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India Today
18 hours ago
- Entertainment
- India Today
Longitude 77 Takes Center Stage at Cannes: A Symphony of Indian Art, Fashion, and Spirit
At the illustrious Cannes Film Festival 2025, Seagram's Longitude 77 Collector's Edition made its grand debut at the India Pavilion, epitomising a harmonious blend of Indian artistry and global luxury. This exclusive unveiling featured packaging designed by the renowned artist Paresh Maity, drawing inspiration from India's 77 East longitude line, symbolising the nation's rich cultural tapestry stretching from the Himalayas to Kanyakumari . The event was further accentuated by the presence of art curator and style icon Shalini Passi, who graced the red carpet in a bespoke Manish Malhotra's fashion piece , embodying the essence of Indian heritage and contemporary fashion. Shalini Passi's red carpet appearance was nothing short of a visual spectacle. Adorned in a custom-designed Manish Malhotra gown, the ensemble was a living canvas, representing the essence of India with Paresh's visualization of India's Longitude The gown featured a tapered corset and a stunning mermaid silhouette, with vivid landscapes and scenic imagery cascading down the fabric, representing India's diverse terrains. Complementing her attire, Passi accessorized with Manish Malhotra's jewelry, a classic Judith Leiber clutch, and was styled by Nupur Mehta, encapsulating a perfect blend of tradition and the artwork, Paresh Maity has depicted the beautiful snow-capped Himalayas, the unique Dal Lake with the Shikaras, followed by Punjab's phulkari works and Haryana's traditional drums along with Madhya Pradesh's majestic tigers. After that comes Karnataka's architecture, which includes the wonders of Hampi and the Mysore Palace, and it goes further down to Tamil Nadu's iconic sculpture of the Mahabalipuram elephant. There are also coconut trees that stand for Kerala and Tamil Nadu, with the painting ultimately merging into the Indian Ocean with a boat and a blue sea. "I wanted to capture the deepest emotions of God's creations, architecture, art, craftsmanship, aesthetics, and the diverse beauty and culture of our country. "With that inspiration in mind, Shalini customised her outfit, asking Manish Malhotra to make it," says Paresh Maity. Beyond the red carpet, Shalini actively engaged in promoting Indian art and culture on the global stage. She participated in the panel discussion around 'India's Finest to the World: Through Art', curated by Longitude 77 and moderated by film critic Anupama Chopra. This platform highlighted India's rich artistic heritage and its influence on contemporary global art forms. Passi's involvement underscored her commitment to elevating Indian craftsmanship and narratives to international unveiling of Seagram's Longitude 77 Collector's Edition at Cannes was more than a product launch; it was a celebration of India's artistic legacy and its seamless integration into global luxury narratives. At the India Pavilion, tribute was paid in a true sense to our country's journey, from the Himalayas to Kanyakumari. Through the collaborative efforts of Paresh Maity's evocative art, Manish Malhotra's couture craftsmanship, and Shalini Passi's visionary representation, the event marked a significant milestone in showcasing India's cultural prowess on an international platform. This initiative not only honoured India's rich traditions but also set a precedent for future endeavours in cultural diplomacy and artistic collaborations. Disclaimer: The material and information contained are for advertorial purposes only. India Today holds no responsibility for the content written on the website as a basis for making any business, legal, or any other decision. Any reliance placed on such material is at your own risk. advertisement
Business Upturn
23-05-2025
- Entertainment
- Business Upturn
Longitude 77 Collector's Edition Debuts at Cannes, in an Exceptional Packaging Paying Homage to It's Indian Heritage, Designed by Paresh Maity
India: Seagram's Longitude 77 named after the line of longitude that passes through the length of India from North to South at 77° East, pays homage to the country's diversity, historical craftsmanship and breathtaking landscape. Crafted in small batches, it encapsulates the essence of India's diverse terroir and indigenous ingredients. Longitude 77 Collector's Edition was unveiled at the official India Pavilion in an exclusive event where the centerpiece of this unveiling was the exceptional packaging designed by one of India's most celebrated artists, Paresh Maity. Each pack showcased Mr. Maity's artistic interpretation of India's Longitude 77 – from North to South. Its grand debut at the prestigious Cannes Film Festival embodies its vision of taking the finest of India to the world, celebrating India's artistic prowess, unparalleled craftsmanship and exceptional whisky-making tradition. 'This collaboration is about capturing India's soul through art and craftsmanship, ' said Mr. Paresh Maity. 'Longitude 77, The meridian that inspired this creation symbolizes the finest of what India has to offer the world, blending tradition with modernity.' Kartik Mohindra, Chief Marketing Officer, Pernod Ricard India, said, 'Longitude 77 Collector's Edition embodies our commitment to elevating Indian craftsmanship to global standards while celebrating the richness of our cultural heritage. Its debut at Cannes is more than the unveiling of an exquisite spirit—it is a tribute to India's rich identity, captured with creativity, and timeless elegance.' The grand unveiling brought together some of India's most influential voices in luxury, art and cinema. Renowned film critic and author Anupama Chopra hosted an exclusive dinner for Bollywood's elite—an evening that became one of the most talked about moments at Cannes. In a stunning visual moment, art patron and style icon Shalini Passi walked the red carpet in a statement fashion piece, designed by Manish Malhotra, inspired by Maity's art representing India's Longitude 77. 'As someone deeply committed to elevating Indian art on the global stage, I'm thrilled to be part of this groundbreaking collaboration that showcases India's finest creative vision and craftsmanship to the world. Representing the essence of India, Paresh's visualization of India's Longitude 77 on this dress, designed by Manish Malhotra, combines my three passions – India, art and fashion,' said Shalini Passi. Designer Manish Malhotra said, 'This collaboration with Longitude 77 represents the pinnacle of Indian luxury and creativity. Translating Paresh's visual narrative into wearable art was an inspiring challenge, creating a moment where fashion and art converged to showcase Indian excellence.' With a limited release of only 650 cases—this rare release is both a collector's treasure and a connoisseur's delight. Following its successful Cannes debut, Longitude 77 Collector's Edition will be available in limited quantities across Haryana and Maharashtra. Disclaimer: The above press release comes to you under an arrangement with Business Wire. Business Upturn takes no editorial responsibility for the same.
Yahoo
05-03-2025
- Business
- Yahoo
RFR Kicks off 2025 with Successful Refinancing and Leasing Transactions
NEW YORK, March 05, 2025--(BUSINESS WIRE)--RFR has announced the completion of several successful transactions across key trophy assets including recapitalizations at the Seagram building on Park Avenue, 475 Fifth in the Bryant Park submarket and 17 State Street in the Financial District as well as a full building retail lease at 11 Bond in NoHo. "The new year heralded a series of successful transactions that showcase the quality of our assets, and our expertise in hands-on management, strategic leasing and reinvestment to increase value," said Aby Rosen. "We are steadfast in our deep commitment to our portfolio and look forward to new achievements and opportunities as the market continues to strengthen." Seagram: RFR finalized a $1.2 billion commercial mortgage backed security that would help refinance debt tied to the Seagram Building, a 38-story tower on Park Avenue in Midtown Manhattan. In one of the largest successful recapitalizations of the year, Seagram secured a $1.2 billion commercial mortgage. Proceeds from the CMBS will be used to repay debt that RFR had taken out against the property, including a mezzanine loan from JVP Management. 17 State Street: RFR secured a 3-year loan extension to refinance 17 State, a 42-story trophy office tower in Lower Manhattan owned by RFR for 25 years. 17 State is a true skyline icon with its unmistakeable curvilinear façade. The property boasts permanently protected views of New York Harbor and beyond from the second to 42nd floors. 475 Fifth: RFR recapitalized 475 Fifth Avenue, a trophy office building facing New York's Bryant Park, with an equity recapitalization and a refinancing of the in-place loan with a new $160 million, 3-year mortgage from Citibank, JPMorgan, and Rithm Capital. One of only five Fifth Avenue assets with direct Bryant Park exposure, 475 Fifth Avenue is an architecturally significant pre-war building situated in a prominent corner location with six activated outdoor terraces overlooking Bryant Park, a newly renovated statement lobby designed by Swanke Hayden Connell, a curated public art program, and a detailed façade restored to its original turn-of-the-century elegance. 11 Bond: RFR signed a full-building lease with UK-based fitness apparel and accessories giant Gymshark at 11 Bond St. The direct-to-consumer (DTC) retailer of high-end workout gear will take 15,000 square feet on the corner of Bond Street and Lafayette Street in the heart of Manhattan's NoHo neighborhood for its first Americas brick and mortar retail location. The four-story landmarked space, with 100 feet of frontage on Bond Street, will serve as a Gymshark's flagship U.S. outpost. About RFR RFR is a fully integrated real estate investment firm based in New York City with a core focus on select urban markets in the United States and Germany. Founded by Aby Rosen and Michael Fuchs in the early 1990's, the firm has been an active force in the New York City and German real estate market for much of the past three decades. RFR's portfolio has grown to include more than 100 commercial, residential, hotel, and retail properties located in select domestic and international markets. View source version on Contacts Great Ink Communications, Ltd. – 212-741-2977Roxanne Donovan (roxanne@ Waters ( Williams (sara@
New York Times
08-02-2025
- Entertainment
- New York Times
Amy Lau, Interior Designer and a Founder of Design Miami, Dies at 56
Amy Lau, a New York interior designer and a founder of the annual Design Miami fair, whose vernacular was the saturated colors of the American Southwest and whose deep knowledge of modernist objects was the foundation of her work, died on Jan. 17 in Scottsdale, Ariz. She was 56. The cause was cancer, her family said. Ms. Lau's success did not rest on an ability to parse paint colors and match furniture and rugs (although of course she could do both things). Rather, it was her consummate talent for choosing important pieces — for example, a sofa designed by Vladimir Kagan, a sculpture by Anish Kapoor, a bronze work by the furniture sculptor Silas Seandel — and crafting warm, striking interiors around them. Those selections were the raison d'être, not the afterthought. 'Designers all begin from some vantage point, and Amy's was her knowledge of midcentury modern,' Amanda Nisbet, an interior designer in New York and Palm Beach, said in an interview. 'But she was also a real supporter of current artists and artisans, and sought out the work of the ones she thought were worthy of her clients' money.' Those clients included the media executive and Seagram heir Edgar Bronfman Jr. and his wife, Clarissa; the fashion designer Elie Tahari (Ms. Lau designed his East Hampton boutique); and the real estate developer Craig Robins. It was Mr. Robins with whom Ms. Lau teamed up in 2005, along with the designer Ambra Medda, to start Design Miami, a collectible-design fair conceived to run in tandem with the annual art fair Art Basel Miami Beach. It has become an important showcase and destination for designers and their clients. 'Amy was the first of a new generation of designers entering the industry at the end of the 20th century,' the New York interior designer Vicente Wolf said in an interview. 'She was unrestrained in the sense that she wasn't going to do things the way everyone else was doing things — in her mixture of furniture and her use of color.' He added, 'She was a firecracker, with the hair color to go with it.' Mr. Wolf wasn't the only colleague to mention Ms. Lau's striking red hair — a shade that, coincidentally, often turned up in her interiors. As Ms. Nisbet put it, 'Amy embodied her design aesthetic.' Amy Marie Lau was born on Dec. 12, 1968, in Scottsdale, Ariz., the eldest of four children, and was raised in nearby Paradise Valley. Her father, Frederick Lau, a dentist, and her mother, Patti (Cochran) Lau, who managed the household, were avid collectors of Southwestern art and artifacts; her paternal grandmother, Ruth Lau, was a painter of Arizona desert scenes. Another relative was a founder of the Taos School, an early-20th-century art movement whose palette — the blues of skies; the yellows, corals, apricots, tans and, yes, reds of the Southwestern landscape — would inform Ms. Lau's interiors. 'I still think of its dusty olives, siennas and rusty brown as 'my colors,'' she wrote in her first monograph, 'Expressive Modern' (2011). After receiving a bachelor's degree in art history from the University of Arizona in 1992 and a master's in fine and decorative arts from the Sotheby's Institute of Art in Manhattan in 1995, Ms. Lau became the manager of Aero, the New York design gallery and boutique. She later became the design director of the Lin-Weinberg Gallery in SoHo, now Weinberg Modern, which specialized in international midcentury-modern design. 'Amy's aesthetic vision took shape at our gallery,' said Larry Weinberg, one of its owners. 'The roomlike vignettes, window displays, the selection of fabrics for upholstered pieces — these were all core skills for an interior designer, and all things Amy excelled at.' In 2001, Ms. Lau founded Amy Lau Design, where she made it her brief to create residential and commercial spaces that filtered various styles, objects and client preferences through the lens of modernism. In the years that followed, she began designing products for Heath Ceramics; Kohler; S. Harris, a supplier of high-end fabrics; and Maya Romanoff, a manufacturer of handmade wall coverings. This past fall, Ms. Lau opened a gallery in the New York Design Center — 'a longtime dream,' said Sharon Bray, the business manager of Amy Lau Design. Contemporary and vintage glass, ceramics and metalwork share space there with textiles and furniture. Ms. Lau is survived by her parents and her siblings, Megan Hackbarth, Kati Travelle and Matthew Lau. Ms. Lau, a perennial renter, bought a one-bedroom apartment in Alwyn Court, a prewar building in Midtown West, in 2018 and spent the next six years renovating — a daunting project, as the home hadn't been updated since the 1980s. She moved in once the major construction was completed, while the rest of the work continued around her. Ms. Lau, who called the apartment her sanctuary, 'put together a lot of contemporary and vintage pieces that she loved from artists and artisans that she loved,' Ms. Bray said of a group that included Mr. Kagan; Michael Coffey, a woodworker; and Erik Bruce, a designer and manufacturer of window treatments. Ms. Lau herself designed the wallpaper for the bedroom and the foyer. An Art Nouveau Jugendstil chandelier that she found in Europe was the focal point of the home. (On Saturday, Architectural Digest posted a feature about the apartment.) 'When the window treatments were finally installed this past September — which meant that all the work was done — Amy was overjoyed,' Ms. Bray said. As a client, her boss 'was detail-oriented and exacting,' she added. 'She knew what she wanted.'
