
Inside Coronation Street's Jack P Shepherd's honeymoon with wife Hanni Treweek
The wedding, held last weekend, was attended by a host of Coronation Street cast members past and present, marking one of the soap world's most anticipated unions in recent years.
Jack, 37, made a stylish entrance at the historic cathedral, arriving in a red Ford Mustang adorned with a white bow. He wore a cream suit with a black bow tie, completing the look with dark sunglasses. His bride, 35-year-old Treweek, turned heads in an elegant off-the-shoulder lace gown and cathedral-length veil, stepping out of a vintage white Rolls-Royce to greet guests.
The interior of the cathedral was transformed into a dreamlike setting, with white floral arrangements and 150 white padded chairs. Guests were then transported to a luxury reception at the five-star Lowry Hotel in Salford.
The couple were joined by a host of Corrie cast members, including Tina O'Brien, Lucy Fallon, Alan Halsall, Samia Longchambon, Helen Worth, and Colson Smith.
Jack and Hanni first met behind the scenes at Coronation Street, where she worked as a script editor before shifting into fashion and lifestyle content creation. The couple made their relationship public in 2017, and have remained inseparable ever since.
In June 2024, Shepherd proposed during a once-in-a-lifetime safari trip to Tanzania. The actor popped the question under the African sky, a moment the couple described as 'magical' in social media posts at the time.
Earlier this year, Jack added another feather to his cap when he was crowned the winner of Celebrity Big Brother 2025. His unexpected triumph earned him a £100,000 cash prize, part of which is believed to have funded elements of the wedding and the couple's luxurious honeymoon.
The actor's stint on the reality show revealed a more candid side of his personality, helping him connect with a broader audience. Fans watched as he spoke openly about his relationship with Hanni and his hopes for the future. More Trending
Following the festivities, the newlyweds escaped to the Amalfi Coast in southern Italy, known for its breathtaking cliffside villages, clear waters, and world-class cuisine. The pair have been sharing snippets of their honeymoon on Instagram,
Photos and videos showed the couple dining seaside, exploring cobbled streets, and enjoying boat rides along the coast. In one clip, Hanni captioned a romantic sunset view with the words, 'Amalfi, you have my heart.'
The loved-up pair have also made a trip to Pompeii while enjoying their first week of married life.
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With their wedding behind them but the honeymoon underway, fans will be keeping an eye on social media for updates on the newlyweds' travels.
MORE: Soap stars pay tribute as 'wonderful' industry legend dies aged 86
MORE: Suspended EastEnders star Jamie Borthwick enjoys day out with co-stars amid slur scandal
MORE: Hollyoaks star David Tag proposes to girlfriend in beautiful setting
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New Statesman
an hour ago
- New Statesman
Bonnie Blue has no limits
Photo by Gilbert Flores/Variety via Getty Images In my previous life as a fact-checker, I was once instructed to watch an execution video to determine how the man had been killed. The Assad regime had fallen. The question was simple: was he shot against a tree or a tree stump? (Stump, as it happened.) Watching pornographic film actress Tia Billinger – known professionally as Bonnie Blue – get her 'insides rearranged' in slow, repetitive motion in Channel 4's 1,000 Men and Me: The Bonnie Blue Story filled my body with essentially the same emotions I'd felt watching the execution video: disgust, fear and dismay at the state humankind has found itself in. This latest documentary from Channel 4 is a passive, docile attempt at investigative journalism. The director Victoria Silver, spurred by the realisation that her 15-year-old daughter had come across Blue on social media, decided to follow the 26-year-old over the course of six months. During that time, Blue rose to meteoric fame, becoming the face of a new era of porn maximalism. Silver watches on, horrified, as Blue pushes her body to extremes, attempting to break 'world records' by sleeping with 1,057 men in 12 hours. Silver's questions don't prod; in fact, they barely brush past Blue. It's Liberal Feminism 101 – asking the kinds of questions about porn that have permeated discussions forever. 'In terms of feminism,' Silver ponders, 'are you not, maybe, sending us backward? Kind of conveying that women are there for male pleasure?' Blue can answer questions like this in her sleep: 'This is what I enjoy. I always say this is what I want. This is not for everybody. A lot of the hate I get is from women who are not working – which is absolutely fine; you get the choice if you want to work or not – but are they not just taking it back in time?' This is rinsed and repeated throughout. Silver, seemingly worried about offending Blue, propounds limply: 'Couldn't you just make a normal porno?' 'So, you don't mind offending women?' 'What's pegging?' Blue, dead behind the eyes like a junior minister on Question Time, toes the party line: 'They have to be 18.' The documentary feels like an advertisement for Blue's content. Her 'record-breaking' 1,057-man feat is played out in slow, graphic video shots. Every inch of Blue is shown – nothing is blurred out. If this is Channel 4's attempt at showing rather than telling viewers how extreme her content is, there's a fundamental flaw in the journalism. Viewers already know how absurd she is: one quick scroll through X or Instagram will lead to a video of Blue spouting misogynistic bile, such as when she blames women for their partners' infidelity. What was needed here was a more hard-line approach. Subscribe to The New Statesman today from only £8.99 per month Subscribe Instead, Silver wonders how her teenage daughter might feel, and whether she might 'think this is what she has to offer guys'. The same argument could be made about all pornography. Yes, it can distort young people's perceptions of what normal sex is – but even they, for the most part, can see that this is not normal sex. Moreover, the teenage daughter of a Channel 4 documentarian is unlikely to be the kind of girl who will suffer from Blue's content. Those that do appear in her sexual education porn video, for which she hired a number of young male and female sexual content creators who, for the first time, have sex, as a group, on camera – for Blue to monetise in what she calls a 'business opportunity'. All have been chosen because they are just over 18, and are willing to participate for free in the hope of gaining exposure through being tagged in Blue's social media posts. The documentary never sees the vast empire of exploitation that Bonnie Blue is a part of. Partly because 1,000 Men and Me exists within it, and possibly this article does too. The programme is a chance for rubberneckers to peer into her world, for Channel 4 to get some easy attention, and for Blue to expand her ever-growing following. While it is legal for Bonnie Blue-inspired 18-year-olds to join OnlyFans, participate in a gang bang, and buy a Dior suitcase with the profits, it does not take away from the fact that they are being sold a fantasy. Blue reiterates that 'my brain works differently, I'm just not emotional', and that this line of work is not for everyone. In the same breath, however, she lures viewers and participants in with the idea that this could be you in these videos: 'My subscribers can watch that and go, 'My dick looks like that, my body looks like that. I last nine seconds like them as well.'' The problem with Blue is that she is not just coerced by this culture, she also uses it for her own gain. Everyone on her OnlyFans set is a cog in Blue's capitalistic, money-making machine. Seasoned OnlyFans creator Andy Lee – the only other participant in Blue's sex-ed video who has previously had sex with strangers on camera – admits that this video is outside his comfort zone. He seems marginally more concerned than Blue about the well-being of the participants, reminding them that they shouldn't 'just say yes' if they don't actually want to have sex on camera. 'Yeah, um, I don't mind,' the female actors reply – an answer that reflects their juvenility – but they then slowly admit they would prefer to just watch rather than participate. (What would have happened had they not been asked twice?) Leah, new to pornography, grins widely but concedes that she is 'definitely nervous'. Codie isn't sure about it either – she's done 'nothing too adventurous' before but hopes her participation will lead to 'followers and subs'. 'I always think people who do OnlyFans must be really confident,' says Silver, as Madison, 21, trembles on screen. 'No,' Madison replies, shaking her head and biting her lip. 'Definitely no.' 'The fact that they're so nervous actually works in my favour because their reactions are more realistic,' shrugs Blue. 'If they feel intimidated, obviously I want them to say, but sometimes sex is intimidating.' The video goes ahead, unchallenged by anyone on Silver's team, and viewers are treated to a long montage of baby-faced 18-year-olds moaning alongside Blue. Herein lies the issue with Bonnie Blue. If you choose to have sex with 1,057 men in your mid-twenties, no one can stop you. But if young people, who are likely earning much less than you (Blue claims to earn more than £1m a month), are encouraged to believe that creating this kind of content will have little impact on their lives, then their youth and naivety are being exploited. There seems to be endless speculation and intellectualising about the impact of her videos on young women and what it says about culture. This is why free-choice markets become coercive without intervention. But the philosophers can ask what comes after this, what it means for liberalism and so on. Blue knows exactly what's next: 'a disabled gang bang'. [See more: We must fight the deepfake future] Related


The Herald Scotland
an hour ago
- The Herald Scotland
Nothing beats a Jet2 holiday: Celebs hopping on TikTok trend and jets
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The Guardian
4 hours ago
- The Guardian
Guy Pearce: ‘I don't think I'll look as good in a frock as I did when I was 25'
You once said you need to be so in control of things that if you had brain surgery, you'd only feel comfortable doing it yourself. Do you still feel this way? FioreSebekI don't remember saying that, but I can see how someone might joke about it. There's usually room for improvisation in life, but I have never been a very good improviser when it comes to acting. When I do things in my own accent, like Jack Irish, he was quite laissez-faire and flippant, so I could be looser and pull stuff out of the air. But when I'm working with high-powered actors and speaking with a tricky accent, I'm learning my lines, doing what's required and staying in control. If you were attending a dinner party where all the other guests were characters you have played, who would you sit next to, and who would you avoid? FrocksAwayI'd avoid Eric from The Rover and the Reverend from Brimstone, because they might kill me. Ed Exley from LA Confidential is quite arrogant and boring. I'd like to sit next to Andy Warhol, who I've played [in Factory Girl]. Houdini would be interesting, although I don't reckon you'd get a word in. And Leonard from Memento would start with dessert and finish with the starter because he's all backwards. I love my partner dearly, but she says if she was ever going to leave me, it would be for 'Mike from Neighbours'. What can I do to make her stop? Perhaps you can tell her for me? TooMuchSpareTimeNo, I'm not going to make her stop. I'm with her all the way if she thinks: if you're going to have an affair, make sure you have one with Annette Bening, or whoever. Maybe she needs to watch a couple of the horrible characters I've played, like Charley Rakes in Lawless. That's another character I don't want to sit next to. She should watch Brimstone and Lawless, and I can guarantee you she will have lost interest in Mike from Neighbours. When they first sent you the script for Memento, was it backwards? lagodeluna It was exactly as you see it in the film. Speaking of people who are in control of what they're doing, Christopher Nolan is king of that, because he so brilliantly constructed something where there was no room for things to move around. When my agent sent me the script, he said: 'By the way, this all goes backwards.' I'm glad he did, otherwise I would have read it three times before I got what was going on. Any news about the Priscilla, Queen of the Desert sequel? Have you boarded the lavender bus again, or are you still stuck in the pre-production desert? badrobot2 and feirefitzWe're stuck in the pre-production desert, going back and forth on the script, locations and budget. I feel there's enough love in the room to make it happen. I don't know if I am looking forward to putting on a dress again. I don't think I'm going to look as good in a frock as I did in 1993 when I was 25. Funnily enough, I was contacted by Madame Tussauds, who were setting up in Australia and wanted to have iconic Australian actors, like Hugh Jackman as Wolverine, Russell Crowe from Gladiator, Eric Bana from Chopper and me from Priscilla. I was filming Prometheus in London, so they said: 'Could you come in to Madame Tussauds and stand in your underwear, pulling this pose' – they had a photo – 'and we're going to take six million photos from every angle?' I said: 'This is 2011. I'm not in the same shape that I was in 1993.' They went: 'Yes, yes, yes. Everyone wants bigger muscles and bigger boobs. We'll make the clay model first, you can come in, and if there's anything you don't like, you can let us know.' So I had to go in and say: 'If you look at this photo, my waist used to be a little bit thinner,' and they said: 'Oh yeah, good point.' Did you have an inkling that LA Confidential would be such a masterpiece while you were filming it? GasparGarcao No, is the answer. I don't really have an inkling for anything. I'd done four or five films in Australia, but it was a totally different environment: in the US, with Americans, on an American film. The whole thing was so big, it was hard for me to gauge anything. I was too focused on trying to do a good job to think: 'Wow, this is going to be good.' I was the second person cast after Russell Crowe. Russ and I were rehearsing while they were working with the script, and casting other people. So then David Strathairn, Kim Basinger and Danny DeVito turned up. James Cromwell says to my character in the film: 'Would you be willing to shoot a hardened criminal in the back to save face?' I say: 'No no no,' being all moral, but in the end, I shoot him in the back. When I shot him, the wadding from the shotgun flew out and hit him in the back of the head. He was 30ft away, so everyone had said: 'Don't worry, it's safe.' But, for a moment, I thought: 'Jeez. I've killed him. I'll never work in Hollywood again.' Was there a particular role that earned you Radiohead's nod of approval to appear in their music video for Follow Me Around? McScootikins I don't think so. They contacted my agent in the US saying: 'Do you have any actors who might want to do it?' And Chris, my agent, who knows I'm a big Radiohead fan, said straight away: 'Guy Pearce is in London right now.' I was filming A Spy Among Friends with Damian Lewis and said: 'I have to take a call with Thom Yorke about this Radiohead music video I'm in. So, excuse me.' Are you grateful that your late 80s pop career didn't take off? Megapode777That's the best question I've ever been asked in my life. After I finished Neighbours, there was a period where people would say: 'Didn't you used to be Mike from Neighbours?' Then one day, this 10- or 12-year-old kid came up to me in a shopping centre and said: 'Didn't you used to be Guy Pearce?' I thought: 'Wow, that's the most profound thing anyone's ever said,' because, in a way, it was true. I always knew I wasn't just a soap opera actor. I was just stuck in that cycle. Prior to Neighbours, I'd done 10 years of theatre, which made playing the same character for four years frustrating. I wanted to delve into a wider variety of personalities and behaviours. But when I finished Neighbours in 1989, I was in the wilderness because no one wanted to employ the guy who was in Neighbours, and I struggled to find work. I went back and did some theatre, a little bit of Home and Away and then, in 1993, I got to do Priscilla. So, yes, I'm really grateful that my 80s pop career didn't take off! Inside is available on digital, DVD and Blu-ray on 11 August