logo
‘Elio' review: Pixar's best movie in years is a visually stunning and emotional sci-fi adventure

‘Elio' review: Pixar's best movie in years is a visually stunning and emotional sci-fi adventure

Tom's Guide7 hours ago

Earlier in the year, I got to see around 25 mins of "Elio", Disney and Pixar's new original sci-fi adventure, and that preview event set my expectations pretty high.
I only got to see a selection of scenes from across the movie's run, but it successfully sold "Elio" as a fun-filled, sweet sci-fi adventure and put it near the top of my must-watch list, and keen to see the full release as soon as possible.
Having now seen the entirety of Pixar's new summer movie ahead of its release this week, I'm pleased to report that it's both one of my favorite watches of the season, and I think this charming intergalactic caper is one of Pixar's best movies in years — here's why.
"Elio" is a heartwarming summer sci-fi adventure that sees the titular tween hero heading off on an out-of-this-world.
Elio (voiced by Yonas Kibreab) is an 11-year-old boy who feels out of place. He's a deep space devotee with a huge imagination and one big dream: to be abducted by aliens.
In this new misadventure, he finally gets his wish when an intergalactic organization known as the "Communiverse" beams him up after mistakenly identifying him as the leader of Earth.
As a potential ambassador from our little blue dot, Elio finds himself forging bonds with strange new alien lifeforms and navigating an intergalactic crisis of truly epic proportions.
"Elio" also stars the voice talents of Zoe Saldaña, Remy Edgerly, Brad Garrett, Jameela Jamil, and Shirley Henderson.
It might not quite have the heft of the studio's absolute top-tier releases, and the story doesn't see Pixar breaking new ground, per se, but "Elio" is nevertheless a touching watch.
It broaches grief and loneliness, and managed to get me to shed a tear or two on a couple of occasions, while still also packing in plenty of whimsy, laughs, and hijinks that fans of all ages will enjoy.
It's a winner, thanks in no small part to the talented cast, who really bring these characters to life. Kibreab's lead is an incredibly endearing, wide-eyed protagonist brought to life with all the enthusiasm in the world.
As lovable as our lead is, though, "Elio" has another star on hand: Elio's caterpillar-like alien bestie Glordon (Remy Edgerly) threatens to upstage once he shows up on the scene; despite not having eyes, he's as expressive as anyone on screen.
The supporting ensemble is solid, too (Brad Garrett's alien conqueror/struggling dad Lord Grigon is another highlight), but it's these two who really carry the sense of wonderment that's at the core of the film.
Where "Elio" really dazzles, though, is in the worldbuilding departments. Pixar is, of course, no stranger to bringing us bold new visions, but the studio's corner of the galaxy is kaleidoscopically bright and beautiful, and populated with weird and wonderful alien species, each of whom has plenty of personality.
The movie also comes with a dynamic score courtesy of Rob Simonsen, one that is grand enough to set the otherworldly vibe and still serve the emotional beats. Unless you truly have an all-time home cinema set up ready to go, "Elio" is a movie that's going to come alive on the big screen, and I don't think it'll be nearly as impressive if viewed for the first time from the comfort of your own sofa.
I know taking the whole family to the movies isn't cheap, but in my opinion (and judging by the reactions I heard from the kids in attendance at my showing), "Elio" is worth it. It's an inventive and emotional adventure, and a trip across the stars that deserves to be taken.
"Elio" hits U.S. and U.K. theaters on Friday, June 20, 2025.
Looking for more family entertainment while you wait? Check out our guides to the best movies on Disney Plus or the best family movies on Netflix for tons more recommendations fit for your next movie night.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Whoopi Goldberg announces first UK appearances in a decade with pair of live shows
Whoopi Goldberg announces first UK appearances in a decade with pair of live shows

Yahoo

timean hour ago

  • Yahoo

Whoopi Goldberg announces first UK appearances in a decade with pair of live shows

Whoopi Goldberg is bringing her Whoopi Goldberg: Live show across the pond for her first UK appearances in a decade. The 69-year-old award-winning actress, comedian, activist, and philanthropist will share tales from her "extraordinary career and trailblazing journey, delivered with her trademark wit, warmth and razor-sharp candour." The show will head to London's Eventim Apollo on September 4, and Cardiff's Utilita Arena on September 5. Audience members will be invited to ask the Sister Act and Ghost legend questions during a Q+A segment. Whoopi said: 'I've always loved performing for UK audiences. I can't wait to take the stage at these two incredible venues and share some stories, some laughs, and maybe even a little truth.' For tickets visit Meanwhile, Whoopi recently revealed that there are plans to shoot some scenes for Sister Act 3 in Italy as a tribute to the late Dame Maggie Smith. The Hollywood icon will be reprising her role as Sister Mary Clarence in the highly anticipated Disney+ sequel to 1993's Sister Act 2: Back in the Habit and the original Sister Act film, which was released in 1992. During an appearance on Italian TV show Che Tempo Che Fa, Whoopi revealed that the script was changed after Maggie's death in September 2024 at the age of 89 to acknowledge her character Reverend Mother in the sequel. When asked if Sister Act 3 might have some scenes shot in Italy and why, Whoopi answered: "I hope so. It would be wonderful because we want to do it for a couple of reasons. Because we lost Maggie, you know, and we want to bring all the nuns here to kind of share that. "It's the perfect place. Italy is the perfect place. "We are waiting for Disney to say yes or no. Keep your fingers crossed." Whoopi and Maggie were the main cast members in Sister Act and Sister Act 2: Back in the Habit. The original film saw Whoopi star as Deloris Van Cartier, a singer who goes undercover at a convent as Sister Mary Clarence after being put in a witness protection programme. It was a huge hit and banked $232 million at the box office. Elsewhere, Whoopi talked about her five-decade spanning career which has also featured acclaimed movies like The Color Purple, and Jumpin' Jack Flash. Whoopi earned a Best Supporting Actress Oscar for her performance as psychic Oda Mae Brown opposite Patrick Swayze as Sam Wheat in supernatural romance Ghost. But Whoopi admitted her career has also seen her appear in some less than impressive movies and she cited 1996's science-fiction buddy cop movie Theodore Rex, in which she played a police detective partnered with an anthropomorphic Tyrannosaurus named Theodore Rex, as being the worse. She said: "I am very lucky. I've had some really good movies and some very bad ones too. "There is a very bad one. It's called 'Theodore Rex'. It's about me and a talking dinosaur, in the future ... it was pretty bad."

WIND AND SEA Reimagines Disney Icons in Bold New Capsule
WIND AND SEA Reimagines Disney Icons in Bold New Capsule

Hypebeast

time2 hours ago

  • Hypebeast

WIND AND SEA Reimagines Disney Icons in Bold New Capsule

Summary WIND AND SEAis back with anotherDisneycollab, set to drop later this week. After the success of their varsity jackets fromlast year's collection, the two are expanding into a full wardrobe lineup including sweaters, shirts, and hats all laced with playful Disney touches. One standout in the collaboration is the blue striped button-up, that appears to be simple and bold, featuring a sketch of Mickey in burgundy running down the button line which gives the clean design a fun contrast. A boxy, versatile and easy to dress up or down, alternative, the real star is the gingham button-up. Mickey and Pluto are featured on the chest pocket, while Donald and Goofy are embroidered near the hem, styled to interact with the pocket design. On the back, the full cast — Daisy, Chip, and Dale included — pull the whole piece together with the WIND AND SEA logo stamped with emphasis in bright blue, red, and yellow. It's playful, graphic-heavy, and made for Disney lovers and streetwear fans alike. The collection is available June 21st exclusively on WIND AND SEA'ssite.

‘Elio' is an intergalactic tale — but for Toronto's Domee Shi, it hits close to home
‘Elio' is an intergalactic tale — but for Toronto's Domee Shi, it hits close to home

Hamilton Spectator

time3 hours ago

  • Hamilton Spectator

‘Elio' is an intergalactic tale — but for Toronto's Domee Shi, it hits close to home

TORONTO - For Domee Shi, making a movie about an introverted kid getting abducted by aliens felt oddly familiar. Not because she's had any close encounters, but because she remembers being a teenager longing to be taken away to a world where her weirdness was understood. The Toronto native co-directs 'Elio,' a Pixar animated sci-fi film about an 11-year-old orphan who yearns to be snatched by extraterrestrials to escape his loneliness — and gets his wish when an interplanetary organization mistakes him for Earth's ambassador. 'He's this lonely artsy kid who just wants to belong somewhere. I definitely felt that way growing up,' says the Oscar-winning animator behind 2022's coming-of-age Toronto-set hit 'Turning Red.' Born in Chongqing, China and raised in Toronto after immigrating to Canada as a child, Shi grew up obsessed with anime. She describes it as an isolating experience. In high school, she was the vice-president of the anime club — a group that had only two members. 'Back in the '90s and 2000s, anime was popular, but it wasn't as popular, I feel, as it is now…. I really wished people cared about the same stuff that I cared about,' Shi says during a promotional stop in Toronto. She recalls dreaming of going to animation school so she could 'find people who understood me, who spoke my language, who understood all my nerdy-ass references.' In 'Elio,' out Friday, the film's titular character, voiced by Yonas Kibreab, finds a sense of belonging in the Communiverse — a kind of cosmic United Nations where alien civilizations convene to share knowledge and resolve conflicts. It's a far cry from life on Earth, where Elio feels out of place living with his stressed-out, overextended aunt Olga, voiced by Zoe Saldaña. In real life, Shi says she found her own place in the universe at Anime North, an annual anime convention in suburban Toronto. She remembers attending for the first time as a teen. 'I had a really crappy 'One Piece' cosplay on. I wore a straw hat and was dressed like a bad version of Luffy,' she says, referring to the protagonist of the Japanese manga series. 'But then I looked around and there were so many crappy cosplays around me, and people just wearing their nerddom on their sleeve…. I was like, 'Oh my God, everyone speaks the same language as me.'' It was there that Shi learned about the renowned animation program at Toronto's Sheridan College, which had propelled graduates into orbit at studios such as Pixar and Disney. After graduating from Sheridan, Shi went on to work for Pixar as a storyboard artist for films including 2015's 'Inside Out' and 2019's 'Toy Story 4.' Shi became the first woman to direct a Pixar short with 2018's 'Bao,' a heartfelt tale about a Chinese-Canadian mother and her dumpling-turned-son that won the 2019 Oscar for best animated short. She broke new ground again with 'Turning Red,' becoming the first woman to solo direct a Pixar feature. 'Elio' marks Shi's first time co-directing a feature. Shi says the film began as a project by 'Coco' director Adrian Molina, inspired by his isolated childhood growing up on a military base. After delays caused by the Hollywood strikes, Molina was tapped to co-direct 'Coco 2' and handed the reins to Shi and fellow director Madeline Sharafia, who was a storyboard artist on 'Turning Red,' to complete the story. Shi describes the final product as 'a beautiful mind-meld' of all three directors' styles. In addition to channeling her own teen experience, she infused the film with influences from her favourite sci-fi films growing up — including 1979's 'Alien' and 1982's 'The Thing' — as well as eerie stop-motion classics such as 1993's 'The Nightmare Before Christmas.' 'I think kids can handle a little bit of scariness if it's more of a fun scary, like a thrill,' she says. Shi notes there are some Canadian influences in 'Elio' as well. 'It's weird to say but I feel like diversity shows up very naturally in my work and I think that's because I grew up in a very diverse neighbourhood and city,' she says. She says she doesn't even clock those multicultural touches until American colleagues point it out. 'People will be like, 'Oh, are you doing that intentionally? Is it intentional that Mei's friends are all girls from different backgrounds?'' she says, referencing the quartet at the heart of 'Turning Red.' 'I mean, kind of, but that's also what my friends were like growing up. I grew up in East York, moved to Scarborough. That's just what kids looked like, and I'm just used to it.' Elio's cultural background — half Mexican and half Dominican — is woven into the film with care and intention. His Mexican heritage draws from Molina's roots, while his Dominican side is brought to life through Saldaña's own background. Shi says the actor infused Olga with personal touches, including the suggestion of a Dominican song for one scene. A nod to Shi's own heritage turns up in an unexpected way. 'I feel like the Communiverse could be an allegory for Canada,' she laughs. 'It's definitely a mishmash and a beautiful, chaotic mosaic of different cultures and species and aliens all working and living together.' This report by The Canadian Press was first published June 18, 2025.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store