&w=3840&q=100)
On 100th anniversary of ‘The Gold Rush,' Cannes tips hat to Charlie Chaplin
The film's premiere drew two grandchildren of Chaplin: Kiera Chaplin and Spencer Chaplin. read more
One hundred years after Charlie Chaplin made dinner rolls dance and ate his shoe like it was a fine meal, 'The Gold Rush' has been vividly brought back to life in a new restoration that premiered Tuesday at the Cannes Film Festival.
On the opening day of its 78th edition, Cannes debuted a 4K restoration of 'The Gold Rush,' one of Chaplin's most beloved silent masterpieces. The screening, held just before the festival's official opening ceremony, was part of a new day-one tradition for restored films, festival director Thierry Fremaux said before the screening at Cannes' Debussy Theatre.
STORY CONTINUES BELOW THIS AD
Years in the making, this 'Gold Rush' pristinely restores Chaplin's Tramp to all his downtrodden glory. The 1925 Alaskan frontier comedy may be marking its centenary, but it looks bracingly fresh in the restoration carried out by La Cineteca di Bologna.
The restoration was more complicated than most because it included an extensive search for any missing footage. In 1942, Chaplin edited the film and re-released it with sound effects, music and narration. That version landed two Oscar nominations, but the restoration sought to get as close to the 1925 original as possible.
In 'The Gold Rush' Chaplin's lone prospector ambles through the snowy Alaskan wilds in pursuit less of gold than some food and perhaps companionship. His antic, cliff-dangling struggles make up much of the film's deft slapstick, but the Little Tramp's humble, sweet hopes for romance greatly exceed his strike-it-rich ambitions.
The film's premiere drew two grandchildren of Chaplin: Kiera Chaplin and Spencer Chaplin.
'What to say about 'The Gold Rush?' said Spencer Chaplin. 'It was his biggest production to date. He built the set — it was almost like a tourist attraction in L.A. at the time. He built the mountains.'
The screening in Cannes drew a packed house in one of Cannes' largest theaters, a crowd that the Chaplin descendants warmly surveyed.
STORY CONTINUES BELOW THIS AD
'Our grandfather would be really proud to see this, a hundred years later, to see all you here and interested in seeing the film,' said Kiera Chaplin.
'The Gold Rush' will roll out in theaters worldwide on June 26 in a release organized by mk2 Films.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Pink Villa
5 hours ago
- Pink Villa
Dakota Johnson Turns to Revenge Dress Fashion After Splitting From Chris Martin Post 8 Years of Dating
Dakota Johnson is channeling her inner Princess Diana, and it's everything we're looking for and more. Stepping out amid her promotions for the upcoming romance film Materialists, the actress donned a sheer, black dress, stunning everyone with her ease and charm shortly after her split from Chris Martin. It was recently reported that the couple decided to break off their engagement after being together for 8 years. Dakota Johnson's Princess Diana Connection Going out and about her business in New York City on Thursday, the Fifty Shades of Grey actress made a bold statement with her all-blake fit, truly taking more than just one page out of the Princess of Wales' style book. Known as the infamous 'revenge dress', the British star had also worn an all-black ensemble to supposedly take revenge on her husband, Prince Charles, who is said to have cheated on her with Camilla, by showing her just what he had given up on. Dakota Johnson, on the other hand, was drenched in luxury, smiling at the paparazzi and her fans waiting outside The Greenwich Hotel before riding off in her car for more promotional activities. It is one of the first few outings from the 35-year-old, who is said to have separated from the Coldplay frontman after being in love for 8 years. The duo is also rumored to have gotten engaged secretly many years ago, with recent spottings making their break-up news all the more unbelievable. Chris Martin and Dakota Johnson were spotted all loved up and cozy as recently as the 2025 Cannes Film Festival, which saw her stepping onto the red carpet multiple times, taking over the internet with her fun style. It is not known as to why the couple decided to part ways, but a source close to the couple told PEOPLE that this time felt like it was 'final'. Meanwhile, the actress is currently in the middle of promoting her upcoming romance film Materialists. Chris Evans and Pedro Pascal take spots as her co-stars in the heavily anticipated love triangle.
Deccan Herald
6 hours ago
- Deccan Herald
'It Was Just an Accident' Cannes review: Jafar Panahi's latest is a suspenseful political drama
Jafar Panahi's 'It Was Just an Accident' emerged as the most politically urgent and emotionally devastating entry, earning the veteran Iranian filmmaker the prestigious Palme d'Or award at the Cannes Film Festival this year. Yet, the film's resonance goes far beyond awards. It is both a powerful work of cinematic art and a defiant act of resistance — crafted in secrecy, brimming with moral complexity, and deeply rooted in the personal and political trauma of Iran's recent film opens with a mundane incident that quickly spirals into a moral crucible. A family — husband Eghbal (Ebrahim Azizi), his pregnant wife, and their daughter — accidentally hit a dog on a dark road. Their car breaks down, and they take refuge at a garage where the attendant, Vahid (Vahid Mobasseri), hears the creak of Eghbal's prosthetic leg. The sound triggers Vahid's memory of being tortured in prison; he is convinced this man is "Peg-leg," the interrogator who brutalised him and others under the Iranian regime. Driven by a thirst for vengeance, Vahid abducts Eghbal and prepares to bury him alive. But doubt soon emerges — is this truly the man who tormented him? .What follows is a suspenseful, often darkly comic odyssey that unfolds over the course of a single day. Vahid assembles a group of fellow victims — Shiva, a photographer; Goli and Ali, a couple interrupted mid-wedding shoot; and Hamid, a volatile former detainee — to verify Eghbal's identity. Each character brings their trauma and perspective, and their debates — whether driven by rage, resignation, or uncertainty — form the moral backbone of the brilliance of Panahi's script lies in its refusal to offer clarity. We, like the characters, are blindfolded — uncertain of the truth, forced to wrestle with our assumptions and sympathies. Is Eghbal the perpetrator? And if he is, does vengeance restore justice — or simply perpetuate the cycle of violence? .Thematically, 'It Was Just an Accident' echoes Panahi's own life. Since 2010, he has faced imprisonment, house arrest, and a ban on filmmaking imposed by the Iranian government. Yet, he has continued to make films in secret, turning limitations into artistic innovation. The film is imbued with the urgency and emotional charge of someone who has suffered but remains defiant. .While rooted in Iran's political reality, the film transcends its immediate context. Panahi's film confronts the impossibility of closure for survivors of state violence. The blindfold motif — used both literally and symbolically — underscores how justice is often obscured, reliant on memory, interpretation, and 'It Was Just an Accident' is not merely a grim reckoning. Panahi interweaves moments of absurdity and dark humour: a bride in full gown pushing a van, debates over bribe payments made via contactless card readers, and exasperated arguments about the cost of vengeance. These comic detours do not undercut the film's gravity; instead, they humanise the characters and reveal the surreal logic of life under authoritarian rule. The long extended standing ovation Panahi received at the festival after the film's stunning conclusion, was considered by many as less like applause and more like solidarity. The jury's decision to award him the Palme d'Or was not only an artistic endorsement but also a symbolic act — recognising the risks he took, the message he delivered, and the bravery of creating such a film under oppressive conditions. .The final scenes, marked by a long static take and a crescendo of emotional unraveling, are unforgettable, but could have been avoided in terms of aesthetic principles of keeping open the dilemmas of human situation. Though they encapsulate the fragility of truth, the brutality of memory, and the ambiguity of justice, confirming the identity of the perpetrator and his rather lame confessions could appear prosaic. But that doesn't lessen the final impact of the film. Rather than offering resolution, Panahi leaves us with questions —about ourselves, about systems of power, and about how pain lingers across is a film of political resistance, moral inquiry, and cinematic excellence. It reminds us that cinema, even when made in defiance of tyranny, can illuminate, challenge, and change the world — or at the very least, its viewers.
India.com
7 hours ago
- India.com
Meet actor whose mother worked as domestic help, father sold coconuts, now a star, worked with Salman Khan, Rani Mukherjee, his name is...
In the world of glitz and glamour, there are various actors who transitioned from rags to riches. Though their journey was not easy, they never lost the grit and determination to pursue their dreams. From Nawazuddin Siddiqui to Thalaiva Rajinikanth, many actors in Indian cinema started their lives doing odd jobs and eventually reached the pinnacle of success. Today, we will discuss one of those actors who faced many hardships in his life, but never gave up! Result? This actor, because of his work, walked the red carpet at the Cannes Film Festival 2025. The actor we are talking about started his journey in the TV industry. His silver screen appearances made him a known face, and later, he made his Bollywood debut in 2019 with Rani Mukerji's film Mardaani 2. The movie was a game changer for him and since then, he never looked back! We are talking about none other than Vishal Jethwa. Mardaani 2, which was the sequel to Rani Mukerji's Mardaani, featured Vishal and his character stole the show as the villain in the film. However, post that, Vishal never looked back. While growing up, life was not easy for Vishal. His father used to sell coconuts. The actor lost his father at the age of 14 and was raised by a single mother, who once worked as a domestic help. In an interview, Vishal revealed that his mother used to wash utensils and mop floors at other people's houses. However, Vishal and his family's condition improved when he landed the lead role of Akbar on Bharat Ka Veer Putra – Maharana Pratap in 2013. Vishal started his journey with TV and then in 2019, he featured in Mardaani 2. He also played Kajol's on-screen son and the titular character in the 2022 film Salaam Venky. Recently, Vishal made his stellar debut at the Cannes Film Festival when he walked the red carpet. His film Homebound premiered at the film festival. The movie also features Ishaan Khatter.
