Malpractice aims to bust NHS myths in hard-hitting second series
Anyone who watched the first series of ITV's Malpractice will know it's both a compelling thriller and an insightful look at the workings and associated problems with the UK's National Health Service.
It's a combination that's as entertaining as it is thought-provoking. Grace Ofori-Attah, the mastermind behind the show, hopes Malpractice could make a real difference to the NHS as she prepares to discharge a second series.
"One of the things that was surprising in a really positive way with series one [was] it aired just as another set of doctors' strikes was happening, and we had feedback from some journalists who'd said that they were dead against the doctor strikes.
"And then they watched the show, they talked to me, and had a completely different insight into what it is literally that doctors do day-to-day, and why they might feel under-appreciated and undervalued given the stresses of the job,' Ofori-Attah tells Yahoo UK.
The screenwriter, whose credits also include Stephen Graham kitchen-set drama series Boiling Point on which she was a consulting writer, and the recent Playing Nice starring James Norton, says it's easy to roll your eyes when you hear doctors want a pay rise. But it's an oversimplification.
"It's more that we just don't want to be paid less to do more work, which I think most people would agree with,' Ofori-Attah explains. "People assume that doctors are these really wealthy individuals who have quite a glamorous career. Even with [the executives at] ITV, when we were making this series, one of the questions that I kept getting back was, 'Why does he live in a house share? He's a successful doctor', and I'm like, 'Because he can't afford to be living in his own property'.
"Most doctors who are junior doctors don't own their own homes. So just even tackling minor perceptions like that [leads me to] hope this show gives people pause for thought about what it is to be a doctor in this country."
The drama is drawn from Ofori-Attah's real-life experiences working within the NHS as an Oxbridge-educated addiction psychiatrist. It's dramatised, so the story unfolds accordingly and through the first series, a conspiracy is gradually revealed across the five episodes.
It's pacy and punchy, riveting and hard-hitting. Series two follows a different story in a different location — the Queen Mother's University Hospital in North Yorkshire — with mostly different characters. The plot revolves around Tom Hughes's psychiatric registrar and looks set to follow a similar arc. But precisely how true to life is what we see on screen?
Series two, says Ofori-Attah, is inspired by a number of actual cases she encountered during her work as a psychiatrist, and as a consultant perinatal psychiatrist.
"There are different aspects of the story that are inspired by situations that I've been in," she says. "The case that we see [in the second series], it's the startling, dramatic representation of mental illness, but it has so many common facets. Like, on a night shift — on any on-call shift — as a junior doctor who's on call, you'd see psychosis as the emergency presentation. And I saw it so many times."
The series spirals when Dr Ford is caught between a new mother's postnatal check-up and a psychotic patient, with devastating consequences. Ford is subsequently the subject of an internal investigation.
"It's not common knowledge how an emergency psychiatric admission comes through the hospital system," says Ofori-Attah. "Even for myself, having spent years doing the job, coming to set and seeing this representation of it… actually, I found it quite distressing, even though I'd written it and I knew what it was going to be like, and I witnessed it happening.
"Something about the separation in time, and then being confronted by it, but not being in control of it as a doctor having just to give production notes felt particularly stressful. I think it's just something that I feel is a real privilege to be able to depict truthfully on TV for people. And I'm tentatively excited and nervous about what people will feel about seeing that."
Actor Zoe Telford plays Dr Kate McAllister, a consultant psychiatrist who feels the pressure of carrying out ward work under the bureaucracy of NHS management. Telford reveals that there are two significant things that her character does that really happened. "I think everything that is within the script has happened, and even the most tragic parts of our story, even though they are obviously rare within the NHS, are taken from real-life experiences," she explains.
Selin Hizli plays obstetrics registrar Dr Sophia Hernandez, a single mother juggling a demanding career with raising her children. Hizli maintains that much of what unfolds in series two is rooted in truth.
"[Regarding] one of the things that happens in the story, there was a test case that [Grace] was able to give me lots of information about," says Hizli. "It was really useful to just know that Grace has worked with people if not exactly like the person that you're playing [then at least] that they are always rooted in truth… It was a real insight into the different specialisms, and how different they are from each other, but how when they overlap, there's a lot of personalities meeting, and there's a lot of different methods of working."
It's easy to see watching the series how this can inevitably lead to problems, clashes, oversights, and misjudgements. Consequently, there's a real sense of legitimacy to Malpractice that lifts it above other medical dramas. It's this authenticity that you feel could make a real-world impact to the running of the NHS, highlighting at a granular level some of the issues and knock-on effects in a way that makes things less abstract for viewers and more concrete. It's acutely observed and intricately woven and deserves to make waves the way that series like Adolescence and Mr Bates vs The Post Office have.
Hizli, who makes her debut in series two, says that one of the things that struck her about the first series is the suggestion of how much everyone cares: "Everyone is pouring so much of their energy and their effort into the work, but it's just such an impossible environment a lot of the time. Every decision you make has some kind of knock-on effect."
It's like trying to plug a hole somewhere, the actor says, and every time one hole is plugged, another forms. "I think that's what Grace captures so well in both series — these people are having to make decisions, and really difficult decisions, and a lot of the time they're having to make them really quickly. And with all of those other pressures of life and work and families. So anyone who really enjoyed that authentic aspect of series one, I think they'll find that in series two as well."
It's not only problems within the NHS and the theme of malpractice that link the series. While series two tells a different story to the first, a pair of characters thread through both. They are Norma and George aka Dr Callahan and Dr Adjei played respectively by Helen Behan and Jordan Kouamé. Norma and George work for the fictional Medical Investigations Unit (MIU) and get called in when there's potential malpractice to investigate. There's a real-life equivalent called the General Medical Council (GMC).
Behan, who like Ofori-Attah also worked within the NHS (as a nurse) tells Yahoo UK, "Norma's approach is always in the unpicking and the investigation, and it's a lot about looking at a doctor's work and their decision making."
She adds, "George is the one that will ease you in gently, and Norma's the one that'll cut your jugular. But they're a good team, and they're very necessary."
Necessary they might be but Ofori-Attah says that the process by which they operate is far from perfect and another problem the series highlights.
"We're not machines; we're not replaced by AI just yet," says the screenwriter. "We do make mistakes, and I think the people who regulate that need to be understanding of how that comes about – and also of the way they're processed in investigating [because it] can worsen the whole situation. It's bad enough to be under investigation, but having to go and do your day job and then having to be interviewed in what is [shown to be] quite an 'interrogation' style by Norma is very intimidating."
She continues, "I think there are, and they're looking into it at the moment, a number of doctors who have committed suicide whilst under investigation by the GMC, purely because of the process, and in a few of those cases, the doctors were about to be found innocent of all charges. But because the process doesn't really take into account the human person, it can sometimes get blinkers… there was a person who was being investigated, and yes, they might have done something wrong, but they didn't go to work to cause harm."
Series one was set primarily in accident & emergency and revolved around intentional wrongdoing as well as the overstretching of staff and its ensuing issues such as addiction. For season two, Ofori-Attah shifts focus, transferring the action to obstetrics and the psychiatric unit.
"I wanted to share with this series, slightly different to series one, how the whole system sometimes can work against you," reveals the writer. "With Dr Ford's character, he's trying his best. He's trying to advocate for his patients, but the mental health hospital [and] the structures that exist to facilitate that don't really help him. There are lots of problems with the NHS, but one in particular is mental health services and funding.
"Post-pandemic, we have quite a big mental health issue within the country that's presenting in so many different ways, and it just seems also to, at the same time, be the bit of medicine that keeps not getting the funding that the government says it's going to get. And so, without it being a public service announcement, I wanted to just take a look at that and just see if there was a dramatic way of sharing the struggles that doctors have in that area."
Post-pandemic, we have quite a big mental health issue within the country that's presenting in so many different waysGrace Ofori-Attah
Behan adds, "I think, globally, these issues speak to everybody. It's a worldwide thing. We are all struggling. Certainly, our men are better at talking now than they were 20 years ago; than my father was when he was growing up. But we're still only [just] unpicking that, and the services are so saturated. Everybody wants to see a psychiatrist, a psychologist, a counsellor, and it's impossible to get them.
"If you can afford them, it's still impossible to get. The services are not out there. And I think the importance of this show will be to highlight to people that everybody is doing their best, [and that, yes, these subjects are now on the table."
Telford believes that one of the key aspects of the series in helping it resonate is in its understanding of representation. "It's really important that we all see ourselves represented in the stories that we tell. And so I think the more we can do that, the better for us as a society," she says. That includes reflecting what so many of us as individuals are going through.
"I think it's fascinating, and baffling, that the mental health services within the NHS seem to be so woefully neglected. It was a real eye opener to me… learning that, I think, mental health services take up something like 20% of the disease burden but actually, the funding they receive I think historically is something like 11%. [NHS data shows it was 14.5% in 2023/24.]
"Why? Why is that happening? Why is it that we're willing to neglect that part of our society in such a way?" she asks. "What does it say about us? It sounds to me like there is still an element of shame around [it]. It's almost like we want to bury that somehow. I hope that [the show] does cause people to have conversations, because it's such an important story."
The power of the show, says Hizli, is in the human element. "I think we all have an opinion on what's going on in the NHS, and we all have a certain level of experience with it, and maybe some sort of preconceived ideas about what the service is and what it means to us and the people that work in it," she begins.
"But I think quite often those thoughts and ideas can be quite abstract. And hearing politicians talk and hearing figures and numbers bandied around, there's a level of detachment that we can view those things from, whereas I think this story gets into the real human element of it."
She continues, "I think it's really easy to forget that every person that works in the NHS … [is a] human being, with lives and pressures. I felt like the story and the show just puts you right in it, and you can't look away from it.
"These people are showing stories that really do reflect what people go through … The show gives people a real window into what's going on and the type of people that not only these things are happening to, but the type of people that are working in that environment. It brings it really close to home.'
Malpractice returns at 9pm on Sunday 4 May on ITV1 and ITVX.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
44 minutes ago
- Yahoo
Katie Price is glad ex Peter Andre is married to 'proper lady' Emily MacDonagh
Katie Price is glad her ex-husband Peter Andre is now married to a "proper lady" like Emily MacDonagh. The reality TV star told comedian Katherine Ryan on her What's My Age Again? podcast that she's glad her ex-husband moved on with somebody completely different like the NHS doctor. "I'm glad he's with Emily. She seems like a proper lady. I think it'd be weird if he went for someone like me," she stated. Katie, 47, and Peter, 52, were married between 2005 and 2009 and they share two children named Junior, 19, and Princess, 17. Peter tied the knot with Emily in 2015 and they have three children together. The former glamour model noted on the podcast that she and Emily, 35, are so different that Princess struggles to imagine her parents ever being in a relationship. "(She says,) 'You're just so nuts, mum. When I see you and Emily, you're just so different. I can't imagine you and dad,'" Katie recalled. "I said, 'I was with your dad six years. Trust me, we had a laugh, bantered together, we did.' She said, 'I just can't imagine dad being like that.' I said, 'But he was, he was like that. We did have a laugh.'" Katie shared that Princess also couldn't believe that the four of them used to travel everywhere as a family. She added, "Emily doesn't do all that for Pete. I said, 'Me and Pete just did it all together as a family. If we'd got you kids, you would come with us.'" After splitting from the Mysterious Girl singer, Katie was married to Alex Reid between 2010 and 2011 and then Kieran Hayler, the father of her children Bunny and Jett, between 2013 and their separation in 2018. She is now dating dating TV personality JJ Slater.
Yahoo
2 hours ago
- Yahoo
Kelsey Grammer Boards ‘Hell Ride'; Karlovy Vary Names Chair; Tarf Enters Theatrical Distribution; ITV Soap Boss Retiring
Kelsey Grammer To Lead Theme Park Thriller 'Hell Ride' From Frasier to rollercoaster. Kelsey Grammer will lead Hell Ride, an upcoming theme park thriller from Altitude. Directed by Magnus Martens (SAS: Red Notice) and written by Altitude joint CEO Andy Mayson (No Way Up), the film is billed as a 'white-knuckle survival thriller' that follows a group of high school seniors who break into an abandoned theme park for one final wild night, only to find their night spiralling into a nightmare. Mayson, Molly Conners (Triple 9) and Amanda Bowers (Riff Raff) are producing and Altitude is introducing it to buyers in Cannes. Pic reunites Grammer with part of the creative team he worked with at another upcoming thriller, Turbulence, and some of the VFX team from that pic and No Way Up will work on Hell Ride as well. Grammer is represented by UTA and Vault Entertainment. More from Deadline ITV For Sale: Behind The Headlines Of A Deal That Everyone And No One Is Talking About Samuel L. Jackson, Eva Green & Maria Pedraza To Star In Thriller 'Just Play Dead' - Cannes Market Elizabeth Olsen Joins Kristen Stewart & Oscar Isaac In Hedonistic '80s Vampire Thriller 'Flesh Of The Gods' - Cannes Market Krystof Mucha Named Karlovy Vary Film Fest Chair Karlovy Vary International Film Festival (KVIFF) has named Kryštof Mucha as its Chairman, and will leave the President position the late Jiří Bartoška held in memoriam. Bartoška passed away earlier this month aged 78. Mucha, who joined KVIFF in 1997, has been its Executive Director since 2004. 'Despite the very sad fact that the world of culture has lost one of its most important personalities, we want to assure the public that the Karlovy Vary festival will continue to possess the level of quality that Jiří Bartoška and his team have always given it,' said Jan Jírovec, Head of the Rockaway Arts group that majority owns KVIFF. Remaining on. Mucha's team will be Artistic Director Karel Och and Head of Production Petr Lintimer. 'For many years, I had the wonderful opportunity to work with Jiří Bartoška and to see how he thought and where he was taking the festival,' said Mucha. 'I believe that, together with Karel Och and Petr Lintimer, we will succeed in continuing his legacy.' Tarf Media Pushes Into Irish Theatrical Distribution EXCLUSIVE: Ireland's Tarf Media is pushing into local theatrical distribution. The film sales company told Deadline it is now offering a 'complete end-to-end distribution package from theatrical in Ireland to international sales and streaming.' Tarf founder Eoghan Burke is working with Anna Lavery PR and Distribution to bring films to Irish cinemas, while continuing to act as a sales agent. Dublin-based Tarf is known for handling international rights on films such as Cocaine Werewolf and A Dickens of a Christmas. Before last year's Cannes, Tarf struck a partnership deal with Good Deed Entertainment. ITV Soap Supremo John Whiston Retiring John Whiston, the ITV exec who has overseen the UK network's flagship soaps, is retiring after 27 years. In his most recent role as Managing Director of Continuing Drama and Head of ITV in the North, the long-serving exec has led editorially and commercially on Coronation Street and Emmerdale, both of which still command audiences of millions each evening. He also oversaw ITV series such as including Vera, A Touch of Frost and Heartbeat. At the end of the month, he will hand over to Executive Producer for Continuing Drama Iain MacLeod, who is upped to Creative Director and Matt Cleary, who becomes COO of Continuing Drama, which keeping his current post as Director of Production for UK Scripted at ITV Studios. MacLeod will report to ITV Studios Managing Director Julian Bellamy. Whiston said: 'I've always said I've got the best job in TV. I used to say it privately in case ITV stopped paying me. It has been nothing short of an honour, as well as a blast, to work on the Soaps this last decade or so. We've had joy, we've had fun and we've had seasons in the Sun. We've also had misery and mayhem. We've had motorway crashes, tram crashes and floods. We've had stories which have squeezed your heart till tears came out of your eyes. And we've covered pretty much anything and everything that people have to face in their own lives and we've done that with care and humanity. And all that is down to the 600 or so people – the writers, crew, cast and editorial – who have kept the show on air and at an incredible quality day in day out. And it's them who have made my job ridiculously easy. Just don't tell ITV.' Best of Deadline Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far TV Show Book Adaptations Arriving In 2025 So Far Book-To-Movie Adaptations Coming Out In 2025
Yahoo
5 hours ago
- Yahoo
Miley Cyrus faces backlash over 'biphobic' comment about JoJo Siwa's relationship with Chris Hughes
Miley Cyrus has faced a backlash from fans after making a remark deemed 'biphobic' about JoJo Siwa's relationship with Chris Hughes. The Something Beautiful singer, 32, was speaking on a panel at Dreamland Pride Festival in New York when she made her comment about the former Dance Mom's star's new romance. 'Enjoy coming out of the closet if this Pride is the time for you,' Cyrus told the crowd as she encouraged them to 'have an amazing Pride'. The ex Hannah Montana star then added: 'Alright, I'm going back to get some more pretzels and find JoJo Siwa and bring her back out.' 'I'm going back to the closet to find Jojo Siwa & bring her back out' MILEY 😭 — Miley Cyrus Updates (@MileyCyrusBz) June 8, 2025 She was referencing how Siwa, 22, who identifies as queer, split with her partner Kath Ebbs, 27, after appearing on Celebrity Big Brother in April. During her time on the ITV reality show, Siwa formed a close bond with 32-year-old former Love Island star Chris Hughes and the two have recently confirmed that they are in a relationship. After clips of the incidents ciculated online, many took to social media to voice their shock. 'It's really strange how some bi women can be biphobic, lol,' remarked one person on X, who highlighted how Cyrus identifies as pansexual. Pansexual is a term which Siwa has also used previously and is similar to bisexuality, meaning that you can be attracted to anyone regardless of their gender expression. 'Publicly shaming a young woman exploring her sexuality is abhorrent,' declared another. 'Not just Miley, but all of yall posting 'jokes'.' As a third put in: 'I don't think it's 'funny' to make fun of someone's sexual orientation or gender, but I guess it's perfectly fine if it's directed at someone for not being gay or queer-enough during Pride.' Meanwhile, some tried to argue that Cyrus and Siwa are friends and that she was clearly 'just joking', but others said it still didn't make what she said okay. 'JoJo is getting visceral hate from the community at the moment so Miley doing this, even if it's a joke, is distasteful. especially considering they're meant to be friends,' said one person.