
Lounge Loves: ‘Grole', dog names and more
There is a certain joy in discovering small joints serving unpretentious everyday food. Over the last few months, I have found myself grabbing a quick meal at a roadside lunch spot outside a busy hospital in the western suburbs of Mumbai. Sunita tai is chirpy, speaks in English, and is a fantastic cook. I usually go for the fried bombil, and kolambi, or prawns cooked in a spicy masala, and best enjoyed with rice. Everything is cooked in her home kitchen, including pickles, and she carries them in huge steel dabbas daily in an autorickshaw. There is a small table and stools for people to sit and eat. The food is homely, comes in clean steel plates, and is priced between ₹ 150-200. I plan to go back for the mutton biryani.
Growing up, I had a pet dog called Tiger, and then Tommy. Later, there was Pepsi. It's evident, nobody put any thought into these names. There was a 'Moti' in Sachaa Jhutha and Mera Naam Joker (both 1970), Teri Meherbaniyan (1985) and Bol Radha Bol (1992). Now the world has gone to the dogs but pet names have become Insta-catchy. I have met a Scooter and DJ on my morning walks. These are names which must have taken some brainstorming. Last month, I met Gabbar but I couldn't gauge if the three-month-old puppy's bark was as evil as the dacoit's laugh in Sholay. What's in a name, a dog by any other name would still have a piece of your heart. But can we retire 'Moti'? —Nipa Charagi
Whether it's a gift, or more likely, an Amazon package you self-ordered, there's child-like joy in opening—no, tearing open—the box and seeing what it holds even if it's just a bottle of your regular moisturiser. Recently, though, the pretty packaging for the perfume I'd ordered from House of Kanzan (an Indian indie perfume brand) made me feel almost guilty for opening it. The brown wrapping paper was folded in the Japanese gift wrapping style. There had been effort from someone there to make sure the 'unboxing' experience is joyous. The other sweet touch was adding a free perfume sample. Considering they are not a luxury brand, both gestures seemed like thoughtfulness wrapped in warm notes of tonka beans and sandalwood. Yeah, I opened the wrapper carefully with scissors.
First Published: 28 Apr 2025, 12:02 PM IST
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
2 hours ago
- Time of India
Legend of the Female General: Watch episode 24 online; check the release date & streaming platforms for these countries
Legend of the Female General Episode 24 online: Fans of the hit C-drama Legend of the Female General can stream Episode 24 online, August 16, 2025, at approximately 5:30 PM IST, as per the official schedule. The drama follows He Yan, who disguises herself as a man to protect her family's title and rises as a decorated soldier. Reuniting with scholar Xiao Jue, who suspects she's a spy, she faces battles, betrayals, and trials where suspicion slowly turns to trust - and love. Legend of the Female General: Release date and time for Episode 24 Episode 24 airs on Saturday, August 16, 2025, which means viewers in different time zones can expect the release at approximately 3:00 PM GMT in the UK and 5:30 PM IST in India on the same day. It will also be available for international viewers via streaming on WeTV, iQIYI and Viki, which offers English subtitles to make the series accessible to a global audience. Where to Watch Legend of the Female General Episode 24 Online? Episode 24 is available to stream on WeTV and iQIYI, the main legal platforms offering high-quality video and English subtitles. For viewers in the U.S., Canada, India, Indonesia, and the UK, WeTV, iQIYI and Viki continues to be the top choices for watching the series. Legend of the Female General: Plot highlights of Episode 24 In episode 24, Xiao Jue discovers that He Yan is secretly General Fei Hong, her identity stolen by her brother. Amid betrayal, battlefield tragedy, and growing resentment, Xiao Jue protects her in secret, their fates bound by deception, loss, and an unbreakable bond. Legend of the Female General episode 24: Spoilers Here are the spoilers for Episode 24 of the Chinese series Legend of the Female General based on the YouTube preview: He Yan earned the title of Marquis of Wuan after defeating the Wutuo general, a victory that struck fear into her brother, He Rufei. Returning home in her true female form, she was ready to expose He Rufei's long-held deception as the false General Feihong, proving he had never been the legendary warrior he claimed to be. After defending Jiyang alongside Xiao Jue, He Yan's achievements were highlighted by Chu Zhao to gain imperial recognition. Knowing her disguised service could be seen as a crime, Xiao Jue revealed her true identity to protect her. The emperor, recognizing their value to the nation, pardoned He Yan and honored her accomplishments, granting her the title of Marquise of Wu'an. She prepared to attend a grand banquet, eager to see her brother's reaction. At the festival, He Rufei panicked upon seeing He Yan celebrated and unharmed. She challenged him to a sparring match, and though he displayed all his skills, He Yan matched him effortlessly, revealing his inexperience. Xu Jingfu covered his embarrassment, and the emperor dismissed the matter, noting that General Feihong's legendary reputation had been exaggerated. He Yan chose to wait before exposing her brother fully, leaving He Rufei restless and fearful, knowing it was only a matter of time before the truth came to light. it's so heartwarming to see the focus on women in this arc. a princess governs the entire city, our female general leading elite troops fought the enemy's leader, our medic song taotao, and the noble ladies who all were ready to fight in their own way!#LegendOfTheFemaleGeneral Legend of the Female General: Cast and Characters The Chinese drama Legend of the Female General, starring Zhou Ye and Ryan Cheng, is adapted from the popular web novel Rebirth of a Star General. FAQs 1. When will Episode 24 of Legend of the Female General be released? Answer: Legend of the Female General Episode 24 will be released on August 16, 2025, and will air at 3:00 PM GMT in the UK and 5:30 PM IST. 2. Where can I watch Episode 24 of Legend of the Female General online? Answer: Legend of the Female General Episode 24 will be available for streaming on WeTV, iQIYI and Viki, the platform offering English subtitles. 3. Does Legend of the Female General have English subtitles? Answer: Yes, Legend of the Female General is fully subtitled in English on WeTV, iQIYI and Viki, including Episode 24. 4. What is the plot of Episode 24 of Legend of the Female General? Answer: Legend of the Female General Episode 24 continues to follow He Yan who faces battles, betrayals, and trials where suspicion slowly turns to trust - and love. 5. Is Legend of the Female General available on Netflix, Viki or Viu? Answer: No, Legend of the Female General is not available on Netflix. The drama officially streams on WeTV, iQIYI and Viki.


India Today
3 hours ago
- India Today
YRF's spy universe has a woman problem, and it's beyond bikinis
How YRF's spy universe treats its women. From L-R, Vaani Kapoor in 'War', Kiara Advani in 'War 2', and Deepika Padukone in 'Pathaan' (Photo: Movie stills) YRF's spy universe sidelines women to damsels or domestic roles All the films in the spy universe so far hardly give any agency to women From Katrina, Deepika to Kiara and Vaani - women are ornamental, not operational What is wrong with YRF's spy universe? No, really. It's not just about 'War 2' - though, sure, that's the weakest film in the franchise, but that rant is for another day. Today's agenda: why does this globe-trotting prestige spy franchise have a glaring woman problem? Why are its women either dying, playing damsels in distress, or retreating into domestic bliss the moment they meet their male counterparts on a mission? We get it - this is the Tiger-Pathaan-Kabir show. But would it hurt the makers to let the women keep some agency? Take Katrina Kaif's Zoya from the 'Tiger' series - the most promising female character they've had so far. We didn't even mind her falling for Salman Khan's Tiger. We even cheered at her bridal-song frolics. But once she tied the knot, she tied her own story shut. Zoya started as a formidable ISI agent with skills to match Tiger's, but by 'Tiger Zinda Hai', she was busy raising a child off-mission. Sure, she pops back in 'Tiger 3' to help Tiger save the day, but has mostly been kept away in the supporting wife folder while the hero's arc wins the spotlight. Then there's Vaani Kapoor in 'War'. She didn't even get to play a supporting wife/ girlfriend bit. She turned up, looked stunning in a bikini, and while we were busy appreciating Hrithik Roshan's sharp cheekbones and that Greek God tan, she died - so Kabir's revenge could take centre stage. Kiara Advani in 'War 2'? A slight upgrade. She does get one tiny action scene as an Air Force officer - but only so she can deliver 'I lost him' and vanish from the plot, while Hrithik Roshan and Jr NTR take over. For a decorated officer, her biggest narrative purpose is to be ornamental - in bright co-ords dancing around choicest locations in Europe, to make Hrithik look hotter. From a medal-receiving ceremony, to the bikini-and-ganji shots in Spain - character development? No. That term you are looking for is character demolition. Next up: Deepika Padukone. Her turn in 'Pathaan' could have been a turning point - a big-ticket star, an actor with proven skills, the perfect chance to finally write a solid female spy. But what really do we remember of her Rubina from 'Pathaan'? Be honest. Let's say it together: the 'Besharam' stint, and for falling into the villain's trap so that Pathaan can unleash his meaningless, physics-defying stunts - on ice, in water, mid-air and where not! And no, don't come saying the spy universe is suddenly on a redemption arc by tossing us one women-led film. In 'Alpha', Alia is the main character, so yes, she will command her own space in the story. But that's not the point, is it? The question remains: what has this universe actually done for its women so far? Didn't Deepika, Kiara, Katrina, and Vaani deserve arcs that went beyond being a prop, a mere device, or a pretty face in a shot steeply focussed on their bare bodies somewhere in Italy? Why is it that the men in this universe get entire franchises, layered backstories, and impossible stunts, while the women get a beach/ pool scene, a bridal gown, or a death to further the hero's pain? YRF's spy universe is expansive, but can it try expanding beyond the imagination of a teenage boy writing fan-fiction? What is wrong with YRF's spy universe? No, really. It's not just about 'War 2' - though, sure, that's the weakest film in the franchise, but that rant is for another day. Today's agenda: why does this globe-trotting prestige spy franchise have a glaring woman problem? Why are its women either dying, playing damsels in distress, or retreating into domestic bliss the moment they meet their male counterparts on a mission? We get it - this is the Tiger-Pathaan-Kabir show. But would it hurt the makers to let the women keep some agency? Take Katrina Kaif's Zoya from the 'Tiger' series - the most promising female character they've had so far. We didn't even mind her falling for Salman Khan's Tiger. We even cheered at her bridal-song frolics. But once she tied the knot, she tied her own story shut. Zoya started as a formidable ISI agent with skills to match Tiger's, but by 'Tiger Zinda Hai', she was busy raising a child off-mission. Sure, she pops back in 'Tiger 3' to help Tiger save the day, but has mostly been kept away in the supporting wife folder while the hero's arc wins the spotlight. Then there's Vaani Kapoor in 'War'. She didn't even get to play a supporting wife/ girlfriend bit. She turned up, looked stunning in a bikini, and while we were busy appreciating Hrithik Roshan's sharp cheekbones and that Greek God tan, she died - so Kabir's revenge could take centre stage. Kiara Advani in 'War 2'? A slight upgrade. She does get one tiny action scene as an Air Force officer - but only so she can deliver 'I lost him' and vanish from the plot, while Hrithik Roshan and Jr NTR take over. For a decorated officer, her biggest narrative purpose is to be ornamental - in bright co-ords dancing around choicest locations in Europe, to make Hrithik look hotter. From a medal-receiving ceremony, to the bikini-and-ganji shots in Spain - character development? No. That term you are looking for is character demolition. Next up: Deepika Padukone. Her turn in 'Pathaan' could have been a turning point - a big-ticket star, an actor with proven skills, the perfect chance to finally write a solid female spy. But what really do we remember of her Rubina from 'Pathaan'? Be honest. Let's say it together: the 'Besharam' stint, and for falling into the villain's trap so that Pathaan can unleash his meaningless, physics-defying stunts - on ice, in water, mid-air and where not! And no, don't come saying the spy universe is suddenly on a redemption arc by tossing us one women-led film. In 'Alpha', Alia is the main character, so yes, she will command her own space in the story. But that's not the point, is it? The question remains: what has this universe actually done for its women so far? Didn't Deepika, Kiara, Katrina, and Vaani deserve arcs that went beyond being a prop, a mere device, or a pretty face in a shot steeply focussed on their bare bodies somewhere in Italy? Why is it that the men in this universe get entire franchises, layered backstories, and impossible stunts, while the women get a beach/ pool scene, a bridal gown, or a death to further the hero's pain? YRF's spy universe is expansive, but can it try expanding beyond the imagination of a teenage boy writing fan-fiction? Join our WhatsApp Channel


The Hindu
3 hours ago
- The Hindu
Science and society through the lens of theatre
Only the most discerning of theatre-goers in Karnataka are aware of the Mysuru Science Theatre Festival (MSTF). The festival, organised by three cultural and theatre platforms, in association with Swami Vivekananda Youth Movement Mysuru, has been active for the past eight years. MSTF is an initiative of Shashidhara Dongre of Kala Suruchi, SR Ramesh of Parivartana, MC Manohar of Arivu Ranga and Kollegala Sharma of Kutoohali. This year, the Indian Institute of Astrophysics sponsored the festival. This unique experiment of teaching science through art, especially through theatre, began in 2017 when three amateur theatre troupes came together to stage plays focussing on science and scientists. Initially, they staged translated English plays; today they produce original Kannada plays on these topics. The plays staged during the last seven years have reached institutions such as the Council of Scientific and Industrial Research (CSIR), the Central Food Technological Institute (CFTRI), the Indian Institute of Science, the Institute for Human Genetics and several engineering colleges. Curious connect While it may seem unusual to club the sciences with theatre, it is not without precedent. Prof. Sudarshana Patil Kulkarni of Sri Jayachamarajendra College of Engineering (SJCE) mentioned a similar science theatre festival in Orlando, United States. 'Mad Cow Theatre in Orlando used to host an annual science festival that included staged readings of plays exploring the intersection of art and science. The festival featured works that delved into scientific themes, discovery and the relationship between science and society. A previous edition of the festival included a reading of Henrik Ibsen's An Enemy of the People. However, the festival is now defunct,' says Sudarshana. Shashidhara Dongre of Kala Surichi, a cultural platform in Mysuru and an accomplished professional in the technology sector, said, 'MSTF began with an intention to explore human, social, cultural, and political conflicts behind scientific endeavours and achievements, while also bringing to the audience complex scientific concepts in a more accessible dramatised form.' During the past seven editions, various theatre troupes have presented over 25 plays for Mysuru audiences including Proof, Copenhagen, Mussanjeya Swgatagalu, Arivina Angaladalli, QED (on Richard Feynman), Leelavathi (on mathematician Bhaskara), Einstein, Galileo's Daughter, Prabhasa (on Mary Curie), AC versus DC and others. In a nutshell The eighth edition featured four plays — The Trial of Abdus Salam written and directed by Nilanjan Choudhary, Hasivu written by Santosh Tamraparni and directed by Praveen Belli, Raman: Belaku, Shabda, Sidilu written by Shashidhar Dongre and directed by Prof HS Umesh and Moorane Kivi written by Ravindra Bhatt, directed by Prof SR Ramesh. Trial of Abdus Salam is based on the life of Pakistan's Nobel Award-winning nuclear scientist-Abdus Salam and the play begins with his appeal to the Government of Pakistan seeking a burial space for himself next to his parents. What follows is a depiction of his conflicts in a conservative society through a mock trial as a theatrical tool. The play was enhanced by an innovative use of multimedia depicting important incidents in the political history of Pakistan that had an impact on Salam's life. Hasivu is about the life of Russian botanist Nikolai Vavilov, his travails and tragic death due to hunger — an irony as he dreamt of making food accessible to every individual, travelling around the world collecting seeds for a seed bank. The upheavals of his life were well staged, though a few scenes involving complex dialogue, could have been better presented. Raman: Belaku Sidilu Shabda brought to stage the personal and professional life of physicist CV Raman. Beginning with a gentle conversation between Raman and his wife Lokasundari, it gives audiences a glimpse not only of his intelligence, but also his love for Carnatic and Western music, his egotism and self-righteous attitude. Moorane Kiwi chronicles the struggles of a family whose son was born deaf; the play intelligently weaves the science of hearing and the process of correction, including the relearning and dedication required from parents. At times, it felt the play dragged and could have done with tighter editing. On the whole, MSTF should be lauded for their effort to bring the lives of scientists to audiences, helping them understand the importance of science on society. Ramagovinda Ranga Mandira, the venue for MSTF, attracts both science and art lovers with its exhibition of mathematical toys, books and posters on Indian women scientists, to say nothing of the telescope on the premises through which one can view of sunspots. Ramagovinda Ranga Mandira is Nrupatunga Kannada School, Nirvikalpa Road, Mysuru. Updates on the Mysore Science Theatre Festival available on social media