Joseph Quinn Praises Fantastic Four Co-star Pedro Pascal
The Fantastic Four: First Steps cast and crew recently held a UK fan event at the BFI IMAX in Waterloo, South Bank, London. During the discussion, several cast members showered praise on Pedro Pascal, describing what the 50-year-old was like off-screen.
Joseph Quinn, who plays Johnny Storm a.k.a. Human Torch, called Pascal a 'good dancer' in an interaction with Entertainment Tonight. 'He's just a wonderful time. He's good energy,' Quinn shared. Meanwhile, The Thing actor Ebon Moss-Bachrach said that The Last of Us star is 'a true intellectual.' He further noted that the latter is 'a very sensitive, beautiful artist.'
Julia Garner, who essays Silver Surfer in the upcoming superhero flick, shared that Pascal is 'the kindest human ever.' She also noted that he was 'such a joy.' The actres continued, 'So what you see is what you get with Pedro. And I love that about him.'
Pascal, meanwhile, was asked by the outlet how it felt to be considered 'the internet's leading man.' To this, The Mandalorian actor replied that he is 'excited to discover leading man experiences.'
The Fantastic Four: First Steps will hit theaters across the United States on July 25, 2025. The upcoming Fantastic Four reboot is projected to make somewhere between $125-$155 million on its opening weekend. In addition, the domestic total low-end and high-end openings are estimated to make $277 and $395 million, respectively.
Besides Pascal, Quinn, Moss-Bachrach, Garner, and Vanessa Kirby, the film also stars Ralph Ineson, Natasha Lyonne, Paul Walter Hauser, Sarah Niles, Matthew Wood, and Mark Gatiss.
Originally reported by Abdul Azim Naushad on ComingSoon.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
2 hours ago
- New York Post
Marvel leaves Georgia to film superhero movies in UK — gutting state's movie industry: ‘You feel like a jilted lover'
Marvel Studios has shifted most of its production out of Georgia in favor of the United Kingdom — a move that has gutted the Peach State's film industry, wiping out nearly half its spending and leaving once-bustling soundstages largely empty. The Disney-owned studio behind 'Spider-Man: Homecoming' and 'She-Hulk: Attorney at Law' filmed nearly two dozen projects in Atlanta over the past decade. But starting with this summer's 'Fantastic Four: First Steps,' Marvel is shifting its superhero slate — including two new 'Avengers' films and the next 'Spider-Man' — to facilities outside London. Advertisement 4 Tom Holland was recently spotted filming scenes for the upcoming 'Spider-Man' installment in Glasgow, Scotland. UnBoxPHD / While major studios including Disney, Netflix and Warner Bros. Discovery threatened boycotts over Georgia's 2019 abortion law, with some smaller productions leaving in protest, Marvel's current exodus to the UK is driven purely by economics. Rising labor costs in Georgia tipped the scales. In the UK, crews are paid less and studios aren't saddled with health insurance expenses, making it cheaper to shoot overseas, a person familiar with the matter told the Wall Street Journal. The result has been devastating. Georgia's film and TV spending has plunged nearly 50% in three years, with just 245 projects filmed in the fiscal year ending June 2025 — down from 412 in 2022. Advertisement 'You feel like a jilted lover,' Janine Gosselin, 62, a script supervisor who once made $200,000 a year working Marvel sets, told the Journal. She hasn't had steady work since February 2024 and has borrowed from her retirement fund to cover bills. The downturn has film workers so demoralized they've turned the state's famous jingle into a joke. Crew members on the game show '25 Words or Less' sang new lyrics to the 'Made in Georgia' tag earlier this year: 'Unemployed in Georgia.' Advertisement Trilith Studios — Marvel's longtime 1,000-acre production hub near Atlanta, with 34 stages and its own housing village — has gone quiet after years of nonstop demand. 4 Marvel Studios has shifted most of its production out of Georgia in favor of the United Kingdom — a move that has gutted the Peach State's film industry. AFP via Getty Images 'We were fighting over stages on a daily basis because there just wasn't enough room for Marvel and whatever other show was trying to film,' location scout Lenzi Sealy, who worked on four Marvel projects, told the Journal. Now, she says, the lot is 'largely empty.' Advertisement Sealy remembered February's 'Captain America: Brave New World' shoot, when rumors spread it might be Marvel's Georgia swan song. Her fears came true weeks later when the studio held an auction to sell props it had accumulated during its decade in the state. 'That's when it really hit home,' she told the Journal. For local crews, Marvel wasn't just another client — it was the cornerstone. The studio's high-budget blockbusters employed hundreds at a time and kept workers busy year-round. 4 This file image released by Marvel Studios shows, from left, Benedict Cumberbatch, Robert Downey Jr., Mark Ruffalo and Benedict Wong in a scene from 'Avengers: Infinity War.' AP 'Marvel allowed me to do so much with my life and really set the trajectory for my career,' said grip John Grubb, 44, who worked six Marvel films. He even calls his $350,000 home 'the house 'Avengers' bought.' The collapse comes after a meteoric rise that began in 2008, when Georgia expanded of its film tax credit to 30%, uncapped — making it one of the most generous in the world. Advertisement The policy turned Atlanta into the so-called 'Hollywood of the South.' Franchises rushed in: Lionsgate's 'Hunger Games,' Universal's 'Fast & Furious,' Netflix's 'Stranger Things' and AMC's 'The Walking Dead.' At its peak, the industry supported nearly 20,000 jobs, according to a 2023 Georgia State University study. But the global economics have changed. Across the US, 29% fewer big-budget movies and shows began filming in 2024 compared to 2022, according to ProdPro. Advertisement In the UK, that number jumped 16%. 4 This image released by Disney shows the Silver Surfer, portrayed by Julia Garner, in a scene from 'The Fantastic Four: First Steps.' AP Other countries like Canada and Australia continue to lure projects. States including California, New York, New Jersey and Texas are pumping up their own incentives to compete. Lee Thomas, director of the Georgia Film Office, said rising labor costs drove Marvel and others out. Advertisement 'We hope that this is an anomaly where they'll try out other markets and will return to Georgia because they have faith in our crew and facilities and our tried-and-true incentive,' she told the Journal. Trilith CEO Frank Patterson is betting the slump will end, predicting a 'new normal in 2027.' In the meantime, his company is investing in startups that make content exclusively on the studio's stages. The Post has sought comment from the Georgia Film Office and Marvel.


Elle
3 hours ago
- Elle
Justin Bieber Balances Baby Jack on His Shoulders in Candid New Photos
THE RUNDOWN Jack Blues Bieber turns one on Friday, and in the lead-up to his August 22 birthday, his dad, Justin Bieber, is giving a new glimpse at their relationship. This morning, Justin shared an Instagram carousel featuring photos of him with Jack on his shoulders. Jack wore a red sleeveless outfit with his shirtless father. On August 16, Hailey, Justin's wife and Jack's mom, posted her own photo with Jack. The two were captured playing together, with Jack dressed in a striking yellow look: Justin hasn't given any extended interviews yet on fatherhood; but for Hailey's Vogue cover earlier this year, he told the outlet in an email, 'I'm walking in the days I always dreamed of,' as a parent with her. The singer also included a track on Swag called 'DADZ LOVE' that touches on the joy he feels being a father and caring for his son. Hailey has been more open about her life as a mother, telling Vogue that Jack is 'my priority. He is the most important thing to me.' She added that becoming a parent has 'been my biggest teacher so far, the biggest teacher in my relationship. You see your partner so differently. I think you empathize with your parents a lot more. There's so much perspective that comes with it.' The model added that she would like to have at least one more child, and beyond that, she and Justin will take it 'a kid at a time.' While Justin and Hailey reportedly had some relationship issues earlier this year, the couple is now in a good place. A source told Entertainment Tonight in July, 'Justin and Hailey are doing much better these days, [but] things were up and down for a bit. Even though they have gone through rough patches in their marriage, divorce was not on the table. Hailey loves Justin and the family they've built.'


Los Angeles Times
4 hours ago
- Los Angeles Times
‘Superman' star Isabela Merced is owning her power onscreen — and IRL
Last year, Isabela Merced was living a double life. By day, she was running around the set of 'The Last of Us' in Vancouver — dodging Infected, WLF soldiers and Seraphites alongside co-star Bella Ramsey. Then, after wrapping what was sometimes a 15-hour workday, she'd be on a flight 4,500 miles away to Atlanta — doing costume fittings and fight training to become Hawkgirl in James Gunn's 'Superman.' 'I didn't know I could do that,' she tells De Los. 'I proved to myself that I'm capable of more than I think.' The Peruvian American actress has the kind of career that any young actor would aspire to: She made her Broadway debut at 10 years old in 'Evita,' earned critical acclaim acting opposite Benicio del Toro in 'Sicario: Day of the Soldado' at 17 and starred in the live-action film adaptation of the massively successful 'Dora the Explorer' franchise when she was just 18. In the last year alone, she's grown into a certified action star, making waves in huge franchise entries like 'Alien: Romulus,' 'The Last of Us' Season 2 and 'Superman.' At 24 years old, her filmography of formidable heroines, scrappy spitfires and multifaceted young women in major blockbusters has put her on a path that's been largely inaccessible to so many of the Latino actors who came before her. It's why she also has her sights set on producing, hoping to provide more opportunities for her community in front of and behind the camera. Yet this month, she's turning her focus away from the screen and toward her other creative calling: music. In 2020 she released her debut EP, 'The Better Half of Me,' which showcased her bilingual prowess through soulful Latin pop tracks, written and produced alongside her brother, Gyovanni Moner, during quarantine. Now, she's revisiting the project in a collaboration with the Grammy Award-winning Peruvian artist Tony Succar. Their new single 'Apocalipsis,' released Friday, transforms Merced's 2020 song of the same name from a slow jam to a modernized salsa groove fit for a Miami nightclub. With 'Superman' now out on digital platforms, Merced spoke with De Los about donning Hawkgirl's helmet, working with Succar on 'Apocalipsis,' and what's coming up next. It seems like everything is kept pretty under wraps for these massive superhero movies. How much did you know going into your 'Superman' audition? Initially, I had no idea who I was auditioning for because everything had secret names. I think mine said 'Cyclone' in the script. I didn't actually find out who I was until the day of the camera test with the [Justice Gang]. Oh, wow. How did they tell you?They didn't want to make it obvious that they were about to tell me, so it was all really mysterious. I'd been doing all the fittings, and the fight training, and then I got pulled into James [Gunn's] trailer with the producers and everyone, and they were like 'Do you want to be Hawkgirl?' As soon as I found out, I was really, really excited because I was like 'Oh thank God, it's someone I know.' What was your connection to Hawkgirl before this? I grew up watching [the 'Justice League' animated series] and the character is canonically Latina, so I loved that. Her history is really complicated, and it gets even crazier when you get into the comics, but I was a huge fan of her in the show, and I drew a lot on my memories of Maria [Canals-Barrera's] version of her. I mean, they're two different characters, but they're still of the same spirit because they share memories of their past lives. What made you most excited about this version of the character? Did you connect with her at all?She's the only young woman in this group of guys, in an industry that's mostly headed up by men, and in a movie that's mostly led by men. It was a really cool opportunity to exercise a different way of being in that kind of environment. She's kind of the unfiltered and disconnected, doesn't-care-how-she's-perceived version of me, and that was really cathartic to play. Because you also have a music background, I'm curious about whether you use music as a tool to get into character?Oh, yeah, definitely. Every character I play, I make a playlist of songs that remind me of them, and I'll play them before I go to film. With Hawkgirl it was a lot of punk music that I was discovering, with all these really strong singers. Then there were songs that Bella [Ramsey] and I really loved by Adrianne Lenker that informed our experience a lot as Dina and Ellie [in 'The Last of Us']. There was some '80s music in there too, maybe some early 2000s, but in general, just really soft, sweet, romantic songs. You're releasing a salsa remix of your 2020 single, 'Apocalipsis,' with Tony Succar. How did that come about?I mean, 'remix' almost feels like an understatement because it feels like a completely different song. That's thanks to Tony, who's the first Peruvian to win a Grammy. He came to me with this opportunity four years ago, and we recorded the song, but I was signed to a label and we weren't able to release it. Now that I'm free and independent, and he won his Grammy, he wanted to put it on his EP, and I was like, 'Hell yeah, let's do it.' He gave me the freedom to do the video for it, and I'm really happy with how it turned out. I got to dance for it, and I learned all the choreography in an hour and a half. It was crazy, but I'm really excited for people to see it. How would you describe your music taste? And how does it connect to the type of music you want to make?It's hard to pin down. If I'm looking at my most recents, it's Hermanos Gutiérrez. But it's also Dick Gaughan, Big Thief, Los Mirlos, which is a Peruvian band, and the Andrew Oldham Orchestra. There's no through line there other than good music. I already have a lot going on with acting, so if music could stay something fun and light for me, and not so disciplined, I think that would be nice. Is there a musical or an idea for a musical that would get you excited about returning to Broadway?Have they done a Selena musical? No, I think I would have remembered that. But that would be cool, getting to dance on stage. It would be like a concert-slash-musical theater experience, kind of like what they did with Gloria Estefan's 'On Your Feet!' If it was made by the right people with respect to her life and her legacy, I think that could be dope. But honestly, if I were to do something on Broadway, I would love for it to be an original composition. I'm currently working on one right now. I'm producing it, and also going to be in it. Things are moving along really well, and it's another project with friends. I think we have to take more bold chances when it comes to Broadway, because everyone's trying to reach a younger audience — but I think the most efficient way of doing that is by allowing the younger audience to bring their stories forward and tell them. You've mentioned that you're getting into producing. What kind of projects do you have in the works right now?I'm producing one movie that's shooting in September called 'Psyche.' I'm really excited about it. We have Latina director, and also the project I'm supposed to do next after that is going to be directed by a Peruvian woman. So there's some really, really cool s— that I've been trying to do, where I'll have more creative control and freedom — but also a lower budget, so, you know, roughing [it] compared to what I've been doing the last few years. But I'm excited to get to the root of why I love to do this and feel it fully. Your career is so interesting because it's just getting started, and yet, it's not the kind of career that many Latino actors have historically been able to achieve so early on. How do you process that?I'm in an interesting position because I think Hollywood is really comfortable picking Latino actors who are sort of white-forward or mixed before they're willing to cast Indigenous people. And look, I'll take anything I can get, because, girl, I'm just trying to work in this economy. [Laughs] But I think being aware of that is really important because when I go off and do my own projects, and have the power, I can hire people that look more like the people that I grew up with, or that look like my family. But it doesn't always happen that way. Financing is hard to get, and when you're trying to bring people on, they want someone who's already known, and Hollywood just hasn't given many of those opportunities to people of certain skin colors. Because you've grown up in this industry, I'm curious what your experience has been like learning to speak up for and advocate for yourself?Something I've learned is that there's always a power struggle going on, whether that's on a personal level, or on a bigger level, or even socially. I think we're constantly fighting for power. And because of that, we can become very defensive. So I think the biggest challenge for me wasn't necessarily what I went through, but how I reacted to it: by choosing to keep an open heart and still love freely and trust in people because of how I was raised. I think we all have a choice to make when we're harmed, and that's to either close up and harm others, or to keep going. It sucks, but I won't let that dictate the way I move through life.