
Drake Breaks With Tradition On The Radio With Multiple Rising Hits
Drake earns three rising hits from Some Sexy Songs for You, but Kendrick Lamar outshines him with ... More four from GNX and replaces himself at No. 1. LONG BEACH, CALIFORNIA - OCTOBER 30: Drake speaks onstage during Drake's Till Death Do Us Part rap battle on October 30, 2021 in Long Beach, California. (Photo by)
Drake has spent more than a decade dominating nearly every Billboard ranking there is. It's not unusual to see his name appear multiple times on a single tally, especially when he has a new project out. But this week, he's doing something slightly different, even for him.
While he often spreads out his hits, selecting one single to focus on for each radio format – as is common music industry practice – he's currently gaining ground with several tracks from the same project. All of the wins that belong to Drake on the Mainstream R&B/Hip-Hop Airplay chart this frame come from his recent collaborative effort Some Sexy Songs 4 U, created with fellow musician PartyNextDoor, and they're all on the way up.
'Give Me a Hug,' one of the standout solo cuts from Some Sexy Songs 4 U, improves from No. 10 to No. 8. Just behind it, 'Nokia' rockets from No. 36 to No. 28. Lower on the ranking, 'Somebody Loves Me,' which features PartyNextDoor, steps up from No. 37 to No. 31 this period.
None of the tracks from Some Sexy Songs 4 U that are currently charting on the Mainstream R&B/Hip-Hop Airplay list have been around for long. 'Give Me a Hug' is the longest-running hit, and it has only spent four weeks on the ranking. The other two—'Nokia' and 'Somebody Loves Me'—both debuted just one frame ago, though they may stick around for weeks to come as they rise.
While Drake is soaring with three tracks from Some Sexy Songs 4 U, his frequent chart rival Kendrick Lamar also fills multiple spaces on the same radio list — and he actually manages to outdo his fellow hip-hop superstar.
Lamar currently claims four spots on the Mainstream R&B/Hip-Hop Airplay chart, mostly thanks to tunes from his new album GNX. 'Luther,' the set's current single, holds at No. 2 this week. 'TV Off,' a fan-favorite with Lefty Gunplay, slips slightly from No. 1 to No. 3.
Two more cuts also appear on the same tally at the same time, as 'Squabble Up' holds steady at No. 11, while 'Peekaboo,' which credits AZChike, debuts at No. 35.
Perhaps the most impressive chart move connected to Lamar this frame is that he replaces himself at No. 1. 'TV Off' loses its crown – but it's '30 for 30,' another smash he's credited on, that takes its place. The song, another joint effort with SZA, bolts from No. 5 to No. 1.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
7 hours ago
- Yahoo
A Timeline of Cardi B and Stefon Diggs' Relationship
There are plenty of reasons to speculate why Cardi B and NFL star Stefon Diggs might be an item. More from Billboard Drake Tells Tory Lanez 'Come Home Soon' After Prison Stabbing Snoop Dogg on Kendrick Lamar Name-Dropping Him on 'GNX': 'He Spoke His Mind' Watch The Weeknd & Jimmy Fallon Crash a Fordham University Graduation Party to Perform a Pair of Hits The pair appeared to confirm as much during a cozy court side date back on May 12. Diggs and the Grammy-award winning rapper were spotted cheering on the New York Knicks during their showdown against the Boston Celtics, with Cardi seen on the Jumbotron at one point lovingly squeezing Diggs cheeks. The two have been rumored to be an item on social media for months, and in recent days have been leaning into that rumor full throttle. If the rumors are true, this would be Cardi B's first public relationship since filing for divorce from Offset last year. Cardi is used to her relationships being in the public eye, dating all the way back to her Love & Hip-Hop days in 2015. Aside from Offset, Cardi's only other major public relationship was with rapper Tommy Jeez, before the couple split in 2017. Cardi and Diggs were just two of the many celebrities who sat along Celebrity Row at Madison Square Garden on May 12. Mary J. Blige, Kendall and Kylie Jenner, Timothée Chalamet, Bad Bunny, Tina Fey, Tracy Morgan, Busta Rhymes, Ben Stiller, coach Rick Pitino and more stars were also in attendance. Despite these celebs, no one consumed the internet quite like these two possible love birds. So the all-important question remains: when did Cardi B and Stefon Diggs first get together? Offset and Cardi finalized their divorce in 2024, so fans and pop culture outlets alike have been trying to put the puzzle together ever since. Here's a timeline of everything we know about Cardi B and Stefon Diggs budding new relationship. Back in October of 2024, Cardi B was forced to push back against a rumored relationship with Diggs for the first time. The pair had allegedly been spotted out and about together by various fans (though this all remains unconfirmed). Regardless, the rumors picked up enough traction that Cardi felt inclined to respond on Instagram Live. 'The internet is insane, all these rumors are so f—king crazy, that's why I don't wanna address it cause I feel like this s—t funny,' Cardi said on IG Live at the time. Cardi B acknowledged that she was indeed 'dating' during the final days of her tumultuous split from Offset. Page Six reported that the formerly married couple were duking it out online, with Offset claiming in since-deleted posts his ex-wife 'look like a hoe' who is only focused 'on d—k.' 'So dating because I'm single means I'm just worried about d–k?? You sound like a dummy..' she responded at the time. 'Trying to be fake nice after you did what you wanted from the beginning trying to push a narrative to these people. Congratulations!! F—k off. Sign the papers TODAY.' Offset ultimately did, and the pair finalized their divorce before the year was out. The first confirmed public appearance of Diggs and Cardi happened on Valentine's Day of this year. TMZ shared footage of the two stars arriving at an undisclosed Miami hotel in the middle of the night. During Coachella's first weekend, the 'Bodak Yellow' rapper was seen giving the NFL player a lap dance. A fan on X commented on the video that Offset was likely 'punching the air' at the sight of the clip, but the former Migos rapper replied, 'I'm happy for her!!,' according to E! News. In the last public sighting of these two before their much talked about court-side appearance, Cardi B and Stefon Diggs were seen arriving at the actual Met Gala separately. However, gossip outlet Just Jared claimed they were spotted entering a Gala afterparty moments apart. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
9 hours ago
- Yahoo
Questlove Was ‘Shocked' by Kendrick Lamar's Homage to the Roots In ‘Squabble Up' Video
Questlove recently dropped by The Jennifer Hudson Show, sharing his reaction to finding out that Kendrick Lamar paid homage to the Roots in a music video for his monumental GNX album, which released last year. When discussing his influence on other artists, Hudson pointed out the scene from Lamar's 'Squabble Up' video that recreates the set for the Roots' 1999 track 'The Next Movement,' with both visuals sharing the same moss-green wall molding. More from Rolling Stone D'Angelo Cancels Roots Picnic Performance Over Medical Issue The Joey Bada$$ vs. Everyone Beef Is Fun, But What's It Really About? Trent Reznor and Atticus Ross Announce Inaugural Future Ruins Fest Celebrating Film Music 'I was so shocked because the way that people told me — I woke up to 30 K. Dot texts,' Questlove recalled. 'I thought, 'Oh no.' He just dissed us. I thought it was something else. And they were like, 'No, he paid tribute to y'all in this video.'' The Roots drummer said that he was surprised because the Philly band is 'ubiquitous,' but 'not super mainstream, but we're niche, but we're not overexposed popular.' He continued, 'It's hard to tell where we fit in the scheme of things. It's an honor but it's also a surprise when you see people acknowledging you after all this time.' In reply, Hudson reminded the musician that his critically acclaimed band has been a 'blueprint to all artists and the music industry.' 'The Next Movement' featured on the Roots' breakthrough album, Things Fall Apart, a record that Rolling Stone listed as one of the 200 greatest hip-hop albums of all time. A review hailed the Nineties LP as 'a socially observant, profoundly musical thesis statement from the Philadelphia band that dared to play their own instruments,' while noting that the 'timeless' tracks 'are full of virtuosic verses from Black Thought and Malik B, along with fellow travelers like Mos Def and Common, and varied grooves from drummer Questlove, bassist Leonard Hubbard.' More than 25 years later, Lamar would release his sixth album, GNX, capping a historic year that packed in a cataclysmic feud with Drake, the announcement of Lamar's Super Bowl performance, and a swath of Number One singles including 'Not Like Us', SZA-collab 'Luther,' and 'Squabble Up.' In an Instagram post looking back at his work with the Roots and following the news of Lamar's homage, Questlove posted back in November an Instagram photo of a side-by-side screenshot from 'The Next Movement' and 'Squabble Up' videos. 'My number one love is the music I create in @TheRoots —that is the fuel to my fire & sometimes if you love something you must set it free. Then if it returns to you it's real,' Questlove wrote in the caption. 'That said I wanna thank @kendricklamar for acknowledging something I thought noone saw or cared about. Feeling seen is a great feeling and I dont take it for granted.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
Yahoo
9 hours ago
- Yahoo
Kendrick Lamar and SZA's Grand National Tour Is a Spellbinding Display of Star Power
One year ago last week, Kendrick Lamar set flames to Drake's reputation that the rap world is still feeling the embers from. In just a week, songs like 'Euphoria,' '6:16 In LA,' and yes, 'Not Like Us,' bested Drake's offering in their quick-draw war of words, and subsequently crowned Lamar the rapper of his generation in the eyes of many. He rode that momentum into GNX, a 12-track album that debuted at Number One on the Billboard 200. That's the tidal wave of energy he rode into the MetLife Stadium stop of his Grand National Tour, alongside Jersey girl SZA. He and SZA are in high demand. The 35-year-old singer-songwriter is a bona fide music superstar in her own right, and the two offered the tristate area a special main event concert. The show started with DJ Mustard, who did his best to warm up the crowd with rap standards before Lamar and SZA hit the stage. The stage design somewhat resembled the diamond design of Lamar's Super Bowl halftime set, with a giant stage leading out toward three smaller bases. The design gave the two ample room to roam and get decent face time with fans in the lower levels, which they both took advantage of throughout the set. (The stage also rose during the show.) Behind them was a giant three-panel screen. From my stage-right vantage point, I could see how the two used the stage's angles to project a panoramic view of certain visuals. The screen served different purposes at different junctures. For SZA, there were multiple serene landscapes aiding her dreamy catalog, while Lamar used videos of himself in March 1992 during 'DNA,' and hammered home his attack on Drake's identity with a collage of Black iconography during 'Not Like Us.' More from Rolling Stone Kendrick Lamar Leads BET Awards Nominations, Doechii, Drake, Future, GloRilla Tie Behind Him Drake's Label Wants His Revised 'Not Like Us' Lawsuit Dismissed: Legal 'Blather' A Year Later, No One Can Get Over the Kendrick and Drake Beef Lamar came out first, rising from a black Grand National car below the stage and tearing into 'Wacced Out Murals' (the Grand National SZA rose from was naturally covered with ivy). The two alternated between sets all night with a slick interplay. Lamar turned the mood down with 'Man at the Garden,' leading into SZA's 'Scorsese Baby Daddy,' while she ended her solo set with 'Kiss Me More,' leading into Lamar's final tracks; they also had moments when they did collaborations such as '30 for 30' and 'Luther.' Their switches also gave the two time to switch attire multiple times. While Lamar alternated from a mostly camo fit, putting his jacket on and off, SZA was in full starlet mode, with four different outfits. But no matter what they were wearing, they had the crowd captivated. SZA stuck to lights and fireworks, whereas Lamar had fireballs going off, especially during his Drake disses. The mixed-aged crowd, seemingly mid-thirties and down, likely discovered Lamar and SZA at various points along their decades-plus journeys, and some may have just tapped in last year. It seems like Lamar's more recent output got the most recognition. He even noted the dynamic, jokingly telling fans to turn to their neighbors, church-style, and ask if they knew one of his earlier singles. I've seen Lamar play arenas and festival stages multiple times, and he carried the same craft into his stadium show, delving into his rapid-fire rhymes without missing a beat. He also introduced some flourishes for his live show, performing a new verse on 'Family Ties' and remixing songs like 'mA.A.d city' over Anita Baker. While the tour's title and the moment at large belonged to Lamar, the Jersey crowd loved SZA. They popped for her pop hits, like 'Kill Bill,' and for heartrending tracks, like 'Nobody Gets Me,' which were all sung solidly with no backing vocals. She had guitarists play during multiple songs, including 'F2F.' She acknowledged the magnitude of the moment by raving, 'Am I home or what?' And later declared alongside Kendrick that 'the myth of New York having no energy is over.' And though she didn't do her in-air routine because of the Northeast winds, she still gave a varied set, dancing all over the stage. Both artists took the elephant in the room head on. Lamar performed his verse of 'Poetic Justice,' while SZA recited her verse on 'Rich Baby Daddy.' Curiously, Lamar refrained from saying 'Oakland' when he rhymed 'That __ show gonna be your last stop' on 'Not Like Us.' But that's not to be confused with mercy. Lamar performed 'Euphoria' and 'Not Like Us,' with the former song inspiring his barest, most intentional usage of the giant screen behind him (placing 'Lies About Me, Truth About You' in red font over a black background). And while the crowd went up for 'A minor…,' and 'we don't wanna hear you say nigga no more,' it wasn't a bash-Drake event. The audience seemed just as excited to sing the 'Don't Kill My Vibe' chorus and 'I do,' during SZA's rendition of 'I Hate U.' Both artists tore through their catalog standards, utilizing the full stage, as did dancers accompanying them in various fashions. When several women popped their asses out as Lamar rapped 'Show me something natural' during 'Humble,' they were a visual ad-lib. Some of them picked up SZA during one track, and bolstered her choreography on many others. When a man did a solo dance routine at the end of 'Squabble Up,' he felt like a co-star. Between songs were humorous clips of the two being 'deposed.' While the clip that played before 'Not Like Us' has gone viral, the show displayed several other clips. In one, Lamar chides the interviewer for nonsensically implying he disappears from the public yet seeks attention. In another clip, they struggle to pronounce SZA's name, which may have something to do with her saging the room in another snippet. And toward the end of the set, the two dig into their natural-comedian bags during a clip of a gas station snack run. Their years of musical chemistry played out well onscreen and onstage. Both artists tried their best to engage the hefty crowd, and mostly succeeded with movement, strong vocals, and a mesh of creative screen animations, pyrotechnics, and lighting. While the set lasted two and a half hours, it rarely lulled, with both doing a solid job of imbuing their set portions with energetic songs to keep the crowd into it. Lamar and SZA are seasoned veterans at this point in their respective careers, and that was reflected even during their first stadium tour. They were strictly business — in a good way. Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time