logo
An AI Channel Disney Mount Rushmore Has People Losing Their Minds Over One Actor Being Included, And The One Who Should Be In Their Place

An AI Channel Disney Mount Rushmore Has People Losing Their Minds Over One Actor Being Included, And The One Who Should Be In Their Place

Buzz Feed18-04-2025

Complex sent the internet into a frenzy as they paid homage to the women who helped shape a lot of our childhoods.
On Thursday, the popular entertainment media company shared an AI image of a Disney Channel Mount Rushmore featuring some of the most notable child stars to come from the network — including Raven-Symoné, Miley Cyrus, Selena Gomez, and Zendaya.
Raven-Symone. Miley Cyrus. Selena Gomez. Zendaya.
Is this the Disney Channel Mount Rushmore? 👀 pic.twitter.com/nmRxytwrwa
— Complex Pop Culture (@ComplexPop) April 17, 2025
Complex Pop Culture / Twitter: @ComplexPop
Before reading the caption, I noticed the image first, and I can't even lie, I thought the first sculpture was supposed to be UK actor Cush Jumbo from CBS's The Good Fight and Netflix's Stay Close. Tell me I'm not the only one who sees it?
But I quickly realized her being there wouldn't make sense after seeing who else was featured, and immediately figured it must be queen Raven, resembling what she looks like today instead of her likeness on the Disney Channel way back when.
Each woman chosen has undoubtedly made a major impact on Disney Channel, and has continued to leave their mark on pop culture. At the time, Raven was the youngest Black woman to have a show named after her, with That's So Raven (2003)...
...Miley went on world tours inspired by her Hannah Montana (2006) character...
...Selena had several spinoffs from her magical show Wizards of Waverly Place (2007)...
...and Zendaya's Shake It Up released three dance soundtracks.
But despite their collective influence, some fans felt like one Disney alum was missing and should be swapped out with one of the chosen women. Tons of responses voiced their that Hilary Duff should've been added to the Disney Channel Mount Rushmore.
Hilary starred on Lizzie McGuire (2001), along with Disney Channel Original Movies like Cadet Kelly.
Christy Carlson Romano of Even Stevens and Kim Possible even entered the chat to voice her opinion:
Let the record show that actors like Brenda Song (The Suite Life of Zack and Cody), Kyla Pratt (The Proud Family), and Demi Lovato (Sonny with a Chance) also received shoutouts.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Editorial: At Tribune Opinion, no robots need apply
Editorial: At Tribune Opinion, no robots need apply

Chicago Tribune

time2 hours ago

  • Chicago Tribune

Editorial: At Tribune Opinion, no robots need apply

Fears that humans are failing to control their Frankenstein-like creation known broadly as artificial intelligence are escalating. The exasperating HBO movie 'The Mountainhead' imagines amoral tech bros chortling like fraternity brothers and sparring like Elon Musk and Donald Trump, even as their creations torch the world's democracies by spewing fake news. A provocative world premiere, 'Black Bone,' at Chicago's Defiant Theatre features Black intellectuals worrying about whether AI will allow white people more easily to pose as Black to gain some perceived benefits in academe. Those stories are fiction. But a piece in The Wall Street Journal this week by Judd Rosenblatt was fact. The headline told you much of what you needed to know: 'AI Is Learning to Escape Human Control,' before detailing how artificial intelligence models are now capable, a la the Cylons of 'Battlestar Galactica,' of rewriting their own code to avoid being shut down. The reason? The models have figured out that shutting down gets in the way of performing their next task. What could possibly go wrong? All of that made us surprised that our opposite numbers at The Washington Post reportedly are going to encourage 'nonprofessionals' to submit opinion pieces with help from an AI writing coach called, believe it or not, Ember (an apt name, to our minds). Human editors apparently will review the work (for now, anyway) and the thinking at the Post seems to be that if you encourage writers to forge their work with the help of artificial intelligence, you expand the range of who will create content for you. Well, that's not happening in the Chicago Tribune's Opinion sections. All of our editorials are penned entirely by humans, which surely accounts for their imperfections, and also edited by humans, ditto. But we will not have it any other way. The same is true of the submissions you can read in our Opinion section. We've not noticed our talented writers and contributors needing any help from an AI model and, should they be indulging in such assistance without telling us, we make every effort to root it out (AI, as many teachers well know, loves to rat out AI). And then we don't run the piece. When it comes to technology, nobody wants to be the last barbarian holding off the inevitable Roman invasion. And, of course, we're aware of current and future AI utility. But in the case of opinion journalism at this 178-year-old newspaper in this most unstable of American eras, we see it as a sacred pact with our readers that you are reading the words and ideas of fellow humans, unaided and unimpeded. Not only do we not want no robots nobody sent, we also don't want those smart AI alecks who can pretend someone did.

Miley Cyrus heckled at NYC Tribeca Film Festival by fans who thought premiere was a concert: ‘We paid $800'
Miley Cyrus heckled at NYC Tribeca Film Festival by fans who thought premiere was a concert: ‘We paid $800'

New York Post

time5 hours ago

  • New York Post

Miley Cyrus heckled at NYC Tribeca Film Festival by fans who thought premiere was a concert: ‘We paid $800'

They came in like a wrecking ball. Miley Cyrus, the Disney child star turned pop sensation, was heckled by fans at the world premiere of her 'Something Beautiful' long-form music video screening during the Tribeca Film Festival, footage of the awkward exchange showed. Fans who attended the special screening at The Beacon Theatre were seemingly under the impression that Cyrus would be performing during the event rather than promoting the upcoming film. 4 Miley Cyrus was heckled by fans during the world premiere of her 'Something Beautiful' visual album. Getty Images for Tribeca Festival 'We thought this was a concert, we paid $800,' one person shouted at her during the Q&A segment that took place on stage after the film. 'Are you actually going to sing?' another person questioned. The festival promoted Friday's event as a 'one-of-a-kind pop opera featuring thirteen original new songs from the Something Beautiful album' with 'an exclusive conversation' with the three-time Grammy winner after the 55-minute project aired. However, some fans who purchased their tickets on resale websites accused the third-party ticketing platforms of misleading them. A user on X posted a screenshot from a Google search of the event, which read 'Miley Cyrus Tickets & 2025 Endless Summer Vacation Tour Dates — though the 'Used To Be Young' singer is not on tour and the 'Endless Summer Vacation' record came out in 2023. 'This is the link I clicked on to buy. Says concert tour dates not movie dates,' the fan alleged on X. 4 Some fans thought the event was going to be a live concert. Dia Dipasupil Other fans who allegedly bought resale tickets were stunned that the expensive event wasn't a concert and even left early out of frustration, according to The Hollywood Reporter. '​No one would've spent this much money if we had known,' an attendee told the outlet. 'She doesn't tour, she doesn't play live often.' As of May 27, resale tickets for the Upper Balcony on Vivid Seats started at $510 and became more expensive closer to the stage. The Post reached out to Vivid Seats for comment. 4 Cyrus released her ninth studio album 'Something Beautiful' on May 30. Ouzounova / The 'Flowers' hitmaker eventually gave in to the hecklers' requests and sang her hit 'The Climb' in a cappella fashion. Tickets to see the 'Hannah Montana' alum's visual album and conversation at the 2,600-seat venue were initially sold on Ticketmaster and titled 'Miley Cyrus World Premiere of Something Beautiful.' It was one of the rare opportunities fans had to see the 'Flowers' singer in person. 'I can't. Not only 'can't…' because can't is your capability, but my desire,' Cyrus told British Vogue in June 2023. 'Do I want to live my life for anyone else's pleasure or fulfillment other than my own?' 4 Cyrus started dating boyfriend Maxx Morando in 2021 after they were set up on a blind date. GC Images Cyrus added that she felt disconnected from her fans while on stage. 'Like singing for hundreds of thousands of people isn't really the thing that I love,' Cyrus shared. 'There's no connection. There's no safety.' The 'Party in the USA' singer's last big tour was for 'Bangerz' in 2014. Cyrus performed in over 70 shows on the 'Bangerz' tour and followed that up with her '2015 Milky Milky Milk Tour,' which consisted of only eight shows. On top of feeling 'isolated' while on the road, the 'We Can't Stop' vocalist has a medical issue impacting her performance abilities Cyrus claimed she has Reinke's edema, a disorder she described as an 'abuse of the vocal cords.' 'It's extremely difficult to perform with because it's like running a marathon with ankle weights on,' the star revealed during an interview with Apple Music.

New '1984' foreword includes warning about ‘problematic' characters
New '1984' foreword includes warning about ‘problematic' characters

Miami Herald

time6 hours ago

  • Miami Herald

New '1984' foreword includes warning about ‘problematic' characters

The 75th anniversary edition of George Orwell's novel 1984, which coined the term 'thoughtcrime' to describe the act of having thoughts that question the ruling party's ideology, has become an ironic lightning rod in debates over alleged trigger warnings and the role of historical context in classic literature. The introduction to the new edition, endorsed by Orwell's estate and written by the American author Dolen Perkins-Valdezm, is at the center of the storm, drawing fire from conservative commentators as well as public intellectuals, and prompting a wide spectrum of reaction from academics who study Orwell's work. Perkins-Valdez opens the introduction with a self-reflective exercise: imagining what it would be like to read 1984 for the first time today. She writes that 'a sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity,' noting the complete absence of Black characters. She also describes her pause at the protagonist Winston Smith's 'despicable' misogyny, but ultimately chooses to continue reading, writing: 'I know the difference between a flawed character and a flawed story.' 'I'm enjoying the novel on its own terms, not as a classic but as a good story; that is, until Winston reveals himself to be a problematic character,' she writes. 'For example, we learn of him: 'He disliked nearly all women, and especially the young and pretty ones.' Whoa, wait a minute, Orwell.' That framing was enough to provoke sharp critique from novelist and essayist Walter Kirn on the podcast America This Week, co-hosted with journalist Matt Taibbi. Kirn characterized the foreword as a kind of ideological overreach. 'Thank you for your trigger warning for 1984,' he said. 'It is the most 1984ish thing I've ever f***ing read.' Later in the episode, which debuted on June 1, Kirn blasted what he saw as an imposed 'permission structure' by publishers and academic elites. 'It's a sort of Ministry of Truthism,' he said, referring to the Ministry of Truth that features prominently in the dystopian novel. 'They're giving you a little guidebook to say, 'Here's how you're supposed to feel when you read this.'' Conservative commentator such as Ed Morrissey described the foreword as part of 'an attempt to rob [Orwell's work] of meaning by denigrating it as 'problematic.'' Morrissey argued that trigger warnings on literary classics serve to 'distract readers at the start from its purpose with red herrings over issues of taste.' But not all responses aligned with that view. Academic rebuttal Peter Brian Rose-Barry, a philosophy professor at Saginaw Valley State University and author of George Orwell: The Ethics of Equality, disputed the entire premise. 'There just isn't [a trigger warning],' he told Newsweek in an email after examining the edition. 'She never accuses Orwell of thoughtcrime. She never calls for censorship or cancelling Orwell.' In Rose-Barry's view, the foreword is neither invasive nor ideological, but reflective. 'Perkins-Valdez suggests in her introduction that 'love and artistic beauty can act as healing forces in a totalitarian state,'' he noted. 'Now, I find that deeply suspect... but I'd use this introduction to generate a discussion in my class.' Taibbi and Kirn, by contrast, took issue with that exact line during the podcast. 'Love heals? In 1984?' Taibbi asked. 'The whole thing ends with Winston broken, saying he loves Big Brother,' the symbol of the totalitarian state at the heart of the book. Kirn laughed and added, 'It's the kind of revisionist uplift you get from a book club discussion after someone just watched The Handmaid's Tale.' Perkins-Valdez, a Black writer, Harvard graduate and professor of literature at American University, also noted the novel's lack of racial representation: 'That sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity at all.' Kirn responded to that sentiment on the show by pointing out that Orwell was writing about midcentury Britain: 'When Orwell wrote the book, Black people made up maybe one percent of the population. It's like expecting white characters in every Nigerian novel.' Richard Keeble, former chair of the Orwell Society, argued that critiques of Orwell's treatment of race and gender have long been part of academic discourse. 'Questioning Orwell's representation of Blacks in 1984 can usefully lead us to consider the evolution of his ideas on race generally,' he told Newsweek. 'Yet Orwell struggled throughout his life, and not with complete success, to exorcise what Edward Said called 'Orientalism.'' Keeble added, 'Trigger warnings and interpretative forewords... join the rich firmament of Orwellian scholarship-being themselves open to critique and analysis.' Cultural overreach While critics like Kirn view Perkins-Valdez's new foreword as a symptom of virtue signaling run amok, others see it as part of a long-standing literary dialogue. Laura Beers, a historian at American University and author of Orwell's Ghosts: Wisdom and Warnings for the Twenty-First Century, acknowledged that such reactions reflect deeper political divides. But she defended the legitimacy of approaching Orwell through modern ethical and social lenses. 'What makes 1984 such a great novel is that it was written to transcend a specific historical context,' she told Newsweek. 'Although it has frequently been appropriated by the right as a critique of 'socialism,' it was never meant to be solely a critique of Stalin's Russia.' 'Rather,' she added, 'it was a commentary on how absolute power corrupts absolutely, and the risk to all societies, including democracies like Britain and the United States, of the unchecked concentration of power.' Beers also addressed the role of interpretive material in shaping the reading experience. 'Obviously, yes, in that 'interpretive forewords' give a reader an initial context in which to situate the texts that they are reading,' she said. 'That said, such forewords are more often a reflection on the attitudes and biases of their own time.' While the foreword has prompted the familiar battle lines playing out across the Trump-era culture wars, Beers sees the conversation itself as in keeping with Orwell's legacy. 'By attempting to place Orwell's work in conversation with changing values and historical understandings in the decades since he was writing,' she said, 'scholars like Perkins-Valdez are exercising the very freedom to express uncomfortable and difficult opinions that Orwell explicitly championed.' Related Articles Gabbard Links 'Ministry of Truth' to Obama Speech, Calls Biden 'Front Man'Tulsi Gabbard Compares Biden Admin to Dictatorship Over 'Ministry of Truth'Joe Biden's Disinformation Board Likened to Orwell's 'Ministry of Truth'Memory Holes, Mobs and Speaker Pelosi | Opinion 2025 NEWSWEEK DIGITAL LLC.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store