
Country star under fire for blasting Beyonce in foul-mouthed tirade after she beat him on the charts
In a foul-mouthed tirade this week, Adcock, 26, unleashed on the Texas Hold 'Em hitmaker during one of his concerts, claiming that she wasn't a real country singer.
His rant seemed to be spurred on by her album Cowboy Carter ranking higher than his debut, titled My Own Worst Enemy, on Apple Music's Country chart.
Cowboy Carter was ranking at No. 3 on the chart, while Adcock's record was one spot behind at No. 4.
Discussing the albums that were beating his on the chart, Adcock said, 'One of them's Beyoncé — you can tell her we're coming for her f***ing a**!'
'That s**t ain't country music and it ain't ever been country music, and it ain't gonna be country music,' he continued while raising a bottle of booze to the crowd.
In a follow-up video on Instagram, Adcock complimented Beyonce by calling her 2016 Super Bowl Halftime Show 'pretty kicka** back in the day', before doubling down and stating that her album 'shouldn't be labeled as country music'.
'It doesn't sound country, it doesn't feel country,' he continued.
'I just don't think that people who have dedicated their whole lives to this genre and this lifestyle should have to compete or just watch that album stay at the top just because she's Beyonce.'
The video was flooded with comments from enraged Beyonce fans, with some accusing Adcock of benefiting from white privilege.
'Sounds about [white], when y'all can't compete, y'all try to exclude, that's the MO,' wrote one.
'Post Malone did the same thing she did, what's the difference?' asked another.
'Black folks didn't say things like this about Sam Smith, Adele, Pink, Eminem, Paul Wall, Bubba Sparks, Post Malone and all the ones before them when they hit the R&B and rap charts. Why all the hate?' a third commented.
A fourth wrote, 'Is she not an artist? Can she not make the music? What's the difference between white artists making 'hip hop' that is nothing but pop music with 808s in it? They get to take over the charts but the moment a black person crosses over and does it it's an issue.'
Beyonce's Cowboy Carter album has divided music fans since its release last year.
The critically-acclaimed project won Best Country Album at the Grammy Awards and the American Music Awards, but was completely snubbed at country-centric awards shows like the CMAs and ACMAs.
Meanwhile, Adcock previously spent the night in the Oconee County Jail after being put in handcuffs on Interstate 40 for violating the open container of alcohol law and reckless driving.
The 26-year-old country crooner - who's famed for shotgunning beers - was arrested in May 11:15pm by the Tennessee Highway Patrol.
After five hours, Gavin posted $1K bond upon his release Thursday at 4:34am.
Just one month prior, the Back to this Bar singer shared a video of himself responding to criticism that he drinks too much, saying 'God forbid I have hobbies.'
On Gavin's new single On One, he sings: 'I didn't grab the bottle, yeah, the bottle grabbed me / I'll be riding this train till the sun starts to creep / Gotta woman of the night hanging onto my hip / Gotta Miller in her hand and a smoke on her lip.'
On his 2024 track Sober, he repeatedly sings the line in the chorus: 'Whoa, I don't wanna be sober.'
'Take a left right over the tracks, we're gettin' drunk tonight,' Adcock's lyrics read.
'The horses left stables, there's bloodshot in my eyes / Woman gone, I need Patron and the spirit under the neon light / So take a left right over the tracks, we're gettin' drunk tonight.'
And it wasn't the Georgia native's first brush with the law as he tweeted about a prior arrest in 2023: 'Went to jail one time because of a suspended license, sat in there for 10 hours and made friends with my cell mates.'
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Daily Mirror
22 minutes ago
- Daily Mirror
Taylor Swift in tears during emotional moment with Travis Kelce on New Heights
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Telegraph
22 minutes ago
- Telegraph
Deep Purple's drummer: How we made the ultimate live album
It says rather a lot about the music industry that when Deep Purple travelled to Japan for the first time, in August 1972, the band's members were in economy class while their managers reclined in luxury in the expensive seats at the front of the plane. For the musicians in cramped quarters, though, time has had the last laugh. While few know the names of the group's managers, Purple's trip became a landmark occasion. As well as establishing them as an evergreen favourite of Japanese audiences, the quintet's three concerts in the Far East – two at the Festival Hall, in Osaka, and one at the sacred Nippon Budokan in Tokyo – heralded the concert record Made in Japan, one of the most revered and enduring live albums in the annals of rock music. Recorded in unusual circumstances and originally released in December 1972 – remarkably, fewer than three months after the conclusion of the short tour – the LP is being re-released in suitably lavish form. Whereas the original album featured just seven tracks, the new version (remixed by the ubiquitous Steven Wilson) contains 37 songs. Confusingly, the group are calling it a '50th Anniversary Edition'. Last year, they did the same for their studio album Machine Head, which was also released in 1972. From this, I can only conclude that Deep Purple aren't very good at maths. Asked to explain the appeal of an album that helped set the template for the modern live LP, Ian Paice, the band's drummer, answers without hesitation. 'There's never been a better recorded live show' 'Of its genre, of that type of rock and roll music, there's never been a better recorded live show,' he tells me. 'Simple as that. It's not just listening to what's going on, you can feel the atmosphere … you're there, you're a part of it. And I think that's the magic the album has. If you shut your eyes, you can be with us in the hall.' 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'But after the first night we spoke to one of the local promoters who told us 'this is what we do. Once we've said thank you we wait for you start again without wanting to get in your way'. 'Oh right!' They were incredibly polite. Their whole society is like that, so why would going to a concert be any different? But you have to get your head around it … If you finish the tune and they don't applaud, then you know you've done something wrong.' 'A marriage between four or five people' Initially, Made in Japan was only intended to be sold in the UK. But when import copies became a sought-after item in the US, at the princely price of $10 for each disc, the album was granted a wider release. This isn't the only thing that makes Made in Japan seem like a curiously perfunctory exercise. Remarkably, the entire LP was recorded using just eight tracks, two of which were for the audience. Unlike many live albums from the 1970s, according to Paice, there aren't even any overdubs. 'Luckily, it didn't need anything else,' he says. 'The sound was just on the tape, which was just us. Once we got through everybody's egos saying that their bit should be a bit louder than everyone else's, we got it right.' Perhaps inevitably, the intermittently fractious Purple were themselves split on the merits of their influential creation. Keyboard player (the late) Jon Lord agreed with his drummer that the record represented the group at their best; singer Ian Gillan, meanwhile, expressed dissatisfaction at the quality of his vocal performance. Which isn't surprising. In 1972 alone, Deep Purple performed 127 concerts across three continents. Despite their singer requiring three months' rest and recuperation after contracting hepatitis, in New York City, they also released two albums. 'Back in those days, if a band lasted for four or five years, that was a miracle,' Paice says. 'There aren't very many bands who can get through that first decade. It's very, very difficult. You have to liken it to a marriage between four or five people, not two. The possibilities of it all going terminally bang are much greater. As they often do, and as we have done in the past.' As it turned out, Deep Purple didn't make it through that first decade. The line-up featured on Made in Japan (already the group's second iteration) lasted just one more year, until the Who Do We Think We Are album, after which Gillan and bassist Roger Glover were replaced by David Coverdale and Glenn Hughes respectively. After disbanding following a famously subpar concert at the Liverpool Empire Theatre, in 1976, Purple returned in 1984 with their classic line-up – completed, of course, by Ritchie Blackmore on guitar – with the Perfect Strangers LP. An appearance at a rain-soaked Knebworth House followed a year later. 'When you're kids, of course, everything is incredibly important,' Paice tells me. 'Even if it's not important, it feels like it is. Later in life you understand that your bandmates might not see the world like you do. And when you're a kid you may have an argument that might come to fisticuffs. But later [in life] you can see it differently. 'That's okay, we disagree, now let's go and play some music.' When you're a kid, that's the last thing that happens. Everything's a problem.' Holy trinity of British heavy rock Today, alongside Led Zeppelin and Black Sabbath, Deep Purple are one third of a Holy Trinity of British heavy rock bands. On this very subject, in fact, Paice offers a reminiscence of the last time he saw Ozzy Osbourne, 20-odd years ago in the Swiss skiing town of Zermatt. With drinks having been taken, the Prince of Darkness suggested the three bands undertake a world tour in which each played for just 20 minutes a night. The money would be so outstanding, he reasoned, that they'd only have to do it the one time. The idea came to naught, of course, and now it's moot. But on the day that Osbourne was laid to rest, Paice tells me that 'I think our generation of musicians is at the age where, when you turn on the news, you almost expect another one of us to have gone … But I will say this about Ozzy: he was a much smarter bloke than a lot of people gave him credit for. His persona of this bat-eating maniac had nothing to do with the truth at all.' He adds that Osbourne 'was much more of a cerebral man than people painted him as. He was very clever. He was thinking of stuff all the time.' There is a difference between the three bands, though. While in the 21st century Sabbath and Zeppelin have managed to harvest an army of younger listeners, overwhelmingly Deep Purple's audience has been by their side for decades. For all their musical accomplishments, the group's legacy has not been very strategically marketed. A win-win situation But that may be about to change. In the wake of the first trailer for the keenly awaited fifth and final series of Stranger Things, unveiled last month, the internet was aflame with people enquiring about the identity of the loud song featured in the clip. The answer: an enhanced version of the Deep Purple classic Child in Time, from 1970. If the effect of this anointment by television's hottest show is anything like that enjoyed by Kate Bush, whose 1986 single Running Up That Hill appeared in season four, Purple might be about to tap into the youth market for the first time in half a century. 'That's the real value of these things being taken and put in front of massive, massive audiences,' is the drummer's view. 'They're hearing something that they would never have looked for themselves, so that's a win-win situation. Occasionally stuff gets put in a TV show or a movie and you find that the record royalties take a little upward leap the next time round, and there's nothing wrong with it.' How much was he paid by Netflix? 'I haven't got a clue,' he shrugs. 'Somewhere in the future I'll get a piece of paper saying you've got this or you owe this.' Whether or not their audience changes, the band themselves will keep (space) truckin'. Despite their drummer being afraid to turn on the news lest he learn that he's just died, this most resolute of national institutions aren't done yet. Not only do they plan to return to the road, but there's even talk of heading back to Japan, the country which provided the setting for a live album that helped cement a reputation that endures today. 'I think we've said no to a farewell tour so often that it would be very difficult to now say yes,' Paice tells me. 'I generally have a feeling that when we play our last concert, no one will know that it's our last concert. I think that's the reality of it. Financially it's a ludicrous decision, and I'm not saying it won't happen, but my gut feeling is that one day one or two people [in the band] will just say, I don't want to do it anymore. And that'll just be it.'


The Herald Scotland
an hour ago
- The Herald Scotland
Questions Kelce brothers should ask Taylor Swift on 'New Heights'
How much Swift reveals about her next studio album, "The Life of a Showgirl," remains to be seen. But she chose the brothers' show to announce it. The number of eyeballs and downloads the show will deliver could be record-setting. In honor of Swift's 12th album, here are 12 questions the Kelce brothers should ask Swift. Is there any part of you that still roots for the Eagles? As Jason Kelce noted in the introduction clip that made social-media rounds Wednesday, Swift is from Pennsylvania originally. Her previous Eagles fandom is well-documented. With the Eagles and Chiefs playing each other in two of the last three Super Bowls, it's worth asking. What was her reaction to being booed at the Super Bowl? In New Orleans in February, the Caesars Superdome jumbotron showed Swift in the first half. The boos came ferociously - on brand from the Eagles contingent. Sometimes, it's your own people who turn against you the most. Who's her favorite player on the Chiefs - not named Travis Kelce or Patrick Mahomes? The qualification of this question is key. Obviously No. 1 is "Trav." Mahomes is too easy of a copout. Make her go down the roster and reveal some of the knowledge she's picked up. How many songs on the new album are about Travis? "So High School" alluded to the Chiefs tight end on her most recent album. But after a couple of years of worldwide and whirlwind romance, there has to be more, right? How many lyrics are about the Chiefs? Or football in general? And with that will certainly come some references to "Chiefs Kingdom" or the gridiron, one would presume. Who was the best hang at the Super Bowl 58 after-party? Swift and Kelce were part of the Chiefs' crew that partied in Vegas after last year's Super Bowl win. Did anybody impress her with their dancing or partying ability? Are you engaged? Jason Kelce is not afraid to poke the bear. There has to be at least one question about whether the Travis Kelce-Swift relationship is taking the next step. Will she do Kylie Kelce's podcast next? Now that she's done one Kelce podcast, what's another one? Jason's wife, Kylie, is the host of "Not Gonna Lie." Who's the ideal crew to fill her suite at the game? Sophie Turner. Sabrina Carpenter. Ryan Reynolds. Ice Spice. Caitlin Clark. Donna Kelce (the Kelce brothers' mother). Brittany Mahomes. Swift has been joined by a number of friends and family at games. Is she the Chiefs' good-luck charm? The Chiefs are 19-4 with Swift in attendance at games. But 1-1 in Super Bowls. What has it been like getting to know the Kelce family? From the aforementioned Kylie and Jason, to Travis' parents Donna and Ed, gaining an understanding of how she vibes with her (potential) future in-laws would be insightful. Which artist have you not yet collaborated with that you would like to? Any reveals for the upcoming album? Let the hunt for "Easter Eggs" begin.