
Lokesh Kanagaraj's full-circle moment: Once a bus conductor's son, now directing one
After 'Aviyal', director Lokesh Kanagaraj made his debut as a feature film director with 'Maanagaram' in 2017. The film and its success became his calling card in the industry. The film, which followed a non-linear narrative, gave birth to a fresh visual language in Tamil cinema.Two years later, Lokesh helmed Karthi's 'Kaithi', which took on Thalapathy Vijay's 'Bigil' on Diwali in 2019. Despite 'Bigil's superb run, 'Kaithi' made a mark and how. Its phenomenal success gave birth to the much-anticipated and talked about LCU - Lokesh Cinematic Universe. The film established him as a filmmaker with a distinct voice who can entertain the audience without following the stereotypical elements. 'Kaithi's' success opened doors for him that would have otherwise taken years. He joined hands with Thalapathy Vijay, one of the celebrated stars in Tamil cinema. The two joined hands for 'Master', a standalone project. The big-budget entertainer united Vijay and Vijay Sethupathi in a film that rocked the box office. 'Master' was a film that showcased Vijay as an alcoholic, a morally flawed character.Just a year later, Lokesh Kanagaraj helmed 'Vikram' with Kamal Haasan, the second instalment in the LCU. The film ended up as one of the highest-grossing films and shattered box office records. Each film and its success showcased his evolution, not just in terms of scale, but also with his vision and ability to work with superstars while maintaining his unique voice. THE FULL-CIRCLE MOMENTadvertisementBeing an ardent fan of Kamal Haasan, 'Vikram' was a milestone film. But the film's monumental reach took him one step closer to Rajinikanth. 2024 saw Lokesh join hands with Thalaivar - and his life truly came full circle. Rajinikanth himself worked as a bus conductor in the Bangalore Transport Service before getting his break in cinema. Here was Lokesh, the son of a bus conductor, now directing the most celebrated bus conductor-turned-superstar in Indian cinema history.At the audio launch of 'Coolie', Lokesh had an interesting story to tell - one that he had been holding close to his heart. So he could tell it in front of the fans.One of the posters of 'Coolie' featured Rajinikanth holding a badge with the number 1421. Recalling the story around the badge, Lokesh said that Rajinikanth asked him about the significance of the number and whether it was related to the film. "I told him it was my father's badge number and that he was a bus conductor. Rajinikanth sir asked me, 'Why didn't you tell me that your father was a conductor?'" advertisementContinuing further, he said, "I waited for you to ask me after noticing it, so it would become a memorable moment. 'Coolie' is a tribute to my father."Lokesh Kanagaraj's journey from a bus conductor's son to directing one isn't just a success story - it's a reminder that in one's life, the most compelling narratives often begin in the most modest places. And if we're lucky, we get to walk the paths with the very legends who walked similar paths before.- EndsMust Watch
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Pink Villa
18 minutes ago
- Pink Villa
Coolie's Hindi trailer sparks speculation over additional flashback footage, here's what netizens are saying
Coolie, starring Rajinikanth in the lead role, is slated to release on August 14, 2025. As the Lokesh Kanagaraj directorial is days away from hitting the big screens, the Hindi-language trailer of Coolie in theaters has left netizens buzzing with excitement. Coolie's Hindi trailer presents additional footage A leaked video circulating on social media shows that the Hindi trailer includes an extra scene that was not present in the original trailer. The final moments featured a man with a scruffy hairstyle facing several armed men, taunting them with a hook in his hand. While it is unclear whether it was Rajinikanth 's character Deva or someone else, speculations are rife. Many believe it might be Sivakarthikeyan in a cameo role. However, an official confirmation hasn't been made. Earlier, several rumors suggested Sivakarthikeyan was part of the Rajinikanth starrer. However, in an interview with Pinkvilla, he mentioned that he had just visited the sets because the shoot was happening near his home. Whether or not it is the full truth remains to be seen. About Coolie Coolie is an action thriller featuring the superstar as a former daily wage worker, Deva (played by Rajinikanth), with a sinister past. While he has remained in the shadows for nearly 30 years, he makes a return after his close friend Rajasekhar is in trouble. The rest of the film focuses on how he succeeds in helping his friend out. The original trailer of the movie featured the last shot as a tease for Rajinikanth's flashback portion. The original trailer ends with a shot hinting at Deva's flashback, using a negative filter. This is possibly to conceal the superstar's de-aged look, reminiscent of his role in Baasha. Watch Coolie trailer: Actor Nagarjuna Akkineni is playing an antagonist for the very first time. The flick has stars like Upendra Rao and Aamir Khan in pivotal roles. Apart from all of them, Coolie has an ensemble cast of actors like Shruti Haasan, Sathyaraj, Soubin Shahir, Reba Monica John, Charle, and many more. On a side note, the Rajinikanth starrer will be clashing with Hrithik Roshan-Jr NTR starrer War 2.


News18
43 minutes ago
- News18
Rajinikanth Shines In Coolie's First Reviews; Bishnoi Gang Issues New Warning After Kapil Sharma Cafe Attack
Rajinikanth's Coolie gets rave first reviews; Bishnoi gang issues fresh warning to the film industry in leaked audio after attacking Kapil Sharma's cafe. Coolie Movie Reviews: After Vettaiyan co-starring Amitabh Bachchan in 2024, Rajinikanth is all set for the release of his upcoming film on August 14. A private screening of the film was held on Thursday, August 8, and early reviews have already begun to pour in. And for those wondering how the film is, select fans have revealed that Coolie is Rajinikanth's best performance since Kabali in 2016. Comedian Kapil Sharma's Cap's Cafe witnessed another attack on Thursday, August 7, and gangster Lawrence Bishnoi and his gang claimed responsibility for the attack, stating that they targeted the comedian because of his closeness with Salman Khan. In a now-leaked voice note, Bishnoi gang member Harry Boxer was heard threatening the entire industry about working with Salman Khan. Smriti Irani's return to television with Kyunki Saas Bhi Kabhi Bahu Thi 2 has been making waves, not only for nostalgia's sake but also for her record-breaking pay-check. Reports suggest she is charging Rs 14 lakh per episode, making her the highest-paid actor on Indian television, surpassing contemporaries like Anupamaa's Rupali Ganguly (approx Rs 3 lakh per episode) and Hina Khan (up to Rs 2 lakh). Actors Dhanush and Mrunal Thakur have been at the centre of dating rumours since the last few days. Neither of them has confirmed or denied the speculations. Now, amid their romance rumours, a video of Mrunal singing and vibing to a song from Dhanush's upcoming film is going viral on social media. The actress shared the clip in July on her Instagram stories, and she is seen singing along to the track 'Enna Sugam' from Dhanush and Nithya Menen starrer 'Idli Kadai'. The song was released by the makers on Dhanush's birthday in July. Now, Mrunal's video has taken social media by storm, and has further added fuel to their relationship rumours. For More: Mrunal Thakur Sings Dhanush's 'Idli Kadai' Song, Video Goes Viral Amid Romance Rumours James Cameron has warned that the world is on the brink of a 'Terminator-style apocalypse". The moviemaker has revealed his fears over the rise of AI in recent years and admitted it's possible for humankind to be left facing extinction if an artificial intelligence network is allowed access to weapons systems, as predicted in his 1984 sci-fi movie The Terminator starring Arnold Schwarzenegger. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


Indian Express
an hour ago
- Indian Express
Shazia Iqbal on directing Dhadak 2 as a Muslim woman: ‘Box-office collection is secondary to the opportunity to make the film'
Your debut as a feature film director with Dhadak 2 is being widely talked about. What are your thoughts currently? Given how the industry has changed in recent years and streamers have come into dominance, it is a big thing to get a film released in theatres. This is a big opportunity for me. In spite of Dhadak 2 releasing with four other big movies, the footfall has increased by word-of-mouth. Hopefully, it will keep growing. Do you see it as a breaking-the-glass-ceiling moment that being a Muslim and a woman film director, who is not from the industry, you have made a romantic film in which casteism is the central theme? I think so and not because of any selfish reason. There are so many aspiring filmmakers, who don't see enough people representing them in terms of religion, caste or background. When they see an outsider, a woman from a marginalised community, directing such a production, they might think that if she can do it, we have a chance as well. For that reason, I think it is a big deal that a mainstream production house has given me this opportunity to direct a relatively big film — maybe not big terms of budget but certainly, in scale. The box-office collection is secondary to the opportunity itself. It is common to talk about insiders-outsiders. All the actors of the film, including the leads Triptii Dimri and Siddhant Chaturvedi, are outsiders. This might encourage someone to dream. How helpful was it that Karan Johar, as a producer, wanted Dhadak 2 to remain true to the vision of the original Tamil-language film Pariyerum Perumal (2018)? When I first met Karan, he had already watched my short film Bebaak (2018). He told me that the reason he wanted me to direct this movie was because I handled my own film with such sensitivity. That kind of gaze and lens was needed for Dhadak 2 as well. Irrespective of what happened with Dhadak (the 2018 movie was criticised for glossing over the caste-based prejudices), Karan wanted us to be true to the soul of Pariyerum Perumal, which is directed by Mari Selvaraj, who comes from the Dalit community. As someone who belongs to a marginalised community, I knew that if my film is remade, I would not want anyone to deviate from its core theme. While reimagining the film, we wanted to make our own film, but we did not want to override the original voice of the Tamil movie. Also Read | The real horror in Dhadak 2 isn't the killer, it's us There is a lot of criticism about Siddhant Chaturvedi being 'brown-faced' in the movie even though he has delivered a compelling performance as a Dalit law student. Siddhant is not trained, but he is an intuitive and intelligent actor. I follow the process of speaking to actors extensively, and I try to build a relationship based on trust and openness. When an actor plays a certain character, he brings himself to interpret it. I wanted to tap Siddhant's vulnerability rather than saying that 'you went through that heartbreak, use it in this scene.' Even if you had not tanned Siddhant, we would have faced criticism. Then, people would have said we did 'Dharma-fication' of the lead actor. It is a high-saturation film and even Triptii looks four shades darker. Because Siddhant has used tan, people are commenting on it. Of course, one can question why we did not cast someone who is brown-skinned. Casting in films is a far more complicated conversation. To put the burden of fixing the industry on a debut director is not fair. Tanning is wrong, but it is also done in Tamil or Malayalam movies. Because it's a Dharma production and Karan is at the forefront of it, this is drawing more flak. However, my team and I are okay with this criticism because this conversation is also necessary. Does Dhadak 2 mark a shift in Dharma Productions' approach towards mainstream romantic movies? Yes, and I am at the edge of that shift. For someone who is trolled so much and called 'the flag-bearer of nepotism', Karan has brought together us outsiders to make this film. He has made a bold move because mainstream Hindi movies have a certain grammar. In the late '90s, the issue of identity took a backseat and movies became candyfloss. But if social relevance is once again part of mainstream storytelling, more filmmakers should embrace that. Triptii Dimri has a monologue when she questions the idea of 'izzat' and if women alone are responsible for it. Though casteism is the central theme of the film, I thought we needed to have a conversation about gender. We take the agency of a woman away when we tell her who she is allowed to love. Triptii's character needed that agency even as she is ignorant about the prevalence of caste-based bias in cities. Both my co-writer Rahul Badwelkar and I have been disturbed by the term 'honour'. We knew somewhere we need to bring her character Vidhi's voice into the film as well as question this idea of 'honour' and why women are burdened with it. In one of the scenes, a bucketful of muck is thrown at Nilesh. How tough was it to shoot the film? That was the point in the film when Nilesh (Siddhant) starts getting more assertive. As the film's narrative progresses, he is finding his voice. We wanted a moment of assertion when he was fighting back. We have instances of 'manual scavengers' being shamed. When muck from the gutter is thrown at him to shame him, Nilesh makes it his moment by not washing it off. He faces his tormentor, completely covered with muck and puts it back on the latter. Of course, we were not going to put muck on actors. So, the make-up team made it with chocolate and palak. We had the time to throw it on him only once. So, we rehearsed it beforehand. Tell us about your journey as a filmmaker I am not a nepo kid, but my father, Zahid Iqbal, worked as an assistant to filmmaker Ramanand Sagar. The trivia that I tend to share about my father is that he was involved with the casting of Ram and Sita for the DD serial Ramayan (1987-88). When I was studying architecture, production designer Sharmishtha Roy visited our college. I was influenced by how she spoke about films. After graduation, I thought of giving films a shot and worked on the sets of ads and shows. I started writing in 2011 while working as a production designer. To show that I can direct, I made the short film Bebaak. Somen Mishra, Dhadak 2's co-producer, got in touch with me after that and even showed it to Karan. I would say that my journey of making my debut feature film is about 18 years. Did working on projects like the series Sacred Games help you find the support system? When I was working with Anurag Kashyap on Mukkabaaz (2017), I told him that I wanted to direct a short. After reading the Bebaak script, he offered to produce it. We had cast someone else for the role that Nawazuddin Siddiqui eventually played. That actor stepped down days before the shoot, and I asked Anurag if he could ask Nawazuddin if he would play the role (of a religious leader),and Nawaz said yes. What was your experience with the Central Board of Film Certification (CBFC)? Karan wanted to save every cut and spoke to the members about why certain things needed to stay in the movie. This was an emotionally difficult experience for me. My parents raised me with certain values which included not being okay with something wrong in the society and to question things. With the censor board, I felt they were trying to tell us what to do or not do. Maybe I have said things too directly in this film and we will use more metaphors and symbols in the next one. What kind of films do you see yourself making in the coming years? Many are surprised that we made a mainstream film that's hard-hitting. I hope I am not tagged as a political filmmaker and not get work. I am more comfortable with being called a socially-relevant filmmaker and I want to make movies in the mainstream space. The film can belong to any genre, still you can make your statement. That's an art Koreans have mastered; Parasite (2019) is a great example of that.