
Jelly Roll Charts A New No. 1 With A Special Duet
For several months now, a track titled "Hard Fought Hallelujah" has been one of the most popular in America, as well as one of the biggest Christian hits in quite some time. While it might not have reached the radar of all listeners, millions across the United States have already discovered the Brandon Lake smash. The tune has been charting on Billboard rankings for months, and the genre superstar has recently taken big steps to turn it into a significant, and rare, religious-themed crossover hit.
This week, the tune officially becomes a collaboration on every ranking, as the collaborative version is now the most popular. "Hard Fought Hallelujah" is now officially a duet between Lake and Jelly Roll. The updated take on what was once a solo composition was released back in early February, but it wasn't always the most-consumed edition. Billboard typically credits one version of a song on the charts, favoring whichever earns the most consumption.
If the solo edition of a track like "Hard Fought Hallelujah" earns more activity, then the streams and sales of a newly released remix — such as the one featuring Jelly — contribute to the title's overall success. But the featured musician doesn't always receive official credit. Jelly is now named on the tune as it arrives on one tally and soars on others.
This week, "Hard Fought Hallelujah" debuts at No. 1 on the Country Digital Song Sales chart, Billboard's ranking of the bestselling country tracks in America. The smash enters in the top spot, giving Lake his first leader and Jelly his third career winner on this list.
He first led in April 2023 with "Need a Favor" and returned to the summit alongside Jessie Murph on "Wild Ones" in October of that year.
Jelly is surely thrilled to see "Hard Fought Hallelujah" rule the Country Digital Song Sales chart, as quite a few of his previous hits peaked in the runner-up spot. "Son of a Sinner," "Save Me" with Lainey Wilson, "I Am Not Okay," "Lonely Road" with MGK (previously known as Machine Gun Kelly) and "Believe" with Brooks & Dunn all missed the mark by just one space. Jelly has now earned a milestone 15 top 10s out of 20 total appearances on the roster.
Lake and Jelly Roll also dominate the all-genre Digital Song Sales chart this week with "Hard Fought Hallelujah." The track rockets from No. 14 to the summit, marking its second stint at No. 1. Luminate reports that sales of the title grew by more than 200% week over week, totaling just under 8,700 copies sold in the U.S. in the last time around.
"Hard Fought Hallelujah" is also on the rise across numerous other Billboard charts, as the cross-genre tune is becoming a serious smash in America. It bolts into the top 40 on the Hot 100, settling at No. 40. The tune climbs slightly on the Country Airplay chart, stepping up from No. 60 — where it debuted last week — to No. 56. Meanwhile, it rules the Rock Digital Song Sales chart for a twelfth consecutive frame.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it
According to the charts, Alex Warren's hit single "Ordinary" is the undisputed song of the summer. The song has reigned at No. 1 on the Hot 100 for nine weeks, but fans and critics remain unenthused. The love song has taken off on pop radio and is perfect fodder for relationship montages on TikTok. Where is this year's song of the summer? It's the question that's haunted road trippers and pool partiers for months now. But like so many low-stakes mysteries, the answer has been hiding in plain sight (or, in this case, earshot) all along. If we're going with cold, hard facts — Billboard chart data — there's one song that's dominated the airwaves as the weather has warmed. It's just that a soaring love ballad a 24-year-old TikToker wrote about his wife is not exactly the ideal soundtrack for your day at the beach. Released in February, Alex Warren's "Ordinary" took a few months to take off, becoming a bona fide commercial juggernaut by June, when it ascended to No. 1 on the Billboard Hot 100. It's remained atop the all-genre chart for nine weeks so far, and continues to dominate Billboard's Songs of the Summer chart, where it hasn't budged from its No. 1 position since Memorial Day. Though it makes every attempt to sound momentous, "Ordinary" is a love song that's true to its name. Dedicated to Warren's wife, Kouvr Annon, the song uses vaguely spiritual lyrics to describe their connection. His vocals backed by hymnal echoes and a pounding drum line, Warren insists "the angels up in the clouds are jealous" of his marital bliss and compares his wife to a sanctuary, a vineyard, and a sculptor. If the song's theme of divine love wasn't clear enough, the couple also costars in the music video, and Warren later released a "wedding version" of the song paired with footage from their real-life nuptials. That the song is generically gooey has worked to its advantage in the airplay department. "Ordinary" owes much of its longevity to companies like iHeartMedia, America's biggest radio network, which allocates tens of thousands of spins to the song each week. In its most recent week atop the Hot 100, "Ordinary" tallied over 73 million radio airplay audience impressions, according to Billboard, compared to only 12.4 million streams and 6,000 copies sold. The song's lack of specificity also makes it a broadly appealing soundtrack for lovey-dovey moments on TikTok, where both versions of "Ordinary" have been used in millions of videos with billions of cumulative views. Annon's own uses of the song, usually featuring sweet moments with Warren, frequently collect over 1 million likes. Call it the home court advantage: As a former YouTuber who joined Hype House, a flashy collective for big-name TikTokers, in 2020, Warren learned and then perfected the art of getting engagement. He and Annon briefly lived in the Los Angeles mansion together, constantly creating content, orchestrating David Dobrik-style pranks, and sharing glimpses of their lives together; Warren described the experience as "college, but for social media." "It helped me learn how to create content that resonates with an audience and can captivate people," he told Variety. Warren's self-conscious positioning as America's top new "wife guy" offers the media a tidy narrative to push while reporting on the song's success — and helps cement "Ordinary" as a favorite song choice for romantic montages and relationship content across the internet. But the differential between the song's commercial utility and its artistic value has perplexed critics and fans alike. "Genuinely WHO is listening to this," reads a recent tweet with over 27,000 likes. Even r/popheads, a Reddit community for recreational pop scholars whose self-appointed mission is to take the merits of the genre seriously, is full of cold contempt for the song's dominance. "I don't think you can deeply hate the song by itself," one commenter wrote, "because it's so fucking boring." Rolling Stone's Larisha Paul coined the phrase "'The Voice' Audition Core" to characterize the musical formula that "Ordinary" follows: ideal for soundtracking a throwaway emotional moment on reality TV, but devoid of any real personality. Indeed, Warren performed the song on the "Love Is Blind" season eight reunion special, slotting easily into a generic vision of happily ever after literally accompanied by a montage of couples. Still, there's no denying that "Ordinary" is the summer's defining hit. Remaining atop the Hot 100 for over two months is no small feat, and even as late-season challengers have emerged — most recently in the form of a fictional K-pop group from a Netflix film — there isn't enough time before the autumnal equinox for another song to challenge Warren's reign. It's just a shame that many excellent summertime jams actually have been released this year, they just lacked the radio push or market power to challenge "Ordinary" at the top of the charts. Addison Rae is Warren's fellow former TikToker-turned-singer, but the similarities end there; her cool-girl collaborators and creative curiosity resulted in a debut album, "Addison," that toes the line between nostalgic and eccentric. (The appropriately named "Summer Forever" is a standout.) Lorde's latest album, "Virgin," includes gems like "Shapeshifter" and "Favorite Daughter," which wrap arresting lyrics in melodic, highly accessible packages, the ghost of last year's "Brat summer" hovering on the margins. Care for something a little less personal, a little more irreverent? Tinashe and Disco Lines have you covered with the freshly remixed "No Broke Boys." And forget song of the summer, Haim's "Relationships" may be the song of the year. Danielle Haim and her sisters manage to spin the agony of indecision into flippant, funky magic. As the season winds down, a new Taylor Swift album draws closer, and the charts begin to change shape, may "Ordinary" serve as a reminder that summer trends may disappoint or underwhelm — but they never last forever. Read the original article on Business Insider Solve the daily Crossword
Yahoo
6 hours ago
- Yahoo
Dr. Phil's Bankrupt Media Company Sued Over $500 Million TV Deal
The bankruptcy of Dr. Phil's Merit Street Media has taken another turn, with its distribution partner suing the company for fraud and breach of contract. In a lawsuit filed in Texas federal court on Tuesday, Trinity Broadcasting accuses Dr. Phil, whose surname is McGraw, of swindling the Christian TV network under a $500 million, 10-year deal in which he allegedly failed to deliver a single episode of his flagship talk show. More from The Hollywood Reporter Dr. Phil Returns: Launches Envoy Media Co. in Comeback Bid Phil McGraw's Merit Street Media Files for Bankruptcy, Sues Distribution Partner Trinity Broadcasting Dr. Phil's Media Company Merit TV Hires New CEO (Exclusive) In a statement, a spokesperson for McGraw said 214 new episodes of Dr. Phil Primetime aired on Merit. 'To say otherwise is absolutely false,' he added. McGraw's Merit Street Media is simultaneously in bankruptcy court and suing Trinity Broadcasting for breach of contract over its downfall. The court has called the dispute anything but 'routine,' mainly because McGraw conditioned a loan to Merit Street on the company winning its lawsuit against the network. Merit Street claimed Trinity Broadcasting didn't live up to the terms of their joint venture, specifically by failing to secure national distribution. Shortly after the launch of its TV arm, the network 'began to abuse its power as a controlling shareholder' and forced it to enter into a series of expensive distribution deals rather than through its own network of local TV stations; engaged in self-dealing by leasing TBN studios space to produce McGraw's shows; and provided 'shoddy production services,' Merit Street alleged. In its lawsuit, Trinity Broadcasting, which at one point owned 70 percent of Merit Street, offers a different version of events. It says McGraw approached the company in 2022 as he was looking for a network to replace CBS as a production and distribution partner for his show, making certain representations regarding the financial success and ongoing popularity of his syndicated series. Chief among them: a 40 percent cut in the $68 million per year cost to make Dr. Phil by moving all production to Texas and terminating all unionized employees. McGraw also said that he owned the rights the series, that CBS sold out advertising inventory for the show and that he would create new, 90-minute episodes. In negotiations, McGraw told Trinity Broadcasting that it must sign a deal with his production banner Peteski and pay him $20 million as a gesture of good faith, or he'd accept an offer from CBS to pay him $75 million annually. Anything less, he claimed, would be a 'deal killer,' the lawsuit says. Under a purported $500 million, 10-year agreement, Trinity Broadcasting would provide production and distribution services to Merit Street and Peteski, in turn, would provide new content, including 160 new episodes, according to the complaint. The relationship turned sour last year when it became clear that McGraw couldn't deliver the viewership numbers, product integrations and advertising revenues he promised to Trinity Broadcasting, the company alleges. It says it spent more than $100 million by the end of June, some of which had to recorded as loans to Merit Street. That figure ballooned as Trinity Broadcasting continued to funnel up to $13 million into the production per month while McGraw failed to make a single episode, the lawsuit claims. At the same time, McGraw hired dozens of employees from Dr. Phil despite agreeing to slash production costs by terminating all ununionized employees and hiring local workers. He also refused to hand over old episodes of his talk show to Merit Street and make a $9 million payment for Peteski's 30 percent interest in the company. 'Instead, McGraw brazenly demanded that TBN pay him $100 million to obtain a 50 percent interest in the media library,' states the complaint, which notes that he insisted that Merit Street enter into lucrative distribution deals with friends Steve Harvey, Nancy Grace (Cops) and Chris Harrison (The Bachelor). When Trinity Broadcasting told McGraw that the funding would end, he urged the network to hand over ownership control of Merit Street in order to secure lucrative investments at a $425 million valuation. Relying on that representation, Trinity Broadcasting increased Peteski's share in Merit Street to 70 percent while diluting its stake to 30 percent for nothing. Once the deal was finalized, McGraw described the plan as a 'gangster move' to reduce the network to nothing more than a 'passive minority investor,' the lawsuit alleges. Trinity Broadcasting says it learned of Merit Street's Chapter 11 filing in July, which allegedly wasn't approved by its members on the board of directors. It accuses McGraw of plundering the company and plotting to pull the license for Dr. Phil for use at Envoy, his new venture. The lawsuit advances several claims for fraud and breach of contract. It seeks a court order of both companies' rights and obligations under their deal, as well as a ruling that McGraw agreed to hand over his library of old episodes of Dr. Phil as part of Peteski's consideration for receiving a 30 percent stake in Merit Street. Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Yahoo
7 hours ago
- Yahoo
An NFL Star Shared A Message From A Conservative Influencer. Fans Weren't Happy
An NFL Star Shared A Message From A Conservative Influencer. Fans Weren't Happy originally appeared on The Spun. Baltimore Ravens quarterback Lamar Jackson is taking some heat this week because of a post he shared on X, the platform formerly known as Twitter. It turns out he posted content from a controversial conservative influencer. Jackson is entering the 2025 season with a ton of confidence - and rightfully so. He completed 66.7% of his passes last season for 4,172 yards with 41 touchdowns and four interceptions. The two-time MVP and four-time Pro Bowler also had 915 rushing yards and four scores on 139 carries. While there are plenty of football fans eager to see Jackson back on the gridiron, some people have changed their tune due to his social media activity. Earlier this week, Jackson shared the following message from Charlie Kirk: "It's all about Jesus." In case you're unfamiliar with his work, Kirk is the founder of a conservative student organization called Turning Point USA. He visits college campuses around the country to discuss political issues. He played a big role in helping Donald Trump's presidential campaign in 2024. NFL fans are disappointed that Jackson shared Kirk's message. "Anybody but Charlie Kirk," one fan wrote on X. "Lamar whyyyy?" "I'm just gonna assume he doesn't know who tf this really is," a second fan commented. "Lamar Jackson is genuinely MAGA but no one will say anything," a third fan said. "Someone should remind a lot of these MAGA folk that the problem isn't that he reposted a quote about loving Jesus.. the problem is that he reposted that quote from a extreme white supremacist," a social media user wrote. Some people defended Jackson's social media activity. "What's the big deal here? Jesus is King," Fran Fraschilla said. "Is this the point we've come to? Criticizing someone bc of their religious beliefs? Just stop. Stay strong @Lj_era8 and keep being an example for so many in Baltimore & beyond," Sage Steele replied. "Taken heat for loving Jesus? Faith is a good thing. I'm guessing the critics have none," one person wrote on X. "Not a Christian but I don't see what's wrong w/ people sharing beliefs for those who want to consume. Might be difficult for atheists to understand, for religious, God is above politics," another person commented. Jackson has not addressed any of the backlash. Besides, he's getting ready for the Ravens' season opener. The Ravens will kick off their 2025 season on Sept. 7 against the Buffalo Bills. It'll be a rematch of last season's Divisional Round matchup. Jackson had 254 passing yards, 39 rushing yards, two touchdowns and an interception in Baltimore's 27-25 loss to Buffalo. We'd have to imagine that he's been thinking of that loss all offseason long. An NFL Star Shared A Message From A Conservative Influencer. Fans Weren't Happy first appeared on The Spun on Aug 19, 2025 This story was originally reported by The Spun on Aug 19, 2025, where it first appeared.