
Jessie J shares breast cancer update after undergoing surgery
Jessie J has shared an update on the 'lows and highs' of her breast
cancer
journey following her surgery.
The Price Tag singer announced in early June that
she had been diagnosed with early breast cancer
and that she would be undergoing treatment.
The artist, whose real name is Jessica Cornish, posted a carousel of images and videos on Instagram on Monday evening documenting the 48 hours before and after her surgery.
She said: 'This post is some of the honest lows and highs of the last 48 hours.
READ MORE
'I will always show the good and hard bits of any journey I go through. Grateful to my doctor / surgeon and all the nurses who cared for me and all my family / friends who came to visit.
'I am home now, to rest and wait for my results.
'Still hugging everyone going through something tough right now. We all got this!'
The carousel included photos and videos of the singer in the hospital, her partner Chanan Safir Colman, and their child, Sky Safir Cornish Colman.
In one of the videos the singer is seen singing the words: 'I've now been at the hospital for 6½ hours and I'm still waiting to go down to the theatre.'
The singer-songwriter, best known for her hit songs Domino, Price Tag, and Bang Bang, performed at Capital's Summertime Ball at Wembley Stadium, England, on June 15th and made an emotional speech promising to 'beat breast cancer' in her final performance before her surgery.
She said: 'I feel so proud to be feeling okay, to be this honest person where you say what you feel, and this being my last show before I go and have surgery.'
The artist has dealt with ill health throughout her life, having been diagnosed with a heart condition aged eight, suffering a minor stroke aged 18 and having briefly gone deaf in 2020. – PA
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Irish Times
4 hours ago
- Irish Times
Jessie J shares breast cancer update after undergoing surgery
Jessie J has shared an update on the 'lows and highs' of her breast cancer journey following her surgery. The Price Tag singer announced in early June that she had been diagnosed with early breast cancer and that she would be undergoing treatment. The artist, whose real name is Jessica Cornish, posted a carousel of images and videos on Instagram on Monday evening documenting the 48 hours before and after her surgery. She said: 'This post is some of the honest lows and highs of the last 48 hours. READ MORE 'I will always show the good and hard bits of any journey I go through. Grateful to my doctor / surgeon and all the nurses who cared for me and all my family / friends who came to visit. 'I am home now, to rest and wait for my results. 'Still hugging everyone going through something tough right now. We all got this!' The carousel included photos and videos of the singer in the hospital, her partner Chanan Safir Colman, and their child, Sky Safir Cornish Colman. In one of the videos the singer is seen singing the words: 'I've now been at the hospital for 6½ hours and I'm still waiting to go down to the theatre.' The singer-songwriter, best known for her hit songs Domino, Price Tag, and Bang Bang, performed at Capital's Summertime Ball at Wembley Stadium, England, on June 15th and made an emotional speech promising to 'beat breast cancer' in her final performance before her surgery. She said: 'I feel so proud to be feeling okay, to be this honest person where you say what you feel, and this being my last show before I go and have surgery.' The artist has dealt with ill health throughout her life, having been diagnosed with a heart condition aged eight, suffering a minor stroke aged 18 and having briefly gone deaf in 2020. – PA


RTÉ News
5 hours ago
- RTÉ News
Jessie J gives update after breast cancer surgery
Jessie J has shared an update on the "lows and highs" of her breast cancer journey following her surgery. The Price Tag singer announced in early June that she had been diagnosed with early breast cancer and that she would be undergoing treatment. The artist, whose real name is Jessica Cornish, posted a carousel of images and videos on Instagram documenting the 48 hours before and after her surgery. She said: "This post is some of the honest lows and highs of the last 48 hours. "I will always show the good and hard bits of any journey I go through. Grateful to my doctor / surgeon and all the nurses who cared for me and all my family / friends who came to visit. "I am home now, to rest and wait for my results. "Still hugging everyone going through something tough right now. We all got this!" The carousel included photos and videos of the singer in the hospital, her partner Chanan Safir Colman, and their child, Sky Safir Cornish Colman. In one of the videos, the singer is seen singing the words: "I've now been at the hospital for six-and-a-half hours and I'm still waiting to go down to the theatre." The singer-songwriter, best known for her number one songs Domino, Price Tag, and Bang Bang, performed at Capital's Summertime Ball at Wembley Stadium on 15 June and made an emotional speech promising to "beat breast cancer" in her final performance before her surgery. She said: "I feel so proud to be feeling OK, to be this honest person where you say what you feel, and this being my last show before I go and have surgery." The artist has battled with ill health throughout her life, having been diagnosed with a heart condition aged eight, suffering a minor stroke aged 18 and having briefly gone deaf in 2020. She was awarded four MOBO awards in 2011, including Best UK Act, Best Newcomer, Best Song for Do It Like A Dude, and Best Album with Who You Are. She also won the Brit Award for Rising Star in 2011.


Irish Times
8 hours ago
- Irish Times
Kneecap's provocative poster campaign very much on-brand
The posters that appeared in London the day before Kneecap member Liam Óg Ó hAnnaidh, aka Mo Chara's appearance in court on terrorism-related charges, were very much on-brand. Using the green, white and orange of the Tricolour, giant letters spell out 'More Blacks, More Dogs, More Irish, Mo Chara'. Strategically located near Westminster magistrates court, the three posters include a supersized 96-sheet and two 48-sheet billboards and are set to remain for two weeks. Also last Tuesday night, the same visual was projected on to three London buildings: Camden's Electric Ballroom, the location of the Kneecap performance last November that triggered the police investigation, as well as County Hall at Southbank and The Strand in central London. READ MORE The visual, says Ken Robertson, 'reclaims the language of historic exclusion as a message of solidarity, resistance, and cultural pride'. Irish immigrants to London in the 1950s and 1960s reported seeing 'No blacks, no dogs, no Irish' signs in boarding-house windows and it's a phrase that lives in the memory, thick with racism and bigotry. Robertson's agency, The Tenth Man, created the campaign and its instinctive alignment with the group's public image comes from a history of collaboration that goes back to 2018, long before the rap trio's fame exploded beyond Belfast. That was the year the agency was established in Dublin by Robertson and fellow advertising creative Richard Seabrooke. From the start it set up an annual list to pick out 20 'culture makers' doing interesting, meaningful and impactful work. That's how Kneecap came on its radar. In the past seven years the agency has collaborated with the Irish language rappers on music videos and political campaigns. Probably its most provocative – and headline grabbing – idea for Kneecap before this billboard campaign was for the Sundance Film Festival last year. The trio – Mo Chara, DJ Próvaí, real name JJ Ó Dochartaigh and Móglaí Bap, real name Naoise Ó Cairealláin – arrived at the festival where its Irish language film Kneecap was premiering in a replica RUC Land Rover. According to Robertson it is a movie prop, sourced for the stunt from an American film studio. [ Kneecap should be commended rather than condemned Opens in new window ] It's not hard to imagine that whatever modest outlay it took to get it to the festival was recouped multiple times over in the media exposure it helped the rappers from Northern Ireland win in the US and back home. The Tenth Man funded the London billboards because 'it views this campaign not just as solidarity, but as a defence of cultural freedom in a time of rising political censorship'. It floated several ideas past Dan Lambert, Kneecap's manager and this was chosen as the most impactful. Before setting up the agency, Robertson spent 18 years at Paddy Power, the gambling giant now part of Flutter Entertainment. He was its first marketing executive in 1999 – given the title of head of mischief – and he went on to create numerous provocative and controversial campaigns often in immediate reaction to events in the news or popular culture. It's a dubious distinction – which he would be the first to admit – but he created the UK's most complained about advertisement with the 2015 campaign that featured Paralympian Oscar Pistorius then on trial for the murder of his girlfriend Reeva Steenkamp. It offered punters their money back if he was cleared (he wasn't). Looking back at his work at Paddy Power, Robertson acknowledges that some of the campaigns 'haven't aged well' though he says the brand was the 'ultimate category challenger' with a target of mostly young men. The brief was to connect with them, often saying the things they thought but wouldn't say out loud. 'Am I 100 per cent proud of all the work [I did there]? No. What I did learn though is that there is a dotted line from that to Kneecap; to having the bravery to create a campaign that's provocative, that is going to land in the right place. It is always going to rub some people up the wrong way.' A knock-on benefit for The Tenth Man of creating such attention-grabbing messaging must also be the exposure it brings to the agency, which last year expanded into the UK with a London office. Its own logo is underneath the band's balaclava-inspired logo on the posters. The office in Spittalfields now employs six people while the Dublin office has grown to 60. The agency, he says, appeals to clients who value cultural relevance and want to communicate with a younger demographic. The brands it has done work for include Guinness, Rockshore, Jameson and Stella McCartney. 'We are known for our disruptive creative work across music, fashion and youth culture; we've built a reputation for backing artists who push against the grain.' [ Kneecap case: 'A woman pointed to a sniggering Móglaí Bap as the magistrate asked if anyone knew an Irish interpreter' Opens in new window ] A recent new business win is Three Ireland as the telecom's 'lead partner for creative channel marketing' (Boys and Girls is the company's brand agency). Concert goers who saw Kneecap last Thursday in Dublin's Fairview Park will also have seen the More Blacks, More Dogs, More Irish, Mo Chara visual. It was on pop-up billboards at the stage. So could it become part of the band's merchandise, for example on T-shirts? Why not, says Robertson, 'if someone wants to do it, please do. The message is there to be taken and amplified'. By the weekend Kneecap were still in the news with questions being asked in the UK as to whether the BBC would or should televise the rappers' upcoming Glastonbury set. The broadcaster then issued a statement saying filming will go ahead although its editorial guidelines, which among other things prohibit 'unjustifiably offensive language', must be adhered to. As to whether a publicity stunt similar to the London billboards is in the works for Glastonbury – it is after all a large audience – Robertson says nothing is planned, although an 'as yet' seems to hang in the air.