
Corrections: Feb. 23, 2025
An article this weekend on Page 28 about the actor Jack Quaid misstates the surname of the actress who plays Mr. Quaid's love interest on 'The Boys.' It is Erin Moriarty, not Morgenstern.
An article this weekend on Page 20 about George Clooney making his Broadway debut this spring misstates what Amal Clooney was doing when Mr. Clooney invited her to watch him score a movie. She was negotiating to protect women's rights in Egypt's new constitution, not working on a treaty with the Muslim Brotherhood.
An article on Feb. 16 about the drug buprenorphine, an opioid that can help treat addiction to more serious opioids like heroin and fentanyl, misstated Kelly Pfeifer's relationship with the California Health Care Foundation. She is not currently a director with the organization.
Errors are corrected during the press run whenever possible, so some errors noted here may not have appeared in all editions.
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Yahoo
31 minutes ago
- Yahoo
How 'Take Me Out to the Ball Game' seeded a music nonprofit supporting the songwriters of tomorrow
NEW YORK (AP) — It's sung every summer in baseball stadiums around the United States. But the impact of 'Take Me Out to the Ball Game' goes much further than simply getting fans out of their seats for the 7th-inning stretch. More than a century after Jack Norworth penned the lyrics, a nonprofit founded with the song's royalties is celebrating 50 years of supporting young musicians — including the talent behind some of today's most popular musicals. The ASCAP Foundation, the charitable arm for the American Society of Composers, Authors and Publishers, was established in 1975 after Norworth's estate left a bequest of the licensing payments for baseball's unofficial anthem and his other hits. 'Just as all music begins with a song, the ASCAP Foundation began with a song,' said Paul Williams, the group's president and a composer-lyricist whose award-winning career includes 'Rainbow Connection.' The organization provides money, lessons and mentorship at all career stages in an industry where that support is badly needed by artists who often toil for years working other gigs while trying to get their music before the right ears. To reach its semicentennial, however, the foundation has had to identify new funding streams and reinvent programming. 'Take Me Out to the Ballgame,' written in 1908, has since entered the public domain and no longer generates revenue. The foundation nowadays relies on a mix of philanthropies, corporate sponsors and general public donations. The Louis Armstrong Educational Foundation is a longtime backer and storied New York law firm Paul Weiss is another sponsor. And, according to Williams, 'there's not a lot of stingy songwriters out there.' The late Jerry Leiber and Mike Stoller, as well as Herb Alpert, are among those with named scholarships and awards. Williams said other bequests, which are charitable gifts left through a will, have come from 'Hello, Dolly!' composer-lyricist Jerry Herman and 'Tea for Two' lyricist Irving Ceasar. 'It's really a way of making a mark on the world and extending their values forward,' fundraising coach Claire Axelrad said of bequests, which she added have consistently made up about one-tenth of charitable gifts. With dwindling arts funding and millions of children reportedly going without music education, the ASCAP Foundation is also trying to reach underserved communities. Leaders count nearly 60,000 K-12 students who participated in last year's programs. They help teach guitar to New York summer campers and bring students to free Broadway-caliber productions. Youth are learning to play the djembe, a drum originally from West Africa, through a collaboration with urban farming nonprofit Harlem Grown. Tax filings show the foundation gave away more than $325,000 in grants for scholarships, fellowships and cash awards in 2023. Award-winning songwriter Emily Bear, who co-wrote the soundtrack for Disney's 'Moana 2,' said the foundation took her 'very seriously" when she was a five-year-old prodigy receiving its young composer award. 'That kind of validation at that kind of age means so much when you're just a little girl with very big dreams and you're in a room full of people that you idolize," she said. Composer Stephen Schwartz, who was honored this week with the ASCAP Foundation Champion Award during a June 10 fundraiser at Tony winner Adam Guettel's Manhattan home, said the nonprofit is filling gaps as the government 'supports the arts less and less.' This April also marked the third year that Schwartz has hosted the foundation's two-day Musical Theatre Fest in Los Angeles. The location allows participants to get feedback from prominent guests and connect with Hollywood studios — one way the foundation is trying to stay relevant by serving the renewed interest in musicals for television and film screens. It's emblematic of the mentorship younger composers say Schwartz — a Broadway icon whose hits include 'Godspell,' 'Pippin' and 'Wicked' — has offered to emerging artists over the years. Benj Pasek and Justin Paul, the songwriting duo behind 'Dear Evan Hansen,' credited the ASCAP Foundation for 'cementing' their connection with Schwartz. Pasek said such close proximity to a hero, who then became a "living, breathing person who gives you advice,' made the profession 'more plausible.' 'Typically, you're working on projects on a wing and a prayer and hoping that someday it reaches the stage,' Paul said. "So, an organization like the ASCAP Foundation breathing life into not just your work, but your pocketbooks, is a huge, huge support.' Schwartz said it was 'scary and bewildering' when he first started out without any connections. He sees an important role for himself as someone who can 'ease the way a bit' to help newcomers' 'talents flourish earlier and more completely.' There's also another motivation. 'It's slightly selfish because I get to see good work and enjoy it,' Schwartz added. ___ Associated Press coverage of philanthropy and non-profits receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP's philanthropy coverage, visit James Pollard, The Associated Press Sign in to access your portfolio


New York Post
33 minutes ago
- New York Post
Harris Yulin, ‘Scarface' and ‘Ghostbusters II' actor, dead at 87
Harris Yulin, the stage and screen actor who was best known for his roles in the films 'Scarface' and 'Ghostbusters II,' has died. He was 87. Yulin died of cardiac arrest on Tuesday in New York City, his family and his manager, Sue Leibman, confirmed to The Post. 'Yulin was part of the vanguard of a generation who cared passionately about the craft of acting,' the statement read. 'This deep, lifelong dedication led to extraordinary, resonant performances that were a gift to audiences, the actors he worked with, and the art of acting itself.' Advertisement 10 Harris Yulin attends 'The Emperor's Club' premiere in Beverly Hills in Nov. 2002. Getty Images Yulin was born on November 5, 1937 in Los Angeles. He made his New York stage debut in 1963 in 'Next Time I'll Sing to You,' before making his Broadway debut in 1980 in the revival of 'Watch on the Rhine.' His next Broadway shows included 'The Price,' 'The Visit,' 'The Diary of Anne Frank,' 'Hedda Gabler' and more. He also directed many plays such as 'The Glass Menagerie,' 'The Trip to Bountiful' and ' The Man Who Came to Dinner.' Advertisement 10 Harris Yulin attends 'Our Lady Of Kibeho' opening night on Broadway in 2014. WireImage Yulin's first movie was the 1970 satirical black comedy drama 'End of the Road' starring James Earl Jones and Stacy Keach. He went on to appear in 'Scarface' (1983), 'Ghostbusters II' (1989), 'Clear and Present Danger' (1994), 'Bean' (1997), 'Rush Hour 2' (2001), 'Training Day' (2001), 'The Place Beyond the Pines' (2012) and more. 10 Harris Yulin, Bill Murray, Harold Ramis, Rick Moranis, Dan Aykroyd in 'Ghostbusters II.' ©Columbia Pictures/Courtesy Everett Collection Advertisement 10 Harris Yulin, Al Pacino, Steven Bauer in 'Scarface.' Moviestore/Shutterstock On television, Yulin was nominated for a Primetime Emmy Award for his guest role on 'Frasier' in 1996. He had a major arc on Netflix's 'Ozark,' as well as stints on 'Buffy the Vampire Slayer,' '24,' 'Veep,' 'Unbreakable Kimmy Schmidt' and 'Billions.' In a 2010 interview with The Irish Times, Yulin described himself as 'not that high-profile.' 10 Josh Charles and Harris Yulin in 'Unbreakable Kimmy Schmidt.' NBCU Photo Bank/NBCUniversal via Getty Images Advertisement 10 Harris Yulin, Jane Leeves, Kelsey Grammer, John Mahoney, David Hyde Pierce in 'Frasier.' NBCUniversal via Getty Images 10 Harris Yulin in the ABC tv movie 'Victory at Entebbe.' ABC 'I just do the next thing that comes along,' he said of his career. 'Whatever comes along that I want to do or that I feel I need to do. Oftentimes the things one does you don't think of doing or you have no idea that you're going to do.' According to his family, Yulin was working on the Michael Hoffman-directed MGM+ series 'American Classic' co-starring Kevin Kline, Laura Linney and Jon Tenney before his death. Yulin and Hoffman, 68, previously collaborated on the 2005 film 'Game 6.' 10 Harris Yulin in Canada in 1970. Toronto Star via Getty Images 'Harris Yulin was very simply one of the greatest artists I have ever encountered,' Hoffman said in a statement. 'His marriage of immense technique with an always fresh sense of discovery, gave his work an immediacy and vitality and purity I've experienced no where else.' 'And what he was as an actor, he was as a man, the grace, the humility, the generosity,' the director continued. 'All of us at 'American Classic' have been blessed by our experience with him. He will always remain the beating heart of our show.' 10 Harris Yulin with his wife Kristen Lowman at the 2016 Signature Theatre Gala. WireImage Advertisement 10 Harris Yulin at the 'A Bright New Boise' premiere in NYC in Feb. 2023. Getty Images for Signature Theatre Yulin notably dated Faye Dunaway from 1971 to 1972. They were co-stars in the 1971 Western film 'Doc.' He was married to actress Gwen Welles from 1975 until her death in 1993. Yulin is survived by his second wife, actress Kristen Lowman, son-in-law Ted Mineo, nephew Martin Crane, and godchildren Marco and Lara Greenberg. He was predeceased by his daughter, actress Claire Lucido.

Associated Press
34 minutes ago
- Associated Press
How 'Take Me Out to the Ball Game' seeded a music nonprofit supporting the songwriters of tomorrow
NEW YORK (AP) — It's sung every summer in baseball stadiums around the United States. But the impact of 'Take Me Out to the Ball Game' goes much further than simply getting fans out of their seats for the 7th-inning stretch. More than a century after Jack Norworth penned the lyrics, a nonprofit founded with the song's royalties is celebrating 50 years of supporting young musicians — including the talent behind some of today's most popular musicals. The ASCAP Foundation, the charitable arm for the American Society of Composers, Authors and Publishers, was established in 1975 after Norworth's estate left a bequest of the licensing payments for baseball's unofficial anthem and his other hits. 'Just as all music begins with a song, the ASCAP Foundation began with a song,' said Paul Williams, the group's president and a composer-lyricist whose award-winning career includes 'Rainbow Connection.' The organization provides money, lessons and mentorship at all career stages in an industry where that support is badly needed by artists who often toil for years working other gigs while trying to get their music before the right ears. To reach its semicentennial, however, the foundation has had to identify new funding streams and reinvent programming. 'Take Me Out to the Ballgame,' written in 1908, has since entered the public domain and no longer generates revenue. The foundation nowadays relies on a mix of philanthropies, corporate sponsors and general public donations. The Louis Armstrong Educational Foundation is a longtime backer and storied New York law firm Paul Weiss is another sponsor. And, according to Williams, 'there's not a lot of stingy songwriters out there.' The late Jerry Leiber and Mike Stoller, as well as Herb Alpert, are among those with named scholarships and awards. Williams said other bequests, which are charitable gifts left through a will, have come from 'Hello, Dolly!' composer-lyricist Jerry Herman and 'Tea for Two' lyricist Irving Ceasar. 'It's really a way of making a mark on the world and extending their values forward,' fundraising coach Claire Axelrad said of bequests, which she added have consistently made up about one-tenth of charitable gifts. With dwindling arts funding and millions of children reportedly going without music education, the ASCAP Foundation is also trying to reach underserved communities. Leaders count nearly 60,000 K-12 students who participated in last year's programs. They help teach guitar to New York summer campers and bring students to free Broadway-caliber productions. Youth are learning to play the djembe, a drum originally from West Africa, through a collaboration with urban farming nonprofit Harlem Grown. Tax filings show the foundation gave away more than $325,000 in grants for scholarships, fellowships and cash awards in 2023. Award-winning songwriter Emily Bear, who co-wrote the soundtrack for Disney's 'Moana 2,' said the foundation took her 'very seriously' when she was a five-year-old prodigy receiving its young composer award. 'That kind of validation at that kind of age means so much when you're just a little girl with very big dreams and you're in a room full of people that you idolize,' she said. Composer Stephen Schwartz, who was honored this week with the ASCAP Foundation Champion Award during a June 10 fundraiser at Tony winner Adam Guettel's Manhattan home, said the nonprofit is filling gaps as the government 'supports the arts less and less.' This April also marked the third year that Schwartz has hosted the foundation's two-day Musical Theatre Fest in Los Angeles. The location allows participants to get feedback from prominent guests and connect with Hollywood studios — one way the foundation is trying to stay relevant by serving the renewed interest in musicals for television and film screens. It's emblematic of the mentorship younger composers say Schwartz — a Broadway icon whose hits include 'Godspell,' 'Pippin' and 'Wicked' — has offered to emerging artists over the years. Benj Pasek and Justin Paul, the songwriting duo behind 'Dear Evan Hansen,' credited the ASCAP Foundation for 'cementing' their connection with Schwartz. Pasek said such close proximity to a hero, who then became a 'living, breathing person who gives you advice,' made the profession 'more plausible.' 'Typically, you're working on projects on a wing and a prayer and hoping that someday it reaches the stage,' Paul said. 'So, an organization like the ASCAP Foundation breathing life into not just your work, but your pocketbooks, is a huge, huge support.' Schwartz said it was 'scary and bewildering' when he first started out without any connections. He sees an important role for himself as someone who can 'ease the way a bit' to help newcomers' 'talents flourish earlier and more completely.' There's also another motivation. 'It's slightly selfish because I get to see good work and enjoy it,' Schwartz added. ___ Associated Press coverage of philanthropy and non-profits receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP's philanthropy coverage, visit