
Comet launches first flagship store in Bengaluru
"This flagship is more than just a milestone- it's a statement," said Comet's co-f9under Utkarsh Gupta in a press release. "It's the first time you can physically walk into a soace and experience everything Comet stands for."
Comet's flagship store caters to urban men and women with a wide array of sneaker designs. The store also houses a cabinet which showcases how the sneakers are made to emphasise its manufacturing process.
"The store takes you through a journey where a comet crashes into earth- an extinction event reimagined as a symbol of fresh starts and powerful ideas," said Juneja about the store's interior in a press release. Featuring sculptural concrete textures and sneakers bursting through walls, the design aims to immerse visitors in Comet's take on contemporary sneaker culture.
Founded in 2023 by Utkarsh Gupta and Dishant Daryani, Comet positions itself as a disruptor in India's sneaker market. The flagship store will host exclusive drops, artist collaborations, and community events, with the goal of fostering a cultural hub for like-minded individuals.

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Euronews
6 days ago
- Euronews
Mubi facing pressure from film industry over Israeli military ties
Global streaming platform Mubi is facing backlash over investor ties to Israeli military, with filmmakers calling on the production company and film distributor to end its relatioship with investment firm Sequoia Capital. The growing pressure aimed at the upstart distributor, which ushered The Substance to awards success last year, centres on a recent $100 million investment it received from the Silicon Valley-based private equity firm. Sequoia Capital backs a number of Israeli defence-tech start-ups, including Kela Technologies, a firm founded by veterans of the Israeli military in the wake of the October 7 Hamas attack, and military drone manufacturer Neros. Filmmakers with ties to Mubi have signed an open letter, first published by Variety on 30 July. Creatives like Aki Kaurismäki, Miguel Gomes, Radu Jude, Sarah Friedland and Joshua Oppenheimer strongly criticise the VOD platform's ties to Sequoia Capital. According to Variety, the number of signatories now stands at 63, with additional names including the Israeli directors Ari Folman and Nadav Lapid. 'Mubi's financial growth as a company is now explicitly tied to the genocide in Gaza, which implicates all of us that work with Mubi,' reads the letter. It continues: 'We too believe that cinema can be powerful. And we know that we can't always control how audiences will respond to our work, and whether or not it will move and inspire them. But we can control how our work reflects our values and commitments – ones that are wholly ignored when our work is brought into alliance with a genocide-profiteering private equity firm.' Scroll down to read the letter in full. A UN report has found that Israel's military actions are consistent with genocide. Israel has continually denied that their actions in Palestine can be equated to genocide and argued that it has not partaken in any war crimes. A spokesperson recently called the claims of genocide 'baseless' because it is not acting with 'intent.' Une publication partagée par MUBI (@mubi) When controversy over the Sequoia Capital investment first broke in June, Mubi said in a statement posted on Instagram that it had entered into the partnership 'to accelerate' its 'mission of delivering bold and visionary films to global audiences'. It added that Sequoia's investments did 'not reflect the views of Mubi.' 'We take the feedback from our community very seriously, and are steadfast in remaining an independent founder-led company,' it concluded. Here is the full statement addressed to Mubi: Dear Mubi leadership, We write as filmmakers who have a professional relationship to Mubi to express our serious concern regarding Mubi's decision to accept $100 million in funding from Sequoia Capital, a private equity firm that, since late 2023 has chosen to double down on investing in Israeli military technology companies with the goal of profiting from the Gazan genocide. In 2024, Sequoia heavily invested in Kela, a military tech startup founded by a former senior manager of Palantir Israel and multiple Israeli military intelligence veterans, as well as military drone manufacturer Neros, and the unmanned aerial vehicle manufacture, Mach Industries. Mubi's financial growth as a company is now explicitly tied to the genocide in Gaza, which implicates all of us that work with Mubi. We too believe that cinema can be powerful. And we know that we can't always control how audiences will respond to our work, and whether or not it will move and inspire them. But we can control how our work reflects our values and commitments—ones that are wholly ignored when our work is brought into alliance with a genocide-profiteering private equity firm. Gaza is enduring mass civilian killings, including of journalists, artists, and film workers, alongside the widespread destruction of Palestinian cultural sites and heritage. We don't believe an arthouse film platform can meaningfully support a global community of cinephiles while also partnering with a company invested in murdering Palestinian artists and filmmakers. We approach our work with care for the people and communities they represent, and the audiences who will watch it, because as artists we are accountable to more than the bottom line. Yet Mubi's decision to partner with Sequoia demonstrates a total lack of accountability to the artists and communities who have helped the company flourish. We believe that it is our ethical duty to do no harm. We expect our partners, at a minimum, to refuse to be complicit in the horrific violence being waged against Palestinians. We ask you to heed the call made by Film Workers for Palestine and take action that meaningfully responds to the artists and the audiences who are such an integral part of Mubi's success. Mubi has yet to respond publicly to the letter.


Fashion Network
05-08-2025
- Fashion Network
Copenhagen Fashion Week day one: slip dresses and off-centre tailoring are key
Copenhagen Fashion Week kicked off on Monday and in its usual trailblazing way, the focus was squarely on sustainability as well as style. Deadstock fabrics and natural fibres had a starring role but the limits of sustainability didn't seem to limit the imagination of the designers. OpéraSport, established in Denmark's capital by Stephanie Gundelach and Awa Malina Stelter, opened the SS26 official show/presentation schedule. Integrating classic and contemporary styles with the sporty edge of Copenhagen, it focused on easy separates and slip dresses with the bikini top a key piece for both city dressing and vacations. Printed or appliqué flowers were also important in a low-profile palette of blues, black, white and mint green. Freya Dalsjø was back after several years away from the runway with an SS26 offer made from deadstock. The Copenhagen-based label designed by Freya Dalsjø, Karis Dalsjø and Mikkel Schou specialises in intricate craftsmanship and works solely with 'natural' materials such as wool, cashmere, silk, leather, and silver. The overall look felt season-neutral with spring grey woollens sculpted into quiet luxury coats and tunics. In fact, the off-centre tunic-easy pants combo was everywhere, as was the one-shoulder dress. Creamy whites and browns continued the neutrals-natural edge, but leather worked in multiple ways highlighted the craft at the label's heart. For instance, an intricate leather technique developed by the label saw the material cut and rolled into thin strings which are then are then finely sewn. The strings are cut into various lengths and the ends are coloured and they're knotted into a base. This is about as far from fast fashion as it's possible to get. As with OpéraSport, appliqué florals also popped up at Bonnetje (returning for the second time as part of CPHFW NewTalent), here seen on a simple slip dress in a creamy neutral sheer. And the statement slip dress was a big part of the collection whether bi-coloured and asymmetric with hi-lo hems, or cut in slight heavier materials with raw and intricate seams. But tailoring was also fundamental. The label specialises in reassembling old suits into new silhouettes. So think men's suiting with a sexier edge, the star piece being the roomy blazer. Also interesting was Forza Collective with a collection founder Kristoffer Kongshaug said is the result of more than 14 years of experience from working with both smaller houses and large corporations in Paris and New York, including Raf Simons, Christian Dior Couture, Balmain, Lanvin and Theory. It's all about a 'vision and a style rather than fashion or trends'. But trends weren't hard to find with the season's mix of tailoring and softness (yes, the slip dress again) very much on show. Here that slip was the star piece, cut asymmetrically or with some intricate gathering. Wrap effects and strategic cutouts also figured strongly with, again, a mainly neutral palette of black, white and grey, but given a pop via rich reds. The feel was entirely different at Caro Editions where occasion dressing got colourful in pink-toned lace-like sheers, multicolour polka dots and tonal stripes. There was an 80s vibe to belted dresses and jumpsuits as well as to almost-but-not-quite ra-ra minis. And the exaggerated bow was the key detail. Find it on wrap belts, the hem on polka dot pants, or feminising a pair of sneakers or tote bag.


Fashion Network
01-08-2025
- Fashion Network
Milan women's fashion week reveals a packed lineup for September
KNWLS will make its Milan debut on Wednesday, September 24. Known for its sexy, Y2K-inspired silhouettes and focus on feminine empowerment, the London-based brand has built strong momentum in recent years. English designer Charlotte Knowles and her Canadian partner Alexandre Arsenault founded the label in 2017. A finalist for the 2022 LVMH Prize, KNWLS now appears in more than 50 top multi-brand retailers worldwide. Several designers will return to the Milan schedule this season after recent absences, including Boss, Calcaterra, Federico Cina, The Attico, and Stella Jean. Anglo-Nigerian designer Ineye Tokyo James, who first showed in Milan in February 2022 and returned in digital format last March, will also be back. Vietnamese designer Phan Dang Hoang, who debuted in September 2024, will return to the calendar as well. Indian designer Dhruv Kapoor and French designer Pierre-Louis Mascia, both previously shown on the menswear schedule, will shift to the women's week. The Milano Moda Graduate show will return on Sunday, September 28, for its 11th edition, spotlighting emerging talent from Italian fashion schools. A day earlier, on Saturday, September 27, the CNMI Sustainable Fashion Awards will honor leadership in eco-conscious fashion. Launched in 2017 by the Italian Fashion Chamber, the awards have become a benchmark in sustainable innovation. This summer edition will also see several brands step away from the schedule. In addition to Versace, both Marni and Bally will remain absent as they undergo creative transitions. Fiorucci will now appear on the Men's Fashion Week calendar, having shifted its showing to June. Other brands missing from the provisional lineup include Avavav, which had shown in Milan since September 2023; Susan Fang, who presented last March with support from Dolce & Gabbana; and Philipp Plein, K-Way, and DSquared2. Despite these absences, Milan Fashion Week will continue to showcase the strength of Made in Italy. Powerhouse labels such as Prada, Moschino, Roberto Cavalli, Dolce & Gabbana, Etro, and Max Mara will lead a calendar that remains among the most influential in global fashion.