logo
Akshay Kumar Jokingly Remarks, "Kaafi Late Nahi Ho Gaya?" As He Closes ICW Day 3 Past His Bedtime

Akshay Kumar Jokingly Remarks, "Kaafi Late Nahi Ho Gaya?" As He Closes ICW Day 3 Past His Bedtime

NDTV6 days ago
Akshay Kumar made a dashing comeback to the ramp after a 12-year hiatus on Friday, July 25, 2025. The Housefull 5 actor turned showstopper for designer duo Falguni Shane Peacock at the Hyundai India Couture Week 2025. He ooked regal as he walked across the runway with his iconic swag. Dressed in an ivory bandhgala, a matching kurta, similar toned white ethnic trousers and a pair of black wayfarer sunglasses; all eyes were glued to the OG Bollywood star. But it was his post event media interaction that caught our attention.
View this post on Instagram
A post shared by FDCI (@fdciofficial)
Right as he started to address media during the post show press conference, the 57-year-old star said, "Well, thank you very much. Main Hindi mein bolunga. Aap sabhi logo ka bohot bohot dhanyawad, jitne bhi yahan log aaye, aur media." Then he looked at his watch and remarked, " Kaafi late nahi ho gaya?". Many in the press and audience joked that it is way past his bedtime referring to the disciplined life he leads. Someone even cheekily said, said "Dilli mein chalta hai sir"; to which Akshay replied, " Dilli mein chalta hai? Tabhi haal dekh tera."
View this post on Instagram
A post shared by FDCI (@fdciofficial)
Post this fun banter that left the audience into breaking into laughs Akshay expressed his honour and collaborating with Falguni Shane Peacock and returning back to the ramp post a 12-year long period. "Actually, after a long time I'm doing this walk, ramp walk. Mujhe yaad hai, aaj se kareeban 12 saal pehle, maine phir ek baar ramp walk kiya tha, maine inhi ke saath kiya tha. And it's been an honour doing that."
In light of Akshay Kumar's fun "k aafi late nahi ho gaya?" comment and his disciplined lifestyle. Here are the benefits of following an early-to-bed and early-to-rise routine that will make you hop on to this bandwagon too.
The early-to-bed and early-to-rise routine has a bunch of physical and mental health benefits including improved sleep quality before anything else.
It also increases one's energy levels through the day and leads to increased productivity.
It helps with regulating one's mood and keeps the person in a happy and balanced state of mind.
The routine and its discipline in turn also makes people's immune system stronger.
It helps individuals become more organised and better equipped to manage strees.
Akshay Kumar's fun banter at ICW 2025 has real life wellness roots.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Malayalam actors Urvashi, Vijayaraghavan get honoured in 71st National Film Awards
Malayalam actors Urvashi, Vijayaraghavan get honoured in 71st National Film Awards

Hindustan Times

time5 minutes ago

  • Hindustan Times

Malayalam actors Urvashi, Vijayaraghavan get honoured in 71st National Film Awards

Thiruvananthapuram, Malayalam cinema secured a fair share of honours at the 71st National Film Awards announced in Delhi on Friday. Malayalam actors Urvashi, Vijayaraghavan get honoured in 71st National Film Awards The awards for the year 2023 were announced by jury head and filmmaker Ashutosh Gowariker. Veteran actors Vijayaraghavan and Urvashi were named Best Supporting Actor and Actress, respectively. Vijayaraghavan was recognised for his performance as an elderly man in 'Pookkaalam', directed by Ganesh Raj, while Urvashi earned the honour for her role in 'Ullozhukku'. Directed by debutant Christo Tomy, 'Ullozhukku' was adjudged Best Malayalam Film. Mohandas won the award for Best Production Design for the blockbuster '2018', while Midhun Murali received the Best Editing award for 'Pookkaalam'. Documentary filmmaker M K Ramdas received a special mention in the non-feature section for 'Nekal-Chronicle of the Paddy Man', a film on Padma Shri awardee Cheruvayal Raman, known for preserving traditional seed varieties. Sound designer M R Radhakrishnan from Kerala also received a special mention for his work in the Hindi film 'Animal'. Reacting to the announcement, Vijayaraghavan said he was elated. "Earlier, I used to look forward to awards. These days, I don't expect them—so this is a pleasant surprise," he told reporters. Urvashi dedicated the award to Christo Tomy. "I had hoped he would be recognised as Best Debut Director for this effort," she said. Tomy credited his crew for the film's success. "This award belongs to the entire team of 'Ullozhukku'. Urvashi and Parvathy Thiruvothu were irreplaceable in their roles," he said. Meanwhile, the Best Director award for Sudipto Sen's controversial Hindi film 'The Kerala Story' has sparked criticism in Kerala. State General Education Minister V Sivankutty said the honour "diminishes the value of the national awards". In a statement, he claimed, "It is regrettable that an award is given to a film filled with baseless allegations and hate propaganda. This is not an honour for art, but a recognition of attempts to divide society." This article was generated from an automated news agency feed without modifications to text.

‘I'm ready to fight': South Korean tourist brings masks to India after seeing dusty images online
‘I'm ready to fight': South Korean tourist brings masks to India after seeing dusty images online

Hindustan Times

time5 minutes ago

  • Hindustan Times

‘I'm ready to fight': South Korean tourist brings masks to India after seeing dusty images online

An Indian content creator has sparked online conversation after sharing a video with his South Korean friend, who brought multiple masks and old clothes during a trip to India — all because of what he saw on Google Images back home. A tourist from South Korea arrived in India carrying masks after coming across images depicting heavy dust and pollution during an online search.(Instagram/kaash_chaudhary) (Also read: Seoul train inferno: Man sets fire to moving subway over divorce, passengers flee in panic in viral video) The Instagram video, shared by user Akash Chaudhary, captures a candid moment between the two as they enjoy local food somewhere in India. In the clip, Chaudhary explains, 'My friend from South Korea brought so many masks and old clothes with him to India.' The reason, he reveals, is rooted in what the Korean traveller saw online before his visit. "Google images show this image of India" According to Chaudhary, his friend searched for 'Indo' on Google while still in South Korea, and the search results showed images dominated by dust and pollution. The video even shows the Korean national scrolling through those very images on his phone, supporting his claim. Reacting to the unexpected preparedness, Chaudhary asks him, 'That's why you bring so many masks?' With a quick wit and humour, the South Korean man replies, 'I'm ready to fight.' Watch the clip here: The reel was posted with the caption, 'Google Images show this Image of India in South Korea,' and has since gone viral, racking up more than 2.6 million views. Mixed reactions pour in The video has triggered several reactions from users, with many divided over whether to laugh, feel concerned, or defend India's global image. One user wrote, 'This is hilarious but also quite sad. We seriously need to work on how the world sees us.' Another commented, 'Masks for India? It's not that bad everywhere. Come to the mountains, bro.' A viewer said, 'This shows how stereotypes shape perception. Not cool.' Another added, 'Google isn't lying. We all know how bad pollution can get in some cities.' One user chimed in, 'He came prepared like he's going to war, not a holiday,' while another wrote, 'I'd do the same if I saw those images before travelling.' Some defended the country, saying, 'India is so much more than what Google shows. Sad he didn't look beyond the images.'

‘Ambikapathy': AI-altered ‘Raanjhanaa' climax ‘resurrects' Kundan and massacres his legacy
‘Ambikapathy': AI-altered ‘Raanjhanaa' climax ‘resurrects' Kundan and massacres his legacy

The Hindu

time5 minutes ago

  • The Hindu

‘Ambikapathy': AI-altered ‘Raanjhanaa' climax ‘resurrects' Kundan and massacres his legacy

'The woman sitting next to me. The doctors still hoping to save me. My crazy friend. Another woman, who had dedicated her life to me. My mother. My father. The lanes of Kasi. My body, which had left me. And my heart, with fire still burning within. I could have gotten up. But for whom? I could shout. But for whom? Everything was melting away from me — my love, Zoya, Bindiya, Murari, and the scent of Kasi. Why should I hold on? This fire within me could have either kept me alive or killed me. But why do I need to get back up? Who could once again endure all the pain, fall in love again, and suffer heartbreak? Can someone ask me not to leave? The stone-faced Zoya sitting next to me — even now, I would go back to her if she wished for it. But I won't. I think there's more reason in closing my eyes and embracing the eternal slumber. But one day, I shall return. To play the tabor on the same shores of Ganga, to fly in the same streets of Kasi, and to fall in love with a Zoya again.' It's been 12 years since Kundan Shankar promised to return to Banares, but the unhealed scars of the above monologue still bear witness that he lives tall in the hearts of Hindi and Tamil audiences. When Kundan (played by Dhanush) bid his goodbye, those watching Raanjhanaa (Ambikapathy in Tamil) for the first time couldn't grapple with the idea of the narrator of the story dying (His death came as a shock, unlike the case in films like American Beauty and Sunset Boulevard, also told posthumously by a dead narrator). However, Kundan, to be blunt, was always doomed to die at the end of the film. Kundan had to die so the light he emanated could live. Every time AR Rahman's stirring soundtrack played, we reminisced about a chirpy, naive young man, consumed by a love with splinters, smiling and dancing along the colourful streets of Banares. And now, 12 years since he left us, Kundan has controversially returned to the big screen, becoming fodder for a kitschy attempt at using Artificial Intelligence for an alternate ending that besmirches the very idea of why he existed in the first place. In this version of Ambikapathy, which was released in Tamil Nadu theatres on Friday, Kundan lives. After Zoya (Sonam Kapoor) gently graces his face, the producers shockingly cut away the entire monologue of Kundan and instead intercut flashbacks of Kundan and Zoya to suggest some newfound reciprocation of love from his love interest. He then turns towards her and half-opens his eyes to look at her. Bindiya (Swara Bhaskar) and Murari (Mohammed Zeeshan Ayyub) flash a creepy, uncanny valley smile, and then, Kundan wakes up. Forgetting that he has a bullet wound to his abdomen, he gets up from the hospital bed all so casually as if someone called him for breakfast. Eros Media World's announcement of a re-release with an altered AI-generated 'happy' ending has attracted flak from netizens and filmmakers, and rightfully so. A 'heartbroken' Aanand disassociated from the re-release and called it 'a reckless and dystopian experiment' in his chat with PTI. He added that doing so without discussion was 'a gross violation not just of the film, but of the trust of the fans who've carried the film in their hearts for 12 years.' Meanwhile, Eros Media World's CEO Pradeep Dwivedi told PTI that it was 'a creative reimagining, not a replacement, and is consistent with global industry practices, including anniversary editions, alternate cuts, and modernised remasters.' Nevertheless, the news attracted quite a lot of attention, and an afternoon show at a multiplex in Chennai saw a full house today. It had also given rise to fan theories, like whether Kundan would end up with Bindiya. Or if Zoya saves Kundan at the rally, and he gets hospitalised for a less fatal reason. However, the climax presented in theatres confused audiences, who wondered if there was a point in resurrecting Kundan when there was no intention to show how his equations with Zoya and Bindiya would pan out. Firstly, such a climax highlights many inconsistencies in Kundan's arc. Right from the beginning, we are shown how fierce and destructive his all-consuming, fanatic obsession over Zoya can be. His low self-esteem compelled him to self-harm, believing that getting Zoya's sympathy for him could win over her heart as well. Going to the political rally towards the climax, knowing that there were plans to kill him, was also his way of 'slitting wrists' to win over Zoya. Grappling with the guilt of causing Jasjeet Singh's (Abhay Deol) death, he followed Zoya, hoping that doing what she asked him to do could release him of the guilt. And Zoya, consumed by revenge and hatred, had asked him to die for Jasjeet's cause. In Jasjeet's death, Kundan saw what could have happened to him if this were the fate of a man far more privileged. He struggled to live with the fact that his need for revenge gave eternal grief and despair to Zoya. He carried the guilt of how he had also exploited Bindiya's affection towards him. The new climax strips away this exploration of guilt and grief, and reduces its vision to answer just one senseless point — 'Does Kundan get Zoya?' Kundan waking up and sharing a moment with Zoya spills another character inconsistency. In the original version, the moment captured how, in Kundan, Zoya finally saw the man she had always looked for, who she later found in Jasjeet — a man who would do what was right and go to any extent for it. In his quest to win her love, Kundan went to the rally knowing he would die, moments after asking her not to lie about her love for him. Zoya grazing his face was her way of apologising to him, having understood that while he may be the man who caused her so much pain, there was innocence in how devoted he was to her. She had begun to admire his adoration for her. After all, Zoya herself had been grappling with guilt. While she blamed Kundan for Jasjeet's death, she was troubled if it was her plan — to hide his Hindu identity from her family — that took him away from her. If that was for love, it was for hatred that Zoya went to the extent of sacrificing Kundan for Jasjeet's cause. Later, at the press conference, she had to sacrifice her future to bring the Chief Minister down and ensure there was no power struggle within the AICP. All of this played out in the moment she shared with Kundan. Here, the ending changes the meaning of the moment. It spells not guilt or grief, but romance. She is shown to be reminiscing about the moments she shared with Kundan since childhood. But how could that be possible when she had no memory of Kundan at that age? He had meant nothing to her until he became the man who helped thwart her father's plans to get her married off. Also, what does this mean for the future? What happens to Zoya and Kundan's equation? Where does this leave poor Bindiya, who is now reduced to a mere pawn in the story (more so than the original)? With his death, as the monologue had stated in the original, a part of her lived with him till the end, pricking him for how he had treated her. In this version, she's just a victim of a love triangle, which even robs us of that sliver of comfort in knowing Kundan finally saw himself in her devotion. Overall, the AI-altered climax of Ambikapathy is a tasteless, unwarranted rendition that taints the memory of the film. This raises doubts about whether the producers saw Kundan as an ideal hero and not as the flawed man he is — one who had to have a 'happy ending' that somehow even justifies his unrequited obsession over a woman who repeatedly said 'No.' And it's baffling that the makers missed out on using AI more productively, like when Kundan reads poetry from a piece of paper while proposing to Zoya. In the Tamil version, he reads a Tamil poem, but a close-up shows Hindi script written on the paper (Raanjhanaa wasn't shot in Tamil but dubbed as Ambikapathy). Perhaps AI could have helped mask the original with a poem written in Tamil. Regardless, it still puzzles why the perfect climax of the film, in tact with a monologue that perfectly captured the essence of this troubled character's troubled obsession, had to be changed. This isn't an ideal romance story that ended up sour to the dismay of the audience. The new climax is a cop-out that raises a red flag on what Artificial Intelligence can pave the way for in tone-deaf, artistically impaired hands. What's next? Kamal Haasan/Shah Rukh Khan beating cancer in Vaazhve Maayam/Kal Ho Naa Ho? Imagine Devdas not dying in Devdas. To critique this obnoxious trend of misusing AI to sully art, I asked an AI assistant for an appropriate quote: 'The real danger is not that computers will begin to think like humans, but that humans will begin to think like computers,' it said, quoting American journalist Sydney J. Harris.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store