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'Stranger Things' season 5 to be released in 3 parts, with finale debuting on New Year's Eve

'Stranger Things' season 5 to be released in 3 parts, with finale debuting on New Year's Eve

Yahoo2 days ago

'Stranger Things' season 5 officially has a release date -- three of them, to be exact.
The fifth and final season of the Netflix hit will air in three parts, with the first four episodes debuting Nov. 26; the next three episodes dropping on Christmas Day; and the final episode streaming on New Year's Eve.
Everything we know about 'Stranger Things' season 5: Details
Each volume will be released at 5 p.m. PT.
The fight isn't over yet. Get ready for the epic series finale of Stranger Things.
Volume 1: November 26, 5pm PT*Volume 2: Christmas, 5pm PT*The Finale: New Year's Eve, 5pm PT*
*releasing worldwide all at once, date may vary based on your local timezone #TUDUM pic.twitter.com/nBcx9Ast9x
— Netflix (@netflix) June 1, 2025
The news was revealed during Netflix's fan event Tudum 2025, along with a new teaser for Season 5. The teaser mixes footage from previous seasons with some quick glimpses of the new episodes, ending with a shot of Noah Schnapp's Will Byers screaming "Run!" as he faces an unknown horror.
A synopsis for Season 5 says the episodes pick up in the fall of 1987, with Hawkins dealing with the aftermath of the opening of the Rifts and our group of heroes uniting to find and kill Vecna.
'The final battle is looming — and with it, a darkness more powerful and more deadly than anything they've faced before,' the synopsis reads. 'To end this nightmare, they'll need everyone — the full party — standing together, one last time.'
'Stranger Things' stars Millie Bobby Brown, Winona Ryder, David Harbour, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Schnapp and Sadie Sink.
'Stranger Things' season 5 to be released in 3 parts, with finale debuting on New Year's Eve originally appeared on goodmorningamerica.com

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Nicole Froio ' No matter how much clothes we wear or don't wear, white Americans and Europeans have historically seen us as animals, as objects who are so sexual that we would never say no to them. Are we really saying that Latinas can't sing and dance about how we are seen sexually because it'll give white men the wrong impression? Amy Quichiz, Colombian-Peruvian, Los Angeles I believe this song can spark discussions about the problems we face with the concept of Latinidad, the internalized racism and prejudiceness, and patriarchal values that women, men, and people hold within our own community. However, it is also important to call out: some people just hate women and it shows. There is a difference between having valid points to a conversation with historical context of the values and traditions we have created and embedded in our community, and another thing is simply saying Karol G does not add any value to the reggaeton genre because of her lyrics. For so long, reggaeton has been a male-dominated genre. Men have always been able to rap about our bodies and how our curves are beneficial to them. Personally, I love hearing Karol G talk about her boobs because I can relate, and fuck yeah, I love them for myself. She admires her own body, which has often been sexualized by men in this industry. To me, this song is for the girls and nobody else. It's about loving yourself, being proud of where you come from, owning your curves for yourself and for no one else, and knowing that you're hot. ' "To me, this song is for the girls and nobody else. It's about loving yourself, being proud of where you come from, owning your curves for yourself and for no one else, and knowing that you're hot." Amy Quichiz ' In the beginning of her song she says, 'ahora todos quieren una colombiana, una…' This line addresses the othering people have always done with Latinas, and still continue to do. There were many moments where I grew up and started to not be proud of being Latina because I knew whiteness was the ideal beauty standards. I love being Colombian and Peruvian, and I romanticize it. Having that be my world, and get this song to my core, is something a non-Latine person will ever understand. Mariel Mejia, Dominican, New York I was genuinely looking forward to the song and video, especially after recently watching her Netflix documentary. I'm not a Karol G stan, but I respect her success and was curious to see what she would release next. But as soon as I saw the lack of diversity in the video, I felt turned off and skipped it before it even ended. I called out the erasure of Black Latina women because it was glaring and felt intentional. Claiming to celebrate Latinas as a whole while excluding dark-skinned, visibly Black Latinas on a global stage only reinforces the idea that we don't belong in the mainstream narrative of Latinidad. All artists are subject to criticism, and this isn't about Karol G being a woman or expressing her sexuality. Personally, her being provocative wasn't even on my radar. I listen to artists like Tokischa, who are just as, if not more, sexually explicit. What stood out to me was the lack of diversity in who was chosen to represent 'Latinas.' The video pushed the same dated narrative that Latinas are all sexy, spicy, bronze, and nothing else. That type of representation isn't just overdone, it contributes to real-world fetishization and harm. Pair that with the lack of racial and body diversity, and the whole thing felt like it was stuck in a 2005 media playbook. ' "The video pushed the same dated narrative that Latinas are all sexy, spicy, bronze, and nothing else. That type of representation isn't just overdone, it contributes to real-world fetishization and harm. Pair that with the lack of racial and body diversity, and the whole thing felt like it was stuck in a 2005 media playbook." Mariel Mejia ' Reggaeton was born from Black and Caribbean roots, yet the genre has long centered lighter-skinned artists as it entered the mainstream. This isn't just about Karol G; it's a systemic issue in an industry dominated by men who've rarely challenged the erasure of Black Latinas. Karol is one of the few successful women in reggaeton, and while that matters, it doesn't absolve her. She still benefits from a system that rewards proximity to whiteness and sidelines the very women whose culture this music comes from. She didn't create the problem, but she and other white Latinas certainly are not disrupting it either.

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