logo
Gabby Petito's AI-faked voice in new Netflix documentary sparks viewer backlash

Gabby Petito's AI-faked voice in new Netflix documentary sparks viewer backlash

Yahoo22-02-2025

The Netflix docuseries 'American Murder: Gabby Petito' is facing backlash from some viewers who are questioning whether the filmmakers' decision to use artificial intelligence to recreate Petito's voice is ethical.
Petito's disappearance and death made headlines in September 2021, with authorities launching a nationwide search for the 22-year-old after she'd documented a cross-country road trip with her fiancé, Brian Laundrie, on social media.
Laundrie was considered a 'person of interest' before he disappeared. He later died by suicide, and a note was found in which he claimed responsibility, officials said.
The three-part series, released this week, features interviews with Petito's loved ones, as well as photographs, video footage, maps and writing excerpts. A disclaimer in the first episode notes that Petito's journal entries and text messages were 'brought to life in this series in her own voice, using voice recreation technology.'
While directors and executive producers Julia Willoughby Nason and Michael Gasparro told Us Weekly that Petito's family gave their 'blessing' to recreate her voice in the film, viewers online expressed their distaste for the creative choice. Some X users called it 'unsettling,' 'deeply uncomfortable,' and 'wholly unnecessary.' One TikTok video, which has garnered nearly 500,000 views, described the decision as a 'step too far.'
A representative for Gasparro and Nason did not immediately respond to a request for comment Friday. A spokesperson for Netflix also did not immediately respond.
The use of AI technology like this in documentaries is not new. But audiences appear to remain conflicted about hearing recreations of the voices of people who have died.
In 2021, after AI voice recreation was used to bring written notes to life in 'Roadrunner: A Film About Anthony Bourdain,' many fans of the food host, who died in 2018, had similar issues with director Morgan Neville's creative choice. The filmmaker used a software company to create an 'AI model' of Bourdain's voice. He told The New Yorker that viewers 'probably don't know' which lines are spoken by the AI model.
In his statement to Us Weekly, Gasparro said the filmmakers "had so much material from her parents that we were able to get."
"All of her journals since she was young and there was so much of her writing. She documented her trips and most of her life from a young age. We thought it was really important to bring that to life,' Gasparro told the publication. 'At the end of the day, we wanted to tell the story as much through Gabby as possible. It's her story.'
Merve Hickok, president and policy director at the Center for AI and Digital Policy, a nonprofit research group, said the general use of voice recreation is not inherently unethical.
Voice cloning to bring to life already public elements to amplify or make them more accessible is an 'OK use,' according to Hickok. But issues can arise when filmmakers share confidential content in a deeply personal way.
'The person made a decision to keep that private,' Hickok said. 'And it is not up to us. It's not up to any of us to make that decision on their behalf after they passed away.'
"I think especially in a murder case, this person's voice is taken away against her will, so to come back and recreate that after her for commercial reasons is not ethical, regardless of whether there was a family approval or not,' Hickok added.
Some of Petito's family members have since spoken to The Independent about the reaction to the voice recreation, reflecting on their decision to give filmmakers permission.
'I think it's weird and because we know her actual voice, [it] is a little off,' Nichole Schmidt, Petito's mom, told the publication. 'It's just hard to hear.'
'AI or her real voice, I still get upset hearing it knowing she's gone,' her stepfather, Jim Schmidt, added.
In the future, Hickok, who is also the founder of AIethicist.org, does see the potential benefits of voice cloning for family to make 'pre-existing arrangements to use voice as a remembrance after a family member passes away.'
But, she urged filmmakers to think of the 'negative risks,' adding that 'there aren't any regulations to put penalties around this.'
'I think the film industry has been around for a very long time, and they have very creative ways of creating that emotional reaction," Hickok said. 'So just because there's a new technology in town doesn't mean that it has to be used for such purposes.'
This article was originally published on NBCNews.com

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Scott Galloway bluntly predicts major change for Netflix
Scott Galloway bluntly predicts major change for Netflix

Miami Herald

timean hour ago

  • Miami Herald

Scott Galloway bluntly predicts major change for Netflix

Scott Galloway, the podcaster and New York University professor, explained his view on June 13 that the last significant battle in the streaming industry was a showdown between Netflix and Hollywood - and Netflix emerged victorious. By expanding production globally, taking advantage of broadband technology, and capitalizing on inexpensive funding, Netflix (NFLX) was able to make large-scale investments similar to Amazon's strategy, Galloway explained, leaving competitors unable to keep pace. The outcome? A major shift in value from traditional studios and entertainment talent to Netflix's investors and subscribers. Don't miss the move: Subscribe to TheStreet's free daily newsletter Netflix's newest version operates as more than just a subscription-based platform - it now combines both subscriptions and advertising in its business model. And nearly 94 million people have chosen Netflix's ad-supported plan since it was introduced fewer than three years ago, according to Galloway. Netflix has proven itself to be a master of adaptation in the media landscape. It started as a mail-order DVD business, toppling the giant Blockbuster. Then it evolved into a streaming powerhouse, upending Hollywood's dominance. Related: Jean Chatzky sends strong message to Americans on Social Security Now, after a decade without major changes, Netflix is transforming once more, Galloway wrote. The company is introducing AI-driven content recommendations, mobile-friendly vertical videos, and a refreshed visual design to take on platforms such as YouTube and TikTok. And once again, the streaming service faces a new challenge. Shutterstock Having won the last streaming war, Netflix now confronts a new threat, Galloway explained in his "No Mercy / No Malice" newsletter. In fact, this prominent challenger is in the ring with all streaming services. "The next streaming war?" Galloway wrote. "YouTube takes on the world." "This year, more people in the U.S. watched YouTube on TVs than on mobile devices - a first," he continued. "YouTube is now the No. 1 distributor of TV content, according to Nielsen. And for the past three months, YouTube registered the largest share of TV viewing (12%) among media companies; Netflix accounted for 7.5%." More on the U.S. economy: Jean Chatzky shares major statement about Social SecurityShark Tank's Kevin O'Leary has blunt words on 401(k) plansDave Ramsey strongly cautions U.S. workers on Social Security YouTube is essentially public access television scaled to the internet, but with vastly superior production quality, observed Galloway. His Markets podcast co-host Ed Elson notes that Gen Z sees YouTube - owned by Alphabet (GOOGL) - as an algorithm-driven force shifting influence away from established brands and toward individual creators. The biggest disruptor to Hollywood, Galloway argues, isn't Netflix chairman's Reed Hastings - it's MrBeast, the YouTube star who has perfected parasocial relationships. In 2023 alone, MrBeast amassed over a billion hours of watch time, surpassing the top Netflix shows. "But just as individual content creators disrupted Hollywood, AI may disrupt content creators," Galloway wrote. While Netflix is expected to invest around $18 billion in content this year, YouTube effectively operates with a content budget of zero, instead sharing ad revenue with its creators. MrBeast has revealed that producing a single video typically costs him $2.5 million. Yet in a striking shift, an AI-generated muzak channel recently surpassed him, becoming the fastest-growing channel on YouTube this month. Related: Shark Tank's Kevin O'Leary makes bold prediction on U.S. economy Galloway argues that the rise of Netflix, YouTube and the competition for streaming audiences has cost us something vital: a shared cultural experience. In 1983, the final episode of M.A.S.H. was a national event, drawing 106 million viewers - nearly half of America, he recalls. By contrast, last year's most-watched scripted TV finale, "Yellowstone," reached just 13 million people, a mere 4% of the country. The shift from scheduled programming to unlimited, on-demand content has fragmented American culture, Galloway suggests - and this fact reflects the loss of two key societal pillars: collective experiences and a shared identity. "Without shared stories, we don't laugh together, love/hate the same heroes/villains, or believe in the same facts when we argue," Galloway wrote. "We lose our empathy, our ability to see each other as human." "It's hard to demonize someone you watched 'Cheers' with every Thursday night; it's easy to hate someone whose cultural references are completely foreign to your feed." Related: Scott Galloway makes major prediction on world economy; 401(k) impact seen The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.

Renewed TV shows in 2025
Renewed TV shows in 2025

Yahoo

timean hour ago

  • Yahoo

Renewed TV shows in 2025

(NewsNation) — While 2025 has given some blows to fans of TV shows like 'The Sex Lives of College Girls,' other fans have been able to rejoice as their favorites have been renewed. Some TV shows have been renewed for additional seasons before the upcoming season has even been released. Others have only been renewed for one season. Brad Pitt hasn't cut off kids, set for more attacks ahead of F1 movie: Exclusive Here are some of the TV shows that have been renewed this year. 2025 has been kind to late-night talk show hosts, with 'My Guest Needs No Introduction With David Letterman' and Andy Cohen's 'Watch What Happens Live' being renewed for several seasons. The historical romance series 'Bridgerton,' based on Julia Quinn's novels, has already been renewed for seasons five and six, despite season 4 not releasing until next year. Another popular Netflix series, 'My Life With the Walter Boys,' is renewing for a third season. Other Netflix renewals include: 'Forever' 'Survival of the Thickest' 'The Diplomat' 'The Four Seasons' 'Love on the Spectrum' Two of 'The Real Housewives' series — Salt Lake City and Potomac — were both renewed for another season. And NBC renewed all of its One Chicago series — P.D., Fire and Med — and, of course, 'Law & Order' and 'Law & Order SVU.' ABC has decided to renew some of its most popular shows, including 'American Idol,' 'The Bachelor' and 'Judge Steve Harvey.' Spin-off series like 'The Walking Dead: Daryl Dixon' and 'The Walking Dead: Dead City' have also been renewed for a season by AMC. 'South Park,' which first aired in 1997, has been renewed by Comedy Central for seasons 27, 28, 29 and 30. And FX has renewed its popular hit 'American Horror Story' for its 13th season. They also decided to renew 'The Bear' for its fourth season. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Why Addison Rae Took a Step Back from Social Media: 'I Felt So Misunderstood'
Why Addison Rae Took a Step Back from Social Media: 'I Felt So Misunderstood'

Yahoo

time2 hours ago

  • Yahoo

Why Addison Rae Took a Step Back from Social Media: 'I Felt So Misunderstood'

Addison Rae is opening up about why she's taken a step back from social media The "Headphones On" singer shared that she's learned to value her privacy following her rise to fame on TikTok "Being misunderstood is definitely annoying and it does get on my nerves sometimes," she saidAddison Rae is taking a step back from social media. During a recent appearance on Therapuss with Jake Shane, the 24-year-old singer opened up about why she's stopped sharing so much of herself on social media platforms, following her rise to fame as a dancer on TikTok. "I felt so misunderstood," she shared of her time on social media, "but I was sharing so much." "Sometimes you do what you need to do to get where you want to go," she continued. "I wasn't showing every part of myself, as one mostly doesn't, you know. There are elements of yourself that surely you don't share online that aren't bad — they just aren't things you're willing to share or talk about or, you know, show." Rae shared that over the course of her young career, she realized that having a sense of privacy is one of the most important things to her. "I think privacy becomes really important over time," she continued. "Like, 'OK, what can I allow people access to that isn't going to hurt me? Or they're not going to use to make me feel conflicted in my own life decisions that I have to make?'" "Being misunderstood is definitely annoying and it does get on my nerves sometimes, but I think over time, I've realized that if somebody's commenting that 'I'm not this' [or] 'This is not who I am.' ... Or when I was 19 I was more authentic," the "Headphones On" singer added. "I'm like, okay, well, I just moved to LA. I'm like, geez. I was from a small town, of course I didn't experience a lot of things or have the opportunity to even figure out who I was in those those ways," she continued. "Because it was life whenever you grow up in a small town." In another part of her conversation with Shane, Rae also shared she's applying the idea of "slowing things down" or taking a step back when it comes to other parts of her life so she can avoid feeling "too exposed." "It happens very frequently with a lot of artists," she shared. "They feel like they're too exposed or they need to pull back or, you know, they're too scared to get overdone or feel like you're too in front of everybody's face and that people will get tired of you." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. "But I feel like with projects that are delayed or a little bit later or make you wait, it's almost like, 'Okay, not everything has to be now.' And I can feel comfort in the fact that something's coming and not so pressured to make something happen now." Rae most recently released her self-titled debut LP Addison on June 6. During an interview on Quen Blackwell's YouTube series Feeding Starving Celebrities, she opened up about the wide range of topics that the record covers — which influenced its simple name. Rae thought about self-titling the album "for a really long time," noting, "when you do hear all of the music like straight through, there's not really a title that like encompasses all of it." "Everybody that I played it to as well they were just like, 'Oh it just sounds like just like you. Like it just sounds like music you would make,'" she recalled. 'I don't really know what else to call it and so I was like, 'Maybe then the album is just my name.'" Read the original article on People

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store