Latest news with #Pharrell
Yahoo
3 days ago
- Entertainment
- Yahoo
Clipse Dish On The Neptunes Breakup: 'Whenever We See Each Other, It's Always Still Love'
The Clipse and The Neptunes made magic together, but sadly, that can no longer happen. The Virginia rap duo recently shared their feelings on the production duo's breakup and the relationship between the two collectives. 'Absolutely miss Chad. As far as, you know, being on the album,' Malice said during their appearance on Popcast. 'But I'll see Chad in the airport, in the street, at Buffalo Wild Wings, you know, in VA. Whatever they got going on, just hope for the best for that […] Whenever we see each other, it's always still love. Always.' Pusha T chimed in, saying that despite Chad Hugo missing from the fold, the work continues. 'Everybody knows my favorite album is Hell Hath No Fury. Pharrell did that alone. That's it,' he stated. 'Chad's my guy. I love Chad. Pharrell's my guy, love Chad, too. We're brothers, we came up together. But, you know, when you say missing in the music, there is no missing in the music when it comes to the Clipse. And if it's just P, it don't matter—we find what we find.' The Hip-Hop world wept when they learned that Pharrell and Hugo were no longer on speaking terms due to a legal battle over ownership of The Neptunes' name and trademarks, as they initially had an agreement to split everything evenly. Skateboard P wished his former partner-in-crime all the best in an interview with The Hollywood Reporter. 'I'm very grateful for our time together,' he said. The legendary producer is handling Clipse's upcoming album, Let God Sort Em Out, all on his own, and so far they have shared the singles 'Ace Trumpets' and 'So Be It.' The latter song was incendiary, as Push targeted Travis Scott. He added more context to his diss in an interview with GQ, recalling how the Houston artist interrupted one of their recording sessions in Paris to play his 2023 album Utopia. Push went on to say that Scott withheld playing Drake's verse on 'Meltdown,' where he dissed both the Daytona artist and Pharrell. Listen to 'Meltdown' below. More from Clipse, Pharrell Preview Kendrick Lamar's Highly Anticipated "Chains & Whips" Verse Jim Jones Takes Jabs At The Clipse While Dismissing "Ace Trumpets" Clipse Unleash Sumptuous "So Be It" Music Video Dissing Travis Scott Solve the daily Crossword
Hype Malaysia
4 days ago
- Entertainment
- Hype Malaysia
Moët & Chandon x Pharrell Williams Collab On The Ultimate Birthday Gift
We're getting all bubbly! When it comes to celebration, Moët & Chandon has always been more than a champagne. It is a symbol, a ritual, a spark that elevates any moment worth toasting. Following its global debut in March, the iconic French champagne Maison is delighted to unveil its latest collaboration in Malaysia: the Moet & Chandon and Pharrell Williams Limited Edition Collection, putting birthday celebrations centre stage. Driven by shared values of optimism, generosity, and human connection, Moët & Chandon and multi-talented creative Pharrell Williams have come together to reimagine these special moments through the eyes of those who celebrate you. The Maison and Pharrell's shared vision of collective joy is at the heart of the collaboration, aimed to create moments that are both universal and deeply personal, where every detail is crafted to honour those who gather to celebrate. Each day, 22 million people around the world mark their birthdays, a ritual filled with the joy and gratitude of those who make the occasion unforgettable. Whether or not you enjoy celebrating your own birthday, we all enjoy celebrating the people we love. It's not about the gift, but who is giving it. Not the party, but who shows up. And, it's not about the bottle, but whom you share it with. 'The best part about a birthday are the people who want to celebrate it with you,' says Pharrell. 'When I was old enough to toast with champagne for the first time, Moët & Chandon was my point of reference. I suppose it's just a tradition, it's the ritual.' Moët & Chandon Reimagines Celebration At TREC KL Moët & Chandon brought the campaign creative expression, 'Let Us Celebrate You' vividly to life through a spectacular, one-night only unveiling party at ZEST Club, located in the heart of TREC KL, capturing the essence of meaning connections and joyous moments. Guests entered a space bathed in rich midnight-blue hues honouring this Moët & Chandon limited edition collection. Against the stunning backdrop of Kuala Lumpur's skyline stood an impressive champagne tower, artfully stacked with Moët & Chandon bottles and glasses – symbolising countless Malaysian cherished toasts and joyful moments. At the centre of it all stood the Moët & Chandon x Pharrell Williams Brut Impérial Bow Creation, a captivating 1.5L magnum adorned with an oversized, intricately crafted bow. A sumptuous banquet, styled with lush drapery and vibrant blooms sets the stage for an evening of sensory surprises. Guided by charismatic performers, guests embarked on a playful culinary journey: each dish cleverly disguised with unexpected flavours and local twists, from a deconstructed laksa disguised as a sunny-side-up egg to bite-sized takes on Malaysian street favourites, offering a fresh reason to toast at every turn. 'At Moët & Chandon, we believe celebration shines brightest when shared with the people who show up. Through this collection with Pharrell Williams, we invite Malaysians to celebrate meaningful connections, whether it's a birthday, an impromptu get-together, or simply the joy of being together, and let Moët & Chandon be the champagne that honours every one of those moments.' says Laura Drozdowski Lot, Marketing Director of Moët Hennessy Southeast Asia. The Design Behind The Moët & Chandon x Pharrell Williams Collaboration To create a distinctive and unique design for everyone's birthday, Moët & Chandon and Pharrell Williams delved into the archives of the House and found that, what today is the iconic tie on the bottle, was a bow in 1889. The bow symbolising togetherness, generosity, joy and surprise is one of the key elements of this Limited Edition Collection. The Limited Edition: Brut Impérial (Gold, Blue, and Red) The box and bottleneck of Moët & Chandon's most emblematic champagne, Brut Impérial, are dressed in Gold, Midnight Blue and Deep Red. Pharrell signs his creations with white dotted lettering similar to pearls on the box and directly on the bottle. He also transforms the bottle's red royal seal into a pearled monogram of his initials, PW, interconnected and round. The Moët & Chandon x Pharrell Limited Edition Collection is available in Malaysia, at selected participating retail stores and high-energy outlets.
Yahoo
6 days ago
- Entertainment
- Yahoo
Clipse Unleash Sumptuous 'So Be It' Music Video Dissing Travis Scott
Clipse has continued the rollout for their anticipated Let God Sort Em Out album with a brand new music video. On Tuesday (June 17), the duo unleashed 'So Be It,' a stinging track accompanied by a lavish music video. Directed by Hannan Hussain, the black-and-white visual stuns with luxury vehicles, jewelry, and more, as the brothers welcome smoke from all corners. In the third verse, Pusha T takes direct shots at Travis Scott. 'You cried in front of me, you died in front of me/Calabasas took your b*tch and your pride in front of me/Heard Utopia had moved right up the street/And her lip gloss was poppin', she ain't need you to eat/The 'net gon' call it the way that they see it/But I got the video, I can share and A.E. it/They wouldn't believe it, but I can't unsee it/Lucky I ain't TMZ it, so be it, so be it.' In a conversation with GQ, the Virginia-bred lyricist explained his disdain for the Houston rager and linked it back to his 'Meltdown' collaboration with Drake. In the song, the Canadian chart-topper exclaimed he'd 'melt down the chains that I bought from your boss, give a f**k about all of that heritage sh*t,' referencing Neptunes-era jewlery Drake purchased at auction. 'The true context of that is we were in Paris, literally working, and he was calling to play P his new album. He came to [Pharrell's] studio [at Louis Vuitton HQ, where Clipse recorded most of Let God Sort Em Out]. He interrupted a session,' Pusha detailed. 'He sees me and Malice] there. He's like, 'Oh, man, everybody's here,' he's smiling, laughing, jumping around, doing his f**king monkey dance. We weren't into the music, but he wanted to play it, wanted to film [us and Pharrell listening to it]. And then a week later you hear 'Meltdown,' which he didn't play. He played the song, but not [Drake's verse].' He continued, 'So, that's where my issue comes in—like, dawg, don't even come over here with that, because at the end of the day, I don't play how y'all play. To me, that really was just like…he's a wh*re. He's a wh*re,' as he described Scott's lack of 'loyalty' to Kanye West. 'So Be It' is the second single from the first album recorded by the brothers in 16 years. It was preceded by the track 'Ace Trumpets' with both being produced by Pharrell Williams. As a frequent collaborator with the group, the 52-year-old produced the entire album. Let God Sort Em Out is officially due on July 11, 2025, from Roc Nation. Along with the album, Clipse is set to embark on a national tour. Watch 'So Be It' above and check out the full Let God Sort Em Out tour schedule below. CLIPSE LET GOD SORT EM OUT TOUR 2025 Sun-Aug-03 – Boston, MA – Roadrunner Tue-Aug-05 – Philadelphia, PA – Franklin Music Hall Thu-Aug-07 – New York, NY – Terminal 5 Sat-Aug-09 – Fairfax, VA – EagleBank Arena Sun-Aug-10 – Virginia Beach, VA – The Dome Tue-Aug-12 – Miami, FL – The Fillmore Wed-Aug-13 – Orlando, FL – The Vanguard Thu-Aug-14 – Atlanta, GA – The Eastern Sat-Aug-16 – Cleveland, OH – Agora Theatre Sun-Aug-17 – Milwaukee, WI – The Eagles Ballroom Mon-Aug-18 – St, Louis, MO – The Factory Tue-Aug-19 – Fayetteville, AR – JJ's Live Thu-Aug-21 – Denver, CO – Mission Ballroom Sat-Aug-23 – Los Angeles, – CA – The Novo Mon-Aug-25 – San Francisco, CA – Warfield Theatre Wed-Aug-27 – Phoenix, AZ – Marquee Theater Thu-Aug-28 – San Diego, CA – SOMA Fri-Aug-29 – Las Vegas, NV – The Theater at Virgin Hotels Tue-Sep-02 – Houston, TX – White Oak Music Hall Wed-Sep-03 – Oklahoma City, OK – The Criterion Thu-Sep-04 – Dallas, TX – The Bomb Factory Sat-Sep-06 – Kansas City, MO – Midland Theatre Sun-Sep-07 – Minneapolis, MN – The Armory Mon-Sep-08 – Chicago, IL – The Salt Shed Wed-Sep-10 – Detroit, MI – Masonic Temple More from Jim Jones Takes Jabs At The Clipse While Dismissing "Ace Trumpets" Pusha T Reveals Why He Dissed Travis Scott On New Clipse Single "So Be It" Clipse Announces First Tour In Over 15 Years
Yahoo
6 days ago
- Entertainment
- Yahoo
Clipse's ‘Let God Sort Em Out': All 13 Tracks Ranked
It may be hard to believe, but as Malice rapped on 'Trill,' 'It's me ma, you ain't dreaming.' After months of fashion shows, teasers, rumors, interviews and more, Clipse is really, truly, finally, back. The duo's new album Let God Sort Em Out is its first project since 2009's Til the Casket Drops, and it boasts plenty of coke-infused bars, subliminal digs, and a sleek array of beats courtesy of longtime artistic partner Pharrell to tie it all together. More from Billboard Watch Justin Bieber Have a 'Sweet Spot' Dance Party With Sexyy Red in New Video Kid Cudi Marries Longtime Partner Lola Abecassis Sartore: 'Next We Need This Baby' Here's Why Eminem Is Credited on Justin Bieber's 'SWAG' Album Let's back up: For the first half of the 2000s, Clipse was one of hip-hop's biggest disruptors. Drug-honed lyrical content had been a mainstay in rap for years, but Pusha T and Malice shook up that thematic snow globe from the jump. What followed were bars about coke, guns and seedy street tales that carried the refined elegance of Jean-Claude Killy skiing his way to Olympic gold. From 2002's 'Grindin'' to 2006's 'Mr. Me Too' and beyond, the pair used their run — aided by The Neptunes, who relentlessly battered away at them with their MPCs — to leave an indelible mark on hip-hop, before disbanding in 2010. So after more than a decade apart, how do two brothers reunite and take Clipse into the 2020s? They sprinkle in some rambunctious new talent, with guest verses from Stove God Cooks, Tyler, the Creator and Kendrick Lamar, but otherwise they keep it pushin' in more ways than one. With 13 new songs, and plenty of slick news bars to unpack, Billboard has dove in and ranked all the songs on Let God Sort 'Em Out. Check out our full ranking below. Hearing John Legend and the Voices of Fire soar over Pharrell's haunting keys is an exciting moment, especially because the listener knows even more grandiose moments are to come. Fans will also notice the brother's honoring their mother's memory after having apologized for their sinful mistakes on 2006's 'Momma I'm So Sorry.' This through line is exciting, and seeing Clipse tap into emotional catharsis is a fitting introduction to new, refined era for the group. But even better, grimier songs await. 'The Birds Don't Sing' just doesn't feel like a classic Clipse anthem because of its pop-leaning schematics, so it doesn't leave as much of a lasting impact as the album's other highlights. Similar to the album's intro, closer 'By The Grace of God' packs one last punch, and Pharrell's hook-game has never been stronger — but the grandiose nature of the album's final track doesn't leave as much residue as it should. For a track with a choir as potent as this, exploring themes of faith and 'empires' crumbling should leave a heavier impact. Instead it comes and goes almost like a gentle breeze. Truthfully, 'So Far Ahead' feels like 'By The Grace of God' part 1, which isn't necessarily a bad thing. Letting 'God take the wheel like a Tesla' is sound advice, after all. Yet with an album stuffed with so much variety, it's noticeable when two songs feel inextricably tied together. But it's nice to hear Malice elaborate on his pull towards faith-based music over these gospel-heavy backdrops. Not to mention, the bar 'I've been both Mason Bethas' deserves to live in hip-hop infamy forever. Even though 'EBITDA' was over in the blink of an eye, I found myself humming Push's hook long after it ended. But that's thing: This song is too catchy to be this short. Offering a playful take on financial jargon, 'EBITDA' would be ranked higher if Pharrell and Clipse traded just a few more bars for a few more minutes. Doesn't mean I won't run it back a hundred times though. 'Mike Tyson Blow to the Face' is an unreal song title. 'Took chains and touched chains like King Midas' is just one of the few unreal bars packed in said song, all of which culminates in a motivational chest-beating. 'MTBTTF' is a boisterous track filled with far more swagger than its 2:30 runtime allows it to show off, and it feels like it ends before it truly begins. It's a shame Clipse didn't let this masterful concept breathe for a just little bit longer. It wouldn't be a Clipse album without a barrage of bars reminding the opps while they're still on top. 'Finally got the courage but you still a whole b—h/ The rest of y'all on my six-year-ago s—t,' are just a few of the great braggadocious rhymes on here. When Nas comes in, it adds yet another layer of mafioso sophistication to the track — just would have been nice if he stuck around for more bars, but those bars sure are swanky. 'Single-handedly boosted rap to its truest place/ F—k speaking candidly, I alone did rejuvenate/ Hip-hop into its newest place.' 'Ace Trumpets' was a perfect choice for this album's lead single. The song seamlessly picks up right where Clipse left off, announcing the duo's return with a new sheen but the same old polished wordplay. There are so many bars to pick out and adore here ('Drugs killed my teen spirit/ Welcome to Nirvana' will undeniably be a crowd favorite during Clipse's next shows). As Pharrell's claustrophobic synths suck the air out of the room, its Clipse's flawless return to form that creates the goosebumps. OG Clipse fans will likely get misty-eyed once they hear 'Inglorious Bastards.' The song evokes the duo's immaculate early-2000s run, with DJ Clue popping in for some signature ad-libs, and Ab-Liva closing out the track with some scathing bars. 'Inglorious Bastards' feels like a homecoming, with Clipse using the track to dap up its day ones. After a promising teaser, It was admittedly a little disappointing that Stove God Cooks only appeared on the hook to 'FICO' — but this is one hell of a hook. As the brothers reflect on their tumultuous come-up, Stove God Cooks adds a shot of adrenaline to Clipse's motivational bars. 'You don't know what I know/You ain't see what I saw,' Cooks cries out, as if he's standing right in front of you. Altogether, it amounts to an inspiring track about grinding through the mud, and proves it's almost impossible to have too much Stove God on a track. Even though he's just on the hook, it feels like Clipse are fighting for their life amidst the God. Once The-Dream came in and started whispering I knew 'All Things Considered' was something special. While Pharrell's 808s threaten to shatter speakers, the brothers use the backdrop to instead offer up frank and unguarded verses about their subsequent struggles. Push speaks on his wife's miscarriage, with a quick jab at J-Prince, while Malice reminisces on the events that led to Clipse's demise 15 years ago. Meanwhile, Pharrell flexes his wealth and The-Dream coos his way through a verse about how 'Life or death are simple formalities.' It's a song that has a surprising amount of whiplash too it, like a great rollercoaster that leaves your joints sore but the rest of you aching to get back on. The incendiary Travis Scott bars sucked all the air out of the room when 'So Be It' dropped a few weeks ago, but this song is bursting at the seams with unbelievable bars. 'Your soul don't like your body, we helped you free it/ Then we wait for TMZ to leak it,' 'Wish upon the stars on my roof, they all scattered/ Ain't no more Neptunes, so P's Saturn,' 'She leanin' on Celine 'cause she ain't steppin' in Giuseppe.' Too many vibes to count, this song is high art. This whole song feels like one long exhale, as Push and Malice spit venom within a stream of consciousness flow, only to be disrupted by Tyler's fantastic wordplay. 'When you become the Devil or the tap dancing negro/I came to terms that I'ma probably outgrow my heroes,' he raps, perhaps referencing a mutual friend-turned-foe within the group. It's great having Tyler, The Creator slink back into his sly and mischievous Goblin bag. Still, Clipse fire off plenty of bars to remind Tyler they're the real kings of being diabolical. ' Ghostface with the wrist, bird falconaire/ Willy Falcon, trunk full of talcum here/ Shotgun wit' ya ex, feels like Malcolm's near,' Push growls before Malice struts in to remind hip-hop he was, 'the only one to walk away and really be free' after taking his religious path. But then the artist formerly known as No Malice then circles back moments later: 'I done sung along with rappers I never believed/Came back for the money, that's the Devil in me.' 'P.O.V.' felt like a perfect introduction to this new era of Clipse, one where Pusha T is no longer the only proud supervillain — Malice is just a little more pious about it. 'I don't f—k with the kumbaya s—t' is really the only moment where Clipse gets the wind sucked out of their sails. 'Chains & Whips' feels like a pass-the-torch moment in many respects. Sure, there's the mutual loathing of a certain Canadian crooner bubbling just beneath the surface, but K-Dot's animated delivery feels like when Doctor Doom and Magneto linked up. While the duo's diablerie across the record keep their guests from overshadowing their own menace, it feels like Push and Malice genuinely stepped out of the way for Kendrick. 'The things I've seen under my eyelids/ Kaleidoscope dreams, murder, and sirens/ Let's be clear, hip-hop died again,' Kendrick announces, almost like a religious diatribe. 'Chains & Whips' is a disorienting track in many ways, especially considering the song cost Clipse their deal with Def Jam. But most importantly: It just sounds really, really good. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Time of India
6 days ago
- Entertainment
- Time of India
Lisa Mishra meets Pharrell Williams at a private event, calls it 'a surreal moment'
Singer Lisa Mishra recently crossed paths with global icon Pharrell Williams at an exclusive, invite-only dinner, marking what she described as a 'surreal' moment in her career. The meeting took place at a private event where the two artists connected briefly—a moment Mishra later shared with her fans on social media. Posting a candid picture from the event, Lisa captioned it: 'Oh yeah, this happened.' The singer, known for her unique blend of music styles and artistic versatility, expressed admiration for Pharrell's influence across both music and fashion industries. 'Meeting Pharrell was surreal. I've looked up to him for years not just as a musician, but as a visionary who constantly pushes creative boundaries. To have a moment with someone whose art has shaped so much of mine was truly special,' Lisa said in an official statement. The singer-songwriter is currently garnering attention for her latest track Teri Hoon and her appearance in the hit web series The Royals . She also recently shared the stage with Ed Sheeran during his India concert, reinforcing her presence in the global music scene.
