Rosebud sled from 'Citizen Kane' auctioned for $14.75 million
July 17 (UPI) -- The iconic Rosebud sled from Orson Welles' 1941 film Citizen Kane was auctioned for $14.75 million, becoming the second-most expensive piece of movie memorabilia ever sold.
The sled, one of only three known to still survive, has belonged to Gremlins director Joe Dante since he discovered the long-lost prop while working at the old RKO Pictures studio lot in 1984.
Dante put the sled up for sale via Heritage Auctions, and it fetched a price of $14.75 million. The sum is the second-highest ever paid for a piece of movie memorabilia, after the ruby slippers from The Wizard of Oz were auctioned by Heritage in 2024 for $32.5 million.
"I've had the honor of protecting this piece of cinematic history for decades," Dante said in a news release. "To see Rosebud find a new home -- and make history in the process -- is both surreal and deeply gratifying. It's a testament to the enduring power of storytelling."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
‘Wizard of Oz' blown up by AI for giant Sphere screen
The massive Las Vegas venue known as Sphere will be screening its first classic movie, 'The Wizard of Oz,' starting on August 28. And as detailed in a segment on CBS Sunday Morning, this isn't just a matter of taking the existing movie and projecting it on Sphere's 160,000 square foot, wraparound LED screen. Instead, Sphere Entertainment CEO James Dolan said a 2,000-person team is creating a new experience. That includes using AI to both increase the resolution of the existing film and expand the footage beyond the frame of what was actually shot. For example, Turner Classic Movie presenter Ben Mankiewicz said that through the use of AI, 'a grainy close-up of Dorothy becomes richly detailed, and then through a process called outpainting — though it seems like magic — we see the rest of the Scarecrow, the Yellow Brick Road, and the mountains of Oz.' In other cases, expanding the frame means creating new performances from the existing actors. Despite these changes, Dolan said, 'Our standard on this was not to modify the film at all but to try and bring you into the film, as if you were in the studio when it was shot.' Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
UPI
2 hours ago
- UPI
'Fantastic Four' tops North American box office with $118M
Pedro Pascal's "The Fantastic Four: First Steps" is the No. 1 movie in North America this weekend. File Photo by Rune Hellestad/ UPI | License Photo July 27 (UPI) -- The Fantastic Four: First Steps is the No. 1 movie in North America, earning $118 million in receipts this weekend, announced Sunday. Coming in at No. 2 is Superman with $24.9 million, followed by Jurassic World: Rebirth at No. 3 with $13 million, F1: The Movie at No. 4 with $6.2 million and Smurfs at No. 5 with $5.4 million. Rounding out the top tier are I Know What You Did Last Summer at No. 6 with $2.8 million, How to Train Your Dragon at No. 7 with $2.8 million, Eddington at No. 8 with $1.7 million, Oh, Hi! at No. 9 with $1.1 million and The Home at No. 10 with $1 million.
TechCrunch
2 hours ago
- TechCrunch
‘Wizard of Oz' blown up by AI for giant Sphere screen
In Brief The massive Las Vegas venue known as Sphere will be screening its first classic movie, 'The Wizard of Oz,' starting on August 28. And as detailed in a segment on CBS Sunday Morning, this isn't just a matter of taking the existing movie and projecting it on Sphere's 160,000 square foot, wraparound LED screen. Instead, Sphere Entertainment CEO James Dolan said a 2,000-person team is creating a new experience. That includes using AI to both increase the resolution of the existing film and expand the footage beyond the frame of what was actually shot. For example, Turner Classic Movie presenter Ben Mankiewicz said that through the use of AI, 'a grainy close-up of Dorothy becomes richly detailed, and then through a process called outpainting — though it seems like magic — we see the rest of the Scarecrow, the Yellow Brick Road, and the mountains of Oz.' In other cases, expanding the frame means creating new performances from the existing actors. Despite these changes, Dolan said, 'Our standard on this was not to modify the film at all but to try and bring you into the film, as if you were in the studio when it was shot.'
