otherwise the Sun's Deputy Travel Editor has stayed in hundreds of hotels - here are her favourites.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The 5 best cities to be a digital nomad in 2025
The 5 best cities to be a digital nomad in 2025

Time Out

time3 hours ago

  • Time Out

The 5 best cities to be a digital nomad in 2025

Living the digital nomad life ain't too shabby – if you do it right, that is. Think appropriate, ethical accommodation, ever-changing work spaces, a chance to build a new little community for yourself and the freedom to explore the world. While some countries aren't yet convinced of the lifestyle, others are embracing it with open arms and temporary visas, allowing people from overseas the opportunity to roam while contributing the country's tourism economy. So, which countries are embracing the nomadic way of life? Well, Instant Offices, a global company that helps businesses secure workspaces, has researched the best cities for remote workers according to connectivity, affordability and weather, the city which ranked top of it's list with a total score of 52.11 would be Dubai. Its futuristic backdrop, sparkling beaches, low crime rates and world-class cultural experiences - whether it be dining, art galleries, museums or music festivals - offers remote workers an afterwork urban playground that never gets old. As for co-working spaces, there are plenty of options to help get into work mode while exploring the city of gold. Dubai's digital nomad visa gives travellers the chance to work remotely for an employer or business based outside the UAE for one year (with the possibility to renew) as long as you show proof of employment and a monthly income of $3,500 (€2,998). Oh, and did we mention that it's tax free? For a sunny, European stay, head to Lisbon, Portugal, which ranked in second place. Its D8, or digital nomad visa, allows you to stay for up to one year, also with the possibility to extend, and is specifically created for freelancers, employees of foreign companies and self-employed explorers. You need to earn a monthly income of at least €3,480, have proof of remote work and proof of accommodation for at least 12 months, but once you're in, you'll relish Lisbon's hip city vibes, unfussy yet mouthwatering restaurants, cotton-candy coloured architecture, strong cafe culture, and friendly locals. Did we tempt you to move from the office to the airport? Check out the full list below. These are the 5 best cities to be a digital nomad in, according to Instant Offices Dubai, United Arab Emirates Lisbon, Portugal Bangkok, Thailand Rotterdam, Netherlands Madrid, Spain While you're here, have a read of our investigation into what it's really like to work from anywhere, and our deep-dive into whether the dream of digital nomadism is already over.

Why we made a new theatre show exploring male violence
Why we made a new theatre show exploring male violence

The National

time4 hours ago

  • The National

Why we made a new theatre show exploring male violence

He isn't keen to be specific about his first experience of violence, but it was bad enough for him to want the superpowers of Spider-Man to cope. He didn't quite manage that, but he did become an MMA (mixed martial arts) fighter, which later inspired him to collaborate on a fascinating theatrical exploration of men and violence. Pete LannonHis friend, colleague and collaborator on the project, Pete Lannon, says men can see violence as 'about a kind of taking power and having some kind of control, like being able to solve your problems in a simple way, as opposed to the more complicated, structural problems that exist in the real world that you feel powerless to do anything about'. He adds that a lot of the violence in modern media represents a 'fantasy that you can punch a bunch of bad guys and solve the problem. The complicated thing for me is that that's often the only way of expressing yourself or saving the day that you see, especially for men. 'I think those stories can be really enjoyable but also … is it really the only way that we can express ourselves as men? Is it the only way we can solve our problems? As much as I'd love to be able to just punch my way through the problems that I see around me, is that the best way?' These are just some of the questions asked by a powerful theatrical show put together by Lannon, Banks and the creative team around them and about to set off on a UK tour in a matter of weeks which runs until mid-October. READ MORE: MoD claims serious radioactive leak at Faslane 'posed no risk to public' Stuntman is a compelling mix of true-life stories of violence interwoven with highly choreographed stunt fights inspired by popular action movies in a package which serves as both a celebration and critique of that genre. It's thought-provoking, highly physical, a lot of fun and involves a lot of fake blood. It also encourages comments from and debates with members of the audience. 'I started competing in boxing at a really young age,' says Banks. 'At the time, you weren't legally allowed to fight in MMA until you were 18. It was regarded as human cockfighting. 'One week after my 18th birthday, I had my first MMA fight, and I won my first three fights in four minutes combined. I was terrified every time. I was ready to die when I went out there. 'One of the most complicated things about it now, when I look back on it, is in that first fight, when this man hit me, I realised I never had to be scared again. 'I think when you've grown up and you have maybe been attacked or assaulted or you've been afraid, it's with you everywhere, all the time. It's a constant threat, and you're constantly switched on. It took a lot of years to unpack that, move away from it and realise I was safe. 'One of the stories we tell in the show is an incident where I ended up in the cells for the weekend, and I was looking at a custodial sentence for fighting. 'My MMA coach, who was a European judo champion and the UK kickboxing champion, was also a musician. He encouraged me to go to drama school.' When he began studying at what is now the Royal Conservatoire in Glasgow, he met up with Lannon and the two began swapping stories from their lives. Lannon's earlier years were very different from Banks's but, again, violence burst through. 'I grew up in Berwick and my dad was a minister,' says the show's director. 'There was a very strict moral religious code. I grew up not really being allowed to watch any movies, but also with the idea that violence was something to avoid. To be the bigger man, or to turn the other cheek.' On his way to school one morning, he was attacked and assaulted by another pupil and his friends. Teachers who saw the attack did nothing to stop it. 'I thought, I'll not fight back and just try to protect myself and stop him hitting me. If I make it a fight, I'm in the wrong as well. Even in this moment of being punched in the head, I was trying to take some kind of moral high ground. 'I wasn't protected by any teachers who saw it but didn't come forward because they were scared of the families involved.' Banks and Lannon discovered a shared appreciation of a certain type of action film. 'Especially a bad action movie,' says Lannon. 'The kind of sweet spot where it's not a five-star film, but it's just bad enough that it's fun … the kind of eighties and nineties action movies that we grew up watching. 'Die Hard feels like some kind of classic. Almost any movie starring Jason Statham is at that sweet spot.' Banks chips in with some more examples: 'Rambo, Commando, Big Trouble In Little China, Road House … we were really interested in looking at those films. It was interesting how our relationship had changed with those films since growing up as well.' Lannon adds: 'We went back and watched a lot of these films for the show, and I think we still do. A lot of the time, we're still texting each other. If one of the creative team has seen a good action movie, we're like, 'oh, we should put this bit in the show'. 'I think it also comes from this love of that kind of stylised violence, a kind of you could say glorified violence. And the tension between that and real life is very complicated. I'm not sure I really 'enjoy' action movies. 'There's always a part of me that feels very strongly that I don't like real-world violence, especially the kind of hyper-masculine aggression that you see on the street, especially when you are growing up and going out to pubs, or the kind of violence that you see in high school all the time. 'The tension between those two things – violence in films and in real life – is uncomfortable and is where the idea for the show started; what it says about men. Why are we like this? Or why are we told to be like this?' A few years after graduating from the Royal Conservatoire, Lannon and two former classmates created the performance production company Superfan. When they first thought of putting together a show like Stuntman, Banks was the first person they contacted. The early versions of the show were pretty much low-budget – or no-budget, as Banks describes them. 'In the beginning, we used sandwich bags of fake blood sellotaped to me. That was the kind of the production standard we had … very home-made.' An injection of funding in 2022 helped develop the basic idea into the version now about to tour. It now features impressive lighting and digital design, more focus on sound and music and high-impact input from fight choreographer EmmaClaire Brightlyn. Stuntman is a two-man show featuring Banks and fellow performer Sadiq Ali recreating action movie sequences in ways which challenge audiences to explore what they say about men's relationship to violence. A member of the Superfan team met Ali at the National Centre for Circus Arts in London. Lannon describes him as an 'incredible physical presence on stage'. 'He and David met through this project, but have instantly created this brilliant chemistry, and I think they are exactly the right people to be telling these stories and to be on this stage,' he says. Meanwhile, Banks likens bringing Al into the show to 'adding another instrument to the band'. READ MORE: English students could face automatic annual hike to tuition fees, report says Lannon was keen to add another voice to the show. 'Bringing in Sadiq, who has a totally other, different and very complicated relationship with violence in real life was kind of the beginning of this version of Stuntman, where it felt really exciting for the three of us in a room starting to share the experiences we'd had, and find where the kind of commonalities were and where the differences were. 'The way that we devised it then was almost like a kind of collage, like taking some of their stories, writing them and working them into something for performance, and then also a lot of staging deaths and fight scenes from movies or inspired by movies, and working on that.' The show leaves space for audience interaction, and they say they can get 'a bit rowdy'. Banks says: 'We get to experience together in that space, these acts of catharsis. It looks at the consequences, whether they're good or bad, and we wrap that whole thing up in a spectacle. 'A lot of the performances that we do are set about capturing that feeling of 'we're in this together'.' Lannon adds: 'We work really hard to find audiences who maybe wouldn't otherwise come to see contemporary theatre. It can be quite an intimate show, and the audience feel very close to the action. 'David said in another interview that it also felt like it was a message to men in the audience that felt really beautiful, 'where the one thing that you hope the audience, especially men in the audience, leave with, is that the feeling that they're not alone'.' They've had good feedback from men's mental health groups and the upcoming UK tour includes three performances at HMP & YOI Polmont, the only prison in Scotland to house young males aged 18 to 21. Banks, Lannon and Ali have all been involved with staging arts events in prisons. 'The audience that we're looking for is present in Polmont,' says Lannon. 'There will be a discussion afterwards, which we've made lots of time for.' Stuntman's exploration of the male relationship with violence feels even more relevant today than when the show was devised. 'There's more inequality in general than when we first made the show,' says Banks. 'The world's on fire right now from a couple of men, and people are idolising the individual in reference to acts of violence on a global scale. 'By creating a show that maybe bridges that gap between the micro scale of our own stories versus the grand scale of the spectacle of an action movie, we're hopefully allowed to bring people closer to their own truth.' Lannon adds: 'We don't have an answer necessarily to some of the questions that we ask about violence and masculinity. 'One of the questions the show asks is: how do we do this better? How do we be men better? 'We're trying to ask it in a way that hopefully makes the audience go away and try to find an answer. 'I'm not saying that this show will change the world, but we hope that the audience, at the very least, go away thinking about the relationship to violence and masculinity, and about what they can do to find a better way. 'We talk about a lot about the emotional violence that men do to each other, but we're not saying that men are the real victims in the way that a lot of people have been saying recently. 'There is a kind of anti-feminist movement that is really dangerous that portrays men as victims of modern society. 'There is a huge problem of violence men do and men have to be part of the solution.' But Stuntman isn't just a show for men. Although much of its content has been shaped by Banks, Lannon and Ali, most of the creative team are women and that has changed it too. Banks says that when he was growing up, before he went to the Conservatoire, all his friends were male. When he was going through difficult times, they would take him out for a drink, or a game of snooker, or a walk. But they would not talk about the problems. That only changed when he had friends who were women. The experience of creating and appearing in Stuntman has changed his relationship with movie violence. Has he even fallen out of love with his favourite superhero? Does he still want to be Spider-Man? 'I've had the privilege of being educated now, so I know a lot of those movies reinforce colonialism, racial hierarchies, patriarchy … so I'm a little bit discouraged from the superhero genre.' For more information on the show visit

London's best outdoor bars and drinking terraces
London's best outdoor bars and drinking terraces

Time Out

time4 hours ago

  • Time Out

London's best outdoor bars and drinking terraces

The drinking-focussed offshoot of the boombastic, 1970s-styled Dear Jackie restaurant at the Broadwick Soho hotel, Bar Jackie's terrace plops you pretty much in the middle of the pavement. Perfect then, for Soho people-watching while you sink yet another cocktail named after a Federico Fellini movie. Choose from La Dolce Vita with gin and lavender, an 8 1/2 with Aperol, or a non-alcoholic Amarcord. There's also an all-day aperitivi menu of snacks, pasta and Italian classics.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store