
Letters: Until Eurovision political scream-fest reverts to real song contest, RTÉ should opt out
Thankfully Austria won and we didn't have the political embarrassment of Israel winning. So it should be 'so long, farewell, auf wiedersehen, au revoir and a good night' until it returns to a proper song contest, if ever. There are better things for RTÉ to spend its budget on.
Aidan Roddy, Cabinteely, Dublin 18
John Burns can be grateful he wasn't a TV actor in the '70s – he'd have gone broke
As someone who has been trying for years to lose a stone in weight, I was hugely impressed by John Burns's account of how he lost eight times that ('Few will mourn the death of WeightWatchers, but I certainly don't miss the eight stone it helped me lose', Irish Independent, May 16).
It's all the more impressive given that Mr Burns worked in journalism, a trade given to long hours and shift work.
However, he was lucky he wasn't an actor. In the 1960s and '70s, Patrick Newell (1932-1988) specialised in playing rotund villains or comic characters. His most famous part was that of Mother in The Avengers TV series alongside Diana Rigg and Patrick Macnee. Newell described himself as an 'actor with a weight problem' because the more he tried to diet, the less work he got.
Karl Martin, Bayside, Dublin 13
Teacher concerns about Leaving reform are valid – McEntee should listen
Education Minister Helen McEntee has warned that secondary school teachers could lose up to 5pc of pay due under public service deals if they fail to co-operate with proposed Leaving Cert reforms.
This confrontational approach is ill-advised as teachers have legitimate concerns about the integrity, equity and fairness of the proposed 'Additional Assessment Components' (AAC), based on candidates' unsupervised external work.
An AAC will be worth at least 40pc of the marks and is reputedly designed to assess students' skills and competencies in a way that a terminal written exam cannot.
All new and revised Leaving Cert subjects will include at least one AAC. Seven revised Leaving Cert subjects as well as two new subjects, Drama, Film and Theatre Studies, and Climate Action and Sustainable Development are due for introduction in September.
Further sets of revised subjects will be phased in annually until 2029. The official view that the AAC will reduce the stress on students at the terminal written exams is psychologically naive.
Teachers have concerns about the Leaving Cert reforms, particularly the acceleration of their implementation amid growing concerns about assessment integrity. Teachers feel there is a lack of knowledge and guidance on the use of AI and on the authentication of students' work.
Smaller class sizes, more access to IT in classrooms, more support for students with special education needs and less well-off students are also priorities for teachers.
The minister must take the teachers' concerns on board as the devil is in the detail. Consider the effect of the AAC in higher-level maths.
The AAC is worth at least 40pc of the marks – grade H6, or 46 CAO points. But as 25 bonus points are awarded in higher-level maths for grade H6 or above, many candidates will have scored 71 CAO points in maths ever before sitting the terminal exam.
Expect the AI experts to jump on that gravy train.
Billy Ryle, Tralee, Co Kerry
I don't want a librarian fixing my car and the same logic applies for educators
Labour's Children's Wellbeing and Schools Bill which is being discussed at present will require new teachers to have earned 'Qualified Teacher Status' or be working to obtain it. It would seem obvious a teacher had to be a teacher in fact, not just in name.
Covid demonstrated that every parent believed they could be a teacher to their own children until they actually tried to do it, and realised that on Friday afternoons, some students' enthusiasm waned – and many had even waned by Monday afternoon.
Appropriate qualifications are needed, not just advisable.
I don't want my car serviced by a librarian, nor do I ask for reading advice from a mechanic. I want people who know what they are doing after having studied and developed experience in their specialty.
In hindsight, however, I have to admit that much of my own four-year teaching degree was a waste of time and practical experience was the best way to develop my classroom skills.
Dennis Fitzgerald, Melbourne, Australia
US president will reap the whirlwind of his carnage when mid-terms come up
US president Trump has had many failures and in fairness, some successes. For instance, he failed to fix the Ukraine-Russia war in 24 hours. He failed to solve the genocidal war in Gaza and failed to make Canada the 51st state. He has failed to take over Greenland and the Panama Canal. His deluded tariff war has backfired spectacularly, leading to increased inflation and possibly a recession.
As for his successes, he has managed to make the US a world laughing stock and he himself its greatest buffoon – if a dangerous one. He has also succeeded in alienating America's closest allies and needlessly disrupted the global trading system.
The only consolation is that many of his MAGA supporters, as they face increasing prices while they lose their jobs, medical aid and social insurance, are slowly beginning to realise that they were conned by Trump and his sycophants and will hopefully respond accordingly in the mid-term elections next year.
John Leahy, Wilton Road, Cork
No child should have to live with impaired vision because of cost constraints
As a grandmother, I never imagined a child's ability to see would depend on their family's ability to pay. My granddaughter is four. She has a +7.5 prescription in one eye and +7.25 in the other. The HSE covers one pair of glasses, including lens thinning, but that's where the help ends.
When the time came to get a second pair, we had to pay €270. It cost €170 to thin the lenses, €100 for frames. For many families, that is impossible. No child should be left unable to see because their parents or guardians can't afford a back-up.
This is something the HSE and our politicians need to urgently fix. Catherine Masterson, Carlow
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Irish Daily Mirror
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- Irish Daily Mirror
'Conor McGregor lived next door – when caught doing something, he'd run home'
Years before he was taunting UFC rivals, Conor McGregor was renowned for winding up his Crumlin neighbours with a wide grin spread across his face. Growing up in South Dublin, an area plagued by gangland violence and high crime rates, 'The Notorious' came from humble beginnings with his mother, Margaret and father, Tony. Nowadays, neighbours say the 36-year-old has regularly been spotted cruising around the area in his Lamborghini. However, many of the locals will also remember the teenager who grew up teasing his neighbours with his cheeky antics, before quickly escaping the area and going back into his house. Keith Carolan, who lived next door to McGregor and his family, offered an insight into what the fighter was like as a youngster. Before McGregor's mega-money bout against Floyd Mayweather in 2017, Carolan told the Irish Independent: "He was cheeky, there was no doubt about that. When he would do things he'd run inside and his mother Margaret would come out and defend him. "He was a little impish bloke. When I say cheeky I don't mean he'd give you backchat, he just had this cheeky grin. He'd say something, or do something, and he'd have this cheeky grin and then he'd go running. "He was a fast runner as well, you couldn't catch him. He was a normal young fella but he wasn't afraid to speak up for himself. He was brought up right by Margaret and Tony. He'd give you a bit of lip and then he'd run. "But sometimes he'd just do things for a laugh. You can see it sometimes still in him now. Every now and again when I see him interviewed on the tele you can sometimes see the young Conor comes out." The formative years of "young Conor" were spent at his local boxing club, being coached by two-time Olympian Phil Sutcliffe Sr. McGregor's fighting prowess, including his signature left-cross that famously floored Jose Aldo at UFC 194 to clinch the featherweight title, was likely rooted in Sutcliffe's mentorship. During the lead-up to their fight, McGregor consistently got under Aldo's skin by using every opportunity to rattle the Brazilian that was given to him on social media, press conferences and interviews. Dubliners will always remember the mayhem that ensued at the Convention Centre, when McGregor swaggered over to Aldo's table and swiped his championship belt, leading to a scuffle that UFC boss Dana White and security could not prevent. McGregor couldn't be stopped as he seized the belt and declared: "You're looking at the King." Yet, despite McGregor's notorious reputation among fight enthusiasts and Dublin locals, Carolan still recalls the mischievous boy who lived next door. Carolan added: "When he's not brash and when he's not the swaggering Conor McGregor, you see the little young Conor come out. You see the little smile on his face, especially when he's dealing with his fiancee Dee, you see the little smile coming out. "Or in some of the programmes when you see he's at home with his mam and dad, you see the little look on his face that he used to give when he was a kid, the little look of, 'Oh I'm going to wind these up now.' "He was a normal kid but they'd have their fights out there, you know the way kids have their fights and Conor would wind them all up."


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20 hours ago
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Toy Show star scores major role in new HBO series
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RTÉ News
a day ago
- RTÉ News
Something For The Weekend – Anna Carey's cultural picks
Anna Carey is an Irish Book Award-winning novelist, journalist, editor and scriptwriter who spent her teens and twenties playing in bands. She is the author of seven acclaimed novels for young adults; her debut novel The Real Rebecca won the Senior Children's Book of the Year prize at the 2011 Irish Book Awards and her last book The Boldness of Betty was shortlisted for the same award in 2020. Her drama podcast The Famine Monologues was released by RTÉ in 2021 and her play The Making of Mollie was staged in 2024. Her latest novel Our Song is her first book for adults - read an extract here. We asked Anna for her choice cultural picks... FILM I'm a huge Ernst Lubitsch fan. Billy Wilder famously had a sign up in his office saying 'How would Lubitsch do it?' and I think that would still be a useful question for anyone trying to write comedy or romance or romantic comedy. The Shop Around the Corner is literally a perfect romcom and To Be Or Not To Be is just an incredible – and incredibly funny – anti-fascist film. Plus it has Carole Lombard in it, who I adore. I love his 1933 romantic comedy Design For Living. It's very much a pre-Code film, one of the daring movies made in the early 1930s before Hollywood introduced the Hays Code and started banning anything vaguely racy. Miriam Hopkins plays a woman who ends up in what's basically a throuple with Gary Cooper (good for her!) and Frederic March (meh). I paid homage to one of my favourite lines from Design for Living in a scene in Our Song. MUSIC I listen to a lot of French pop music. I've been a fan of classic French pop since my late teens and briefly ran a French pop club night in my early twenties, despite the fact that back then I didn't have a word of French (I did German and Latin in school and German in college). I started learning French at the Alliance Francaise about twelve years ago and once I could read French magazines I started discovering contemporary artists who aren't really big outside France. My favourites are all female solo musicians – Pomme, Pi Ja Ma and Clara Luciani, who are all very different but all make gorgeously melodic, kind of bittersweet music. In March I went to Lyon to see Clara Luciani play a big arena show and it was the most joyful thing – dancing for two hours with several thousand happy French people. BOOKS We're living in an excellent time for romantic fiction. My current favourite authors in the genre, who all have new books out this year, are Sarra Manning, Mhairi McFarlane and Katherine Center – I'm already looking forward to their next from romcoms, one of my favourite new books is Elaine Feeney's Let Me Go Mad In My Own Way, about a woman who has returned to her family home in the west of Ireland and her family's history of violence and trauma. That sounds so grim, but Feeney has the amazing gift of writing about big, serious issues with such humanity and wit that the book is utterly compelling and sometimes funny. I loved it. THEATRE I love Sean O'Casey's Dublin plays. My dad's family were all dock workers from the North Strand and I drew on my family history to write my last YA novel The Boldness of Betty, which is set during the 1913 Lockout. O'Casey's plays were a brilliant resource for Dublin dialogue from this period – like, if I wanted to check if a slang expression was in use at the time, I'd check the plays. They're funny and angry and sad and very Dublin, and they all still have a lot to say about class and conflict and colonialism. Also I wrote my German degree dissertation on Brecht and Weill's Threepenny Opera and John Gay's Beggar's Opera and I still have a soft spot for both of them. TV I really, really love good telly. I think as an artform that can do things no other medium can. In terms of programmes that are currently airing or have just aired, I loved the latest season of Hacks. I am so invested in the lead characters Deborah and Ava, it physically pained me when they were at odds. It's such a funny, humane show, and while its focus is on a 70-something and a 20-something woman, I love that my own generation is represented by the comedy genius Kaitlin Olson, who plays Deborah's daughter. Speaking of women of my generation, I'm also really enjoying the second series of Poker Face – I could watch Natasha Lyonne genially solving preposterous murders around America all day. GIG Throwing Muses were a hugely important band for me growing up. I first discovered them when I was 14 thanks to their 1989 album Hunkpapa and I was in total awe of Kristin Hersh and Tanya Donelly – I had never seen girls playing the guitar like that before. I still love them and I can't wait to see them when they play in Dublin in August. Speaking of women playing the guitar, I'm really looking forward to CMAT in the 3Arena later this year – her Fairview Park gig was my live music highlight of 2024. And my last gig was a brilliant concert at Féile Roise Rua in Arainn Mhóir in Donegal. It's a singing festival held on the island every May with lots of fantastic folk and trad artists. ART I absolutely adored the Evie Hone and Mainie Jellett exhibition currently running in the National Gallery – it was brilliantly curated and the art was incredible. I studied History of Art in college and spent a lot of time in the National Gallery back then, and I love how it's developed its approach to exhibitions over the last few decades. Outside of Ireland, two of my favourite exhibitions of the last decade explored the links between painting and fashion – Balenciaga and Spanish Painting at the Thyssen in Madrid, which explored the connections between the couturier's masterpieces and the works of everyone from Goya to El Greco, and Sargent and Fashion at the Tate in London. PODCAST I used to listen to a lot of podcasts and weirdly over the last year I've listened to fewer and fewer, mostly because I do most of my podcast listening on walks and for the last year I've spent my walks listening to French pop music and thinking about how to wrangle various issues in the books I've been writing. I do still never miss an episode of the unhinged and very funny Irish podcast The Creep Dive, and, when it's airing, the Hollywood history podcast You Must Remember This. TECH I am always trying and failing to spend less time on my phone. But I'll recommend Bandcamp, which allows you to buy music directly from the musicians and then stream it via the Bandcamp app. THE NEXT BIG THING... The band Poor Creature, featuring Ruth Clinton from Landless, Cormac MacDiarmada from Lankum and John Dermody from the Jimmy Cake. They're incredible live. Their first album All Smiles Tonight is coming out next month and I can't wait.