
Bob Odenkirk isn't an action newbie anymore
Bob Odenkirk ducks into a West Village coffee shop wearing sunglasses and a Chicago Cubs cap.
Some degree of subterfuge might have been necessary for Odenkirk years ago. Surely fans of 'Mr. Show' or 'The Larry Sanders Show' might have recognized him. But with time, Odenkirk has traveled from the fringes of pop culture to the mainstream. He's well-known now, but for what is a moving target.
At 62, Odenkirk is not only a comic icon, he's a six-time Emmy-nominated actor, for 'Better Call Saul,' a Tony-nominated Broadway star, for 'Glengarry Glen Ross,' and, most surprisingly, an action star.
He's not even a newbie, either. With 'Nobody 2,' the sequel to the 2021 pandemic hit original, Odenkirk's butt-kicking bona fides are more or less established. In the sequel, which opened in theaters Thursday, he returns as Hutch Mansell, the suburban dad with latent powers of destruction. This time, he and his family go on vacation to Wisconsin Dells, where they run into trouble.
'My goal is Jackie Chan's 'Police Story,'' Odenkirk says, sipping an iced tea before a day of promotion obligations. 'It exists to be funny. The disconnect is the lack of irony. Hutch has to mean it.'
Odenkirk's unlikely but sincere turn into Keanu Reeves territory has, in a way, only illuminated the rage that bubbled throughout his comedy. Chatting casually but intensely, Odenkirk explained how all of these iterations of him make sense — and how 'Nobody' might have even saved his life.
AP: Your friends in comedy, have they been funny about you as an action hero?
ODENKIRK: The whole time I was training I was thinking: They're not going to make this movie, and I'm getting free exercise training. The second thing I was thinking: If they make this movie, David Cross, Conan O'Brien, Adam Sandler, David Spade, these people are going to see me do this thing and go, 'Really?' It's just so fundamentally discordant. I could have asked for more comedy in the first one. And I didn't want that. I wanted to either make a real action movie — which would blow my friends' minds — or don't do it at all. If you're just going to ridicule the form, don't do it. Or just do 'Naked Gun,' which is super fun, too. I thought the funnier thing — what I did — was to do it. That's a joke on a cosmic scale. I'm literally pranking the universe. I am, right? That's the big joke. Now, what do I do with it? That's the question.
AP: With the 'Nobody' movies and your recent Broadway experience, you've set a high bar for surprising people with what you're capable of.
ODENKIRK: I thought about the character of Saul. He never quits. He gets pushed around. He's clever. He's in a spot and he has to think of a way out. That's an action character. While it's true that it feels like, 'Oh, boy, you went so far away.' I didn't really go that far away. It's one step. It's a big step. Everything else is in Saul. I did think that for people who know my comedy, this is going to be a hard sell. But that's not that many people. That's a cult group.
AP: And it might not be that hard of a sell to your comedy fans, either. The lie detector 'Mr. Show' sketch, in which you calmly confess to outlandish things, has a similar what's-under-the-surface quality like the 'Nobody' movies.
ODENKIRK: (Laughs) Yeah, yes.
AP: Maybe the most relevant sketch, though, is the one where you and David Cross playtough guys who bump into each other in a bar and then remained locked in mutual animosity through their lives, even through marriage. 'Nobody 2' kicks off with a similar encounter.
ODENKIRK: It's a tap on the shoulder that sets this whole thing off. He agrees to leave. Then this little tap happens. Then he leaves. He's outside. He can keep walking, which is what you would do. You'd get home and tell your wife, 'That guy tapped her on the back of the head.' It would just sit with you forever. The whole thing could have been avoided if it wasn't for who Hutch is, which is a person who allows himself to go crazy.
AP: Allowing yourself to go crazy isn't a radically different impulse in comedy. Did you always feel like rage or anger was fueling some of the funniest things you did?
ODENKIRK: For sure. I remember sitting with David Cross in the morning. We would start our time at 'Mr. Show' trying to generate ideas, sitting around with the paper. Oftentimes, it was: 'This really pisses me off,' or 'Look at this stupid thing.' So, yeah, frustration, anger, those are the very raw materials of comedy.
AP: You're just funneling that rage into a different place.
ODENKIRK: Life conjures up this rage in you, but there is no place that deserves it. In the first film, the first place he goes to exact revenge, he realizes all these people have nothing, they don't deserve it. In the second film, he goes after this guy and he's like, 'I'm under her thumb.' It's really not something you're supposed to do in an action movie, and I love that. You don't just get to find a bad guy around the corner. You've got to go looking.
AP: You've said you'd like to do a third one that ends with Hutch having nothing.
ODENKIRK: Yeah, the moral would be that everything he loves is gone. He burned everything he loved. We let him get away with it because the movie is an entertainment and it's meant to tell you: Yes, you can let go of your rage in this magical world. But in the end, I would think that it's an addiction. And he does want to do it. He does want to have a go, and so does every guy. That's why we have movies. And that's why we have boxing matches.
AP: How much credit do you give these movies for saving your life? After you had a heart attack in 2021 on the set of 'Better Call Saul,' you attributed your narrow survival to your 'Nobody' training.
ODENKIRK: When I had my EKG, where you can see the heart, the doctor explained that I had almost no scarring from that incident. And that's kind of weird because of how long that incident went on and how drastic it was. They were like: 'This should all be scar tissue, and there's none.' They said that's because these other veins are bigger than we're used to seeing, and that's from all the exercise you've been doing. And, dude, I did a lot. I went from a comedy writer who exercised just by riding a bike three or four times a week to the action I did in those movies.
AP: You told Marc Maron you saw no white light and tongue-in-cheek advised him to 'go for the money.'
ODENKIRK: Well, I got nothing. Nothing. I did talk to my family the next day. I woke up the next day around 1:30 and talked to my wife and kids. I was talking to people for the next week, and I don't remember any of it, or the day that it happened.
AP: But did the experience change you?
ODENKIRK: (Long pause) It's a big component of my thinking about who I am and what I want to do with myself and my time. The thing that's driven me the most in my life is a sense of responsibility. Not just like, 'Oh, I have kids. I have to make money and take care of them.' But, like, responsibility to the universe. 'Oh, they'll let you do this action movie.' Well, then you better do a great job. 'They want you do 'Better Call Saul.'' Well, let's go. The universe is saying: You can do this. And you owe that opportunity that's so unjustified and magical. I just feel responsibility almost too readily. But the heart attack, however you want to feel about everybody's expectations of you, I mean, you're going to be gone. The world's going to go on without you, just fine. So I don't know, man. Yeah, you've got to come through for people. But you've also got a lot of freedom to invite who you want to be.
© Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metropolis Japan
10 hours ago
- Metropolis Japan
A Chorus Line – Japan Special Tour 2025
The legendary Broadway musical A Chorus Line returns in a bold new production directed by Nikolai Foster, with acclaimed performer Adam Cooper as Zach. First premiered in Leicester, UK in 2021, this reimagined version captures the passion, heartbreak, and dreams of 17 dancers fighting for just eight coveted spots. Featuring iconic numbers like 'One,' dazzling choreography, and raw, heartfelt stories, this is your chance to experience one of Broadway's greatest masterpieces live on stage in Japan. Performance Schedule: Tokyo Premiere: Sept 8–22, 2025 | Tokyo Tatemono Brillia Hall Sendai: Sept 27–28, 2025 | Sendai Sunplaza Hall Osaka: Oct 2–6, 2025 | Umeda Arts Theater Main Hall Tokyo Return: Oct 10–19, 2025 | Theatre H Language: Performed in English with Japanese subtitles Run Time: Approx. 2 hours (no intermission)


Japan Today
16 hours ago
- Japan Today
Milkshakes, malts, concretes, frappes and more: A delicious guide to frozen drinks
A chocolate milkshake is displayed at the Lexington Avenue Candy Shop Luncheonette in New York on Aug 7. By KATIE WORKMAN In the summer heat, we find ourselves drawn to that glorious section of the drinks menu that promises relief in the form of a cold, creamy, brain-freezing indulgence. But ordering a frozen drink looks different in different parts of the U.S., and in different restaurants and ice cream shops. So, what is the difference between a milkshake, a malt, a frappe or maybe even a concrete? Geography, tradition and local lingo all play a role in how frozen drinks are made and what they're called. Let's break it down one strawful (or spoonful) at a time. Perhaps the most iconic of the bunch, the milkshake is typically a blend of ice cream and milk, blended until smooth and sippable. It's simple and sweet. The ice cream usually forms the base flavor of the drink, and then other flavorings are involved, from syrups to extracts to fresh fruit. At the Lexington Candy Shop, a 100-year-old luncheonette with an old-fashioned soda fountain on Manhattan's Upper East Side, vanilla is the most popular milkshake — about 60% of all shakes ordered. That's according to John Philis, who co-owns the shop with Bob Karcher, and whose grandfather, Soterios Philis, opened it in 1925. Their next most popular flavors are chocolate, coffee and strawberry, Philis said. Lexington Candy uses homemade syrups, he says, which give the shakes 'a nice wow.' Other fan favorites at the shop include the classic black and white (vanilla ice cream and chocolate syrups) and the Broadway (chocolate syrup with coffee ice cream). In the summer, there are peach shakes. A malt is essentially a milkshake with a scoop of malted milk powder thrown in. Malted milk powder is an old-fashioned flavoring that combines malted barley, wheat flour (caution to the gluten-free crowd) and evaporated milk. It gives the drink that distinct toasted, almost nutty flavor that transports you mentally to a 1950s diner or drive-in. Fun fact: Malted milk powder was originally created as a nutrition booster, mostly for babies, but it found its home behind the counter of ice cream shops and luncheonettes. It adds slightly richer, old-school vibes to shakes and other frozen drinks. There are also plenty of frozen blended drinks made with frozen yogurt instead of ice cream; these are sometimes known as fro-yo shakes. 'Frappe' might mean different things to different people, depending on where they're from. In New England, particularly Massachusetts, a frappe is what most of us would call a milkshake, made with milk, ice cream and usually some other flavorings. In Massachusetts, you will hear this drink called 'frap' (rhymes with 'nap'), but believe me when I say there is no consensus on the correct pronunciation of the word. Sometimes a frappe from this region might simply be flavored cold milk, no ice cream involved. There is also a genre of frappes associated with coffee-blended drinks, popularized by chains like Starbucks. Think icy, blended lattes, often topped with whipped cream. These are pronounced 'frap-pays.' Philis says that in New York City and other regions, a shake used to be known as a 'frosted.' 'When someone comes in and orders a 'frosted,' I like this person,' Philis declares. When McDonald's and other fast-food chains started calling shakes 'shakes,' the world followed suit, and the word 'frosted' went out of fashion. A frosted float, Philis explains, is a milkshake with an extra scoop of ice cream floating on top. Talk about gilding the lily! Then we have the concrete, an ultra-thick, creamy frozen dessert so dense that a spoon can stand upright in it. This is essentially frozen custard blended with mix-ins like candy, cookies or fruit, but no milk is added. It's more of a scoopable treat than a slurpable one. Concretes are popular where frozen custard is popular — mostly in the Midwest. Frozen custard has significantly less air in it than most ice cream, and a required 1.4% of egg yolks, which gives it its signature richness. The concrete was invented at a frozen custard shop called Ted Drewes in St. Louis. If you buy one there, the server will hand it to you upside down, saying, 'Here's your concrete,' and it won't fall out. Travis Dillon (whose wife, Christy, is founder Ted Drewes' granddaughter) gave this origin story: In the 1950s, a kid named Steve Gamir used to come in and ask the guy behind the counter for 'the thickest shake you can make.' Employees started leaving the milk out of Gamir's shakes, just running the custard through the machine, resulting in a shake that requires a spoon, not a straw. Dillon says chocolate is their most popular flavor, then chocolate chip, strawberry and Heath Bar, but adds that there are lots of other flavors to explore, including a malted chocolate concrete — the best of two frozen-drink worlds! Ice cream floats are the fizzy cousins of shakes. A scoop of ice cream (usually vanilla) is plopped into a glass of soda (usually root beer or cola, occasionally orange soda or a lemon-lime like Sprite) to create a frothy, sweet, bubbly concoction. Floats can be nostalgic for some folks. Lexington Candy remains old-fashioned with their floats, making the sodas to order with syrup, stirring by hand, then adding the ice cream. In some areas of the country, you might hear a root-beer float referred to as a 'brown cow.' Like floats, ice cream sodas are not made in a blender — but the difference lies in the fizzy base. Philis says his are made by combining the syrup of your choice with seltzer. Then add a scoop of ice cream. He says usually the syrup and the ice cream are the same flavor, but people also like to mix and match. Finally a word about smoothies, the supposedly more health-conscious frozen treat. Smoothies are traditionally made with fruit, yogurt, juice and sometimes ice. Sometimes, the fruit is frozen before it is blended into the drink. Smoothies are designed to feel virtuous, but they can still pack plenty of sugar, calories and richness, depending on the ingredients. For instance, if you see a peanut butter-chocolate-banana smoothie, you may realize quickly that this is more about flavor than health. So the only question is: Is there enough time left in the summer to try the whole lexicon of frozen creamy drinks? Believe in yourself. I believe in you. This story has been updated to correct the description of an ice cream soda, which is made with syrup, seltzer and ice cream, not syrup, coffee, half-and-half, seltzer and ice cream. Katie Workman writes regularly about food for The Associated Press. She has written two cookbooks focused on family-friendly cooking, 'Dinner Solved!' and 'The Mom 100 Cookbook.' She blogs at © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


Yomiuri Shimbun
19 hours ago
- Yomiuri Shimbun
Terence Stamp, British Actor Who Portrayed General Zod in Early Superman Films, Dies at 87
LONDON (AP) — Terence Stamp, the British actor who often played the role of a complex villain, including that of General Zod in the early Superman films, has died. He was 87. His death on Sunday was disclosed in a death notice published online, prompting a wave of tributes from and an array of fans and those close to him within the industry, including the British Academy of Film and Television Arts, or BAFTA. The London-born Stamp started his film career with 1962's seafaring 'Billy Budd,' for which he earned Oscar and BAFTA award nominations. His six decades in the business were peppered with highlights, including his touching portrayal of the transsexual Bernadette in 1994's 'The Adventure of Priscilla, Queen of the Desert,' the second of his two BAFTA nominations. But it will be his portrayal of the bearded Zod in 1978's 'Superman' and its sequel 'Superman II' two years later that most people associate with Stamp. As the Kryptonian arch enemy to Christopher Reeve's Man of Steel, Stamp introduced a darker, charming and vulnerable — more human — element to the franchise, one that's been replicated in countless superhero movies ever since. Edgar Wright, who directed Stamp in his final feature film, 2021's 'Last Night in Soho,' remembered the actor in an Instagram post as 'kind, funny, and endlessly fascinating.' 'The closer the camera moved, the more hypnotic his presence became. In close-up, his unblinking gaze locked in so powerfully that the effect was extraordinary. Terence was a true movie star: the camera loved him, and he loved it right back,' Wright said. Bill Duke, who starred with Stamp in director Steven Soderbergh's 1999 crime drama 'The Limey,' said he was 'deeply saddened' to hear of his death. 'He brought a rare intensity to the screen, but off-screen he carried himself with warmth, grace, and generosity,' he said on Facebook. Stamp started his acting career on stage in the late 1950s, where he acted in repertory theatre and met Michael Caine, who was five years older than himself. The pair lived together in a flat in central London while looking for their big break. He got his break with 'Billy Budd' and Stamp embarked on a career that would see him in the early 1960s be part of the 'angry young men' movement that was introducing an element of social realism into British moviemaking. That was perhaps most notable in the 1965 adaptation of John Fowles' creepy debut novel 'The Collector,' where he played the awkward and lonely Freddie Clegg, who kidnapped Samantha Eggar's Miranda Grey in a warped attempt to win her love. It was a performance that would earn the young Stamp, fresh off his Oscar nomination, the best actor award at that year's Cannes Film Festival. While part of that 1960s British movement, Stamp learned from some of the most seasoned actors from the classical era, including Laurence Olivier. 'I worked with Olivier briefly on my second movie (1962's 'Term of Trial'),' Stamp recalled in an interview with the AP in 2013. 'And he said to me, 'You should always study your voice.'' Stamp then segued into a spot-on Olivier impersonation, continuing, ''Because, as you get older, your looks go, but your voice will become empowered.'' His career took a bit of a hiatus from the late 1960s after he missed out on the role of James Bond to replace Sean Connery, that included a years-long stint in India and which saw him embrace a more holistic approach to his self. It was the unexpected role of General Zod that brought him back to the limelight. He played John Tunstall in 1988's 'Young Guns,' the Galactic Republic leader in 1999's 'Star Wars' prequel 'The Phantom Menace,' appeared in the comedies 'Yes Man' and 'Get Smart' in 2008 and delivered voice performances in the video games 'Halo 3' and 'The Elder Scrolls IV: Oblivion.' Born in London's East End on July 22, 1938, Stamp lived a colorful life, particularly during the 1960s when he had a string of romances, including with actress Julie Christie and model Jean Shrimpton. He married 29-year-old Elizabeth O'Rourke in 2002 at the age of 64 but the couple divorced six years later. Stamp did not have any children. Stamp retained his looks as the years ticked by, his natural handsomeness hardened by a more grizzled look. He generally sought to keep his standards high — to a point. 'I don't do crappy movies, unless I haven't got the rent,' he said.