Millie Bobby Brown Is All About This Fuzzy Take on These Classic Comfy Shoes
Millie Bobby Brown has grown up in the spotlight. By the time the final season of Netflix's hit show Stranger Things wraps up on December 31, Brown will have played her character, Eleven, for just shy of a decade. Over the course of her style journey in the public eye, she finally feels as if she's landed on what truly works for her: embracing coziness. 'It's less about the look and just more about comfort and ease,' she tells ELLE—though she did enjoy the story she told through fashion during her recent press tour for her film Electric State.
This summer, Brown teamed up with Crocs to star in their all-new Unfurgettable Clog campaign, lensed by Lillie Eiger. The actress instantly felt right at home alongside her dog in the whimsical tea party-inspired setting. Below, Brown delves into what it was like on set and what she has planned for the rest of her summer.
I am definitely just more of a cozy girl. Anything fluffy, I'm probably buying. And I love whimsical color and fun fabrics.
It's been really fun. I got to play around and to work with people who do that as a profession. I mean, I definitely went through different phases, but I feel like now I'm in my cozy era.
I feel like they're so collaborative, so it was really nice to be able to talk through what was important to me. My favorite part of the shoot was working with my dog, Winnie. That was really fun, and she was such an angel that day as well.
I definitely feel like less is more, but the Jibbitz are really fun to play with, and I usually love any of the animal ones—I think any of the dogs are really fun.
Just hanging out and spending time with my animals, my family, and my husband [Jake Bongiovi].
This interview has been edited and condensed for clarity.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
USA Today
9 minutes ago
- USA Today
Should 'New Heights' YouTube glitch concern NFL ahead of Chiefs-Chargers Week 1 game?
Taylor Swift's appearance on the "New Heights" podcast led to more than 1 million concurrent viewers on YouTube. The video feed on the platform abruptly ended about one hour and 45 minutes into the stream, which left many confused, since the show had a timestamp of more than two hours. The issue was resolved, but with the NFL and YouTube streaming the Week 1 game in Brazil between the Kansas City Chiefs and Los Angeles Chargers on Sept. 5, it begged the question: should the NFL be concerned about YouTube's capability to stream a game to a worldwide audience that will command far more than one million viewers at once? It's not an unfamiliar situation for the league. Last season, as the first-ever NFL games aired live on Netflix set for Christmas Day approached, the streaming service also faced questions about the streaming capabilities in the wake of the issues viewers experienced during the Jake Paul-Mike Tyson fight. Netflix had roughly one month to figure out the issues and largely aced the test, with hardly any complaints throughout the two games (and a Beyoncé live halftime performance). YouTube does provide the NFL Sunday Ticket Package and many people watch the league through YouTubeTV. But those are premium, subscription-based services with a number of viewers the company – owned by Google – is now accustomed to. (The tech issues for Sunday Ticket during the 2023 season certainly irked fans.) The scale of the Chiefs-Chargers game will exponentially increase the viewership numbers compared to those products, especially since the game is free to watch. A spokeswoman from Google confirmed to USA TODAY Sports that it was not a YouTube issue that led to the glitch. After the calamities of the Paul-Tyson fight, Netflix addressed its issues in connecting its backup servers – utilized to account for the heightened traffic on the platform – with the countless internet service providers (ISPs) throughout the world. Worth noting is that millions of people will be using YouTube simultaneously not for the purposes of watching the AFC West matchup, which could also strain streaming capacity. The NFL would not have handed out exclusive rights to YouTube – financial terms have not been disclosed but its almost certainly in the nine-figure range after NBCUniversal paid more than $100 million to air the first-ever game in Brazil in 2024 on Peacock – if the league didn't think the company could pull it off without issue. Ultimately, YouTube corrected the "New Heights" issue and fans had their "Tayvis" moment. But come Week 1, the company won't have that leeway.
Tom's Guide
9 minutes ago
- Tom's Guide
A new 'Wednesday' season 2 part 2 trailer just dropped — and someone is back from the dead
Rejoice, "Wednesday" fans! More Nevermore soon awaits! After unveiling its first four episodes earlier this month, on Aug. 6, the final four episodes will wrap up the darker and more twisted "Wednesday" season 2 on Sept. 3. Today, Netflix gave fans of the Addams Family spinoff a first look at how those last chapters will wrap up this season's mystery — and also explain if (spoiler alert!) Jenna Ortega's Wednesday is still alive after that brutal confrontation with Tyler Galpin (Hunter Doohan) in the part 1 finale — with a fresh new part 2 trailer. This new trailer sees a recuperating Wednesday Addams waking up in the hospital post-attack, only to find that her bedside nurse is none other than Larissa Weems (Gwendoline Christie), the shapeshifting former principal of Nevermore Academy, who dramatically announced her return during an "Outcast Assembly" fan event in Sydney today. So is Weems truly back from the dead? After all, viewers might remember that her character was poisoned by Christina Ricci's Marilyn Thornhill in the season 1 finale. Not quite — rather, she's back to act as Wednesday's spirit guide, aiding the titular teen detective as she navigates another round of Big Bads (Tyler is still on the loose and he's after her and BFF Enid), familial drama ("Every family has dark chapters, Wednesday," assures Morticia) and more supernatural chaos. "If you don't hurry, you'll have nothing left to save," Weems can be heard warning Wednesday in the clip. But Christie's return isn't the only major casting news teased in the new two-minute video. At the end of an action-packed series of racing motorcycles, magical explosions and monstrous encounters, a character can be heard via voiceover. 'Beware," the mysterious voice warns. "There will be a price to pay.' That voice sounds like none other than Lady Gaga, who we already know has been announced by the streaming service to appear in the horror-mystery show's sophomore season. We also know that the Grammy winner will be playing Rosaline Rotwood, "a legendary Nevermore teacher who crosses paths with Wednesday." Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Mother Monster memorably revealed her involvement in the Netflix hit during the big Tudum event this past May, which saw the singer perform a medley of her tracks "Zombieboy," "Bloody Mary" and "Abracadabra," mixed with the iconic Addams Family theme. We'll have to wait to see exactly how Lady Gaga's character interacts with the inhabitants of Nevermore Academy and the larger Addams Family universe when "Wednesday" season 2 part 2 debuts on Netflix on September 3. Tom's Guide will keep you posted on all things related to the final batch of season 2 episodes, including character details, new teaser clips, plot points and more.
Los Angeles Times
9 minutes ago
- Los Angeles Times
‘The Rainmaker' brings back blue skies to USA with colorful characters and a mystery
Are we in for a new age of scripted basic cable television? Given the successes of the old age, which threaded its way between broadcast and premium cable TV, a little bolder than the former, less pricier than the latter, making up what it lacked in resources with invention and charm — producing such shows as 'The Detour,' 'Halt and Catch Fire,' 'Lodge 49' and 'The Closer,' to name just a few of my favorites — I'd be all for it. Premiering Thursday on the USA Network, lately devoted to sports, reality shows and reruns, the legal drama 'The Rainmaker' is the first fruit of an intentional return to the network's self-styled 'blue sky' era, when its slogan was 'Characters Welcome' and 'optimism' in storytelling was a stated goal. 'Psych,' 'In Plain Sight,' 'Monk' and 'Suits' — whose recent success after being recycled onto Netflix would seem to be a factor in this turnaround — were among the series born in that period. Based on John Grisham's 1995 novel, faithfully adapted by Francis Ford Coppola into a 1997 film starring Matt Damon and Claire Danes, the TV 'Rainmaker' has been kitted out with some new and altered characters and a novel focus, and in order to keep you on the hook across 10 episodes, it stirs in a case of arson and a serial murderer. (And surely some additional complications — only five episodes out of 10 were available for review, so even though I wouldn't tell you about what's coming later, I couldn't.) Serial killer notwithstanding — nothing drearier than a serial killer — the nuts and bolts and girders and panels of a USA show are here — colorful characters, one part comedy to one part drama, a mystery to solve, and just a tiny bit of sex. (This is basic cable, remember.) We meet hot-headed good guy Rudy Baylor (Milo Callaghan) and his cheery girlfriend Sarah Plankmore (Madison Iseman), both not long out of law school, both yet to take the bar exam, at a legal-aid event, providing free advice to the sort of people who could never afford a lawyer, wouldn't know where to start or maybe just want someone to listen to their stories. They meet Dot Black (Karen Bryson), who is very much not over the death of her son while in a hospital whose name I can't recall but for my own convenience will just call Bad Hospital. Badspital. That the hospital — the Badspital — has offered her $50,000 while their motion to dismiss is still pending, sets Rudy to wondering what they might be trying to hide. Anyway, Dot, whom we'll see again, finds the offer insulting and also needs an apology. Rudy and Sarah have both been hired by the 800-pound gorilla law firm Tinley Britt. On their first day, he arrives late to work — and bloody, having gotten into a fight with his mother's shiftless, but large, boyfriend. He proceeds to get into another fight, abstractly, with senior partner Leo F. Drummond (John Slattery), who fires him. (In the novel, Rudy is merely laid off in a merger — not so dramatic!) Moaning to friend and bar-owning sometime boss Prince Thomas (Tommie Earl Jenkins) that he's been turned down by every other respectable firm in town, Thomas suggests 'a not so respectable one.' Here things depart significantly from the text, and the fun begins. Rudy is delivered to the law offices of glamorous Jocelyn 'Bruiser' Stone (Lana Parrilla) and associates, located in a partly converted Mexican restaurant — though past the receptionist the only associate in sight is 'paralawyer' Deck Shifflet (P.J. Byrne). A purely comic character, Deck has failed the bar seven times but has many useful skills and qualities, not least a flexible sense of professional ethics. He insists on calling Rudy 'Boo Boo.' It takes him a minute to realize it, but Rudy has found his people. Gender flipped from the novel's J. Lyman Stone, Bruiser (when not in court) favors animal prints, plunging necklines and short skirts. 'I only need three things,' she says. 'Kentucky bourbon, a bloody steak and a man who won't spend the night.' You get the picture. But there's more to her than that. When Rudy, who has been with Deck trolling the Badspital for clients, suggests he wasn't cut out to be an 'ambulance chaser,' she also has this to say. 'You know where the term ambulance chaser came from? It was used by white shoe firms in the '20s to crap on any lawyer that wasn't a member of their club. When the contingency-fee law was enacted, small firms rose up full of attorneys who were just like their clients, the ones on the Statue of Liberty, the tired, poor, the huddled masses — those same people are our clients now, and if you think you're better than them, you're not. You are them.' It's good to know someone still takes Emma Lazarus seriously. Among the figures Rudy and Deck encounter at the hospital, or the Badspit — oh, never mind — is Melvin Pritcher (Dan Fogler), whom we have seen in the series' opening scene, escaping a house fire that kills his mother. There are several things to say about him that probably constitute spoilers, so I'll just note that though Melvin is quite unpleasant, Fogler is very good. With Sarah working for the Empire and Rudy embedded with the rebels, their relationship has been engineered by the writers to be problematic, possibly to break down — though each does seem to be trying. (They're good kids.) She's got a trust fund; he's doesn't own a suit of his own, dressing rather in one passed down from a dead brother. They'll wind up in court opposite one another like Tracy and Hepburn in 'Adam's Rib,' for Tinley Britt is defending the hospital from Dot, who has become a client of Bruiser's firm. Their future together is also potentially complicated by Kelly Riker (Robyn Cara), a woman who lives in Rudy's building who is obviously being abused, and Drummond's smarmy lieutenant Brad Noonan (Wade Briggs) — of course he'd be named Brad — who has been assigned to weaponize Sarah against Rudy. Callaghan gives off a scintilla of Matt Damon vibes, but is his own Rudy, keeping his naive idealist free from leading-man tics. Parrilla finds the balance between Bruiser's sauciness and seriousness; Byrne plays the clown adeptly; and Slattery, a boss again after 'Mad Men,' softens his villainy with some Roger Sterling insouciance. Developed by Michael Seitzman and Jason Richman, it's a very watchable show — serial killer passages notwithstanding. There's nothing fancy in the execution — it's the opposite of stylish — but everything's clearly defined and dialed up a step past normal into that space we call entertainment. Welcome back to the blue sky.
