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Getting d(r)ubbed: Recent southern films fall out of favour in Hindi-speaking belt, struggle for a hit
Getting d(r)ubbed: Recent southern films fall out of favour in Hindi-speaking belt, struggle for a hit

Mint

time4 days ago

  • Entertainment
  • Mint

Getting d(r)ubbed: Recent southern films fall out of favour in Hindi-speaking belt, struggle for a hit

Dubbed versions of southern films, especially Tamil and Telugu movies, appear to be losing their fizz in the Hindi-speaking belt. Recent titles including Kamal Haasan-starrer Thug Life (Tamil) and Game Changer (Telugu) have performed below par, raking in less than a 10th of earlier blockbusters from the south. With the exception of Pushpa 2 and Kalki 2898 AD, there haven't been any major dubbed hits in the past year. Experts said there is unnecessary hype over the dubbing trend and too many films have jumped on to the bandwagon without adequate content or marketing efforts. The Hindi version of Mani Ratnam's Thug Life, released in June, made ₹1.56 crore. Kannappa, a Telugu-language Hindu epic starring Vishnu Manchu in the title role and an ensemble cast of Mohanlal, Prabhas and Akshay Kumar earned Rs. 2.75 crore, according to data from Bollywood Hungama, a trade website. L2: Empuraan, starring Mohanlal and released in March, made ₹2.22 crore in the Hindi belt. Game Changer, with Ram Charan in the lead, did better than the others, clocking in ₹26.6 crore after its release in January. However, all these earnings pale in comparison to dubbed southern hits such as Pushpa 2: The Rule ( ₹830 crore), KGF: Chapter 2 ( ₹434.7 crore), RRR (274.3 crore) and Baahubali 2: The Conclusion ( ₹511 crore). 'The trend (of dubbed versions of southern films breaking out in the Hindi belt) has died down a little bit," admitted Rahul Puri, managing director of Mukta Arts and Mukta A2 Cinemas. While a few films managed to click with Hindi-speaking audiences, Puri said they were followed by several others that wanted to cash in on the hype but didn't do well even in their home markets. Half-hearted dubs Independent trade analyst Sreedhar Pillai said not all names from the south command equal draw in the Hindi belt. Only the likes of filmmaker SS Rajamouli, who first broke out with the Baahubali franchise and then followed it up with RRR, are known – even in tier-two and three north Indian towns – and people flock to the cinemas for their movies. 'If you look at films like Pushpa, the characters appeared real and relatable across the board. In the case of a lot of recent Tamil or Telugu films, the tone and style were entirely south Indian, and it didn't appear to be anything other than a simple dub," Pillai pointed out. Experts said the recent dubbed southern films have been half-hearted attempts to reach out to Hindi-speaking audiences. On the other hand, Kantara (2022), originally filmed in Kannada, had the right flavour, writing and marketing strategy to make it seem like a universal film and releasing in the Hindi market didn't look like an afterthought. Still, trade experts are hopeful about the prospects of Rajinikanth's Coolie, which also features Aamir Khan, Prabhas' next The Raja Saab, Kantara: A Legend Chapter 1, a prequel to Kantara, and Allu Arjun's untitled film starring Deepika Padukone to be directed by Atlee of Jawan fame. 'Not too many big-ticket films featuring names familiar in the Hindi belt have been released since Pushpa. But it's only a matter of time before one does well," film distributor and exhibitor Akshaye Rathi said.

Supreme Court's ‘Thug Life' verdict reinforces cinema's rights. But threat of mob veto still looms
Supreme Court's ‘Thug Life' verdict reinforces cinema's rights. But threat of mob veto still looms

Mint

time13-07-2025

  • Entertainment
  • Mint

Supreme Court's ‘Thug Life' verdict reinforces cinema's rights. But threat of mob veto still looms

The Supreme Court's direction to the Karnataka government to ensure the release of Kamal Haasan-starrer Thug Life, while expressing concerns over 'extra-judicial' bans, reinforces the freedom and expression and the theatres' right to screen controversial films. But cinemas still hesitate to release such movies unless law enforcement agencies provide effective protection, according to experts. 'The Supreme Court's directive reinforces the principle that freedom of expression cannot be stifled by threats or public pressure," said Tanu Banerjee, partner at Khaitan & Co. 'It sends a strong message that states have a duty to protect lawful film releases, which could encourage similar judicial protection for other contentious works in future." Also Read: Actors ditch urban-centric films for mass-market genres after Covid India has a long history of theatrical releases being disrupted due to protests. This includes Aamir Khan's 2006 film Fanaa, which never released in many theatres in Gujarat after protests against the actor's criticism of the state government's handling of the Narmada dam project. Period drama Padmaavat (2018) faced protests and was banned in many states—the Supreme Court later stayed the state bans. Greenlit, yet under fire The Supreme Court's landmark ruling in the Thug Life case reinforces that once the Central Board of Film Certification has granted clearance, neither mobs nor political pressure should be allowed to override that legal right, said Anupam Shukla, partner, Pioneer Legal. 'This directive reinforces the constitutional guarantee of freedom of speech and expression, asserting that law and order must prevail over the arbitrary dictates of protesting groups. It sets a benchmark. Future filmmakers can now petition the Supreme Court early if local threats emerge." The Supreme Court indeed case paves the way for theatres to take a strong position on releasing films, despite threats of agitation, and similarly empower authorities to deal with the threats in a proactive manner, according to Niharika Karanjawala-Misra, principal associate at Karanjawala & Co. State governments should provide police protection in such instances where there are either threats of violence or protests which might physically derail a particular screening, she added. If threats of violence are allowed to cancel and overthrow film releases, there will only be an increase in such intimidating behaviour, said Karanjawala-Misra. Also Read: How small southern films are defying the odds at the box office Enforcement on the ground is often weak and motivated by various factors locally. A film producer who did not wish to be named pointed out that state governments can still use the 'law and order" excuse to quietly stall releases using their powers under Section 13 of the Cinematograph Act, 1952, and there are rarely any real consequences for those who issue threats or intimidate theatres. Screening hangs by security Gaurav Sahay, founder partner at Arthashastra Legal, said that despite favourable judicial orders, the release of controversial films can still be subjected to real and credible threats from fringe groups, political outfits, or religious factions. Judicial pronouncements often require robust implementation by the executive and law enforcement agencies to be truly effective, Sahay said. There are remedies that a filmmaker can seek if their film doesn't release despite court orders. Alay Razvi, managing partner, Accord Juris, pointed out that they can file contempt petitions against state officials for failure to comply with the Supreme Court's directions or seek compensation claims under the public law remedy for violation of fundamental rights. However, the overreliance on judicial relief could also congest the courts with similar public interest litigations. Ultimately, while this prudential check empowers filmmakers, real-world compliance remains uncertain unless states sincerely mobilize law enforcement machinery, according to Razvi. 'Even with legal affirmation and a valid CBFC certificate, filmmakers and theatres may still hesitate–because threats, protests, or unofficial pressure can make screenings risky and commercially unviable. The ruling is a step in the right direction, but without stronger penalties for those who obstruct releases or clearer mechanisms to protect exhibitors, extra-judicial bans can still thrive in practice," said Aishwarya Kaushiq, partner, disputes practice, BTG Advaya. Also Read: Indian films hold ground overseas despite geopolitical tensions The on-ground release can still fall prey to "mob veto", Kaushiq said. 'What truly enables the release of such films is enforcement through effective state machinery. Proactive police protection, unambiguous support from government officials, and swift legal action against those obstructing lawful screenings can make all the difference."

Despite Supreme Court's green light for ‘Thug Life', film fails to release in Karnataka
Despite Supreme Court's green light for ‘Thug Life', film fails to release in Karnataka

Indian Express

time20-06-2025

  • Entertainment
  • Indian Express

Despite Supreme Court's green light for ‘Thug Life', film fails to release in Karnataka

Despite the Supreme Court clearing the path for the release of Kamal Haasan-starrer Thug Life movie in Karnataka, the film failed to hit the theatres in the southern state on Friday. The distributors decided not to distribute the film in the state, reportedly due to the poor response and box office collections in other states. The film opened to mixed reviews earlier this month, leading to a poor theatrical run across the country. According to the makers, the film was produced with a budget of Rs 300 crore. After two weeks of its release, the movie is struggling to touch the Rs 50-crore mark in India. Meanwhile, the distributors in Karnataka are prioritising new films, such as Dhanush- and Nagarjuna-starrer Kuberaa and Aamir Khan's highly anticipated Sitaare Zameen Par. The Mani Ratnam-directed Thug Life released on June 5 across India except in Karnataka, where its release was 'stalled' following the controversy over lead actor Haasan's reported remark that 'Tamil gave birth to Kannada'. The Karnataka Film Chamber of Commerce (KFCC) demanded an apology from the actor. Meanwhile, pro-Kannada groups threatened to target theatres if the film was screened, pushing the makers to petition the Supreme Court. The Supreme Court on Wednesday directed the Karnataka government to ensure the uninterrupted release of Thug Life in the state, dismissing a public interest litigation filed under Article 32 of the Constitution. The court transferred a related case from the Karnataka High Court and closed proceedings after the state filed an affidavit confirming no restrictions on the movie's release. The Karnataka government, in its affidavit, stated that it has imposed no ban on Thug Life and pledged full protection and security for its screening. Senior advocate Satish Parasaran, representing Raaj Kamal Films, expressed satisfaction with the state's stance and chose not to pursue the writ petition further. The bench emphasised that the state must act swiftly against any groups attempting to forcibly disrupt the film's release. 'We should be able to check our emotions. Otherwise, we will be engulfed by them. There is a difference between real life and reel life,' the court observed.

No SC order on vigilantes, it says state to act against violent acts
No SC order on vigilantes, it says state to act against violent acts

Time of India

time19-06-2025

  • Entertainment
  • Time of India

No SC order on vigilantes, it says state to act against violent acts

NEW DELHI: Supreme Court on Thursday refused to lay down guidelines or impose costs on a vigilante group threatening the release of Kamal Haasan-starrer 'Thug Life' in Karnataka and closed the proceedings, saying the state should act against anybody preventing the screening or resorting to violence. Tired of too many ads? go ad free now 'Thug Life' has not been released in Karnataka yet because of the threat of violence by those protesting against Haasan's remark about Tamil being the mother of Kannada. When the PIL petitioner said it was a state minister who had made a statement to whip up passions, the bench said, "It is unfortunate but after some lashing, the state has filed an affidavit. We hope better sense prevails and vigilante groups will never do it in future. Once the state has corrected itself and understood its duties and taken a conscious and wise decision to maintain law and order, there is no need to keep the matter pending. " When the petitioner continued to press for laying down guidelines to curb vigilante groups' threat of violence to stop release of censor board cleared films on diverse pretexts, state govt counsel D L Chidanand deftly drew the court's attention to the presence of the film's producer, Rajkamal Film International, and requested the bench to seek its view. For the producer, senior advocate Satish Parashar said though non-release of the film in Karnataka had cost the producer nearly Rs 30 crore, it was now satisfied with the state govt's stand and did not intend to pursue the petition, which was transferred to Supreme Court from Karnataka high court on Tuesday. Karnataka Film Chamber of Commerce (KFCC), through Udayan Jain, too said that though it was in negotiation with the producer to resolve the impasse arising from Haasan's statement on Kannada language, in view of the state's stand, it would not oppose release of the film in the state. Tired of too many ads? go ad free now It also questioned KFCC for seeking an apology from Haasan. For one of the intervenors, senior advocate Sanjay Nuli said language was a very emotive subject for the people of Karnataka and the actor should have exercised restraint rather than indulging in such publicity gimmicks on the eve of release of the film. The bench said, "If the actor devised the publicity strategy, you fell for it. You file a defamation suit against the actor, but cannot take the law into your hands."

SC pulls up Karnataka for inaction, says state must not yield to vigilante threats over 'Thug Life'
SC pulls up Karnataka for inaction, says state must not yield to vigilante threats over 'Thug Life'

Time of India

time19-06-2025

  • Entertainment
  • Time of India

SC pulls up Karnataka for inaction, says state must not yield to vigilante threats over 'Thug Life'

New Delhi: The Supreme Court has directed the Karnataka government to ensure that there is no obstruction to the release of Kamal Haasan-starrer film 'Thug Life' in the state. Following the direction, the state assured SC that it will provide protection to the film makers so that the film's release is not obstructed in the state. A bench comprising justices Ujjal Bhuyan and Manmohan also disapproved of the state's inaction in dealing with such threats to free speech . The development took place during the resumed hearing of a plea filed by a Bengaluru resident M Mahesh Reddy , who highlighted that despite having a valid censor certificate the film was effectively banned in Karnataka due to threats by fringe organisations and inaction by state authorities. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Morganville: Stunning New 2-Bed Senior Apartments (Take A Peek Inside) Senior Apartments | Search Ads Click Here Undo The petitioner urged SC to lay down guidelines to prevent such incidents from recurring in future, but the bench refused. The bench made it clear that the state government cannot bow to pressure from vigilante groups . "Just because of an opinion a movie is stopped, a stand up comedian is stopped, a person is stopped from reciting a poem ... You (State) succumbed to their pressure. In such circumstances the state has a duty. Simply saying a ban is not imposed will take it nowhere. You are hiding behind these groups," the bench verbally remarked. Live Events

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