Lewis Capaldi sends emotional message to fans at Noah Kahan concert
Lewis Capaldi sent a tear-jerking message to fans at Noah Kahan's gig in Hyde Park last night. The Scottish star, 28, who brought the house down singing Northern Attitude with Kahan - who has been vocal about his own mental health journey - is now back where he belongs after taking a break from the spotlight following a difficult few years.
Following his glittering return to Glastonbury last week after taking time out to focus on his mental health and 'adjust' to his Tourette's diagnosis after he was left unable to finish his set back at Worthy Farm in 2023, Lewis told fans - who had no idea he would be performing at BST - he was glad to be back. READ MORE: Noel Gallagher's daughter gives 5-word verdict on Oasis gig after mum walks out
Lewis Capaldi made a surprise appearance at Noah Kahan's gig at BST Hyde Park (Image: hitsradiouk/Tiktok)
The singer, who ran onto the stage in darkness before joining Kahan in the second verse of their song, told fans of his new track, Survive: "Survive is this week's UK Number One, and I want to say a massive thank you to everybody who's been streaming it, downloading it - it really means the world."
Thanking the audience for their "outpouring of love", he continued: "I've been away for a little while and to come back to this outpouring of love and support has been absolutely incredible.
"I can't thank everybody enough for all the kind words since Glastonbury - and now this! It's been the best week of my life. I hope you continue to enjoy the song, it means a lot to me."
After bringing fans to tears at Glastonbury last week, Lewis has shifted a whopping 68,500 Survive records in its first week, including more than four million streams, surpassing the much-loved singer's previous best of 56,000 with the 2022 song Forget Me.
The musician, who has spoken openly about having been diagnosed with Tourette syndrome, heartbreakingly had to pull out of Glastonbury two years ago as he told fans: "I'm still learning to adjust to the impact of my Tourette's and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order."
Noah played Northern Attitude with Lewis (Image: Getty)
Lewis issued an update later that year in which he said: "I'm currently taking some time off to focus on my health and wellbeing and it's been going great!"
Following his epic comeback last week, it has now been announced that Lewis will embark on a UK and Ireland tour later this year.
The news was shared on June 30 and it's been revealed that the star will perform ten shows in cities including Manchester and Glasgow.
The new tour, which will be Lewis' first headline tour in more than two years, will kick off in Sheffield on September 7 and is scheduled to conclude in Dublin on September 29.
The Hold Me While You Wait star will visit a host of other cities in between those two dates, including two nights at the O2 in London. He will also visit venues in Aberdeen, Glasgow, Manchester, Birmingham, Nottingham and Cardiff. READ MORE: Kickers' 'durable' Back to School shoe range that 'last all year'
Follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Thread
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Herald Scotland
14 minutes ago
- The Herald Scotland
Nicola Sturgeon believed Alasdair Gray was a 'bright light'
His 1981 novel, Lanark, was hugely influential. In a newspaper obituary, writer and friend James Campbell described him as 'the father figure of the renaissance in Scottish literature and art'. However, he began life, like most people, as an infant, in Glasgow on 28 December 1934. He had a traditional Scottish upbringing on a council estate. His father, Alexander, was a factory worker, builder's labourer, and remover of damaged chocolate bicuits from a conveyor belt. Wounded in the First World War, he helped found the Scottish Youth Hostels Association. Alasdair's mother Amy worked in a clothing warehouse. A 'good housewife who never grumbled', she loved music, particularly opera. Both parents leaned Left (Amy's father had been blacklisted in England for trade union membership). During the Second World War, Alasdair was evacuated to Auchterarder in Perthshire and Stonehouse in Lanarkshire. From 1942 until 1945, the family lived in Wetherby, Yorkshire, where his father ran a hostel for munitions workers. Back in Glasgow, Gray frequented the public library, enjoying Winnie-the-Pooh, The Beano and The Dandy, plus all manner of 'escapist crap' before discovering 'the good stuff' such as Edgar Allan Poe. He attended Whitehill Secondary School, in Dennistoun, where he edited the school magazine. Aged 11, he appeared on BBC children's radio reading his own poems and one of yon Aesop's Fables. He also read his own poems, 'very poor A.A. Milne' stuff initially, until he found his own voice and started writing short stories. Alasdair Gray Creative poverty Having previously encouraged him, his parents feared poverty and humiliation if he pursued a creative career, which fears proved largely correct (at the turn of the century, Alasdair was reduced to applying to the Scottish Artists' Benevolent Fund for money). In 1957, Gray graduated from art school with a useful degree in Design and Mural Painting. From 1958–1962, he was a part-time art teacher, undergoing pedagogical training at Jordanhill College. Gray also painted theatrical scenery for the Glasgow Pavilion and Citizens Theatre. His first mural was "Horrors of War" for the Scottish-USSR Friendship Society. He received a commission (unpaid, apart from expenses) to paint Creation murals for Greenhead church, this becoming 'my best and biggest mural painting'. Alas, the building – and the mural with it – was demolished in 1970. Indeed, many of his bold and distinctive murals have been lost, though surviving examples can be found at the Ubiquitous Chip restaurant and the entrance to Hillhead subway station. A collaborative ceiling mural at the Òran Mór arts venue depicts Adam, Eve, the Creation and sundry Glaswegians against a stunning, star-streaked, inky blue background. In 1977–78, Gray worked for the People's Palace museum as an 'artist recorder", producing hundreds of streetscapes and portraits of politicians, artists, punters and workers. These are now in the collection at Kelvingrove Art Gallery. In 2023, also for the Kelvingrove, Glasgow Museums acquired Grey's 1964 mural Cowcaddens Streetscape in the Fifties. With distorted perspectives reminiscent of Cézanne, Gray described it as 'my best big oil painting'. Ga-ga for radio His first plays were broadcast on radio (Quiet People) and television (The Fall of Kelvin Walker) in 1968, the latter transmogrifying in 1985 into his third novel. McGrotty and Ludmilla (1990) and Mavis Belfrage (1996) began life similarly. However, his best-known work was his first novel, Lanark, published in 1981 to widespread acclaim. The Observer called it 'probably the greatest novel of the [20th] century', while James Campbell described it as 'an almost preposterously ambitious concoction of thinly disguised autobiography, science fiction, formal playfulness … and graphic design'. Comprising jumbled chapters (four), prologue and epilogue, Lanark came with an erratum slip on which was printed: 'THIS ERRATUM SLIP HAS BEEN INSERTED BY MISTAKE.' The epilogue, four chapters before the end, lists the book's supposed plagiarisms, some from non-existent works. The book tells two parallel stories, the first a Bildungsroman – aye – of a young artist (roughly himself) growing up in 1950s Glasgow. The other is a dystopia set in Unthank (roughly Glasgow). In an oft-quoted passage, the main character says cities gain a positive identity only when so depicted in art: 'Imaginatively Glasgow exists as a music-hall song and a few bad novels. That's all we've given to the world outside. It's all we've given to ourselves.' Despite Lanark's success, Gray preferred his second novel 1982, Janine, published in 1984. The stream-of-consciousness narrative has a more pornographic theme. Anthony Burgess, who'd previously called Gray 'the most important Scottish writer since Sir Walter Scott', described it as 'juvenile'. Of Gray's other novels, Poor Things (1992), a Frankenstein-style tale about a scientist seeking to create the perfect companion, received the most attention, acclaim and income after Lanark. His first short-story collection, Unlikely Stories, won the Cheltenham Prize for Literature in 1983, and he published three poetry collections, often featuring big themes – not always treated seriously – like love, God and language. READ MORE Rab McNeil's Scottish Icons: Don't be a whinging windbag – our bagpipes are braw RAB MCNEIL'S SCOTTISH ICONS: John Knox – the fiery preacher whose pal got burnt at the stake Scottish icons: Saint Mungo – the Fifer with a Welsh name who became patron saint of Glasgow Scottish icons: the midge, vicious little beasties that bite you in the Cairngorms Dear unseen place In appearance likened to a nutty professor with a hysteria-tinged high-pitched laugh, Gray consequently supported socialism and Scottish independence. He popularised the epigram 'Work as if you live in the early days of a better nation', which was engraved hopefully on a wall of the new Scottish Parliament Building. In May 2014, he designed The Sunday Herald's front page, supporting Yes in the indie referendum. In 1992, he'd written that 'by Scots I mean everyone in Scotland who is eligible to vote', a strategy that doomed the referendum to failure. Elsewhere, Gray described English arts administrators in Scotland as 'settlers' and 'colonists'. This led to comically inaccurate accusations of anglophobia by leading nutters. Usually backing the SNP or the Scottish Socialist Party, Gray voted Liberal Democrat at the 2010 general election in an effort to unseat 'corrupted' Labour, and voted Labour in 2019 as a protest against the SNP's timidity. Politics. It's complicated. As is life. After a short illness, Alasdair Gray died at Glasgow's Queen Elizabeth University Hospital on 29 December 2019, one day after his 85th birthday. Among many tributes, Nicola Sturgeon, then First Minister, remembered him as 'one of the brightest intellectual and creative lights Scotland has known in modern times'.
The Herald Scotland
24 minutes ago
- The Herald Scotland
The Scottish stage play casting Fred Goodwin in a new light
When the rise and fall of 'Fred The Shred,' the nickname Goodwin earned for his ruthless cost-cutting, is turned into one of the biggest Scottish stage shows of the year, he is expected be cast in a whole new light. Read more: The actor who will play the man who would become Britain's most notorious banking boss has suggested audiences will see a different side to Goodwin – and may even feel empathy for him. Sandy Grierson, who has spoken to a number of former RBS employees as part of his preparation for the National Theatre of Scotland play Make It Happen, said he had been keen to get past his reputation and 'find a way to like the guy.' Former RBS chief executive Fred Goodwin will be depicted in the new stage play Make It Happen. The show, by the leading British playwright James Graham, will see Brian Cox play the ghost of Adam Smith, the 18th century philosopher and 'father of modern economics," who returns to Edinburgh to haunt Goodwin at the height of the crisis crippling RBS. Grierson said the show – which will launch in Cox's home city of Dundee later this month before a run at the Edinburgh International Festival – would grapple with the question of how much blame for the collapse of RBS and the global financial crisis that unfolded in 2008 should 'sit on the shoulders' of Goodwin. Sandy Grierson will play Fred Goodwin on stage in Make It Happen. (Image: Mihaela Bodlovic) Elements of a Greek tragedy – including a chorus, which will feature reimagined pop anthems from the 2000s – will be deployed to recall the rapid expansion of RBS during Goodwin's tenure, when it acquired a string of other banks and cut costs to generate bigger profits. Grierson said Goodwin had been compared to Icarus, the character from Greek mythology who flew too close to the sun, during the making of the show, the first major cultural project to explore RBS's involvement in the global financial crash. Brian Cox and Sandy Grierson will play Adam Smith and Fred Goodwin in the forthcoming stage play Make It Happen. (Image: National Theatre of Scotland/David Vintiner) The actor said: 'He did get the closest to the sun. He got RBS to being the biggest bank in the world. I'm fairly confident that at that time it seemed like the best thing to do. 'Fred Goodwin didn't just do it in isolation. It was a time when everyone around the world was trying to get their bank bigger and bigger so they did not get bought over. You were either a big fish that did the eating or a wee fish that got eaten. Brian Cox and Sandy Grierson will appear in Make It Happen at Dundee Rep and the Festival Theatre in Edinburgh. (Image: David Vintiner) 'I think the banks had got themselves into some sort of alchemy. They were in a constant circle of growth. 'The play has a momentum right from the beginning that doesn't stop until all the wheels come off.' The rise and fall of the Royal Bank of Scotland under Fred Goodwin will be explored in the stage play Make It Happen. Graham, whose previous work has brought Margaret Thatcher, Dominic Cummings and Rupert Murdoch to the stage and screen, has suggested that Make It Happen would trace the links between the 2008 financial crisis and the modern-day economic landscape in Britain, as well as explore the working-class roots of Paisley-born Goodwin, the first member of his family to go to university. Key players in the handling of the 2008 financial crisis, including the then Prime Minister Gordon Brown and his Chancellor, Alistair Darling, will be portrayed in Make It Happen, along with a mix of real-life and fictionalised RBS figures. Director Andrew Panton and actor Brian Cox during rehearsals for new National Theatre of Scotland play Make It Happen. (Image: Alastair More) As well as speaking to former RBS employees, Grierson has studied video footage of Goodwin and even walked around the grounds of the bank's vast headquarters complex at Gogarburn, which was built during his tenure. He told The Herald: 'Edinburgh is a small place. I have met people who were involved with RBS and have stories to tell. 'There were lots of stories about 'Fred the Shred' and all of that, but I've been quite keen to get under the surface of that. 'Regardless of the point of view of the audience, I felt I needed to find a way to like the guy. There are people out there who got on with him. He has got friends that still stand by him. 'I think you've got to absolutely take your hat off to his ability. He seems to have been so calm under pressure. It is remarkable. "There is a lot of things you can say about Fred Goodwin, but I think he was victimised to an extent. He put himself in the firing line. 'It seems really weird that he took his eye off the ball so badly. I have still not quite got my head around it. 'I don't think that it's a show that asks you to entirely sympathise with Fred Goodwin. That's not what we are doing. "There is a sort of Greek tragedy vein that runs through it. When you watch a Greek tragedy, you can sort of have empathy with a character without necessarily being on their side. 'Hopefully people will understand what we imagine was fuelling and firing Fred Goodwin.' Make It Happen was developed following discussions about separate ideas for new plays from Graham, Cox and Andrew Panton, the artistic director of Dundee Rep, where the show will launch on July 18. When Make It Happen was announced in January, Cox suggested that Adam Smith had been "constantly misquoted" and had had his writing "hijacked" by politicians like Margaret Thatcher. Grierson said: 'When I first read the play, I loved the idea of the haunting of Fred Goodwin the notion of re-examining Adam Smith, prising him away from the clutches of Margaret Thatcher and investigating him in a more intelligent context than he is often seen and how we imply that Fred Goodwin probably saw him. "Coming into this, I got quite fixated on the bits of footage of Fred Goodwin that do exist. "But I'm aware that I have to perform the play that James has written and the Fred Goodwin that he has written. 'We are dealing with someone who is very tight-lipped and contained emotionally. That is allowed to escape in a pressure cooker kind of way. "When Fred meets Adam, there is certainly scope for your own imagination to let loose a bit more. 'The scenes that James has written between Adam and Fred are great. Fred needs Adam. He can't let him go - he desperately tries to cling onto him.' Make It Happen is at Dundee Rep from July 18-26 and at the Festival Theatre in Edinburgh from July 30-August 9
Scotsman
24 minutes ago
- Scotsman
National Galleries Edinburgh: Giant metal spider returning to Scottish modern art gallery after 12 years
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... A 3m-tall metal spider is to make a return to a Scottish art gallery after 12 years as part of an exhibition that will also feature photography by American talent Robert Mapplethorpe. Spider, by French-American artist Louise Bourgeois, will be on display at Modern One in Edinburgh from next month, in a free exhibition in the Artist Rooms series, cared for jointly by the National Galleries of Scotland and Tate. Advertisement Hide Ad Advertisement Hide Ad The spider was previously on show at the gallery in 2013, as part of Artist Rooms exhibition Louise Bourgeois, A Woman Without Secrets. The artwork was also exhibited in the Turbine Hall at the Tate Modern in London. The creation was on display in Aberdeen last year. As well as work by Ms Bourgeois and Mr Mapplethorpe, who is known for his black-and-white photographic images, and Helen Chadwick, the exhibition will also include paintings, drawings, prints and photography by artists such as Andy Warhol, Pablo Picasso, Sarah Lucas, Jasleen Kaur, Edvard Munch and Lee Miller. Lucy Askew, chief curator, modern and contemporary art, said: 'We're delighted that from this July, visitors to Modern One can explore new, free displays from the nation's collection. Art can be a source of insight and delight, helping us make sense of our place in the world. Advertisement Hide Ad Advertisement Hide Ad 'At the heart of these displays will be presentations of works by Louise Bourgeois, Helen Chadwick and Robert Mapplethorpe, featured as part of our Artist Rooms collection. All three artists considered deeply what it is to be human, expressing this in dynamic, intriguing and often playful ways.' Spider by Louise Bourgeois will return to Edinburgh. | National Galleries She added: 'Their art not only reflects shared experiences, bringing attention to the things that connect us, but also offers a window onto different perspectives. We hope visitors will be inspired by their vision and creativity, and by the work of the many other impressive and engaging artists featured. There is truly something for all to discover.' Ms Bourgeois has been described as 'one of the most influential artists of her generation'. Her career spanned eight decades, from the 1930s until 2010. Artworks included paintings and drawings, sculptures using fabric and rubber, and monumental installations. As well as Spider, the display will also include two works on paper – 10am is When You Come to Me and Spirals, both created in 2005 – and a rare early painting, made by Bourgeois in 1946-7. A sculpture, Untitled, made when Ms Bourgeois was 85, will also go on display, representing a portrait of the artist's aging body using clothes and undergarments she had worn during her lifetime. Advertisement Hide Ad Advertisement Hide Ad One of the first female artists to be nominated for the Turner Prize in 1987, Ms Chadwick's career was cut short by her death in 1996 aged just 42. Her work was marked by inventive transgression, questioning gender representation and the nature of desire. Photography by Robert Mapplethorpe, pictured here in a self portrait, will also be on display. | National Galleries The Artist Rooms programme and collection is managed by Tate and National Galleries of Scotland with the support of Art Fund, Henry Moore Foundation and using public funding by the National Lottery through Arts Council England and Creative Scotland.
