Good Morning Britain's Adil Ray leaves his co-stars stunned as he reveals he went to dinner with a VERY unlikely Hollywood A-lister 12 years his junior
The TV presenter, 51, was joined by Melvin Odoom, 45, and Kate Garraway, 58, on show as they discussed the upcoming movie Freakier Friday, slated for release on August 8.
But as they chatted about the new flick, which stars Jamie Lee Curtis, 66, and actress Lindsay Lohan, 39, Melvin smirked when the Parent Trap star's name was mentioned.
Alluding to a conversation had off-air, Melvin prompted Adil to reveal his connection to leading actress Lindsay after Adil admitted to going for dinner with her.
'Adil, you know Lindsay, right? Are you best mates?,' Melvin said.
'When I say things off air, you're not supposed to repeat them,' quipped Adil. 'I had dinner with Lindsay, me and Lindsay had dinner together. She's lovely.'
To which Kate said: 'WHAT?! Stop, how did this happen, where were you?'
'Did you slide in the DM's?,' Melvin joked but Adil quickly clarified: 'It wasn't a date before, you know, it wasn't a date.'
'We had mutual friends and we all went out for dinner,' Adil explained. 'She came along, we sat next to each other and we had a lovely evening. She's absolutely adorable, she's a fantastic human.
'Really smart, really intelligent and really well lived. Just great, great to hang out with. Me and Lindz.'
Melvin then changed the topic back to the highly-anticipated release Freakier Friday, though the presenters had far from let the Lindsay news go.
'Will you be watching that, Freakier Friday,' Melvin said to his co-stars.
'I loved the original so yeah, I'll definitely be watching it,' Kate responded. 'And I'll be thinking of the dinner and what might have been.'
Adil ended the segment by saying: 'Lindsay, if you're watching, do get in touch.'
Freakier Friday - a sequel to the 2003 film - sees Lindsay and Jamie embroiled in quadruple chaos as they swap bodies again - 22 years after they first traded places.
Lindsay was just 15 years old when she first portrayed Anna Coleman in Freaky Friday alongside Jamie Lee, who played her on-screen mother Tess Coleman.
It follows the bickering mother and daughter after a Chinese restaurant fortune cookie mishap causes them to switch bodies, forcing them to live the other's life.
Despite barely having been able to see eye-to-eye, the magical switch eventually allows them to see things from the other's point of view.
The sequel will see the iconic pairing switch places once again, though this time there is quadruple chaos in store.
Anna (Lindsay) is preparing to tie the knot with to Eric Davies (Manny Jacinto), but things are proving difficult as her teenage daughter Harper (Julia Butters) despises Eric's teenager Lily (Sophia Hammons).
Harper highlights her disgust as she's heard reciting mock wedding vows, in which she brands her soon-to-be step-sister 'a little demon thing with an obnoxious accent'.
A flash forward to Anna's bachelorette party sees her and mother Tess Coleman sit down with a fortune teller (Vanessa Bayer), who warns them they may learn another lesson by 'walking in each other's paths'.
Anna and Tess then find themselves caught up in yet another 'freaky' body swap incident - only this time, it's not just between the two of them.
The next morning, Anna discovers she's swapped bodies with daughter Harper, while Tess, aka 'Grandma', is now in the body of Anna's step-daughter Lily.
Quadruple chaos then ensues as the foursome try to navigate their new roles with just days to go until the wedding.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Independent
23 minutes ago
- The Independent
Jos Buttler aims to follow Joe Root's lead and thrive as an ex-England captain
Jos Buttler is looking to Joe Root for inspiration as he looks to flourish in his 'new phase' as a former England captain. Buttler stepped down as leader of England's white-ball team earlier this year after two disappointing World Cup campaigns, passing the baton to Harry Brook over the summer. With his 35th birthday just around the corner, he could easily have walked away entirely in pursuit of guaranteed riches as a full-time franchise freelancer. But he remains committed to following the lead of Root, who has scored 14 hundreds and averaged 58 since being replaced as Test skipper by Ben Stokes. 'It's not that I wasn't enjoying my cricket before, but I obviously wasn't enjoying the way it was going,' he told the PA news agency. 'Part of the challenge of cricket is trying to come through that, being resilient and getting out the other end. 'I've had a bit of time and space and I do feel like I have a better understanding now of where I was as a player and captain. I'm a bit more relaxed and enjoying my cricket again. I do feel like I'm in a new phase of my career. 'Now that I'm not captain anymore it's about me playing the best I can for the team. I love playing for England, it's an honour, and I want to do as much as I can. 'Rooty has been a massive inspiration in that, seeing the impact I can have as a senior player. He's gone to some amazing new levels and he knows what it's like to not be captain any more and still give back to the team. That's the opportunity that is out there for me. Joe's a good mate of mine and has been really helpful in making that transition.' Buttler, who is the marquee player for Manchester Originals in the Hundred, was speaking at the unveiling of Compare the Market's new mural in the city, bearing his likeness alongside Southern Brave's Chris Jordan, Emma Lamb of Birmingham Phoenix and three aspiring juniors from the Chance to Shine street cricket programme. The tournament is in its final year before the arrival of eight new investment groups, who are set to pay a combined £520million for a seat at the table. Four teams will be tied to groups involved with Indian Premier League franchises and Buttler, arguably the Englishman most associated with that competition, expects big things. 'The level of investment is mindblowing. It's going to be the next evolution of the Hundred,' he said. 'The IPL is enormous, it's a different beast, and the owners will be bringing new ideas, new expertise and they will want to really push things to be the best they can be. 'The calibre of people getting involved, from the IPL to the tech giants, is awesome. It's going to be a really exciting time for English cricket, on and off the field.' :: Jos Buttler was speaking at the unveiling of a new mural commissioned by principal partner of The Hundred, Compare the Market in partnership with the children's charity, Chance to Shine.
BBC News
24 minutes ago
- BBC News
Fall in viewers for Wallace and Torode's last MasterChef
Just under two million people tuned into the first episode of MasterChef's new series, a fall compared with last year, after a rocky period for the show in which both of its presenters were 2.7 million viewers watched last year's launch show. However, the figures are hard to compare, due to a number of factors, including the episodes going out at different times of the Wallace and John Torode were both sacked last month after a report into conduct on the cooking show upheld allegations against BBC decided to still show this year's amateur series - filmed before they were sacked - saying it was "the right thing to do" for the chefs who took part. But it faced a backlash from some women who came forward, as well as from the broadcast union Bectu who said showing the episodes could be 'triggering' for people who had had complaints returns with sacked hosts but without their jokesThe first three episodes were released on iPlayer on Wednesday morning, with the series opener broadcast on BBC One at 20:00 to overnight figures, last night's launch had 1.96m viewers, compared with last year's launch show which had 2.73m decline should be seen against a backdrop in which all linear TV is falling year on year's first episode went out earlier in the evening, and on a bank holiday. It also went out in April, whereas this year's went out in August - a month which tends to have fewer the day MasterChef launched in 2024, the highest rated programme was the regional news with 3.7 million night's highest rated programme was the regional news, with three million people tuning in, meaning its figures have fallen roughly the same amount as MasterChef's. 'They have edited out the jokes' Ahead of the new series airing, there had been speculation that the new episodes might be re-edited to reduce the presence of Wallace and presenters appear from the outset and throughout the episodes, but there appear to be fewer jokes than usual and less chat between them and the Daily Star's front page highlights criticism of the new series, saying heavy editing after the presenters were sacked for misconduct has left the show awkward and a "shambles".In a review, The Telegraph's critic Ed Cumming wrote: "To show how seriously the BBC takes the allegations against the presenters, they have edited out their jokes." The resulting series "lacks pizzazz", he Standard's Vicky Jessop wrote: "No jokes here – the production team presumably being terrified that anything either of them says would be taken the wrong way."The first episode "left a slightly sour taste in the mouth", she added - a sentiment echoed by the Independent's Nick Hilton, who wrote that the series is "tinged with a strange, bitter aftertaste".Speaking to BBC Breakfast, Culture Secretary Lisa Nandy said as a viewer, she "certainly won't be watching it", but that it wasn't her place to tell broadcasters what they could or couldn't former Celebrity MasterChef contestant Kirsty Wark - who first came forward to BBC News with claims against Wallace - suggested the BBC could have refilmed the series without the two BBC previously said it had not been "an easy decision" to run the series, adding that there was "widespread support" among the chefs for it going ahead. Upheld complaints The controversy over MasterChef started last year, when BBC News first revealed claims of misconduct against July, a report by the show's production company Banijay revealed that 83 complaints had been made against Wallace with more than 40 upheld, including one of unwelcome physical contact and another three of being in a state of has insisted he was cleared of "the most serious and sensational allegations".In a recent interview with The Sun, he said he was "so sorry" to anyone he hurt, but insisted that he was "not a groper, a sex pest or a flasher".The upheld complaint against Torode related to a severely offensive racist term allegedly used on the set of MasterChef in presenter said he had "no recollection" of it and that any racist language is "wholly unacceptable".Wallace will be replaced by Irish chef Anna Haugh in the final episodes of the new series, because the allegations against him first emerged during filming in November.
The Guardian
24 minutes ago
- The Guardian
Solitude Without Loneliness review – bad dates, frenzied flyering and the spirit of the fringe
The dry title belies a show with spark. Solitude Without Loneliness can feel like several fringe shows in one as Malcolm Sutherland's dance-theatre production takes an early detour into sketch comedy and then continues to change gears. As a choreographer, Sutherland is interested in the perks and perils of isolation and he forms a trio with Jorja Follina and Alex Henderson, who are all initially alone together. Against the stark towers cast by Simon Gane's lighting design, the three writhe in a state of undress, faces covered by their clothing. It's a straightforward yet surprisingly effective way to establish a piece about depersonalisation, matched by muffled voices on Hörður Már Bjarnason's rumbling soundscape and muted costumes by Alison Brown. As the dancers leave their silos to come together, their soul-searching gazes matched to choral music, you brace yourself for an overearnest hour. But then the Blind Date theme tune breaks out, rose petals are scattered and the trio alternate the roles of a frisky French waiter and two diners who can't bear to look at each other as they squirm around their seats. The knockabout wordplay aims to be as nimble as the movement, but the touches of clowning – including red lipstick served and smeared in lieu of wine – are more winning. The alternately serio-comic nature of these two episodes – which are both overextended – is akin to channel-hopping, and the contrast diminishes the impact of each. But the remainder of the show reaps haunting results from unlikely sources. The first is a series of speeches akin to Metro's Rush Hour Crush column, each a message in a bottle to a stranger after a brief encounter. These missed chances for connection have a sting here, as does a meta-theatrical flyering sequence that finds the desperate cast surrounded by adverts for their own show. It's a spin on the scenes along the Grassmarket outside, with Sutherland cannily pinning all his themes – romance, disorientation, loneliness, togetherness – to the fringe itself. An intriguing hour. At Dance Base, Edinburgh, until 10 August All our Edinburgh festival reviews
