Canelo Álvarez vs Terence Crawford Riyadh Season showdown to be live streamed on Netflix
Two of the biggest names in boxing, Saul Álvarez and Terence Crawford, will face off in Las Vegas on Sept. 13, Chairman of Saudi Arabia's General Entertainment Authority (GEA) Turki Alalshikh confirmed.
The Riyadh Season showdown will be live streamed on Netflix to over 300 million subscribers across the world.
'On September 13, Canelo and Crawford, two legends of boxing, will finally compete against each other in the fight of the century. Alongside Dana White and Sela, we will deliver something truly incredible in Las Vegas for fans around the world to enjoy through Netflix,' Alalshikh said.
The boxing champions will stage an international three-city press tour this month, starting in Riyadh on June 20, before heading to the US for stops in New York on June 22 and Las Vegas on June 27.
Both boxers expressed their enthusiasm and readiness for the anticipated fight.
'I'm super happy to be making history again and this time on a Riyadh Season Card that will be broadcast on Netflix,' Álvarez said. 'On September 13, I'm ready to show once again that I am the best pound-for-pound fighter in the world.'
Meanwhile, Crawford said: 'My perfect record speaks for itself. I am the best fighter in the world and no matter the opponent or weight class, I have always come out on top. On September 13, my hand will be raised once again as the world watches greatness.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Arab News
an hour ago
- Arab News
Arab storytelling tradition makes region ideal for filmmaking: Katara executive
Riyadh: The Arab world's roots in detailed storytelling means that the region is well suited to making movies, according to Hussein Fakhri, chief commercial officer and executive producer for Katara Studios, and the latest guest on The Mayman Show. Founded in 2018, the Doha-based production powerhouse is behind regionally iconic projects such as the fantasy short film 'The Lost Chapter of Kelileh & Demneh' and the ceremonies for the 2022 FIFA Arab Cup. 'Storytelling, I think, is in our DNA, as Arabs generally, right? We come from a long line of storytellers; it is really part of who we are,' Fakhri said. 'For me, the sort of career advancement was very much evolutionary, organic, as I come from an advertising and marketing background.' Before entering the world of filmmaking and immersive storytelling, Hussein started out in Dublin, Ireland, pioneering digital advertising in a market far from his cultural roots. Hussein left the marketing agency life and now leads Katara's mission to produce bold, meaningful stories that resonate with a global audience with an unapologetically Arab perspective. 'I had my own advertising agency, and we had so much work that I had to found a film production company to be able to shoot our TV commercials,' Fakhri said. 'I would hire filmmakers, and we started doing short films, more brand films and documentaries, and that just sort of evolved. I just love the craft, although I'm not a filmmaker myself, but I just love the business of it.' Part of the work was instrumental in what eventually evolved into Katara Studios, founded by a group of talented filmmakers, he said. 'Watching them work and watching the kind of stuff that they do — just the love for it grew, to be honest.' The need for premium Arabic content that resonates with a global audience is the main driver for what Katara does creatively, he said. 'We have a huge audience. We have 500 million Arabic speakers. And we have very little premium content for them. There was a gap there that was spotted and an opportunity to be able to create premium content for this primary audience.' The demand for premium Arabic content and the interest in Arabic culture made for a great recipe for success, he said. 'We also have a lot of people around the world that are very interested in our culture, are very interested in our part of the world. And I don't think we've given them enough content to engage with us, and that's what we are trying to do, ultimately.' With a culture as rich and layered as the Arab world's, authenticity is not simply a goal — it is a responsibility for Katara Studios projects, he said, as they aim to bring stories to life with depth, accuracy, and heart, even when they are infused with other styles of filmmaking. Katara Studios is producing a fantasy Bedouin Western, and according to Fakhri, a balance for this genre experimentation and cultural authenticity is critical to telling a good story and being innovative without losing its Arab essence. Asked how Bedouin storytelling could be showcased with this approach to experimental filmmaking, Fakhri said: 'You know, I'm so glad you brought up that word because authenticity is the foundation for everything that we try to do. Genuinely, it has to be authentic. Because if it is not authentic — if you're trying to please an audience just by throwing stuff in there — it shows every time.' Authenticity required cultural integrity — such as maintaining dialect, accents, costumes and other small and important details in the presentation — and this would then reflect very positively to the film, he said. 'You get every element of it right; it really comes through in the final product. So, we're very careful to try to be as authentic as possible. And I think we've done that with this project,' Fakhri said.
Al Arabiya
6 hours ago
- Al Arabiya
Saudi Arabia's first female MMA fighter returns to Riyadh for PFL MENA 2
Saudi Arabia's first female Mixed Martial Arts (MMA) fighter Hattan al-Saif will return to Riyadh for season 2 of PFL MENA. The Professional Fighters League (PFL) returns to the Middle East on Friday, July 4 with the top talent from across the region. For more news on sports in Saudi Arabia, visit our dedicated page. Local favorite al-Saif will to the SmartCage to face Nour al-Fliti, a three-time Lebanese MMA champion and IMMAF Asian Championship silver medalist. In the main event, 2024 PFL MENA Welterweight Champion Omar el-Dafrawy will return to the Kingdom, where he captured his 2024 title. With his toughest test to date ahead of him, el-Dafrawy will step back into the SmartCage to face 2024 PFL Europe Welterweight finalist Daniele Miceli in a high-profile showcase bout. The co-main event features a pivotal Welterweight tournament clash between Kuwait's Mohammad al-Aqraa and Palestine's Omar Hussein. Al-Aqraa, a 2024 PFL MENA finalist and the current division leader, is seeking redemption after suffering the first loss of his professional career in last year's finals. Hussein, a former PFL Europe standout, is aiming to hand his Kuwaiti opponent a second defeat and make a strong statement on the Middle Eastern MMA scene. In a highly anticipated Bantamweight Quarterfinal bout, Algeria's Moktar Benkaci will face Lebanon's Marcel Adur. Both fighters are known for their explosive striking and finishing power, making this matchup a strong contender for the most thrilling bout of the night. Rounding out the card, Abdulaziz Bin Moammar will also represent Saudi Arabia in an Amateur Lightweight Showcase bout against Egypt's Hassan Ahmed. PFL MENA is a regional league launched by the PFL in partnership with SURJ Sports Investment. Headquartered in Saudi Arabia, PFL MENA features the top MMA fighters from the Middle East and North Africa, competing in the PFL's distinctive 'win and advance' season format. All events are staged live in the region and produced to world-class standards.
Arab News
11 hours ago
- Arab News
Saudi Arabia makes a splash at London Design Biennale
DHAHRAN: Saudi Arabia is presenting 'Good Water' at the London Design Biennale, which runs until June 29 at the UK capital's Somerset House. The Saudi National Pavilion — commissioned by the Architecture and Design Commission supported by the Ministry of Culture, and presented under the leadership of commission CEO Sumayah Al-Solaiman — examines water systems, accessibility, equity and scarcity. 'In a biennale that explores the intersection of inner experiences and external influences, 'Good Water' reflects the spirit of inquiry we hope to share with the world,' Al-Solaiman said in a statement. 'With this pavilion, we are proud to support the next generation of Saudi practitioners and provide platforms that amplify their voices on the international stage.' The pavilion's design team - Clockwise from top left - Dur Kattan, Aziz Jamal, Fahad bin Naif, and Alaa Tarabzouni. (Supplied) Saudi artists Alaa Tarabzouni, Dur Kattan, Fahad bin Naif and Aziz Jamal worked as co-curators, collaborating across various disciplines. 'In this team, we don't have specific roles,' Jamal told Arab News. 'We all collaborated on everything. For example, the video, we all shot together — we all wrote together. We all have different backgrounds in the arts sector but we've worked together (in the Saudi art scene) for the past five years; it's more of a democratic process and there's no strict guidelines.' At the heart of 'Good Water' is the sabeel, a traditional water fountain usually placed and funded privately in a shaded outdoor communal space. It is meant for use by anyone in the community, free of charge. The sabeel is an enduring symbol of hospitality and generosity, deeply rooted in the Arabian Peninsula and found in many spots throughout the Middle East. A sabeel fountain in Saudi Arabia. (Photo by Aziz Jamal - Courtesy of the Architecture and Design Commission) 'Growing up in Dhahran, you would see sabeels everywhere. Our house didn't have one, but there was a mosque in front of our house that had one,' Jamal said. The London installation strips the sabeel of nostalgia and recenters it as a contemporary, working object. Visitors are invited to fill their cups as they pause to reflect on the often unseen systems, labor and energy that make the flowing 'free' water possible. Stacks of paper cups will be provided, bearing the message 'Good Water: 500 ml = one AI prompt' in vibrant color. There will also be refillable water bottles so spectators can have a 'water-cooler moment' to chat, sip and ponder. The pavilion also features four short videos filmed at an old water factory in Riyadh, showing the painstaking journey of water from droplet to distribution. The screens trace the production process across different sizes of bottles. Jamal's relationship with water has shifted since he started working on this project. A water delivery truck in Saudi Arabia. (Photo by Aziz Jamal - Courtesy of the Architecture and Design Commission) 'I have to say, going to visit the water factory (in Riyadh) and seeing the enormous effort that it takes to fill up one tiny water bottle, you don't take that effort for granted anymore, because it's not just a matter of getting the water filled up; it's testing it, going through inspection, doing all the mineral checks,' he said. 'Before, if there was a little bit of water in my water bottle, I'd just leave it, but now I make it a point to drink (it) all … to finish the bottle. It has made me more conscious of every drop.' Jamal's aim is for visitors to the pavilion to reach that same realization. 'What I really hope for is for people to interact with the piece,' he said. 'We want that act of generosity to come through and we want people to drink the water.' He noted that the sabeel in London will dispense locally sourced water, not imported. A catalogue written by the curators will also be available, offering further context in the form of essays, research material and images of water infrastructure and sabeels from across the Middle East and North Africa region. Saudi Arabia is one of the most water-scarce countries in the world and the largest producer of desalinated water globally, supplying over 60 percent of its potable water, according to the Saudi Pavilion team's research. 'We thought (the sabeel) was a perfect symbol of the attitude and the general principle behind this concept of water as a human right and not as a luxury,' Jamal said. 'It's free drinking water, but it's from a private source. So we felt it really encompassed this phenomenon of paying it forward and offering water to people who don't have access to it.' With 'Good Water,' the Saudi National Pavilion puts this scarcity — and the labor behind everyday hydration — center stage. 'Our research was about water and access to water,' Jamal explained. 'When we were first conceptualizing the piece for the London Biennale, we were looking at the infrastructure and water and access and what's the hidden cost of free water in Saudi — and specifically looking at the objective of a sabeel: What does this act of generosity and act of making water into a human right mean? And what is the hidden cost of that?' Though the widespread distribution of plastic bottles has displaced the sabeel to some extent, Jamal emphasized its enduring relevance, especially in a country with scorching summers and sizeable outdoor workforces. 'People are on the go, so they need something convenient,' he said. 'I don't think water bottles have killed off sabeels completely. A lot of the workforce in Saudi still use it all the time. It's not just drinking water, it's cold drinking water, and in Saudi that's very important.'
