
Pedro Pascal goes viral for 'creepy' touching of Willem Dafoe's wife... with A-lister left fuming: 'Yikes!'
Pascal, 50, who has gone viral for holding hands with his glamorous co-stars during anxiety attacks, left his The Great Wall co-star Dafoe, 70, reeling at the latter's Hollywood star unveiling in January 2024.
In a moment dubbed 'creepy' by fans, a grinning Pascal smiled at Dafoe before affectionately grabbing his wife Giada Colagrande's face and stroking her chin.
Dafoe quickly pointed at Pascal before his smile dropped in the wild clip - with one viewer commenting: 'Touch my wife like that and we are throwing hands. wtf is going on with this creep??
Others wrote: 'Bro wasn't smiling at the end after that, yikes...
'When you know there's something weird about Pedro Pascal but you just can't prove it.
'And look how he got checked lmaoo.
'At first I didn't see the problem then I rewatched the video and you can clearly see William having a pissed off face.
'That last second of the clip…. Don't mess with Willem!
'Good check by Defoe. Look at his eyes and expression.
'bro was gonna morph into green goblin.'
Others leapt to Pascal's defense, with one writing: 'He also kissed Willem Dafoe at this same event bc they're all good friends so what now morons ? Tell me your friends don't love you without telling me.. if you even have any.'
'But he Also Touched Willem Dafoe or are we gonna ignore that?
'He's a touchy affectionate person clearly.'
Pascal's co-star sparked inevitable confusion on Thursday by affectionately his face during a new interview on behalf of their latest film.
Others defended Pascal over his tactile display
The co-stars have been on a press run in recent months on behalf of new film Fantastic Four: First Steps, in which they play married couple Reed Richards and Sue Storm.
And spending time together has seemingly brought the pair closer, with Vanessa, 38, and Pedro spotted showing each other support in public on a number of occasions.
The latest example of such affection occurred during an interview with Buzzfeed this week, where the actress, clad in a blue dress, moved her arm around Pedro and began stroking his beard.
It's far from the first time the film stars have displayed their strong friendship, with the duo again appearing almost peculiarly close as they answered questions for Heart this week.
And just a couple of weeks ago during Fantastic Four's premiere in Los Angeles, Pedro was pictured stroking his co-star's baby bump as they posed up a storm on the red carpet.
The very public displays of affection have however sparked discourse on social media, with some eagle-eyed fans branding their relationship slightly 'weird'.
But other supporters were quick to point out that Vanessa is merely trying to ease Pedro's anxiety.
One wrote: 'Guys calm down. Pedro suffers from some type of anxiety disorder. He needs to touch or be touched by people to make him calm down and feel comfortable.'
It's something Vanessa and Pedro have been open about, with the actress speaking about helping her pal through anxious moments in an interview last year.
Talking after they were spotted holding hands on-stage at San Diego Comic-Con last year, Vanessa told Vanity Fair: 'What happened is we were both incredibly nervous going out in front of thousands of people who love this comic.
'He wanted me to know that we were in this together, and I found it a lovely gesture and was very glad to squeeze his hand back.'
The Gladiator 2 star has indeed been candid about his struggles with anxiety throughout his career.
They too appeared strikingly affectionate towards each other during an interview with Heart this week
During a chat with Men's Health last month, Pedro revealed exactly how he copes with anxiety in difficult moments.
'I noticed, especially during the period of summer 2020, and kind of isolation and how long my FaceTimes were and my phone conversations, that I had started to make an effort to engage more, having previously lost that options in many ways,' he said.
'I remember back in high school I was always such a good talker with friends... and then I don't know how many days had gone by where we stopped doing that.
'It's something I've held onto very much. I was always one to reach out when I'm facing something that is challenging or making me anxious.'
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How do you portray Galactus, a gigantic, amoral, immortal superbeing who thrives by draining planets of their energy? If you're making a film of any part of Marvel's Fantastic Four journey, your best bet is probably to depict him as a cloud. That's what happened in 2007, and even though fans complained about it a bit, it solved a lot of problems. Matt Shakman, director of the new The Fantastic Four: First Steps, cast Ralph Ineson, who still sounds faintly surprised by the move. 'I've been working for a long time,' he says. His first role was a small part in Spender, the Jimmy Nail vehicle, in 1991, and he's in a similar mould to Nail: tall with a handsome, rough-hewn face, a guy who looks as if he knows how to do guy stuff. 'I've been a jobbing actor for a long time,' he continues, with the same disbelieving, 'how the hell did I wind up in this huge movie?' tone of voice. 'There's no denying it's really nice to have a huge trailer. And it was huge. 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His parents were supportive in the sense that they would never miss a show, but nobody thought it was a serious career prospect, and after doing theatre studies at Furness college in Lancaster, he worked as a drama teacher at a sixth-form college in York. He got involved with the York Mystery Plays – a tradition that's been going, on and off, since the mid-14th century: a Bible story told every year, once performed on a roaming cart, then, by the time Ineson did it in 1992, at the York Theatre Royal. All the characters were played by the people of York, except for one professional actor, who that year was Robson Green. 'He was pretty lonely on his own, sat in his hotel. We'd go out for a drink and I ended up sharing a dressing room with him. And he said: 'You're not wedded to being a teacher, are you?' I wasn't, although I did enjoy it, but I hadn't been to drama school, I wasn't classically trained. He said: 'Go home and watch TV tonight, look at the characters you could play.' So I watched a soap, I watched the nine o'clock drama, and there were about five people I thought I could play.' He describes the next phase as a series of lucky strikes: meeting an agent through Green and getting the part in Spender, 'basically because I could ride off-road motorbikes – the character was a professional motocross rider'. Then another agent, more parts, but still 'I don't think I realised I wanted to be an actor until I'd been doing it for 20 years,' he says. 'Shoots were something I really enjoyed, but almost pretended I didn't. Then, I was sitting on a horse on the plains outside Santa Fe, dressed as the man in black, a posse leader' – that was The Ballad of Buster Scruggs, a Coen brothers film. 'And I thought: 'This is exactly what I have always wanted to do.' I just didn't realise it until I was in my mid-40s.' But that was 2018, and quite a lot had happened in the years before that. If you feel as if you know Ineson personally, it will be because of The Office, in 2001, where he occasionally breezed in as Finchy, the boorish sales rep whom Ricky Gervais's David Brent hero-worshipped all the more for his proudly offensive humour. Ineson was sent the pilot episode on VHS, 'which is how long ago it was. I remember being really terrified. How brilliant they were, the central four, firing off each other. I was slightly intimidated. My first thought was: 'Shit, can I do this?'' When he first started out, he often felt as if he was on the back foot because he hadn't been to drama school. 'I don't know whether I would have suited it, but it felt like a big thing for the first few years, because that is all young actors talk about.' 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It's not a nice skin!' It didn't end with regular human interactions, either – 'career-wise, it was a bit of pain. I just got offered wankers, racists, misogynists and homophobes.' Before The Office, he was always having to recount his CV for people in the street – they'd come up and go, 'what have I seen you in?', and he'd have to size them up and figure out whether they remembered him from Goodnight Sweetheart or an episode of The Bill. He remembers thinking it would be nice to have something so major that nobody would have to ask. 'Be careful what you wish for, because then I got Finchy and I couldn't get rid of him for about 20 years. At least Galactus simply exists, he's a cosmic force. He doesn't do it out of malice. You can't really get much worse than Chris Finch.' He remains a big fan of The Office, which I smoke out by getting him to adjudicate between the British and American versions – he didn't watch the US one for ages, because he caught snatches of it and thought: 'No, they're doing it wrong.' Five years ago, his daughter watched the whole thing and he realised, 'it's different, but it is good. Because I have a slightly twisted sense of humour, I prefer the British Office, it's darker. You would actually let Michael Scott [Gervais's US counterpart, played by Steve Carell] look after your 18-year-old daughter, whereas I'm not sure you'd let Ricky Gervais's character look after your 18-year-old daughter. Same with my character, he's a lot darker than Todd Packer, the American version. Whether that makes it better or worse, I don't know. It's nastier underneath, which I kind of like.' The late 00s were taken up at least partly with the Harry Potter movies, in which he played the dark wizard Amycus Carrow. His son was 10 and his daughter was six when he shot Half-Blood Prince in 2008. It was the perfect age, you get the impression he'd have done it just so they could meet Daniel Radcliffe. He also got to hang out with Michael Gambon for days on end. 'He's the best storyteller in the world, ever. Joke-teller, raconteur, everything. He told me this joke that lasted a whole week; I could tell it in 15 seconds. It was one of the best weeks of my life.' Nevertheless, he had no lines at all, 'a supporting artist, basically'. The producers enticed him in with the next two books, in which there's more meat on Carrow's bones. But when they came to make the astronomically long Deathly Hallows, parts one and two, the plot had been very slightly tweaked to remove the pivotal moment when his character spits in Professor McGonagall's face and unleashes hell. 'I did three Harry Potter films without saying a single line.' As the father in The Witch, Robert Eggers's acclaimed, hypnotising horror movie, which won lots of indie film awards, including best director for Eggers at Sundance, Ineson felt that he'd got the first part with its own arc. This was 2015, when he was in his mid-40s, realising he actually was an actor, perhaps relatedly, at around the time the industry realised how good he was. He speaks so highly of his co-star, Kate Dickie – 'she should be a dame, she's that good,' he crescendoes a little surprisingly. But his collaboration with Eggers was intense. Ineson sat at the director's shoulder while the other actors were cast. 'It was a weird experience – it felt terribly unfaithful, as if I was cheating on my profession.' They worked together again on The Northman in 2022, which had a broader canvas visually and emotionally, but had the same feeling of The Witch, a film that had an immense amount of knowledge go into it, only a fraction of which you could pin down. 'I have got no idea how Rob has managed to read so much in his lifetime, it feels as if he has an encyclopaedic knowledge of almost every period in history.' If Ineson was never prepared, post-Office, to give in to being typecast as a wanker, he's pretty comfortable with being a supervillain. 'I think with my size, face and voice, 90% of the time I've been on the bad guy side of the line anyway. I would be fighting a losing battle if I was trying to get myself into romcoms. Some things are beyond the realms of casting.' If The Fantastic Four: First Steps is a turning point, the difference is mainly one of scale. 'Although I've been involved with big films before, I've never played a character that is this important to the film and the franchise,' he says, with an amount of trepidation. It's true – there are other people in the movie (Pedro Pascal! Vanessa Kirby!), but if the villain doesn't work, nothing does. 'So if it doesn't make a profit, it's my fault? Is that what you're saying?', he says, mock petrified. The film is already doing fine at the box office. He should relax.