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Whoopi Goldberg announces first UK appearances in a decade with pair of live shows

Whoopi Goldberg announces first UK appearances in a decade with pair of live shows

Yahoo6 hours ago

Whoopi Goldberg is bringing her Whoopi Goldberg: Live show across the pond for her first UK appearances in a decade. The 69-year-old award-winning actress, comedian, activist, and philanthropist will share tales from her "extraordinary career and trailblazing journey, delivered with her trademark wit, warmth and razor-sharp candour." The show will head to London's Eventim Apollo on September 4, and Cardiff's Utilita Arena on September 5. Audience members will be invited to ask the Sister Act and Ghost legend questions during a Q+A segment. Whoopi said: 'I've always loved performing for UK audiences. I can't wait to take the stage at these two incredible venues and share some stories, some laughs, and maybe even a little truth.' For tickets visit www.fieryentertainment.com. Meanwhile, Whoopi recently revealed that there are plans to shoot some scenes for Sister Act 3 in Italy as a tribute to the late Dame Maggie Smith. The Hollywood icon will be reprising her role as Sister Mary Clarence in the highly anticipated Disney+ sequel to 1993's Sister Act 2: Back in the Habit and the original Sister Act film, which was released in 1992. During an appearance on Italian TV show Che Tempo Che Fa, Whoopi revealed that the script was changed after Maggie's death in September 2024 at the age of 89 to acknowledge her character Reverend Mother in the sequel. When asked if Sister Act 3 might have some scenes shot in Italy and why, Whoopi answered: "I hope so. It would be wonderful because we want to do it for a couple of reasons. Because we lost Maggie, you know, and we want to bring all the nuns here to kind of share that. "It's the perfect place. Italy is the perfect place. "We are waiting for Disney to say yes or no. Keep your fingers crossed." Whoopi and Maggie were the main cast members in Sister Act and Sister Act 2: Back in the Habit. The original film saw Whoopi star as Deloris Van Cartier, a singer who goes undercover at a convent as Sister Mary Clarence after being put in a witness protection programme. It was a huge hit and banked $232 million at the box office. Elsewhere, Whoopi talked about her five-decade spanning career which has also featured acclaimed movies like The Color Purple, and Jumpin' Jack Flash. Whoopi earned a Best Supporting Actress Oscar for her performance as psychic Oda Mae Brown opposite Patrick Swayze as Sam Wheat in supernatural romance Ghost. But Whoopi admitted her career has also seen her appear in some less than impressive movies and she cited 1996's science-fiction buddy cop movie Theodore Rex, in which she played a police detective partnered with an anthropomorphic Tyrannosaurus named Theodore Rex, as being the worse. She said: "I am very lucky. I've had some really good movies and some very bad ones too. "There is a very bad one. It's called 'Theodore Rex'. It's about me and a talking dinosaur, in the future ... it was pretty bad."

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James Gunn Says His SUPERMAN Was Shaped by His Marvel Firing: 'I Don't Think That I Would've Written the Superman That I Wrote' — GeekTyrant
James Gunn Says His SUPERMAN Was Shaped by His Marvel Firing: 'I Don't Think That I Would've Written the Superman That I Wrote' — GeekTyrant

Geek Tyrant

timean hour ago

  • Geek Tyrant

James Gunn Says His SUPERMAN Was Shaped by His Marvel Firing: 'I Don't Think That I Would've Written the Superman That I Wrote' — GeekTyrant

James Gunn has talked a lot about what inspired his take on Superman like classic comics, giant monsters, emotional storytelling, but now he's added something more personal to the list, that time Disney and Marvel fired him. In a recent Rolling Stone interview, Gunn opened up about how his unexpected dismissal from Marvel in 2018 (over resurfaced tweets) changed more than just his career path. It also rewired the way he writes, and who he's writing for. 'There's no doubt that without that experience, I don't think that I would've written the Superman that I wrote. 'I definitely wouldn't be doing this job if I didn't get fired, but I don't know if I'd be doing this job even if it wasn't for that. I just don't think that a character that pure would've quite appealed to me.' Before the firing, Gunn admitted his storytelling had been shaped by a kind of people-pleasing instinct—pushing boundaries, going dark, throwing punches wrapped in humor. But that event forced a shift. 'I don't think that opened the door to me writing the pure Superman. That opened the door for me to stop creating so that people would like me. That's downplaying it – so people would love me. I think on some level, everything I had done came from a pleasing place.' DC had offered Gunn the Superman job years ago, but he turned it down. He wasn't ready. Not for the character, and not for the kind of storytelling Superman demands. 'I needed the right way in, and that required time to think through a few thousand options before I got to the way that I thought worked. But I do also think that my life, and career, has been a gradual softening of the edges. 'I still like black comedy. I still have edges. But I used to like provoking a lot. And today, although I still seem to do it, I don't really like doing that. In my heart, I'm pretty sentimental. I just believe in basic human values. I think Guardians of the Galaxy was a good starter kit for that.' When Marvel eventually reinstated Gunn for Guardians Vol. 3 , it marked the end of one era and the beginning of another. The trilogy's final chapter was also its most emotional, and in hindsight, a stepping stone toward the more idealistic tone of Superman . 'They [Guardians] have a lot of heart, but they do have their own weirdness and oddities and edginess, and Superman isn't that, even though he does from the outside have a lot of oddness. 'A flying dog in a cape is odd. Giant walking robots, and kaijus – that's all odd. But the very-good nature of him, this really strong belief in what's right, sometimes perhaps to a fault, is what makes Superman who he is." That kind of sincerity is something Gunn once might've undercut with a joke, but is now it's front and center in his vision for DC's next era. 'And that is not Star-Lord or Rocket. That's not a guy who's angry or covering up his emotions. He's pretty pure. And so getting to the place where I could write that character was a journey. 'In the past I would've done it through making fun of the character, and I don't think that's what I do here. I'm less afraid now than I used to be. I allow myself to be purely creative more than I used to. 'And I thought I was being purely creative, but a lot of times it was just anger releasing itself in another way. I'm less afraid of being goofy or sentimental, or boring or straight.' Superman isn't just a reboot for DC. It's a reset for Gunn himself, who is now an artist more comfortable with hope than sarcasm, and more interested in showing us what's good than mocking what is.

How The Abyss banned scene ended up on Disney+ as streaming service removes film
How The Abyss banned scene ended up on Disney+ as streaming service removes film

Yahoo

timean hour ago

  • Yahoo

How The Abyss banned scene ended up on Disney+ as streaming service removes film

A classic James Cameron film has been removed from Disney+ over a banned scene of animal cruelty. The Abyss was originally released in 1989 and came under fire for a scene that showed a real rat being dunked into a vat of chemicals, which animal rights campaigners succeeded in having cut from theatrical screenings. But a "loophole" meant that the full version including the rat scene dropped on streaming service Disney+ in April. It has now been removed - here's how it made its way onto the streamer and what happened next. Cameron's 1989 film The Abyss starred Ed Harris in a sci-fi thriller about a diving team sent to recover a nuclear submarine, but stumble across aquatic aliens in the deep. The storyline was inspired by something the Titanic and Avatar filmmaker had read as a teen about humans being able to breathe through liquid, so some scenes include Harris' character appearing to breathe through a liquid-filled helmet. However, while Harris did not actually breathe in the fluid, a real rat used for filming actually was dunked into a vat of fluorocarbon liquid. Although it reportedly survived unharmed, animal rights campaigners were not impressed by the stunt and called for the scene to be removed from the film. Eventually, the British Board of Film Classification (BBFC) agreed that the scene should be cut as it was in breach of the Cinematograph Films (Animals) Act 1937, which bans by law the "cruel infliction of pain or terror on any animal or the cruel goading of any animal to fury" in films. The rat scene was not allowed to be shown in UK cinemas. Despite clear rules that ban cinemas from showing scenes of animal cruelty under the Cinematograph Films (Animals) Act 1937, there is what the RSPCA has termed a "loophole" that meant the original film in its uncut form was able to stream on Disney+. At the time of protests about the rat's treatment, the BBFC also used the Video Recordings Act 1984 to stop the scene from being released on Blu-Ray and DVD, or from airing on linear UK TV channels. But how we watch TV and films has moved on in the years since, with many viewers now watching via streaming subscriptions that are sometimes not subject to the same rules. The RSPCA's David Bowles said at the time the film arrived on streaming: "The RSPCA is really concerned that a loophole currently exists allowing animal abuse scenes deemed unacceptable elsewhere to be streamed freely and legally into our homes. "The Abyss' controversial rat scene has long concerned the RSPCA, and has always been deemed unacceptable by BBFC — so it's hard to fathom out why Disney+ has decided to broadcast it. "We need to ensure people are not being exposed to content which promotes or showcases cruelty to animals. As the way millions of households consume entertainment changes, it's vital the legal framework is responsive to that and continues to consistently protect people and animals." Disney+ has now removed The Abyss from streaming, although it's not clear whether the film in its edited version for UK audiences may stream on the service in future. According to GamesRadar, Bowles at the RSPCA said: "This isn't about cancel culture – we'd welcome Disney+ reinstating the film to their platform, just with this troubling scene removed – as is already the case in cinemas, on TV, and on DVD. "This was instead about highlighting a loophole that currently exists allowing animal abuse scenes deemed unacceptable elsewhere to be streamed freely and legally into our homes - and protecting the public from having to see this animal abuse content."

Is Only Murders in the Building season 5 coming in June 2025? Everything we know so far
Is Only Murders in the Building season 5 coming in June 2025? Everything we know so far

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timean hour ago

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Is Only Murders in the Building season 5 coming in June 2025? Everything we know so far

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