logo
Louis Vuitton criticised for launching first ever makeup line with 'wild' prices as shoppers say they'll need a 'payment plan' to purchase a lipstick

Louis Vuitton criticised for launching first ever makeup line with 'wild' prices as shoppers say they'll need a 'payment plan' to purchase a lipstick

Daily Mail​16 hours ago
Luxury makeup lovers assemble because Louis Vuitton has launched its debut cosmetics line.
The French fashion house has unveiled La Beauté Louis Vuitton, designed by Pat McGrath, which includes 55 designer lipsticks, ten lip balms, and eight eyeshadows - but like everything from the label, the products are priced at a premium.
The cosmetics line is due to be released across Louis Vuitton stores around the globe at the end of August. However, the price tags have already drawn some negative attention online.
All of the lip products will set shoppers back a costly £118.50 ($160), trumping the prices of competitors such as Chanel, which charges £42 for its Rouge Collection.
The eyeshadows, which come in eight shades and in quads, are even dearer, costing an eye-watering £185 ($250).
The high price tags no doubt reflect the time, effort, and craftsmanship that went into making the collection, which reportedly spanned 170 years, according to Harper's Bazaar.
Thanks to the sustainable packaging by Konstantin Grcic, refills are available for £51 ($69) for lip products and £68 ($92) for eyeshadow products.
Skincare was made a priority in the collection, which is reflected in product ingredients like natural waxes, hyaluronic acid, and shea butter.
'Working backstage for over 20 years at Louis Vuitton fashion shows, I am thrilled to now play such a key role in the launch of La Beauté Louis Vuitton, which is the result of extraordinary craftmanship, creativity and innovation,' McGrath said in a press release about the collection via People.
'The beauty universe is about so much more than just products, and what we are creating here will unlock a new level in luxury beauty.'
On TikTok, some have reacted negatively to the collection's price points, with one writing, 'People will buy using affirm or payment plans…people have shopping addictions.'
Another said, 'I'd rather spend that on something else!' A third added, 'I get that it's a luxury brand but 220 for 4 eyeshadows is wild…is the packaging at least real leather.'
'Keeping the poor people buying Louis Vuitton even poorer,' wrote a fourth user on TikTok.
While Louis Vuitton is working to impress high-end consumers, Topshop has delighted high street shoppers with news of its return.
However, it's comes to light that it's the brand's old stock might be worth a small fortune.
The brand left a hole on London's Oxford Street and the hearts of many young shoppers when it closed its doors in 2021.
However, much to the pleasure of fashion fans, Topshop is back up and running online and there's speak of brick-and-mortar shops coming soon in the UK.
But before shopping the brand's new collections, it might be wise to search through storage for old Topshop garments, particularly those championed by Kate Moss, because they could be worth a pretty penny.
Despite most pieces originally retailing for under £100, eBay has witnessed sellers flogging their old pieces from the brand for higher prices, with some items going to the highest bidder for £200 plus.
One seller, @bless7478, sold a floral dress, dubbed 'Topshop Kate Moss Iconic Pansy Floral Print Tea Dress Glasto', for an impressive £115.
While the price might raise some eyebrows, the seller noted that the frock, also previously worn by fashion darling Alexa Chung, is made from 100 per cent cotton, which is now a rare find on the high street.
If items haven't tripled in cost, it seems there's a good chance that they've retained their value, with one trademark Topshop dress, previously worn by Naomi Campbell, selling on the platform for £10 higher than its original for £260.
The gold tassel dress was new with tags, and despite being released in 2014, the cocktail dress is as modish as ever.
Elsewhere, a different frilly, grey dress is currently up for sale for an impressive £172, despite showing previous signs of wear.
TikTok users took to platform to share their thoughts on the new line - and many were unimpressed with the price
It's of no surprise that most of the items up for large amounts of cash are related to Kate Moss, who became synonymous with the brand along with other top models like Cara Delevingne, after releasing multiple collections with Topshop.
Back in 2014, Kate's Topshop collection caused chaos on London's Oxford Street, with hordes of fans lining outside the former flagship store to purchase the festival-inspired collection.
Kate's appearance at the event made the release day an even bigger sensation. She joined Radio One DJ Nick Grimshaw on stage, saying to fans: 'Happy shopping'.
She then disappeared after her brief appearance to go for a private dinner with friends and supporters.
Friends and family caught and early glimpse inside for a special VIP preview, with guests including Mary McCartney, sister of designer Stella McCartney, and Sienna Miller.
The model's SS14 collection brimmed with seventies style pieces, including fringed suede jackets, jump suits and maxi dresses.
The collection also included embroidered smock-tops, silk blouses and graphic print kaftans that went on sale in high street stores globally and online.
Kate, who first collaborated with Topshop in 2007 before taking a break to work on other projects, was said to have taken inspiration from her own wardrobe, which, despite her status as a supermodel, isn't solely comprised of designer labels.
At the time, Topshop's Sir Philip Green, who counts the model as a friend, said he was delighted at Kate's decision to collaborate with to the fashion label.
He said: 'I am personally thrilled that Kate wanted to come back to Topshop to work with us again.
'The first time around was such a lot of fun and she has been sorely missed. The Topshop business has developed extensively around the globe since we launched with Kate in 2007.'
Kate added: 'I have really missed being involved in the design process and working with the team at Topshop. I am very excited to create a new collection that bears my name.
'Now more than ever with London being at the forefront of fashion as it feels like I'm back home.'
While Kate worked closely with the brand back in its heyday, it's unclear whether she'll rekindle the relationship in its next phase.
As of earlier this month, Topshop's standalone website is back up and running, meaning devotees of the brand can now shop on Topshop's dedicated website, more than four years after it was axed following the retailer's sale to ASOS.
After it sold a majority stake to a Danish firm last year, Topshop has been teasing its return as a standalone brand.
It has wasted no time in getting the the big guns involved to relaunch its sleek website.
Model and actress Cara Delevingne has curated a 40-piece range, with everything from a faux leather high shine washed trench coat to an '80s double-breasted oversized suit blazer up for grabs.
Elsewhere on the website, a range of womenswear and menswear can be ordered online. The brand's full 2025 autumn and winter collection is going live on 16 August
As part of its relaunch, Topshop was at Trafalgar Square in London on 16 August to host its first runway show since 2018.
Amid high demand, Topshop released 500 more tickets for the event earlier that week.
Topshop's newly-launched standalone website offers next day and standard delivery options, as well as a Topshop Instant AM pre 12-noon delivery service.
Topshop was founded in 1964 youth-focused offshoot of the department store Peter Robinson.
Topshop was a titan of the British high street at its peak, raking in about £100million in profit, with hundreds of stores spread across almost every large town and city in Britain.
But the store's popularity waned as it struggled to compete with fast fashion online, losing its younger shoppers to aggressive digital e-tailers like Boohoo and PrettyLittleThing.
In 2018, former owners Arcadia revealed it was haemorrhaging cash, reporting a £93.4million pre-tax loss compared with £164.6million profit in the year before. And sales slumped 4.5 per cent from £1.8billion.
Amid the demise of Arcadia, owned by Philip Green, in 2021, Asos acquired Topshop, Topman and Miss Selfridge for £330million. At the time of its collapse, there were 70 Topshop stores across Britain.
Topshop will not be returning to its former flagship store at 214 Oxford Street in London, which is now occupied by the new Ikea which opened earlier this year.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The thong bikini boom: why the skimpiest swimwear is back
The thong bikini boom: why the skimpiest swimwear is back

The Guardian

timean hour ago

  • The Guardian

The thong bikini boom: why the skimpiest swimwear is back

There are plenty of places where no one would bat an eyelid at the sight of a thong bikini; on a beach in Brazil or around the Love Island fire pit, visible butt cheeks are practically de rigueur. But my first sighting this year was not while surfing in Australia or sunbathing in the Caribbean, but at an open-water swimming spot, on a rainy day in Scotland. I should not have been surprised. Tiny swimwear is huge news this summer. It is no longer confined to sunny climes, but cropping up everywhere from lidos to leisure centres – and lochs, apparently. The trickle down from catwalks and influencers to holidaymakers and shoppers is notable. A search for 'thong bikini' on Asos yields 187 results, ranging from high-leg styles, to side-tie, to tanga (somewhere between a thong and a standard brief), while high-street outlets including H&M, Calzedonia and Zara all have thong bikini bottoms in their collections. And, as with any trend, there are plenty of celebrity forerunners, including gymnast Simone Biles, model Heidi Klum, actor Sofía Vergara and singer Nicole Scherzinger. Rapper Lizzo is a longtime fan. 'I won't lie, it was nerve-racking initially,' says Victoria, 29, who wore a thong bikini for the first time on a recent solo trip to Naples. As for many new converts, part of the appeal lay in the fact that she would be able to avoid the significant tan lines created by fuller coverage swimwear. 'I saw thong bikinis everywhere and wished I could wear one. But then I thought about it and was like, it's just a bum. Men wear those teeny-tiny trunks where you see everything, so why can't I wear this? Plus, it was really comfy.' The itsy-bitsy bikini revolution may have come to the fore this summer, but it has been rumbling for some time. In 2023, the New York Times declared that 'more women are adopting the 'less is more' philosophy' when it comes to beachwear; the same year, fashion site Who What Wear called thong bikinis the 'controversial swimwear trend you'll see on every beach this summer'. In 2024, New Zealand site The Spinoff asked: 'Why is every bikini bottom a thong now?' 'I think we've moved into another age of body consciousness – a much more expressive moment,' says Shaun Cole, associate professor in fashion at the University of Southampton. 'People are saying: 'It's my body and I can show it off in ways that I choose to, and if that involves wearing clothing that is sometimes deemed socially unacceptable then I'm going to do that.'' Gen Z, in particular, are less inclined to restrict themselves to clothes deemed to be 'flattering' – a term that has fallen spectacularly out of favour. Thong bikinis, once the preserve of those who conformed to a particular body type, are now being manufactured in a more inclusive range of sizes and marketed more diversely. 'Women of all shapes and sizes are leaning into bolder cuts with real confidence as part of a wider cultural shift towards body positivity and self-expression, which is great to see,' says Aliya Wilkinson, founder of luxury swimwear label Ôsalé. Her brand doesn't yet offer thong styles, but she plans to introduce them in the future. 'In the west, fashion has long found ways to augment the butt, to make it look bigger and put emphasis on this part of the female body,' says Roberta Sassatelli, professor of sociology at the University of Bologna and co-author of Body and Gender. 'This is perhaps because the butt is deemed to be very sensual but is not related to reproduction. Because it is totally related to pleasure, it feels more liberated.' The trend is reflected in the popularity of potentially dangerous cosmetic procedures, such as Brazilian butt lifts. Sculpting the perfect behind has also become something of a fitness obsession. In 2018, sports writer Anna Kessel noted that 'the emphasis on a firm, or 'juicy', bottom has now overtaken the flat stomach as the fitness holy grail in mainstream women's health magazines', with an increasing number of gym classes dedicated exclusively to the posterior. Seven years later, could it be that gym-goers are keen to display the results? 'I think the popularity of thong bikinis exists at the convergence of a focus on building glutes in the gym, a kind of exhibitionist creep in which the butt is one of the last frontiers that had remained mostly covered in public, and a greater cultural acceptance of a range of different body types,' says historian Natalia Mehlman Petrzela, author of Fit Nation. 'The low-slung jeans of the early 2000s were certainly correlated with the age when flat abs workouts were all the rage.' Cole suggests there may be another reason why more people are choosing to wear less. 'It could be linked to what's been called the 'pornification' of culture and style,' he says, citing an idea put forward by fashion historian Pamela Church Gibson. '[It is] modelled on a style that has come out of pornography – at the points where pornography stars are dressed – which involves garments such as tiny bikinis or thong-style underwear. There's an acceptance of that style without people really realising where it originated. The popularity of shows such as Love Island, where people are there to show off their bodies as a way of attracting a partner, again ties to that pornification of style.' After years of falling audience figures, Love Island is also experiencing a boom this summer: increased numbers tuned in to watch the UK and US versions, with the New York Times attributing the popularity of the latter to its ability to offer reprieve during 'times of societal and economic hardship'. As dress and design historian Amber Butchart put it when curating Splash!, a recent exhibition on swimming and style at the Design Museum in London: 'Swimwear's close relationship with the body means it reflects changing attitudes to modesty, morality and public display. From the 18th century, bathing machines were used to protect sea dippers from prying eyes. But throughout the 20th century, a number of boundary-pushing designs challenged previous ideas of decency while also courting controversy. For the last century, what we wear while swimming has been used as an excuse to police bodies.' While it is predominantly women who are opting for poolside thongs today, this wasn't always the case. The earliest iteration of the style is thought to be the ancient loincloth, worn by men. Modern thongs are said to have been adopted in 1939, when the mayor of New York, Fiorello La Guardia, ordered that showgirls must cover themselves rather than perform nude at the city's World's Fair. When it comes to swimwear specifically, Austrian-American Rudi Gernreich – the fashion designer behind the monokini, or 'topless bikini' – is most often credited with creating the thong bikini, in response to Los Angeles city council banning public nudity, including naked sunbathing, in 1974. The thong bikini has prompted similar bans more recently. In January, a council in Greater Sydney, Australia, banned thong and (even skimpier) G-string bikinis at its public pools. A number of women have also been arrested for wearing thong bikinis in Myrtle Beach, South Carolina, where the style is banned. In the UK, Greenwich Leisure Ltd, which operates 240 leisure centres under the brand Better, requires swimmers to wear 'full-coverage bikinis', which a spokesperson previously indicated did imply 'that thongs wouldn't be acceptable'. But even when thong styles are not prohibited, many bikini-wearers remain nervous. 'I do own one, but it's only been worn once, when my partner and I had a private villa in Portugal,' says Rebecca, 33. Even then, she says, she felt a little too exposed. 'I don't understand why someone would wear one on a family holiday, for example. Thong bikinis feel quite sexualised, so to me it seems inappropriate. Give me high-waisted bikini bottoms that cover your cheeks any day.' For Sassatelli, the reason thong bikinis are in vogue is not so surprising. 'The thong has never gone away completely,' she says. 'But for people who are in their teens and 20s, they haven't really been 'in fashion'. Once [the fashion industry] has forgotten something, then it can be recuperated – and it makes for a little sense of novelty.'

Australian breakdancer Raygun is lampooned in a new musical but the Olympics fiasco was no comedy
Australian breakdancer Raygun is lampooned in a new musical but the Olympics fiasco was no comedy

The Guardian

time2 hours ago

  • The Guardian

Australian breakdancer Raygun is lampooned in a new musical but the Olympics fiasco was no comedy

Everyone can have a bad day at the office. But for most of us, it doesn't take place in front of millions of viewers at the world's biggest sporting event. Such was the lot of Rachael Gunn, AKA B-girl Raygun, who scored a memorable nul points for Australia at the Paris Olympics in 2024 with her routine topped off with a kangaroo hop. Gunn was pilloried on social media, partly over the quality of her dance (more on that later), but mostly just the usual sexist guff directed at any woman in the public eye deemed to be in the wrong. A year later, the pile-on continues: this time in musical theatre form at Breaking the Musical, an Edinburgh fringe comedy that is either a funny bit of bants or a cruel character assassination, depending on your point of view. The cardinal sin Gunn appears to have committed in Aussie comedian and writer Steph Broadbridge's eyes is not being able to laugh at herself. A version of the show was cancelled in Sydney in December after receiving notice from Gunn's lawyers. As Broadbridge told the New York Times, the jokes then got meaner, legal action became part of the show, the protagonist's name became Spraygun and they called it fiction. It's a very silly and not unentertaining show (especially, I imagine, if you are Australian – there are a fair few niche jokes), but I did feel sorry for Gunn. Spraygun is painted as an entitled rich girl who is deluded thinking she could get to the Olympics, cheats her way into the squad and robs Australia of its dignity in front of the rest of the world. One rumour at the time was that Gunn's husband had been on the selection panel but that's not true. The way the overall selection process was designed, there were spots for the hosts, world championship winners and top dancers from a series of qualifying competitions, plus one from each continent's own championship, which is how Gunn got on the squad. The Oceania B-girl scene is clearly not as developed as other regions worldwide in large part because if its size (only 0.6% of the global population.) So, yes, she was lucky, and better breakers from all over the world missed out, but it wasn't Gunn's fault. It's also worth saying there are fantastic dancers who don't believe in breaking as a sport and may not have entered anyway. (No dancers from the UK qualified, male or female.) Against the world's best, Gunn was out of her depth, but was she really that bad? If you watch all her rounds, she'd definitely outdance 99% of the trolls ridiculing her. She had a few power moves (headspins, backspins) and freezes. Floorwork in breaking is difficult, and it's not always graceful. Sure, her style's a bit awkward – the new wave of teen B-girls are much more agile and athletic than the older generation – so she leant on humour, personality, idiosyncrasy, which are all legitimate parts of battle culture. Especially by the final round when she had no chance to get through, she just tried to have some fun. She didn't quite pull it off, but that's live improvisation for you. Breaking the Musical has a big problem with the fact that the dancer is white and middle class. 'Be an ally, stick to ballet' goes a line in one song. It's a neat half-rhyme, but are we really gatekeeping who's allowed to do what kind of dance? It's imperative to acknowledge breaking's Black American and Latino roots, and to consider access of opportunity and training and funding structures that may disadvantage certain groups, but hip-hop is a global art form now, with some of the best dancers coming from China and Japan. It used to be that you could only learn on the streets, in the community, or by crossing the country to train directly with others. Now young dancers teach themselves in their bedroom from YouTube. It's an expanding culture but that's a mark of the art form's phenomenal success. There's also a lot of mockery that Gunn has a PhD and that her thesis was on gender in hip-hop dance. So hip-hop culture isn't worthy of academic study, you say? Broadbridge would probably think I'm being over-earnest. What's most sad about the whole fiasco is that breaking is already out of the Olympics, without the event having time to bed in and iron out any of the flaws. It hasn't been chosen for the 2028 Los Angeles Games and we'll have to wait and see for Brisbane 2032. The hoo-ha over Raygun's performance (rather than the performance itself) overshadowed the top-level artists. Does anyone even remember who won? Breaking the Musical is at Pleasance Dome, Edinburgh, until 24 August

MasterChef viewers demand contestant is 'disqualified' after he makes a MAJOR blunder
MasterChef viewers demand contestant is 'disqualified' after he makes a MAJOR blunder

Daily Mail​

time4 hours ago

  • Daily Mail​

MasterChef viewers demand contestant is 'disqualified' after he makes a MAJOR blunder

This year's series of Masterchef had already been marred in controversy, after its stars John Torode and Gregg Wallace were axed by bosses. But viewers were venting their fury for a wholly different reason after Wednesday's episode, as they demanded a contestant be 'disqualified' for a major gaffe. The show saw the remaining six contenders - Naomi, Martin, Joy, Michael, Reuben and Victoria - face the challenge of impressing Gregg and John with their 'basic to brilliant' creations. Contestants were ask to transform everyday home cooking into something 'extraordinary', and IT project manager Reuben chose to present traditional meatballs alongside handmade pappardelle pasta in tomato sauce. Things took a turn when Gregg cut into the meatballs to taste them, only to discover they were still raw inside. Despite earning praise for his pasta and sauce, Gregg and John were quick to share thoughts on the main element of the dish being undercooked. Gregg said: 'Big issue with the meatballs,' whilst John added: 'I cannot ignore the fact that you've got meatballs that aren't cooked all the way through.' Visibly dejected by the feedback, Reuben admitted: 'I'm feeling deflated. After all, they weren't cooked all the way through, so I can forgive them for not wanting to eat them.' Viewers were also quick to make their feelings known on social media, with some claiming Reuben should be 'disqualified' for the gaffe. Posts on X included: 'Undercooked meatballs should be instant disqualification; 'Were they cooked with a blowtorch?; 'Sorry, but that's a major schoolboy error at the stage he should absolutely be disqualified. Shame.' Reuben's meant he ultimately missed out on a place in the quarter-finals, and he was sent home along with Joy and Martin. It comes days after MasterChef was ripped to shreds for its 'disgraceful' editing of Gregg in its latest episode, with viewers declaring: 'Is this for real?' Viewers were also quick to make their feelings known on social media, with some claiming Reuben should be 'disqualified' for the gaffe Gregg and co-host John Torode were sacked after almost 20 years on the show by the BBC last month after an investigation upheld allegations about their poor behaviour. Wallace had 40 complaints upheld, including one where he was accused of wandering around set naked with a sock on his penis. Torode was found to have used a racist term in 2018. Their final series of MasterChef was filmed before they were both fired. The show's bosses have insisted on keeping them in the final edit - but only if they were on screen less and their banter and jokes were cut down to a minimum. Several contestants asked to be edited out themselves to avoid being on screen with them. Daily Mail revealed that viewers have pointed out 'disgraceful' edits in the new series on BBC One and iPlayer, with many cuts appearing awkward and repetitive, including those of Mr Wallace. In one scene shown last week, stills of Gregg pulling the same face three times in around a minute made it to air - with many suggesting that the BBC and production company Banijay used the same footage of the disgraced host repeatedly through the show. Some of his fans have even claimed the edits, where Gregg gives a semi-gurning smile, were deliberately to embarrass him and 'make him look demented'. TikTok user Gingernat Design shared a particularly unusual example, writing: 'Clever editing from MasterChef. 'Whether this is to do with the allegations or not I don't know, but it's jokes how they just froze Gregg Wallace for an entire conversation.' The now-viral clip sees a contestant discuss her performance with Torode and Wallace. The same shot of Wallace appears to be used three times in succession - and he is seen with a broad grin fixed on his face. The uncanny scene has horrified fans, who rushed to social media to express their disapproval.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store