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Zohran Mamdani's Wife Rama Duwaji Is an Animator, Illustrator and Ceramicist. And They Met on Hinge

Zohran Mamdani's Wife Rama Duwaji Is an Animator, Illustrator and Ceramicist. And They Met on Hinge

Yomiuri Shimbun7 hours ago

NEW YORK (AP) — Rama Duwaji's Election Day post on Instagram was only four words long, but said all it needed to say: 'couldn't possibly be prouder.'
It was accompanied by a photo-booth strip of happy poses with her husband, Zohran Mamdani, and a voting selfie that would presage a momentous night: The 33-year-old state assemblyman would stun the political world — and opponent Andrew Cuomo — with his success in the race for the Democratic nomination for New York City mayor.
While the ultimate outcome has yet to be confirmed by a ranked choice count, many across the country woke up Wednesday eager to learn more both about Mamdani, a self-described democratic socialist who's now poised to be the nominee, and also about Duwaji, an animator and illustrator. Mamdani kissed her hand during his victory speech to supporters, thanking 'my incredible wife.'
Duwaji was not a public presence during much of the campaign, but is active on social media through her work. In her art career, Duwaji has worked with The New Yorker, The Washington Post, the BBC, Apple, Spotify, VICE and the Tate Modern museum in London, among others, according to her website. 'Using drawn portraiture and movement, Rama examines the nuances of sisterhood and communal experiences,' it says.
Duwaji, 27, who is ethnically Syrian and was born in Houston, Texas, also enjoys taking a break from her tech-based art to create her own ceramics, particularly illustrated plates in blue and white.
And there's one very contemporary (and much-mentioned) fact that's emerged about the couple: They met on Hinge, the dating app. 'I met my wife on Hinge so there is still hope in those dating apps,' Mamdani said, laughing, on a recent episode of The Bulwark podcast.
About six weeks ago the candidate posted a romantic set of photos showing the couple on their wedding day at the city clerk's office earlier this year. The lead photo was a black-and-white shot on the New York subway, specifically at Union Square in Manhattan. The smiling couple held onto a pole, Duwaji dressed in a white dress and black boots and holding a bouquet, as other riders minded their own business.
In the accompanying text, Mamdani referred to online harassment the couple had experienced.
'If you take a look at Twitter today, or any day for that matter, you know how vicious politics can be,' he wrote. 'I usually brush it off, whether it's death threats or calls for me to be deported. But it's different when it's about those you love. Three months ago, I married the love of my life, Rama, at the City Clerk's office. Now, right-wing trolls are trying to make this race — which should be about you — about her.'
'Rama isn't just my wife,' Mamdani added. 'She's an incredible artist who deserves to be known on her own terms. You can critique my views, but not my family.'
Duwaji, in the comments, responded with humor: 'omg she's real.'
In an April interview on art and activism, Duwaji was asked if artists had a responsibility to speak out about global issues.
'I'll always quote Nina Simone: 'An artist's duty as far as I'm concerned is to reflect the times,'' she said.
'I believe everyone has a responsibility to speak out against injustice,' she added, 'and art has such an ability to spread it. I don't think everybody has to make political work, but art is inherently political in how it's made, funded, and shared. Even creating art as a refuge from the horrors we see is political to me. It's a reaction to the world around us.'
On Election Day, Duwaji's mother-in-law, filmmaker Mira Nair, posted a message to her daughter-in-law about art and its importance.

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Iran's Khamenei resurfaces to warn against future US attacks in first statement since ceasefire
Iran's Khamenei resurfaces to warn against future US attacks in first statement since ceasefire

The Mainichi

time6 hours ago

  • The Mainichi

Iran's Khamenei resurfaces to warn against future US attacks in first statement since ceasefire

DUBAI, United Arab Emirates (AP) -- Iran's Supreme Leader Ayatollah Ali Khamenei said Thursday that his country had delivered a "slap to America's face" by striking a U.S. air base in Qatar and warned against further attacks in his first public comments since a ceasefire agreement with Israel. Khamenei's prerecorded speech that aired on Iranian state television, his first appearance since June 19, was filled with warnings and threats directed toward the United States and Israel, the Islamic Republic's longtime adversaries. The 86-year-old, a skilled orator known for his forceful addresses to the country's more than 90 million people, appeared more tired than he had just a week ago, speaking in a hoarse voice and occasionally stumbling over his words. The supreme leader downplayed U.S. strikes on three Iranian nuclear sites Sunday using bunker-buster bombs and cruise missiles, saying that U.S. President Donald Trump -- who said the attack "completely and fully obliterated" Iran's nuclear program -- had exaggerated its impact. "They could not achieve anything significant," Khamenei said. Missing from his more than 10-minute video message was any mention of Iran's nuclear program and the status of their facilities and centrifuges after extensive U.S. and Israeli strikes. His characterization of Monday's strike on the U.S. air base in Qatar contrasted with U.S. accounts of it as a limited attack with no casualties. The White House responded to Khamenei's video, accusing him of trying to "save face." "Any commonsense, open-minded person knows the truth about the precision strikes on Saturday night," press secretary Karoline Leavitt told reporters Thursday. "They were wildly successful." UN nuclear watchdog confirms damage to Iran sites The head of the U.N. nuclear watchdog, International Atomic Energy Agency Director Rafael Grossi, reiterated Thursday that the damage done by Israeli and U.S. strikes at Iranian nuclear facilities "is very, very, very considerable" and that he can only assume the centrifuges are not operational. "I think annihilated is too much, but it suffered enormous damage," Grossi told French broadcaster RFI. The IAEA has not been allowed to visit any of the Iranian facilities to do an independent assessment of the damage. Iran's Foreign Ministry spokesperson, Esmail Baghaei, also conceded Wednesday that "our nuclear installations have been badly damaged, that's for sure." Khamenei has not been seen in public since taking shelter in a secret location after the outbreak of the war on June 13 when Israel attacked Iranian nuclear facilities and targeted top military commanders and scientists. After Sunday's attack on Iran's nuclear facilities, Trump was able to help negotiate a ceasefire that came into effect Tuesday. Iranian leader warns US against further attacks Khamenei claimed the U.S. had only intervened in the war because "it felt that if it did not intervene, the Zionist regime would be utterly destroyed." "It entered the war to save them, yet it gained nothing," he said. He said his country's attack Monday on the U.S. base in Qatar was significant, since it shows Iran "has access to important U.S. centers in the region and can act against them whenever it deems necessary." "The Islamic Republic was victorious and, in retaliation, delivered a hand slap to America's face," he said, adding, "This action can be repeated in the future." "Should any aggression occur, the enemy will definitely pay a heavy price," he said. Trump has dismissed the retaliatory attack as a "very weak response," saying that the U.S. had been warned by Iran in advance and emphasizing that there had been no casualties. With the ceasefire, life slowly returns to normal in Iran On Thursday, Iran partially reopened its airspace, which had been closed since the war began, and shops in Tehran's capital began to reopen, with traffic returning to the streets. Majid Akhavan, spokesperson for the Ministry of Roads and Urban Development, said Iran had reopened its airspace for the eastern half of the country to domestic and international flights, including those transiting Iranian airspace. Earlier this week, Tehran said 606 people had been killed in the conflict in Iran, with 5,332 people wounded. The Washington-based Human Rights Activists group released figures Wednesday suggesting Israeli strikes on Iran had killed at least 1,054 and wounded 4,476. The group, which has provided detailed casualty figures from multiple rounds of unrest in Iran, said 417 of those killed were civilians and 318 were security forces. At least 28 people were killed in Israel and more than 1,000 wounded, according to officials there. During the 12-day war, Iran fired more than 550 missiles at Israel with a 90% interception rate, according to new statistics released by Israeli authorities Thursday. Israel, meantime, hit more than 720 Iranian military infrastructure targets and eight nuclear-related sites, Israel said. Trump has also asserted that American and Iranian officials will talk next week, giving rise to cautious hope for longer-term peace. Iran has not acknowledged that any such talks would take place, though U.S. Mideast envoy Steve Witkoff has said there has been direct and indirect communication between the countries. A sixth round of U.S.-Iran negotiations was scheduled for earlier this month in Oman but was canceled after Israel attacked Iran. Iran has insisted that it will not give up its nuclear program. In a vote underscoring the tough path ahead, its parliament agreed Wednesday to fast-track a proposal that would effectively stop the country's cooperation with the IAEA, which has monitored the program for years.

Music history is littered with projects planned, anticipated, even completed -- and then scrapped
Music history is littered with projects planned, anticipated, even completed -- and then scrapped

The Mainichi

time7 hours ago

  • The Mainichi

Music history is littered with projects planned, anticipated, even completed -- and then scrapped

NEW YORK (AP) -- The idea that Bruce Springsteen wrote, recorded and ultimately shelved entire albums of music may seem odd to the casual listener. Why put yourself through all that work for nothing? Yet "lost albums" are embedded in music industry lore. Some were literally lost. Some remained unfinished or unreleased because of tragedy, shortsighted executives or creators who were perfectionist -- or had short attention spans. Often, the music is eventually made public, like Springsteen is doing now, although out of context from the times in which it was originally made. So in honor of Springsteen's 83-song "Tracks II: The Lost Albums" box set being released Friday, The Associated Press has collected 10 examples of albums that were meant to be but weren't. "Smile," The Beach Boys Back in the news with the death of Brian Wilson, this album "invented the category of the lost masterpiece in popular music," says Anthony DeCurtis, contributing editor at Rolling Stone. Some of the material that surfaced suggested Wilson, the Beach Boys' chief writer, was well on his way: the majestic single "Good Vibrations," the centerpiece "Heroes and Villains" and the reflective "Surf's Up." Wilson succumbed to internal competitive pressure worsened by mental illness and drug abuse while making it in 1966 and 1967, eventually aborting the project. He later finished it as a solo album backed by the Wondermints in 2004. The better-known songs were joined with some psychedelic-era curios that displayed Wilson's melodic sense and matchless ability as a vocal arranger, along with lyrics that some fellow Beach Boys worried were too "out there." "The Black Album," Prince The mercurial Prince pulled back this disc, set for release in December 1987, at the last minute. Some promo copies had already slipped out, and it was so widely bootlegged that when Warner Bros. officially put it out in limited release in 1994, the company billed it as "The Legendary Black Album." Encased in an all-black sleeve, the project was said to be Prince's nod to Black fans who may have felt they had lost him to a pop audience. It's almost nonstop funk, including a lascivious Cindy Crawford tribute and the workout "Superfunkycalifragisexy." The maestro's instincts were well-placed, though. Coming after "Sign O' the Times" -- arguably his peak -- this would have felt like a minor project. "Cigarettes and Valentines," Green Day Written and recorded in 2003, Green Day's "Cigarettes and Valentines" was actually lost; someone apparently stole the master tapes. Feeling on a creative roll, the rock trio decided against recreating what they'd done and pressed on with new material. Smart move. The result was "American Idiot," the band's best work. Perhaps the robbery was "just a sign that we made a crappy record and we should make a better one," songwriter Billie Joe Armstrong told MTV. The title cut later surfaced on a 2010 live album. The rest was lost to time. "Detox," Dr. Dre To say anticipation was high for Dr. Dre's third album when he started recording in 2002 puts it mildly. The theme disc about a hitman, which Dre described as a "hip-hop musical," had an all-star squad of contributors including Eminem, 50 Cent, Mary J. Blige, Busta Rhymes and Kendrick Lamar. "I'd describe it as the most advanced rap album musically and lyrically we'll probably ever have a chance to listen to," co-producer Scott Storch told MTV. But we never have. When he announced a different third album in 2015, Dre explained on his radio show what happened to "Detox": "I didn't like it. It wasn't good. ... I worked my ass off on it, and I don't think I did a good enough job." "Black Gold," Jimi Hendrix A series of unfinished demos, "Black Gold" was a taste of where guitar god Jimi Hendrix might have gone creatively if he hadn't died at 27 in 1970. He was composing a song suite about an animated Black superhero, says Tom Maxwell, whose podcast "Shelved" unearths stories behind lost music. Hendrix sent a tape of his work to longtime drummer Mitch Mitchell for advice on fleshing it out. That music was set aside at Mitchell's home and forgotten for two decades after Hendrix died. To date, Hendrix's estate has made only one of these recordings public, a song called "Suddenly November Morning." Hendrix, after clearing his throat, slips in and out of falsetto while accompanying himself on an acoustic guitar. "A Story," Yoko Ono Written while Yoko Ono was separated from John Lennon during his infamous "lost weekend" in 1973-74, "A Story" had the potential of changing the musical narrative around her. It was a strong album -- without the avant-garde stylings that made Ono a challenge for mainstream listeners -- recorded with musicians who worked on Lennon's "Walls & Bridges." Maxwell calls it "an emancipation manifesto" that was set aside when Ono reconciled with Lennon. She's never publicly explained why, Maxwell says, although one song seems clearly about an affair she had while Lennon was away. Some of the material from "A Story" was included as part of the "Onobox" project that came out in 1992, and the album was released separately in 1997. Ono also re-recorded some of its songs in 1980, and Lennon was holding a tape of her composition "It Happened" when he was shot and killed. In it, she sings about an unspecified, seemingly traumatic event: "It happened at a time of my life when I least expected." That wasn't even the most chilling premonition. Her song "O'Oh" ended with firecrackers that sound like gunshots. It was left off the 1997 release. "Chinese Democracy," Guns N' Roses Guns N' Roses was at the top of the hard rock world when they began recording a new album in 1994. It didn't go well. Inconclusive sessions slogged on for years, and all but singer Axl Rose left the group. Recording costs exceeded a staggering $13 million, by some accounts the most expensive rock album ever. One witness told The New York Times in 2005: "What Axl wanted to do was to make the best record that had ever been made. It's an impossible task. You could go on indefinitely, which is what they've done." When "Chinese Democracy" was finally released in 2008, the world yawned. "Love Man," Marvin Gaye Not even a decade after the triumph of "What's Going On," Marvin Gaye was floundering. His "Here, My Dear" divorce album flopped, he struggled with drugs and searched for relevance in the disco era. The single "Ego Tripping Out," meant to herald a new album, laid bare the problems: Over a melody cribbed from Donna Summer's "Hot Stuff," the famously cool "Love Man" boasted like an insecure rapper. He scrapped the album, repurposing some its material for the 1981 disc "In Our Lifetime," a process so fraught he bitterly left his longtime label Motown. Gaye went to CBS, made a huge comeback with "Sexual Healing," then was shot dead by his father in 1984. "Homegrown," Neil Young Neil Young rivals Prince in the volume of material left in his vault, and he's been systematically releasing much of it. The mostly acoustic "Homegrown" was recorded as 1974 bled into 1975, during Young's breakup with actor Carrie Snodgress. Instead of releasing it in 1975, he put out another heartbreak album, the well-regarded "Tonight's the Night," about losing friends to drug abuse. When Young finally dropped "Homegrown" in 2020, he wrote in his blog, "Sometimes life hurts. This is the one that got away." "Streets of Philadelphia Sessions," Bruce Springsteen Of the discs included in Springsteen's "Tracks II" set, this was reportedly the closest to being released, in the spring of 1995. After the success of the Oscar-winning song "Streets of Philadelphia," Springsteen recorded an album in the same vein, with a synthesizer and West Coast rap-inspired drum loops setting the musical motif. Strikingly contemporary for its time, Springsteen ultimately felt it was too similar to previous releases dominated by dark stories about relationships. "I always put them away," he said of his lost albums. "But I don't throw them away."

Zohran Mamdani's Wife Rama Duwaji Is an Animator, Illustrator and Ceramicist. And They Met on Hinge
Zohran Mamdani's Wife Rama Duwaji Is an Animator, Illustrator and Ceramicist. And They Met on Hinge

Yomiuri Shimbun

time7 hours ago

  • Yomiuri Shimbun

Zohran Mamdani's Wife Rama Duwaji Is an Animator, Illustrator and Ceramicist. And They Met on Hinge

NEW YORK (AP) — Rama Duwaji's Election Day post on Instagram was only four words long, but said all it needed to say: 'couldn't possibly be prouder.' It was accompanied by a photo-booth strip of happy poses with her husband, Zohran Mamdani, and a voting selfie that would presage a momentous night: The 33-year-old state assemblyman would stun the political world — and opponent Andrew Cuomo — with his success in the race for the Democratic nomination for New York City mayor. While the ultimate outcome has yet to be confirmed by a ranked choice count, many across the country woke up Wednesday eager to learn more both about Mamdani, a self-described democratic socialist who's now poised to be the nominee, and also about Duwaji, an animator and illustrator. Mamdani kissed her hand during his victory speech to supporters, thanking 'my incredible wife.' Duwaji was not a public presence during much of the campaign, but is active on social media through her work. In her art career, Duwaji has worked with The New Yorker, The Washington Post, the BBC, Apple, Spotify, VICE and the Tate Modern museum in London, among others, according to her website. 'Using drawn portraiture and movement, Rama examines the nuances of sisterhood and communal experiences,' it says. Duwaji, 27, who is ethnically Syrian and was born in Houston, Texas, also enjoys taking a break from her tech-based art to create her own ceramics, particularly illustrated plates in blue and white. And there's one very contemporary (and much-mentioned) fact that's emerged about the couple: They met on Hinge, the dating app. 'I met my wife on Hinge so there is still hope in those dating apps,' Mamdani said, laughing, on a recent episode of The Bulwark podcast. About six weeks ago the candidate posted a romantic set of photos showing the couple on their wedding day at the city clerk's office earlier this year. The lead photo was a black-and-white shot on the New York subway, specifically at Union Square in Manhattan. The smiling couple held onto a pole, Duwaji dressed in a white dress and black boots and holding a bouquet, as other riders minded their own business. In the accompanying text, Mamdani referred to online harassment the couple had experienced. 'If you take a look at Twitter today, or any day for that matter, you know how vicious politics can be,' he wrote. 'I usually brush it off, whether it's death threats or calls for me to be deported. But it's different when it's about those you love. Three months ago, I married the love of my life, Rama, at the City Clerk's office. Now, right-wing trolls are trying to make this race — which should be about you — about her.' 'Rama isn't just my wife,' Mamdani added. 'She's an incredible artist who deserves to be known on her own terms. You can critique my views, but not my family.' Duwaji, in the comments, responded with humor: 'omg she's real.' In an April interview on art and activism, Duwaji was asked if artists had a responsibility to speak out about global issues. 'I'll always quote Nina Simone: 'An artist's duty as far as I'm concerned is to reflect the times,'' she said. 'I believe everyone has a responsibility to speak out against injustice,' she added, 'and art has such an ability to spread it. I don't think everybody has to make political work, but art is inherently political in how it's made, funded, and shared. Even creating art as a refuge from the horrors we see is political to me. It's a reaction to the world around us.' On Election Day, Duwaji's mother-in-law, filmmaker Mira Nair, posted a message to her daughter-in-law about art and its importance.

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