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Kyunki...turns 25: Smriti Irani, Amar Upadhayay, Ektaa Kapoor get nostalgic

Kyunki...turns 25: Smriti Irani, Amar Upadhayay, Ektaa Kapoor get nostalgic

India Today4 days ago
Smriti Irani and Amar Upadhyay's popular show 'Kyunki Saas Bhi Kabhi Bahu Thi' turned 25 today, July 3. Conceptualised by Ekta Kapoor, the show not only ruled TRP charts but also redefined primetime television, making the 'saasbahu' drama a cultural phenomenon. On this special occasion, Smriti Irani, Amar Upadhyay, and Ektaa Kapoor share heartfelt reflections on a show that shaped their journeys and transformed Indian television.advertisementReflecting on 25 glorious years, Smriti Irani said, "Kyunki Saas Bhi Kabhi Bahu Thi isn't just a show, it's a shared memory. For those who created it and the millions who embraced it, it was a story of families, faith, and the fabric that binds us across generations. Twenty-five years later, it still lives in our hearts. My gratitude to those who made the journey possible."Ektaa Kapoor also shared the happiness and said, "Kyunki Saas Bhi Kabhi Bahu Thi still lives in every beat of my heart. When we started, we never imagined Tulsi would become family to millions. Even today, people remember the title track, the tears, and the emotions it sparked. This milestone belongs to every writer, actor, crew member, and most of all every viewer who made Kyunki part of their lives. Thank you for turning a story into a legacy, for making Tulsi and the Virani parivaar your own, and for keeping this emotion alive even 25 years later. We didn't just make a show we created a bond that still feels like home." advertisement View this post on Instagram A post shared by EktaaRkapoor (@ektarkapoor)
Amar Upadhyay expressed, "Twenty-five years ago, we began a journey that was more than just a show it was a mirror to millions of households, a reflection of traditions, love, trials, and the changing face of Indian families. Being a part of Kyunki Saas Bhi Kabhi Bahu Thi wasn't just a role it was a responsibility, a privilege, and a turning point not just for me, but for everyone who lived and breathed this world with us. It changed our lives, rewrote television history, and connected generations. Even today, its echoes live on in how we see relationships, resilience, and reinvention."He further added, "Kyunki... some stories aren't just watched, they are lived. Kyunki Saas Bhi Kabhi Bahu Thi wasn't just a show it was an era. A movement. A mirror to Indian families. And being Mihir meant becoming a part of people's daily routines, their emotions, their dinner conversations. Even today, when someone calls me 'Mihir,' there's a warmth and familiarity in it like a long-lost family member greeting you after years. That's the kind of love you can't manufacture it can only be lived."With unforgettable characters, powerful emotions, and twists that became national talking points, Kyunki Saas Bhi Kabhi Bahu Thi became more than just a daily soap it became a ritual. Under Ekta Kapoor's leadership, Balaji Telefilms redefined storytelling and connected with millions across the country. As nostalgia takes over and memories of Shantiniketan resurface, whispers of the show's return grow stronger. But will the entire Virani family be back? That question remains a mystery.Regarded as one of the most successful shows on Indian television, the show revolved around the ideal daughter-in-law Tulsi Virani (played by Smriti Irani), her relationship with her husband Mihir Virani (played by Amar Upadhyay) and their kids. The show aired from 2000 to 2008 on television and remained number 1 on the ratings charts for seven years.- EndsMust Watch
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'She was huge but more successful ...' Ram Kapoor gets slammed for his comment on this iconic former TV star
'She was huge but more successful ...' Ram Kapoor gets slammed for his comment on this iconic former TV star

Economic Times

time42 minutes ago

  • Economic Times

'She was huge but more successful ...' Ram Kapoor gets slammed for his comment on this iconic former TV star

A past interview with television actor Ram Kapoor, now aged 51, has gone viral, setting off a fresh round of conversations and controversy. A previously recorded conversation featuring actor Ram Kapoor, now 51, has resurfaced online, stirring considerable discourse across social media platforms. The renewed interest isn't rooted in Kapoor's reflections on his personal life or career struggles, but rather in a specific section of his interview with Humans of Bombay , recently reposted by Brut India . In the segment, Kapoor discusses his thoughts on body image issues within the entertainment world and highlights the challenges faced by those who do not fit the industry's conventional standards of appearance. However, it was his remarks involving his former Kyunki Saas Bhi Kabhi Bahu Thi co-star Smriti Irani, 49, that attracted widespread criticism and debate. The conversation begins with Kapoor discussing how physical appearance can be a significant barrier to success, particularly for those who do not conform to certain societal ideals. Speaking from experience, he comments on the limited opportunities available to individuals who are overweight, emphasizing how difficult it is for them to secure major roles in television or the discussion takes an unexpected turn when he uses Smriti Irani as an example to underscore his point. Kapoor states that Irani, who worked alongside him during the early 2000s in Kyunki Saas Bhi Kabhi Bahu Thi, had a similar body type to his and had arguably achieved more success during that time. He attributes her physical transformation over the show's eight-year duration to character demands and logical progression in the storyline, as Irani's role evolved from a young wife to a grandmother due to multiple generational leaps in the goes on to describe how Irani allowed her physical appearance to change in alignment with the growth of her character, calling it a deliberate decision rather than a personal oversight. According to him, she embraced the natural aging and physical development that came with portraying a woman progressing through various life stages on screen. He believes that had she remained in the television industry, she might have surpassed him in popularity and prominence. He also points out that her exit from acting and shift to politics marked a new and successful chapter in her professional Kapoor mentions that the two had openly discussed this topic in the past, suggesting that Irani never shied away from the role's physical demands and was always committed to the authenticity of her what appeared to be a tone of admiration, many online users found Kapoor's remarks problematic. Critics argued that his commentary, though possibly meant as praise, ended up focusing too heavily on Irani's weight and physical transformation. Numerous viewers felt that his statements reduced her multifaceted career to superficial observations about her size, which many believed bordered on netizen highlighted the fact that Irani continued acting through her pregnancies, a testament to her dedication and professionalism. Others expressed frustration that conversations about female actors often circle back to discussions about their physical appearance, especially in comparison with male counterparts. Some even questioned Kapoor's credibility in making such observations, pointing out that Irani's performances carried emotional weight and character complexity that went beyond physical of the controversy, Kapoor has recently opened up about his own battles with health and fitness. In a candid conversation with comedians Bharti Singh and Haarsh Limbachiyaa on their podcast, the Bade Achche Lagte Hain actor revisited a dark period in his life when his weight had peaked at 140 recalled the dire warning he received from his doctor during the filming of Neeyat in Scotland, where he was required to administer insulin shots three times a day due to critically high blood sugar levels. The situation became a turning point when his physician gave him a stark choice: either implement drastic changes to his lifestyle or face life-threatening consequences. The severity of the warning served as a wake-up eventually shed 55 kilograms by adhering to a disciplined, structured routine based on three uncomplicated rules:Two Meals a Day: He restricted his eating to just two meals, one late in the morning around 10:30 a.m. and another in the early evening by 6:30 p.m. This approach follows the principles of intermittent fasting, allowing extended periods for the body to burn stored Snacking: Outside of his two primary meals, Kapoor completely eliminated snacking. While he continued to consume water, tea, and coffee, he avoided any solid food in between, which helped him create a consistent calorie deficit and prevent impulsive Food After 6:30 PM: Regardless of social gatherings or events, he strictly avoided eating beyond his 6:30 p.m. cut-off. This routine aligns with the idea of early time-restricted eating, which is thought to optimize digestion and metabolic efficiency. In a recent conversation with Humans of Bombay, Kapoor opened up about his weight loss journey and offered a candid take on the widespread use of the trending weight loss drug, Ozempic. The medication, which has recently dominated headlines in both medical circles and online discussions, is often seen as a shortcut to shedding excess weight. Kapoor, known for his role in Bade Achhe Lagte Hain, didn't shy away from addressing the buzz surrounding the drug. Speaking with his trademark frankness, he dismissed the judgment around using Ozempic or similar medical aids. According to him, life is short, and people should feel free to take whatever safe and doctor-approved measures help them feel healthier and happier. His approach encourages personal choice and challenges the stigma often attached to medically assisted weight than glorifying traditional methods alone, Kapoor's words reflected a more pragmatic outlook—one that recognizes that not every journey has to follow the same path. His message was simple yet powerful: if your doctor recommends a method that works for you and helps you live your best life, go for it without guilt. ( Originally published on Jul 05, 2025 )

One-take movie by Iranian director among 98 films competing at fest
One-take movie by Iranian director among 98 films competing at fest

Time of India

timean hour ago

  • Time of India

One-take movie by Iranian director among 98 films competing at fest

1 2 Kolkata: Ninety-eight films, exploring diverse subjects, such as AI, the desire for hilsa in a patriarchal household and Kolkata's music shop, are vying for the top awards at the 8th South Asian Short Film Festival that started at Nandan on Monday. Among the entries at the festival, launched by the Federation of Film Societies of India (Eastern Region), is a single-take film—'Spasm' —by an Iranian director and an Indian producer. Directed by Sahra Asadollahi and produced by Deepankar Prakash, the short film, 'Spasm', is about what happens when a woman who has never acted in film goes for an audition that becomes a test of more than just her acting ability. "I met Sahra at a festival in Nepal in 2023. Soon, we decided to collaborate and started work on this 27-minute-long film. Sahra, an actor in Iran, shot the film completely in Tehran, while I was in India. She herself played the role of the woman in the film," said Prakash, whose 'Naanera' had won in the competition on Indian Language's Films at the Kolkata International Film Festival in 2022. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata In 'Spasm', Asadollahi plays a young Iranian woman who dreamed of being an actor since her childhood but could not manage to get a good role. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Меките и удобни ежедневни обувки улесняват ходенето ZAROTRAVEL® КУПИ СЕГА Undo Finally, she is called for an audition, where the director and producer of an upcoming film interview her. From her father's horse to her 10-month-old baby—questions are flung at her from all quarters. Finally, a situation arises where she is compelled to believe she is rejected. But the situation takes a different turn when she is told the confrontation was deliberately orchestrated to evaluate her acting skill. In recent times, the long single-take shooting approach, especially after the success of 'Adolescence', has got cine enthusiasts talking. 'Spasm' is the first one-take film in competition at the South Asian Short Film Festival. What makes this film engaging is how minimalism has been effectively used to counter the challenges of filming by a woman director in Iran. Shot inside one room with minimal production and sound design, 'Spasm' features only an animated Asadollahi seated in front of the camera. The camera angle is such that the faces of no other cast member, including the director and the producer, are visible. For many independent film-makers, who complain about shortage of funds and lack of infrastructure in this city, the film is a lesson on how big ideas, not big budgets, are important for good cinema. "Sahra is unable to come to Kolkata now because of the situation in her country. But I will be at the festival," Prakash added.

Watch: Vlogger Tries Indian Sweets For The First Time, His Reaction Says It All
Watch: Vlogger Tries Indian Sweets For The First Time, His Reaction Says It All

NDTV

timean hour ago

  • NDTV

Watch: Vlogger Tries Indian Sweets For The First Time, His Reaction Says It All

A video doing the rounds on Instagram shows a foreign vlogger trying Indian sweets for the first time. While there are several food videos of people tasting Indian dishes for the first time, this one stands out for the vlogger's expressive reactions and quirky descriptions of each sweet. The vlogger (@tariqokay) recognises the name gulab jamun, which is where he begins his tasting session of the assorted Indian sweets box. After the gulab jamun, he picks up a green-coloured petha, looking visibly confused, and refers to it as a "uranium-looking nuclear reactor piece". However, he appreciates its "interesting texture". Next comes jalebi, which the vlogger amusingly calls the "Indian pretzel". After tasting it, he says, "It had the best texture by far." He then samples burfi. Although he is unfamiliar with the name, he guesses it to be a type of fudge with a caramel aroma. Calling it "fudgy pudgy", he seems thoroughly impressed and declares it "magnificent". Enjoying the flavours, he even breaks into song, saying, "That's the way, maahi ve." Finally, the vlogger tries what appears to be dhodha burfi. Jokingly, he calls it a "brownie/cake hybrid endangered species". Just one bite is enough for him to call it "the one" - scrumptious and a solid 9.5/10. "Indian desserts are dangerously good," the vlogger concludes, adding in the caption, "So this is what I've been missing out on, huh?" Watch the video here: View this post on Instagram A post shared by @tariqokay The Indian sweets taste test has won over viewers on Instagram, especially from India. One viewer described each sweet in detail, explaining the names and ingredients for the vlogger. He added, "Bro, your food reviews are so good. Make some more Indian food reviews. And if you need any suggestions, let me know. I am happy to help you." A food lover joked, "Me watching him eating in the wrong order... Giving me very bad anxiety." Another suggested, "Please try ras malai, make sure it's cold when you eat it. Also, try cham cham - make sure it has a creamy filling." Craving Indian sweets after watching this? Check out our favourite recipes here.

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