Latest news with #AsAliveasYouNeedMetoBe
3 days ago
- Entertainment
'Tron: Ares' brings the Grid, light cycles and Nine Inch Nails soundtrack, to Comic-Con
SAN DIEGO -- The Grid took over Comic-Con on Friday, bringing the stars of the new 'Tron: Ares' films to unveil footage and reveal the story behind the franchise's third movie. The film stars Jared Leto, Jeff Bridges, Greta Lee and Jodie Turner-Smith as the story brings the virtual environment of the Grid, complete with light cylces, into the real world. Disney showed off several minutes of footage, including a light cycle chase scene in the real world and another in the red-hued Grid. Propelling the onscreen action is a propulsive Nine Inch Nails soundtrack. 'It's fun to see it on the big screen for the first time,' said director Joachim Rønning. Disney turned the Hall H panel into a spectacle, with red lasers filling the room and characters in suits with red lights entering the massive hall. Asked what excited her about joining the 'Tron' franchise, Lee responded: 'I just wanted to ride a light cycle.' Leto spoke affectionately about the original saying: 'This movie just grabbed a hold of me and took me to a place that I'd never been before. It kind of rattled my imagination and it kind of showed me what was possible in the world.' He praised Bridges and Steven Lisberger, who created 'Tron' and directed the 1982 original. Lisberger attended Friday's panel and laid out his case for why the franchise remains relevant. 'My feeling about 'Tron' is that the most important thing is we kick this technology around artistically before it kicks us around,' Lisberger said. 'I am weary about hearing all the grim news about the future,' he said, and the way he thinks it can be avoided is to 'inspire young people what can be done with this technology.' Friday's panel ended with the premiere of the music video for "As Alive as You Need Me to Be," the first Nine Inch Nails song from the soundtrack. 'Tron' has never been in the top tier of sci-fi franchises. The original 1982 film starring Bridges as Kevin Flynn, a man sucked into a computer vortex known as the Grid, was admired for its ground-breaking concept and effects, and was a modest hit with moderately good reviews. Perhaps more importantly, it won a cult following and has been maintained enough in cultural memory to remain a valuable property for Disney. The 2010 film 'Tron: Legacy,' starring Bridges and Garrett Hedlund, made more than $400 million globally. A TV show that followed, 'Tron: Uprising,' lasted just one season. Rønning has helmed other Disney franchise films: 2017's 'Pirates of the Caribbean: Dead Men Tell No Tales' and 2019's 'Maleficent: Mistress of Evil.' The Norweigan director said he was interested because he dreamed about making a sci-fi film and enjoyed the twist of 'Ares' bringing the Grid into the real world.
San Francisco Chronicle
3 days ago
- Entertainment
- San Francisco Chronicle
'Tron: Ares' brings the Grid, and the light bikes, to Comic-Con
SAN DIEGO (AP) — The Grid took over Comic-Con on Friday, bringing the stars of the new 'Tron: Ares' films to unveil footage and reveal the story behind the franchise's third movie. The film stars Jared Leto, Jeff Bridges, Greta Lee and Jodie Turner-Smith as the story brings the virtual environment of the Grid, complete with light bikes, into the real world. Disney showed off several minutes of footage, including a light bike chase scene in the real world and another in the red-hued Grid. Propelling the onscreen action is a propulsive Nine Inch Nails soundtrack. 'It's fun to see it on the big screen for the first time,' said director Joachim Rønning. Disney turned the Hall H panel into a spectacle, with red lasers filling the room and characters in suits with red lights entering the massive hall. Asked what excited her about joining the 'Tron' franchise, Lee responded: 'I just wanted to ride a light cycle.' Leto spoke affectionately about the original saying: 'This movie just grabbed a hold of me and took me to a place that I'd never been before. It kind of rattled my imagination and it kind of showed me what was possible in the world.' He praised Bridges and Steven Lisberger, who created 'Tron' and directed the 1982 original. Lisberger attended Friday's panel and laid out his case for why the franchise remains relevant. 'My feeling about 'Tron' is that the most important thing is we kick this technology around artistically before it kicks us around,' Lisberger said. 'I am weary about hearing all the grim news about the future,' he said, and the way he thinks it can be avoided is to 'inspire young people what can be done with this technology.' Friday's panel ended with the premiere of the music video for "As Alive as You Need Me to Be," the first Nine Inch Nails song from the soundtrack. 'Tron' has never been in the top tier of sci-fi franchises. The original 1982 film starring Bridges as Kevin Flynn, a man sucked into a computer vortex known as the Grid, was admired for its ground-breaking concept and effects, and was a modest hit with moderately good reviews. Perhaps more importantly, it won a cult following and has been maintained enough in cultural memory to remain a valuable property for Disney. The 2010 film 'Tron: Legacy,' starring Bridges and Garrett Hedlund, made more than $400 million globally. A TV show that followed, 'Tron: Uprising,' lasted just one season. Rønning has helmed other Disney franchise films: 2017's 'Pirates of the Caribbean: Dead Men Tell No Tales' and 2019's 'Maleficent: Mistress of Evil.' The Norweigan director said he was interested because he dreamed about making a sci-fi film and enjoyed the twist of 'Ares' bringing the Grid into the real world.
Boston Globe
3 days ago
- Entertainment
- Boston Globe
‘Tron: Ares' brings the Grid, and the light bikes, to Comic-Con
'It's fun to see it on the big screen for the first time,' said director Joachim Rønning. Disney turned the Hall H panel into a spectacle, with red lasers filling the room and characters in suits with red lights entering the massive hall. Advertisement Asked what excited her about joining the 'Tron' franchise, Lee responded: 'I just wanted to ride a light cycle.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Leto spoke affectionately about the original saying: 'This movie just grabbed a hold of me and took me to a place that I'd never been before. It kind of rattled my imagination and it kind of showed me what was possible in the world.' He praised Bridges and Steven Lisberger, who created 'Tron' and directed the 1982 original. Lisberger attended Friday's panel and laid out his case for why the franchise remains relevant. 'My feeling about 'Tron' is that the most important thing is we kick this technology around artistically before it kicks us around,' Lisberger said. 'I am weary about hearing all the grim news about the future,' he said, and the way he thinks it can be avoided is to 'inspire young people what can be done with this technology.' Advertisement Friday's panel ended with the premiere of the music video for 'As Alive as You Need Me to Be,' the first Nine Inch Nails song from the soundtrack. 'Tron' has never been in the top tier of sci-fi franchises. The original 1982 film starring Bridges as Kevin Flynn, a man sucked into a computer vortex known as the Grid, was admired for its ground-breaking concept and effects, and was a modest hit with moderately good reviews. Perhaps more importantly, it won a cult following and has been maintained enough in cultural memory to remain a valuable property for Disney. The 2010 film 'Tron: Legacy,' starring Bridges and Garrett Hedlund, made more than $400 million globally. A TV show that followed, 'Tron: Uprising,' lasted just one season. Rønning has helmed other Disney franchise films: 2017's 'Pirates of the Caribbean: Dead Men Tell No Tales' and 2019's 'Maleficent: Mistress of Evil.' The Norweigan director said he was interested because he dreamed about making a sci-fi film and enjoyed the twist of 'Ares' bringing the Grid into the real world. Leto and Bridges are both Oscar winners, and Rønning is an Oscar nominee. AP Entertainment Writer Andrew Dalton contributed to this report.
NZ Herald
19-07-2025
- Entertainment
- NZ Herald
Listener's Songs of the Week: New tracks by Blood Orange featuring Lorde, Nine Inch Nails, David Byrne, and more
Lorde's choirmaster Dev Hynes, aka Blood Orange. Photo / Michael Lavine Reviews Mind Loaded by Blood Orange, featuring Caroline Polachek, Lorde & Mustafa UK producer-songwriter-multi-instrumentalist Blood Orange (Devonté Hynes) arranges himself quite a choir on this dreamy, airy, melancholy bit of chamber pop, driven by a gently arpeggiating piano before talking a harsh left-turn with a minute to go. It's one of two advance tracks from his first solo album since 2018, Essex Honey. The Lorde vocal cameos follow Hynes' cello, bass, synth, and guitar playing on the Virgin track Favourite Daughter and him being a support act on her forthcoming Ultrasound world tour. – Russell Baillie She Explains Things to Me By David Byrne, Ghost Train Orchestra Byrne's amusing ode to male befuddlement might be partly inspired by Rebecca Solnit's 2014 book Men Explain Things to Me which popularised the phrase 'mansplaining.' But it could also be read as a sweet love song from this spry 73-year-old's coming solo album, one that sounds like it will be fun to put on the gramophone right after Talking Heads' Remain in Light at my next rest home happy hour. – Russell Baillie As Alive as You Need Me to Be by Nine Inch Nails Welcome to a brief sub-section of this week's column devoted to bands you might have once seen at a Big Day Out (younger readers, ask an uncle). Trent Reznor and Atticus Ross have had a dignified parallel career as creators of movie soundtracks since the BDO era, while Reznor has occasionally dusted off his old Nine Inch Nails band-brand. Here, under the NIN banner, they unleash the first song off the soundtrack to the new Tron film – Daft Punk did the last one – and the instantly anthemic As Alive as You Need Me to Be should have fans of Reznor's electro-goth-rock beginnings from his Pretty Hate Machine era wondering where the time has gone? – Russell Baillie My Mind is a Mountain by Deftones And now for your daily dose of angst-filled, shouty, head-crunching, decibel-abusing Californian metal from a band which played the BDO a couple of times. Claustrophobic consciousness metal? 'The storm remains and my heart's entrenched. Fate explores me now. Why do we bathe in this psyche?' It's a good, loudly delivered, question. – Graham Reid Desire by Georgia Knight Like a sensual trip-hopped Kate Bush, this steamy single from Melbourne-based expat Knight is a deep and smoky dive into interesting new territory. She tours with Folk Bitch Trio in September, and it'll be interesting to see how something like this slice of nightclub/noir art-pop plays out live. Meantime check it out. If it signals a new album let's hope she gets on with it. – Graham Reid Sundog by Babe Martin Babe Martin (Auckland's Zoe Larsen Cumming) possesses an extraordinary voice which here opens high and lonely then just keeps pushing upward as this confident piece becomes a swelling slice of something beyond folk and moves into evocative art music. If we judge people by the company they keep it's worth noting in her circle is Jazmine Mary, that's good company. Debut EP Not a Bee, but a Wasp coming soon. Definitely one to watch out for. – Graham Reid Give Into My Fears by Jamaica Moana As on previous singles Living Out West and Keep It Real, this Sydney-based, Samoan-Māori, queer artist – with links to the Hokianga and Waikato – keeps the backing stripped right back so her rap messages come through with clarity. It's about creating herself, assertion, the drive towards fame ('I've been doing this for years') and never compromising. She's convincing. Six-song debut EP Bud & Deni (named for her parents) out August 1. -- Graham Reid Death in the Family by The Sophs Who would have thought 'WEEZER-like' would become a thing? But here the LA-based alt-pop Sophs tap into a Weezerness with a song which is droll and disturbing ('I need a death in the family to turn my page') which cleaves a bit too close to Weezer to be totally satisfying. But the message of seeking redemption for past mistakes is interesting. Too soon to send flowers, and this only their second single (their previous Sweat was more convincing) so maybe that Next Big Thing description could go on hold for a while. – Graham Reid Time by Curtis Harding Vocally, American soul man Harding can deliver from the tradition of classic Motown and Stax artists (Temptations, Rufus Thomas, and other raw singers). But on this drum-driven single he initially dispenses with horns and backing vocals which means he immediately catches attention. When those other elements arrive there's tension and a sense of desperation which cleverly winds down into a moody second half. A crafted and quietly compelling notice of a new, as yet unscheduled, album. – Graham Reid Fine by Meg Washington, featuring Paul Kelly Seasoned Brisbane singer-songwriter Meg Washington ropes in wise elder Paul Kelly for a tight-harmony duet that runs a fine line between subdued country folk ballad and uplifting ode to surviving the storm. 'Everything's going to be fine,' they sing on a gentle song that snowballs into something Cohen-esque and hymn-like. Would suit a choir treatment which brings us to … – Russell Baillie Didn't It Rain by the New Zealand Youth Choir, Karen Grylls conductor We've always produced good choirs. It's not surprising – famously, more New Zealanders sing in choirs than play rugby. Our leading choirs, though, are much better than good. They proved it again recently during the NZ Youth Choir's Northern Hemisphere tour, where, under the stewardship of music director David Squire, they've won two major competitions. They took top honours at the Grand Prix of Nations at the European Choir Games in Denmark, and a few days later were named Choir of the World at the Llangollen International Musical Eisteddfod in Wales. It's not the first time they've claimed the latter title – they won in 1999, too. It's from that competition that this recording of NZ composer David Hamilton's Didn't It Rain comes. Go Kiwi. – Richard Betts Dig Deep by Fat Freddy's Drop You could spend a long time looking for a track that showed what the late Chris Faiumu brought to Fat Freddy's Drop. This, from 2021's album Wairunga and accompanying concert film (see below) shows him effortlessly busy in the electronic engine room that he built and powered the band with. – Russell Baillie
Hypebeast
18-07-2025
- Entertainment
- Hypebeast
'TRON: Ares' Unleashes AI Into the Real World in Trailer Reveal
Summary Disneyhas just unveiled the trailer forTron: Aresgiving fans the first full look at the third chapter in Disney's iconicTRONfranchise — and it's unlike anything we've seen from the series so far. Set to hit theatres on October 10, 2025, this new installment doesn't just return to the digital world. It brings it crashing into ours. Instead of humans entering the Grid like in previous films,Tron: Aresflips the formula. StarringJared Letoas a powerful program named Ares sent from the digital world into the real one. Described as 'biblically strong, lightning fast, supremely intelligent,' Ares is a weaponized AI created by tech mogul Julian Dillinger played byEvan Peters. The trailer frames the conflict as technology versus nature, with Dillinger coldly stating, 'If he's destroyed, I'll just remake him,' highlighting the dangerous ease with which artificial intelligence can be treated as disposable. The trailer wastes no time diving into the chaos. It's a high-stakes collision of digital power and human vulnerability, arriving at a time when conversations around AI feel more real than ever. The cast is stacked. Alongside Leto and Peters, the film starsGreta Lee,Gillian Anderson,Hasan Minhaj,Jodie Turner-Smith,Cameron Monaghan, Arturo Castro, and a returningJeff Bridgesas Kevin Flynn. While Bridges' role seems smaller this time around, his presence ties the past to this new evolution. Visually, it's exactly what fans hoped for — a neon-soaked spectacle that pushes theTRONaesthetic even further. From slick armor to hyper-stylized action, director Joachim Rønning is clearly honoring the franchise's legacy while updating it for 2025's expectations. Following the legendary scores byDaft Punkin their last filmTron: Legacy, the upcoming film tapsNine Inch Nailsfor the soundtrack. The trailer features the debut of their new single, 'As Alive as You Need Me to Be,' setting a gritty, unworldly tone that fits perfectly within theTRONuniverse. The full score arrives September 19, 2025, ahead of the film's release. With a flipped premise, a heavy-hitting cast, and a sound that demands your attention,Tron: Aresis shaping up to be more than a sequel — it's a statement. And if this trailer is anything to go by, we're in for a wild, wired ride. Check out the trailer above.
