Mikey Madison's "1970s Italian" Makeup Look Just Became My Roman Empire—8 Products to Re-Create
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I'm a beauty editor who's covered award shows for nearly 10 years. I feel like I've almost seen it all, so I rarely get excited about a red carpet makeup look unless it's really something special. That's the case with Mikey Madison's 2025 BAFTAs look. The actress, who was awarded Best Leading Actress for her role in Anora, appeared on the red carpet with a sophisticated, "'70s Italian"–inspired makeup look. I was instantly obsessed. In fact, I haven't stopped thinking about it since.
Celebrity makeup artist Melissa Hernandez created the look, using the famed Italian actress Virna Lisi as a reference. "For Mikey's BAFTA look, we were channeling that effortless, sultry vibe of '70s Italian icon Virna Lisi—timeless, but still modern and cool," she says. "Her custom gown was so sleek and simple, so I wanted the makeup to add a bit of soft, smoldering depth, especially around the eyes. Nothing too heavy, just that perfect balance of polish and ease. And with the vintage Tiffany necklace tying everything together, the whole look felt so chic and effortless."
I was determined to recreate the look as soon as possible, so I waited with bated breath to find out which products Hernandez used. Luckily, I have all the details, and I'm sharing them with you. Keep scrolling to see all eight exact items.
To no one's surprise, Hernandez used Armani Beauty's iconic Luminous Silk Foundation to perfect Madison's complexion. With medium coverage, a natural finish, and up to 24-hour wear time, it's no wonder this foundation is so famous. Hernandez mixed the shades 1.5 and 3 for a perfect match.
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Next, Hernandez used the brand's matching concealer in shade 1.5 on areas that needed more coverage. It has a hydrating, blurring formula with a radiant finish, so it's perfect to use on the under-eye area.
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For a sun-kissed effect, Hernandez applied this creamy bronzing powder in shade 90. It's infused with skin-benefitting oils, so it feels super soft and silky on the skin.
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Madison's soft and sophisticated flush was thanks to this cool-toned, baby-pink blush.
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IMO, this liquid highlighter is the underrated finishing touch of the makeup look. The shade 1 Halo is a painfully pretty translucent pearl color. It gives the skin the most ethereal, red carpet–worthy glow.
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It seems Hernandez repurposed this matte liquid eye shadow into eyeliner, judging by Madison's striking, ink-lined eyes (why not?). The formula is long-lasting, crease-proof, and offers up to 16 hours of touch-up-free wear.
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Hernandez also used Armani Beauty's Smooth Silk Eye Pencil, which you can use to precisely define the eyes or smudge out for a softer, more diffused look.
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Hernandez finished Madison's eye makeup look with a swipe of a soon-to-be-released mascara (more on that later). She paired her sultry eye makeup with a neutral, rosy-pink lip color. It was Armani Beauty's Lip Power Lipstick in the shade 104, which is described as a "medium beige mauve."
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Yahoo
44 minutes ago
- Yahoo
New on Netflix in June 2025 — every movie and show coming this month
When you buy through links on our articles, Future and its syndication partners may earn a commission. Netflix has announced everything coming to the streaming service in June 2025 and it's a lot to unpack. So I'm highlighting five must-watch shows and movies that you need to add to your watchlist. The biggest name by far this month is a familiar one: "Squid Game." The hit Korean thriller is back for its third and final season, and it probably goes without saying, but you don't want to miss it. That's not the only returning show this month. "Ginny & Georgia" also returns for its third season, and the Shane Gillis comedy series "Tires" returns for season 2. Whether these are familiar names to you or not, they're undoubtedly the biggest names arriving on Netflix this month. Aside from these top picks, I've got the full slate of everything new to Netflix this month listed below. Plus, we have a roundup of what's leaving Netflix in June 2025, so you have one last chance to watch. Here's everything coming to — and leaving — Netflix this month. "Squid Game" has been one of the biggest shows on Netflix — ever. The dystopian Korean-language thriller is a must-watch whenever new episodes arrive, and this final batch of episodes will be no different. If you've never seen the show before, it stars Lee Jung-jae as Gi-hun, who starts the series as a down-on-his-luck divorced dad, estranged from his daughter and desperate for cash. He finds an opportunity for cash, but gets far more than he bargained for and is drawn into a series of deadly children's games with a massive cash prize. He's trying to end the games once and for all, but his attempt was thwarted at the end of season 2. Now, he's the prisoner of The Front Man (Lee Byung-hun) and he might never be seen in public again. Stream on Netflix starting June 27 "Ginny and Georgia" stars Brianne Howey as Georgia Miller, a 30-year-old mother who, between child abuse and being a mother since her teenage years, is carrying a lot of trauma. It's caused her to flee more than one relationship or home at the first possible sign of danger. That's been rough for her kids: Ginny (Antonia Gentry) and Austin (Diesel La Torraca). But they've seemed to have found a home in Wellsbury, Massachusetts, and Georgia seems to have found a long-term partner in her husband-to-be, Paul (Scott Porter), who is the mayor of the town. But that fairy tale ending for their story has been put on hold. Georgia was arrested for murder during her wedding. Can the Miller family handle that pressure? Or will it fracture Ginny and Georgia's already stressed mother-daughter relationship? Stream on Netflix starting June 5 "Tires" stars Steve Gerben as Will, the manager of one of his family's struggling auto-repair shops. But he's not alone at Valley Forge Automotive Center. His obnoxious cousin Shane (Shane Gillis) messes with Will every chance he gets, as do, frankly, the rest of the staff. Season 2 begins with things looking good for Will, though. A surprise marketing win has Will and Shane riding high and the shop doing well, but now they face new challenges. This show is often more funny than good, but given that it's absolutely hysterical, it's still definitely worth watching. Stream on Netflix starting June 5 "The Waterfront" stars Jake Weary as Cane Buckley. Cane's part of the Buckley family, a prominent North Carolina fishing family, led by Cane's parents: patriarch Harlan (Holt McCallany) and matriarch Mae (Maria Bello). Things aren't going well for the Buckleys behind the scenes, though, and they're in danger of losing everything. That causes Harlan to turn to drug smuggling, and puts the Buckleys in bed with an up-and-coming drug lord, Grady (Topher Grace). Based on the trailer, "The Waterfront" looks like a healthy mix of comedy, melodrama and crime. It also looks like it could be Netflix's next surprise hit. Stream on Netflix starting June 19 This thriller stars Taraji P. Henson as Janiyah, a single mother whose day just keeps getting worse. She's just been evicted and is struggling to care for her sick daughter. With nothing left to lose, she holds a bank hostage until she can cash a check and get money to pay for her daughter's medicine. "Tyler Perry's Straw" also stars Sherri Shepherd as Nicole, the bank teller who has to stop Janiyah from doing something more drastic than she's already done. They're joined by Teyana Taylor as Detective Raymond, who empathizes with Janiyah and wants to bring her in without totally ruining her life. 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"Rosario Tijeras (Mexico)" season 4 (MX) (Netflix series) Years after Rosario's sacrifice, her legend haunts her daughter, Ruby. As the teen's life takes a dangerous turn, secrets from her past begin to unravel. "Somebody Feed Phil" season 8 (Netflix series) Fresh flavors and new friends await as globetrotting foodie Phil Rosenthal expands his culinary horizons to Amsterdam, Boston, Basque Country and more. "Yolanthe" (NL) (Netflix series) This reality series follows Yolanthe Cabau in her glamorous new life in Los Angeles as she faces unexpected challenges and ghosts from her past. JUNE 19 "The Waterfront" (Netflix series) A prominent North Carolina fishing family wades into treacherous waters to keep their crumbling business empire afloat. (Netflix series) "KPop Demon Hunters" (Netflix family) When K-pop superstars Rumi, Mira and Zoey aren't selling out stadiums, they're using their secret powers to protect their fans from supernatural threats. 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Yahoo
44 minutes ago
- Yahoo
Netflix's chilling new doc has cracked the top 10 already — and it's made me never want to attend a music festival again
When you buy through links on our articles, Future and its syndication partners may earn a commission. Live music is one of my greatest passions in life. Even as I write this article, I'm furiously refreshing my phone trying to score tickets for an upcoming concert, and my weekend plans? Seeing Sam Fender's huge homecoming show at my favorite soccer team's stadium. My summer breaks are typically filled with various music festivals as well. Yet after streaming Netflix's new documentary that chronicles the tragic events that unfolded at 2021's Astroworld festival during rapper Travis Scott's headline set, I suddenly feel a little hesitant to wade deep into a crowd of thousands of people again. The doc is called 'Trainwreck: The Astroworld Tragedy,' and it explores the crowd crush that occurred during the Houston-based event attended by over 100,000 people. It resulted in the tragic deaths of 10 people, with 25 more hospitalized and injury numbers in the hundreds. Netflix subscribers are clearly responding to the documentary as well, with "Trainwreck: The Astroworld Tragedy" breaking into the platform's top 10 most-watched list already. It currently ranks at No. 5 and with such a quick rise up the chart, I suspect it might dethrone Tyler Perry's "STRAW," which currently holds the No. 1 spot It's certainly not the most entertaining watch, even if the presentation is as slick as you'd expect from a Netflix original, but it's a feature-length doc that has impacted me, and if you're also a dedicated gig-goer, then I think you need to stream this right now. Like many documentaries of this ilk, 'Trainwreck: The Astroworld Tragedy' begins with the 'happy period' as we see numerous Travis Scott fans give talking-head interviews expressing their excitement and anticipation for the upcoming concert at NRG Park in Houston, Texas. Anybody who knows what went down at Astroworld in 2021 will know what's coming next: a deadly crowd crush would lead to multiple fatalities, and I appreciate that the documentary filmmakers (who also made Netflix's excellent "Trainwreck: Woodstock '99") don't attempt to overdramatise the events. The tone is respectful throughout. I can't claim that 'Trainwreck' offers much in the way of entertainment, but it spotlights a tragedy that deserves to be remembered, and that the live music industry must learn from. The transition from people having fun at a gig to fighting for their lives is shockingly sudden, which likely mirrors the experience of attendees. The audio recordings of desperate 911 calls during the event are particularly stomach-turning and will deeply unnerve you. So while I can't claim that 'Trainwreck' offers much in the way of entertainment, it does spotlight a tragedy that deserves to be remembered, and that the live music industry must learn from. Because what happened at Astroworld can never be allowed to repeat itself. If you're a live music fan or just want to understand how the events of Astroworld unfolded, then I strongly recommend 'Trainwreck.' It's also a pretty trim watch, at around 80 minutes long, which is another strength; the doc presents the situation without unneeded bloat. In recent years, whenever I've attended a live music event (which, as noted, is extremely often), I typically find myself reflecting on Astroworld at some point, and this documentary gave me further insight into a tragedy that really did hit home with me in several ways. 'Trainwreck: The Astroworld Tragedy' is a well-produced and very harrowing documentary, showcasing how what should have been a memorable evening for all in attendance descended into a situation where 10 people never got to return home. It's also the next chapter in what Netflix is calling the "Trainwreck anthology." The first part was the Woodstock '99 limited series, released in 2022, and there are six more documentaries on the way that will "examine some of the most disastrous events ever to blow up in mainstream media." If you're looking for something to raise your spirits after watching 'Trainwreck: The Astroworld Tragedy,' be sure to check out our guide to everything new on Netflix in June 2025, which includes some more light-hearted TV shows and movies alongside more docs. Watch "Trainwreck: The Astroworld Tragedy" on Netflix now New on Netflix in June 2025 Trainwreck: Woodstock '99 is my favorite Netflix show of the year Netflix just added a new dystopian drama


USA Today
an hour ago
- USA Today
Sex workers are having a moment, but is the discourse missing the mark?
Sex workers are having a moment, but is the discourse missing the mark? The internet is talking about sex workers. A lot. They were in the spotlight during Oscars season − "Anora" won five awards, including best picture − and OnlyFans stars are gaining popularity on platforms like TikTok and Instagram, becoming pseudo-celebrities in the week, the discourse reached new heights. On June 11, The Economist published a profile of controversial adult entertainer Bonnie Blue titled "Welcome to Bonnie Blue's Britain." The 26-year-old made headlines by staging a since-canceled "petting zoo" stunt to give male fans unfettered access to her. The move angered fellow OnlyFans creators, like Sophie Rain, and made headlines. So what's going on? Sex work is having a moment. But some sex workers, whether they work in strip clubs or as online adult content creators, feel their lived experiences all too often get ignored in the discourse. 'Sex work is work' has become a party line for progressive politics, says Marla Cruz, a 30-year-old sex worker. Signs with the phrase can be found at women's marches and bedazzled T-shirts. But Cruz, along with half a dozen sex workers and OnlyFans creators USA TODAY spoke to, say that while recognizing sex workers' labor is important, the spotlight belongs on the financial and legal barriers to their safety and agency, which they say requires a deeper understanding of their work. 'There are plenty of people who will destigmatize the concept that sex work is real work, which it is,' Cruz says. 'But just because you recognize that it's real work, that doesn't mean that you respect the worker behind it.' What health & wellness means for you: Sign up for USA TODAY's Keeping It Together newsletter. Controversial OnlyFans stunts make 'a joke out of all of us' In December 2024, Lily Phillips made headlines for having sex with 100 men in 24 hours and documenting it for her OnlyFans. That documentary accumulated over 10 million views on YouTube and ignited passionate reactions. In January, Blue said she slept with 1,057 men in 12 hours. Rain, a Miami-based influencer with over 500K fans on OnlyFans and 20M followers across social media platforms, called out Blue for turning the platform into a 'clown show.' Rain is a member of the Bop House, a content creator mansion of eight Gen Z OnlyFans creators. Her posts toe the line between sensual and sexually suggestive but never involve full nudity. 'It's no longer women empowerment. It's shock value, and she's making a joke out of all of us. We built this space to take control of our bodies and make money on our terms,' Rain said in a statement. 'Brands don't take us seriously anymore. Media doesn't take us seriously. I'm tired of having to explain that not all of us are doing circus acts for clicks.' Adreena Winters, who has worked in the adult entertainment industry for over 15 years, starting with studio porn before transitioning to OnlyFans during COVID-19, also worries that customers will 'lose trust' in sex workers if these stunts are just tactics to garner media attention. Still, she hopes these larger conversations can continue the positive trend she's seen in dismantling stigma against sex workers. She attributes this 'big shift' to OnlyFans' presence in books, documentaries and mainstream music. Artists like Lily Allen and Cardi B have used the platform to promote their music or release exclusive content, and Bad Bunny's track "Te Mudaste," which mentions OnlyFans, landed on Billboard's Top 100. But Winters says the acceptance hasn't extended to other areas of sex work, such as studio porn. 'I feel like it is very OnlyFans related. OnlyFans is quite ambiguous, people don't just jump to the conclusion that you're doing hardcore porn,' she says, adding that there is also a 'ridiculous amount of stigma and discrimination in the business world.' Keily Blair, the chief executive of OnlyFans, told the Financial Times that one bank turned her down as a customer. Both Winters and Cruz have struggled to access banking tools in the U.K. and U.S., they say, with Winters resorting to 'obscure, online banks' after having her accounts closed. Sex workers frequently ask for advice on Reddit and exchange tips for setting up a bank account to process their OnlyFans earnings. And, FOSTA-SESTA, a U.S. law passed under President Donald Trump in 2018, attempted to shut down websites that facilitate sex trafficking, including the popular advertising platform Backpage, which had been taken down a few days prior by U.S. federal authorities. But sex workers say that in the process, it damaged an online infrastructure that helped keep them safe. A 2020 study of FOSTA's effects on sex workers showed it increased economic instability for about 72% of the study's participants, and nearly 34% reported an increase in violence from clients. Cruz argues that repealing SESTA-FOSTA, which 'goes hand-in-hand' with decriminalizing sex work, is a crucial step in improving their working conditions. OnlyFans and AI are impacting girls: This author wrote a book about it. Sex workers need worker protections, not just attention Cruz's introduction to sex work was as a sugar baby when she was 18 to help pay for college. After working an office job, she began stripping and offering "full-service," which includes exchanging sex for money. She's moved around the country. At one strip club, Cruz faced the 'worst working conditions' she'd ever experienced. In those moments, the least of her concerns was whether or not people saw her labor as 'real work.' While working as a stripper, she was strangled in the 'champagne room,' where clients would go for private services. When she turned to management, they encouraged her not to involve law enforcement. 'Whether or not somebody thinks what we're doing is normal is totally immaterial to whether or not we are safe at work,' she explains. 'I need an emergency button in the champagne room. I need a bouncer by the champagne room to be there if a customer is abusing me.' Online, some young female OnlyFans stars make their lives look aspirational. Rain's 'Bop House' squad has a combined following of nearly 90 million users across social media platforms. 'I wanna be like you when I get older,' one follower wrote under a video of the women dancing. "I need to join the bop house,' said another. But while Cruz has said committing to the industry was the best decision she has ever made, she doesn't encourage other women to follow in her footsteps. On 'Stripper Twitter,' an online community of in-person sex workers, they look out for each other. Part of the reason that community is so strong, Cruz says, is because they understand how 'difficult, lonely and isolating' the work can be. More: Online, young female OnlyFans stars make their lives look aspirational. Is it problematic? Sex workers want better representations of their lived experiences Cruz had been excited for the release of 'Anora,' but was disillusioned by the film. 'Anora' follows the whirlwind relationship between a 23-year-old stripper, Ani (Mikey Madison), and her client-turned-husband, Vanya (Mark Eydelshteyn), the son of a Russian oligarch. The romantic dramedy was marketed as a Cinderella story, and an early screening to an audience of sex workers, who clacked their heels in approval during the end credits, swiftly circulated on social media. When the film dominated awards season, other sex workers began expressing their disapproval. One of Cruz's biggest criticisms is that it depicted sex workers 'through the eyes of customers and consumers and not as workers performing labor,' which she calls a 'disrespect of our work.' To her, the film was a 'reminder' that the lived experiences of sex workers like herself, and the tensions between sex workers and consumers, will 'not be portrayed accurately' unless sex workers are in control of that portrayal from start to finish. ''Anora' embodies the dehumanizing consumer fantasy of a devoted worker who loves the consumer so much she does not conceive of her servitude as labor,' Cruz wrote of the film. In Mikey Madison's acceptance speech for best actress at the Oscars, Madison recognized the sex worker community: 'I see you. You deserve respect and human decency.' For Cruz, those sentiments fell flat. 'Advocacy for sex workers cannot be ambiguous,' she says. Instead of awards, she'd like to see real, tangible change.